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Emerald Star (Hetty Feather #3)
by Jacqueline Wilson Nick SharrattA fantastic new adventure for brave, feisty Hetty Feather - one of Jacqueline Wilson's most well-loved characters.Since leaving the Foundling Hospital, Hetty has seen her fair share of drama, excitement, tragedy and loss. After the death of her beloved mama, she sets off to find a real home at last – starting with the search for her father.But Hetty is no longer a simple country girl, and begins to fear she’ll never truly belong anywhere. And even when she is reunited with her beloved childhood sweetheart Jem, Hetty still longs for adventure – especially when an enchanting figure from her past makes an unexpected reappearance. Could a more exciting future lie ahead for Hetty?
Emerald Underground
by Michael CollinsA novel of maturity and rare beauty - by an author shortlisted for the 2000 Booker Prize.Liam, a fallen angel with a bad track record, has arrived in America through the back door, an illegal immigrant stuck with the worst kind of job and a reputation for trouble. Forced on the run, he links up with another fallen star, a beautiful, pregnant girl called Angel. Hampered, yet spurred on, by Angel's lowlife boyfriend, Liam finds the wide open spaces bring him a freedom not advertised by the immigration brokers back home, and the chance to run towards the life he had always dreamed of. Michael Collins writes with his characteristic rawness and anger about the Irish in '80s America. He brings a new poignancy to our understanding of the emigrant experience and of the loneliness of not belonging.
Emerald Unicorn: Book 23 (Secret Kingdom #23)
by Rosie BanksWhen Ellie, Summer and Jasmine receive an urgent message from King Merry saying that Queen Malice has taken over the Secret Kingdom, they know that this will be their most important adventure yet! The girls must find four magical jewels to create a new crown for the king - but how will they find the emerald when the entire kingdom is under the queen's wicked spell?
The Emergence of African American Literacy Traditions: Family and Community Efforts in the Nineteenth Century (Non-ser.)
by Phyllis M. Belt-BeyanThe ways in which the African American community learned to be proficient readers and writers during the 19th century were diverse, however, the greatest impact on literacy acquisition came from family and community efforts. African American arts, churches, benevolent societies, newspapers, literacy societies, and formal and informal schools supported literacy growth, and literacy growth in turn gave rise to national and international African American literacy traditions. The underlying motivations that gave shape to the nature of their literacy behaviors and events within family and community contexts and within national and global context are examined in detail here.The beginnings of African American literacy traditions would have failed had there not been intrinsic motivations, opportunities, and a need to use all of the language arts, reading, writing, speaking, listening, and viewing to maintain and protect what mattered most to them as a people. The institutionalization of these traditions into family and community rituals, including songs, prayers, letters, story telling, and the like gave a visibility to the African American in ways no other cultural knowledge could. Belt-Beyan traces the development of these literacy traditions, noting the parallel progression and transformation of Africans into African Americans, slaves into freepersons, and noncitizens into citizens.
The Emergence of Dramatic Criticism in England: From Jonson to Pope
by P. CannanFocusing on dramatic criticism, this book explores the self authorizing strategies of writers such as Jonson, Dryden, Aphra Behn, Thomas Rymer, Jeremy Collier and Joseph Addison. Cannan focuses on how they established themselves as critics, and paved the way for the birth of dramatic criticism in seventeenth and early eighteenth-century England.
The Emergence of Judy Taylor
by Angela JacksonJudy Taylor married the first man who asked her. She lives in the neighbourhood where she spent her uneventful childhood. She still has the same friends she first met in primary school. But everything she once knew is about to be turned upside down.Judy might be ready to start a new life in vibrant Edinburgh, if she's prepared to accept what it means to change. First she has to ask herself if it's ever too late to make up for lost time.The Emergence of Judy Taylor is a story about first loves and second chances. It's about love and life and sex and starlings. It's about Judy and Oliver and Paul and Fabiana and Rob and Min and Lily and Harry and a French siren called Isabella.
The Emergence of Literature: An Archaeology of Modern Literary Theory
by Jacob BittnerThe Emergence of Literature is an extension and reworking of a series of significant propositions in philosophy and literary theory: Jean-Luc Nancy and Philippe Lacoue-Labarthe's examination of the concept of the literary absolute; Martin Heidegger's destruction and Giorgio Agamben's archaeology of the metaphysics of will; Maurice Blanchot's delimitation of the space of literature; and Michel Foucault's archaeology of literature. Its core contribution to the history of theory is to understand the literary absolute not simply as philosophical concept, but as a paradigm that delimits the horizon for currents of literary theory through the course of the 20th century where the literary criteria change from the theme of sincerity to the theme of the death of the author. Stretching from Kant to Hegel, from Hölderlin to the Early German Romantics, from John Stuart Mill to New Criticism, from Benjamin to Barthes, The Emergence of Literature examines the relation between continental philosophy and literature in the post-Kantian era.
The Emergence of Literature: An Archaeology of Modern Literary Theory
by Jacob BittnerThe Emergence of Literature is an extension and reworking of a series of significant propositions in philosophy and literary theory: Jean-Luc Nancy and Philippe Lacoue-Labarthe's examination of the concept of the literary absolute; Martin Heidegger's destruction and Giorgio Agamben's archaeology of the metaphysics of will; Maurice Blanchot's delimitation of the space of literature; and Michel Foucault's archaeology of literature. Its core contribution to the history of theory is to understand the literary absolute not simply as philosophical concept, but as a paradigm that delimits the horizon for currents of literary theory through the course of the 20th century where the literary criteria change from the theme of sincerity to the theme of the death of the author. Stretching from Kant to Hegel, from Hölderlin to the Early German Romantics, from John Stuart Mill to New Criticism, from Benjamin to Barthes, The Emergence of Literature examines the relation between continental philosophy and literature in the post-Kantian era.
The Emergence of Neuroscience and the German Novel: Poetics of the Brain (Palgrave Studies in Literature, Science and Medicine)
by Sonja BoosThe Emergence of Neuroscience and the German Novel: Poetics of the Brain revises the dominant narrative about the distinctive psychological inwardness and introspective depth of the German novel by reinterpreting the novel’s development from the perspective of the nascent discipline of neuroscience, the emergence of which is coterminous with the rise of the novel form. In particular, it asks how the novel’s formal properties—stylistic, narrative, rhetorical, and figurative—correlate with the formation of a neuroscientific discourse, and how the former may have assisted, disrupted, and/or intensified the medical articulation of neurological concepts. This study poses the question: how does this rapidly evolving field emerge in the context of nineteenth century cultural practices and what were the conditions for its emergence in the German-speaking world specifically? Where did neuroscience begin and how did it broaden in scope? And most crucially, to what degree does it owe its existence to literature?
The Emergence of Pre-Cinema: Print Culture and the Optical Toy of the Literary Imagination
by Alberto GabrieleThe book investigates the dispersed emergence of the new visual regime associated with nineteenth-century pre-cinematic spectacles in the literary imagination of the previous centuries. Its comparative angle ranges from the Medieval and Baroque period to the visual and stylistic experimentations of the Romantic age, in the prose of Anne Radcliffe, the experiments of Friedrich Schlegel, and in Wordsworth’s Prelude. The book examines the cultural traces of the transformation of perception and representation in art, architecture, literature, and print culture, providing an indispensable background to any discussion of nineteenth-century culture at large and its striving for a figurative model of realism. Understanding the origins of nineteenth-century mimesis through an unacknowledged genealogy of visual practices helps also to redefine novel theory and points to the centrality of the new definition of ‘historicism’ irradiating from Jena Romanticism for the structuring of modern cultural studies.
The Emergence of Quaker Writing: Dissenting Literature in Seventeenth-Century England
by T. Corns D. LoewensteinAmong the radical sects which flourished during the tumultuous years of the English Revolution, the early Quakers were particularly aware of the power of the written word to promote their prophetic visions?and unorthodox beliefs.This collection of new essays by literary scholars and historians looks at the diversity of seventeenth-century Quaker writing, examining its rhetoric, its polemical strategies, its purposeful use of the print medium, and the heroism and vehemence of its world vision.
The Emergence of Quaker Writing: Dissenting Literature in Seventeenth-Century England
by Thomas N. Corns David LoewensteinAmong the radical sects which flourished during the tumultuous years of the English Revolution, the early Quakers were particularly aware of the power of the written word to promote their prophetic visions?and unorthodox beliefs.This collection of new essays by literary scholars and historians looks at the diversity of seventeenth-century Quaker writing, examining its rhetoric, its polemical strategies, its purposeful use of the print medium, and the heroism and vehemence of its world vision.
The Emergence of Subjectivity in the Ancient and Medieval World: An Interpretation of Western Civilization
by Jon StewartThe Emergence of Subjectivity in the Ancient and Medieval World: An Interpretation of Western Civilization represents a combination of different genres: cultural history, philosophical anthropology, and textbook. It follows a handful of different but interrelated themes through more than a dozen texts that were written over a period of several millennia and, by means of an analysis of these texts, presents a theory of the development of Western civilization from antiquity to the Middle Ages. The main line of argument traces the various self-conceptions of different cultures as they developed historically, reflecting different views of what it is to be human. The thesis of the volume is that through examination of these changes we can discern the gradual emergence of what we today call inwardness, subjectivity, and individual freedom. As human civilization took its first tenuous steps, it had a very limited conception of the individual. Instead, the dominant principle was that of the wider group: the family, clan, or people. Only in the course of history did the idea of what we now know as individuality begin to emerge, and it took millennia for this idea to be fully recognized and developed. The conception of human beings as having a sphere of inwardness and subjectivity subsequently had a sweeping impact on all aspects of culture, including philosophy, religion, law, and art: indeed, this notion largely constitutes what is today referred to as modernity. It is easy to lose sight of the fact that this modern conception of human subjectivity was not simply something given, but rather the result of a long process of historical and cultural development.
The Emergence of Subjectivity in the Ancient and Medieval World: An Interpretation of Western Civilization
by Jon StewartThe Emergence of Subjectivity in the Ancient and Medieval World: An Interpretation of Western Civilization represents a combination of different genres: cultural history, philosophical anthropology, and textbook. It follows a handful of different but interrelated themes through more than a dozen texts that were written over a period of several millennia and, by means of an analysis of these texts, presents a theory of the development of Western civilization from antiquity to the Middle Ages. The main line of argument traces the various self-conceptions of different cultures as they developed historically, reflecting different views of what it is to be human. The thesis of the volume is that through examination of these changes we can discern the gradual emergence of what we today call inwardness, subjectivity, and individual freedom. As human civilization took its first tenuous steps, it had a very limited conception of the individual. Instead, the dominant principle was that of the wider group: the family, clan, or people. Only in the course of history did the idea of what we now know as individuality begin to emerge, and it took millennia for this idea to be fully recognized and developed. The conception of human beings as having a sphere of inwardness and subjectivity subsequently had a sweeping impact on all aspects of culture, including philosophy, religion, law, and art: indeed, this notion largely constitutes what is today referred to as modernity. It is easy to lose sight of the fact that this modern conception of human subjectivity was not simply something given, but rather the result of a long process of historical and cultural development.
The Emergence of the American Frontier Hero 1682–1826: Gender, Action, and Emotion (American Literature Readings in the 21st Century)
by D. MacNeilThe study follows the early evolution of the American frontier hero, from its roots in Mary Rowlandson's narration of her experiences as a prisoner during King Phillip's war through works by Unca Eliza Winkfield, Charles Brockden Brown, James Fenimore Cooper, the film-maker John Ford, and actor John Wayne.
The Emergence of the Digital Humanities (Open Access)
by Steven E. JonesThe past decade has seen a profound shift in our collective understanding of the digital network. What was once understood to be a transcendent virtual reality is now experienced as a ubiquitous grid of data that we move through and interact with every day, raising new questions about the social, locative, embodied, and object-oriented nature of our experience in the networked world. In The Emergence of the Digital Humanities, Steven E. Jones examines this shift in our relationship to digital technology and the ways that it has affected humanities scholarship and the academy more broadly. Based on the premise that the network is now everywhere rather than merely "out there," Jones links together seemingly disparate cultural events—the essential features of popular social media, the rise of motion-control gaming and mobile platforms, the controversy over the "gamification" of everyday life, the spatial turn, fabrication and 3D printing, and electronic publishing—and argues that cultural responses to changes in technology provide an essential context for understanding the emergence of the digital humanities as a new field of study in this millennium. The Open Access version of this book, available at https://doi.org/10.4324/9780203093085, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
The Emergence of the Digital Humanities (Open Access)
by Steven E. JonesThe past decade has seen a profound shift in our collective understanding of the digital network. What was once understood to be a transcendent virtual reality is now experienced as a ubiquitous grid of data that we move through and interact with every day, raising new questions about the social, locative, embodied, and object-oriented nature of our experience in the networked world. In The Emergence of the Digital Humanities, Steven E. Jones examines this shift in our relationship to digital technology and the ways that it has affected humanities scholarship and the academy more broadly. Based on the premise that the network is now everywhere rather than merely "out there," Jones links together seemingly disparate cultural events—the essential features of popular social media, the rise of motion-control gaming and mobile platforms, the controversy over the "gamification" of everyday life, the spatial turn, fabrication and 3D printing, and electronic publishing—and argues that cultural responses to changes in technology provide an essential context for understanding the emergence of the digital humanities as a new field of study in this millennium. The Open Access version of this book, available at https://doi.org/10.4324/9780203093085, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
The Emergence of the Fourth Dimension: Higher Spatial Thinking in the Fin de Siècle
by Mark BlacklockThe Emergence of the Fourth Dimension describes the development and proliferation of the idea of higher dimensional space in the late nineteenth- and early twentieth-centuries. An idea from mathematics that was appropriated by occultist thought, it emerged in the fin de siècle as a staple of genre fiction and influenced a number of important Modernist writers and artists. Providing a context for thinking of space in dimensional terms, the volume describes an active interplay between self-fashioning disciplines and a key moment in the popularisation of science. It offers new research into spiritualism and the Theosophical Society and studies a series of curious hybrid texts. Examining works by Joseph Conrad, Ford Madox Ford, H.G. Wells, Henry James, H. P. Lovecraft, and others, the volume explores how new theories of the possibilities of time and space influenced fiction writers of the period, and how literature shaped, and was in turn shaped by, the reconfiguration of imaginative space occasioned by the n-dimensional turn. A timely study of the interplay between philosophy, literature, culture, and mathematics, it offers a rich resource for readers interested in nineteenth century literature, Modernist studies, science fiction, and gothic scholarship.
The Emergence of the Fourth Dimension: Higher Spatial Thinking in the Fin de Siècle
by Mark BlacklockThe Emergence of the Fourth Dimension describes the development and proliferation of the idea of higher dimensional space in the late nineteenth- and early twentieth-centuries. An idea from mathematics that was appropriated by occultist thought, it emerged in the fin de siècle as a staple of genre fiction and influenced a number of important Modernist writers and artists. Providing a context for thinking of space in dimensional terms, the volume describes an active interplay between self-fashioning disciplines and a key moment in the popularisation of science. It offers new research into spiritualism and the Theosophical Society and studies a series of curious hybrid texts. Examining works by Joseph Conrad, Ford Madox Ford, H.G. Wells, Henry James, H. P. Lovecraft, and others, the volume explores how new theories of the possibilities of time and space influenced fiction writers of the period, and how literature shaped, and was in turn shaped by, the reconfiguration of imaginative space occasioned by the n-dimensional turn. A timely study of the interplay between philosophy, literature, culture, and mathematics, it offers a rich resource for readers interested in nineteenth century literature, Modernist studies, science fiction, and gothic scholarship.
The Emergence of the Lyric Canon
by Theodora A. HadjimichaelThe Hellenistic period was an era of literary canons, of privileged texts and collections. One of the most stable of these consisted of the nine (rarely ten) lyric poets: whether the selection was based on poetic quality, popularity, or the availability of texts in the Library of Alexandria, the Lyric Canon offers a valuable and revealing window on the reception and survival of lyric in antiquity. This volume explores the complexities inherent in the process by which lyric poetry was canonized, and discusses questions connected with the textual transmission and preservation of lyric poems from the archaic period through to the Hellenistic era. It firstly contextualizes lyric poetry geographically, and then focuses on a broad range of sources that played a critical role in the survival of lyric poetry - in particular, comedy, Plato, Aristotle's Peripatetic school, and the Hellenistic scholars - to discuss the reception of the nine canonical lyric poets and their work. By exploring the ways in which fifth- and fourth-century sources interpreted lyric material, and the role they played both in the scholarly work of the Alexandrians and in the creation of what we conventionally call the Hellenistic Lyric Canon, it elucidates what can be defined as the prevailing pattern in the transmission of lyric poetry, as well as the place of Bacchylides as a puzzling exception to this norm. The overall discussion conclusively demonstrates that the canonizing process of the lyric poets was already at work from the fifth century BC and that it is reflected both in the evaluation of lyric by fourth-century thinkers and in the activities of the Hellenistic scholars in the Library of Alexandria.
The Emergence of the Lyric Canon
by Theodora A. HadjimichaelThe Hellenistic period was an era of literary canons, of privileged texts and collections. One of the most stable of these consisted of the nine (rarely ten) lyric poets: whether the selection was based on poetic quality, popularity, or the availability of texts in the Library of Alexandria, the Lyric Canon offers a valuable and revealing window on the reception and survival of lyric in antiquity. This volume explores the complexities inherent in the process by which lyric poetry was canonized, and discusses questions connected with the textual transmission and preservation of lyric poems from the archaic period through to the Hellenistic era. It firstly contextualizes lyric poetry geographically, and then focuses on a broad range of sources that played a critical role in the survival of lyric poetry - in particular, comedy, Plato, Aristotle's Peripatetic school, and the Hellenistic scholars - to discuss the reception of the nine canonical lyric poets and their work. By exploring the ways in which fifth- and fourth-century sources interpreted lyric material, and the role they played both in the scholarly work of the Alexandrians and in the creation of what we conventionally call the Hellenistic Lyric Canon, it elucidates what can be defined as the prevailing pattern in the transmission of lyric poetry, as well as the place of Bacchylides as a puzzling exception to this norm. The overall discussion conclusively demonstrates that the canonizing process of the lyric poets was already at work from the fifth century BC and that it is reflected both in the evaluation of lyric by fourth-century thinkers and in the activities of the Hellenistic scholars in the Library of Alexandria.
Emergency: Wife Needed (Mills And Boon Medical Ser.)
by Emily ForbesEnter into the world of high-flying Doctors as they navigate the pressures of modern medicine and find escape, passion, comfort and love – in each other’s arms! The firefighter’s longed-for bride.
Emergency: Reading the Popol Vuh in a Time of Crisis (Critical Antiquities)
by Edgar GarciaNine short essays exploring the K’iche’ Maya story of creation, the Popol Vuh. Written during the lockdown in Chicago in the depths of the COVID-19 pandemic, these essays consider the Popol Vuh as a work that was also written during a time of feverish social, political, and epidemiological crisis as Spanish missionaries and colonial military deepened their conquest of indigenous peoples and cultures in Mesoamerica. What separates the Popol Vuh from many other creation texts is the disposition of the gods engaged in creation. Whereas the book of Genesis is declarative in telling the story of the world’s creation, the Popol Vuh is interrogative and analytical: the gods, for example, question whether people actually need to be created, given the many perfect animals they have already placed on earth. Emergency uses the historical emergency of the Popol Vuh to frame the ongoing emergencies of colonialism that have surfaced all too clearly in the global health crisis of COVID-19. In doing so, these essays reveal how the authors of the Popol Vuh—while implicated in deep social crisis—nonetheless insisted on transforming emergency into scenes of social, political, and intellectual emergence, translating crisis into creativity and world creation.
Emergency: Reading the Popol Vuh in a Time of Crisis (Critical Antiquities)
by Edgar GarciaNine short essays exploring the K’iche’ Maya story of creation, the Popol Vuh. Written during the lockdown in Chicago in the depths of the COVID-19 pandemic, these essays consider the Popol Vuh as a work that was also written during a time of feverish social, political, and epidemiological crisis as Spanish missionaries and colonial military deepened their conquest of indigenous peoples and cultures in Mesoamerica. What separates the Popol Vuh from many other creation texts is the disposition of the gods engaged in creation. Whereas the book of Genesis is declarative in telling the story of the world’s creation, the Popol Vuh is interrogative and analytical: the gods, for example, question whether people actually need to be created, given the many perfect animals they have already placed on earth. Emergency uses the historical emergency of the Popol Vuh to frame the ongoing emergencies of colonialism that have surfaced all too clearly in the global health crisis of COVID-19. In doing so, these essays reveal how the authors of the Popol Vuh—while implicated in deep social crisis—nonetheless insisted on transforming emergency into scenes of social, political, and intellectual emergence, translating crisis into creativity and world creation.
Emergency
by Daisy HildyardEmergency is a novel about the dissolving boundaries between all life on earth. Stuck at home alone under lockdown, a woman recounts her 1990s childhood in rural Yorkshire. She watches a kestrel hunting, helps a farmer with a renegade bull, and plays out with her best friend, Clare. Around her in the village her neighbours are arguing, keeping secrets, caring for one another, trying to hold down jobs. In the woods and quarry there are foxcubs fighting, plants competing for space, ageing machines, and a three-legged deer who likes cake. These local phenomena interconnect and spread out from China to Nicaragua as pesticides circulate, money flows around the planet, and bodies feel the force of distant power. A story of remote violence and a work of praise for a persistently lively world, brilliantly written, surprising, evocative and unsettling, Daisy Hildyard's Emergency reinvents the pastoral novel for the climate change era.