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Emigration and Empire: The Life of Maria S. Rye (Literature and Society in Victorian Britain)

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Émigrés: French Words That Turned English

The fascinating history of French words that have entered the English language and the fertile but fraught relationship between English- and French-speaking cultures across the world.English has borrowed more words from French than from any other modern foreign language. French words and phrases—such as à la mode, ennui, naïveté and caprice—lend English a certain je-ne-sais-quoi that would otherwise elude the language. Richard Scholar examines the continuing history of untranslated French words in English and asks what these words reveal about the fertile but fraught relationship that England and France have long shared and that now entangles English- and French-speaking cultures all over the world.Émigrés demonstrates that French borrowings have, over the centuries, “turned” English in more ways than one. From the seventeenth-century polymath John Evelyn’s complaint that English lacks “words that do so fully express” the French ennui and naïveté, to George W. Bush’s purported claim that “the French don’t have a word for entrepreneur,” this unique history of English argues that French words have offered more than the mere seasoning of the occasional mot juste. They have established themselves as “creolizing keywords” that both connect English speakers to—and separate them from—French. Moving from the realms of opera to ice cream, the book shows how migrant French words are never the same again for having ventured abroad, and how they complete English by reminding us that it is fundamentally incomplete.At a moment of resurgent nationalism in the English-speaking world, Émigrés invites native Anglophone readers to consider how much we owe the French language and why so many of us remain ambivalent about the migrants in our midst.

Emil And The Detectives (Penguin Readers)

If Mrs Tischbein had known the amazing adventures her son Emil would have in Berlin, she'd never have let him go. Unfortunately, when his seven pounds goes missing on the train, Emil is determined to get it back - and when he teams up with the detectives he meets in Berlin, it's just the start of a marvellous money-retrieving adventure . . .A classic and influential story, Emil and the Detectives remains an enthralling read.From November 16th 2013, an exciting new adaptation of Emil and the Detectives will be playing at the National Theatre in London.

Emil and the Detectives (Oberon Modern Plays)

Growing up is the most exciting adventure of allJoin young Emil as he says goodbye to his mother, leaves his small town and sets off on a journey that will change his life. When his money is stolen on the train by a mysterious stranger, Emil thinks he’s lost everything. But as he starts tracking down the thief, he soon discovers that he’s not alone in the big city after all. For this classic tale of a boy learning to rely on himself – and on his new friends – the Olivier stage transforms into 1920s Berlin: a place full of surprises and danger, where everything moves at the speed of your imagination.

Emil And The Three Twins

Emil and the three twins? Three Twins? Yes, you read that correctly. Emil Tischbein has another adventure with his old friends the Professor, Gustav and Little Tuesday - this time by the sea. Of course, the detectives couldn't have an ordinary seaside holiday like other people - and when they become entangled with the mystery of the three acrobat twins and the wicked Herr Anders, it looks as if it's going to turn into a most extraordinary time for them all!

Emile Zola

Emile Zola and the Artistry of Adaptation

"Filmmakers have drawn inspiration from the pages of Emile Zola from the earliest days of cinema. The ever-growing number of adaptations they have produced spans eras, genres, languages, and styles. In spite of the diversity of these approaches, numerous critics regard them as inferior copies of a superior textual original. But key novels by Zola resist this critical approach to adaptation. Both at the level of characterization and in terms of their own textual inheritance, they question the very possibility of origin, be it personal or textual. In the light of this questioning, the cinematic versions created from Zolas texts merit critical re-evaluation. Far from being facile copies of the nineteenth-century novelists works, these films assess their own status as adaptations, playing with both notions of artistic creation and their own artistic act. Kate Griffiths is a lecturer in French at Swansea University."

Emile Zola and the Artistry of Adaptation

"Filmmakers have drawn inspiration from the pages of Emile Zola from the earliest days of cinema. The ever-growing number of adaptations they have produced spans eras, genres, languages, and styles. In spite of the diversity of these approaches, numerous critics regard them as inferior copies of a superior textual original. But key novels by Zola resist this critical approach to adaptation. Both at the level of characterization and in terms of their own textual inheritance, they question the very possibility of origin, be it personal or textual. In the light of this questioning, the cinematic versions created from Zolas texts merit critical re-evaluation. Far from being facile copies of the nineteenth-century novelists works, these films assess their own status as adaptations, playing with both notions of artistic creation and their own artistic act. Kate Griffiths is a lecturer in French at Swansea University."

Emile Zola - der Autor im Spannungsfeld seiner Epoche: Romanistische Abhandlungen, Band 3

Emilia (Oberon Modern Plays)

‘Men, who forgetting they were born of women, nourished of women, and if they were not of the means of women, they would be quite extinguished out of the world, and a final end of them all; do like vipers deface the wombs wherein they were bred.’ Emilia Bassano, ‘To the Vertuous Reader’ In 1611 Emilia Bassano penned these words to her ‘Vertuous Reader’, as part of a volume of radical, feminist and subversive poetry. It was one of the first published collections of poetry written by a woman in England. The little we know of Emilia Bassano is restricted to the possibility that she may have been the ‘Dark Lady’ of Shakespeare’s Sonnets – and the rest of Her Story has been erased by History. Commissioned specifically for Shakespeare’s Globe, and with an all-female cast, this world premiere will reveal the life of Emilia: poet, mother and feminist. This time, the focus will be on this exceptional woman who managed to outlive all the men the history books tethered her to.

Emilia (Student Editions)

'A spicy work of biographical conjecture ... It's also a rousing reminder of the countless creative women who have been written out of history or have had to fight relentlessly to make themselves heard.' EVENING STANDARD'The great virtue of Lloyd Malcolm's speculative history lies in its passion and anger: it ends with a blazing address to the audience that is virtually a call to arms. It is throughout, however, a highly theatrical piece ... In rescuing Emilia from the shades, [the play] gives her dramatic life and polemical potency.' GUARDIANThe little we know of Emilia Bassano Lanier (1569 - 1645) is that she may have been the Dark Lady of Shakespeare's Sonnets, mistress of Lord Chamberlain, one of the first English female poets to be published, a mother, teacher who founded a school for women, and radical feminist with North African ancestry. Living at a time when women had such limited opportunities, Emilia Lanier is therefore a fascinating subject for this speculative history. In telling her story, Morgan Lloyd Malcolm represents the stories of women everywhere whose narratives have been written out of history. Originally commissioned for Shakespeare's Globe with an all-female cast, Emilia is published here as a Methuen Drama Student Edition with commentary and notes by Elizabeth Schafer, Professor of Drama at Royal Holloway, University of London, UK.

Emilia (Student Editions)

'A spicy work of biographical conjecture ... It's also a rousing reminder of the countless creative women who have been written out of history or have had to fight relentlessly to make themselves heard.' EVENING STANDARD'The great virtue of Lloyd Malcolm's speculative history lies in its passion and anger: it ends with a blazing address to the audience that is virtually a call to arms. It is throughout, however, a highly theatrical piece ... In rescuing Emilia from the shades, [the play] gives her dramatic life and polemical potency.' GUARDIANThe little we know of Emilia Bassano Lanier (1569 - 1645) is that she may have been the Dark Lady of Shakespeare's Sonnets, mistress of Lord Chamberlain, one of the first English female poets to be published, a mother, teacher who founded a school for women, and radical feminist with North African ancestry. Living at a time when women had such limited opportunities, Emilia Lanier is therefore a fascinating subject for this speculative history. In telling her story, Morgan Lloyd Malcolm represents the stories of women everywhere whose narratives have been written out of history. Originally commissioned for Shakespeare's Globe with an all-female cast, Emilia is published here as a Methuen Drama Student Edition with commentary and notes by Elizabeth Schafer, Professor of Drama at Royal Holloway, University of London, UK.

Emilia Pardo Bazán: La Tribuna (Aris & Phillips Hispanic Classics)

Emilia Pardo Bazán was born in the Galician town of A Coruña into a noble family who nurtured her lifelong thirst for knowledge. She is undoubtedly the most controversial, influential and prolific Spanish female writer of the nineteenth century, publishing a vast number of essays, social commentaries, articles, reviews, poems, plays, novels, novellas and short stories. Her third novel, La Tribuna, heralds a new age in Spanish literature, a naturalist work of fiction that examines the situation of contemporary women workers. The author's preparation for the novel involved reading and consulting contemporary pamphlets and newspapers, as well as spending two months in a Galician tobacco factory observing and listening to conversations. This method, common in English writers like Dickens and frequently adopted in France by the masters of Realism, was almost unprecedented in Spain. Set against a background of turmoil and civil unrest, La Tribuna reflects the author's interest in the position of women in Spanish society. The working-class heroine, Amparo, develops from a shapeless, apolitical street urchin into a masterpiece of femininity, a charismatic orator who becomes a 'tribune' of the people. At the same time, however, she allows herself to be seduced by a prosperous middle-class youth whose promises prove to be just as empty as the revolutionary slogans in which she believes so fervently.

Emily: the light-hearted, hilarious and gorgeous novel from the inimitable multimillion-copy bestselling Jilly Cooper

Fall in love with Jilly Cooper, one of Britain's most popular authors, in this upbeat and unputdownable rom-com. Full of irresistible romance and laugh-out-loud moments, this is perfect for fans of Jojo Moyes, Marian Keyes, Dolly Alderton and Jane Fallon.'Jilly is about bringing joy into your life: daft, silly, boozy joy ... There is no one else like Cooper' -- Guardian'The Jane Austen of our time' -- HARPERS & QUEEN'A rollicking good read' -- ***** Reader review'An absolute pleasure to read' -- ***** Reader review'A quick feel good when you feel those Sunday blues!' -- ***** Reader review'Really loved this book, it just flowed along, its twists enthralled me, especially the ending - it was not what I expecting, well done Jilly' -- ***** Reader review*********************************************************************If Emily hadn't gone to Annie Richmond's party, she would never have met the impossibly irresistible Rory Balniel; would never have married him and been carried off to the wild Scottish island of Irasa to live in his ancestral home along with his eccentric mother, Coco, and the dog, Walter Scott.She'd never have met the wild and mysterious Marina, a wraith from Rory's past, nor her brother, the disagreeable Finn Maclean; never have spent a night in a haunted highland castle, or been caught stealing roses in a see-through nightie...Yes, it all started at Annie Richmond's party.

Emily (Kirov Saga #3)

A dramatic love story set against the background of the Great War and the Russian Revolution . . .Emily Paget, poor relation of an earl, shocks her family with her determination to earn her own living, rather than suffer the tedium of a respectable marriage. Whisked off to St Petersburg by her eccentric Russian grandmother, Emily finds the freedom she craves amongst the drawing-room revolutionaries. She also falls passionately in love for the first time, never dreaming how close they are to real revolution.When it comes, bloody and brutal, Emily's courage is tested to the full. Only she can save something from the wreck and bring the last of her family safe out of Russia. But she must leave behind the man she loves, not knowing even if he is alive or dead.

Emily

Emily was only five years old when she was sent away from her ma and pa and her brother Joe to go and live with old Granny Edwards. A loving and hard-working child, she goes into service when she is twelve at the house of Roger Francis, whose connections with Emily's own family prove to be closer than she could ever have guessed. Roger's daughter Deborah takes a great fancy to Emily, and when Emily has moved to another household in Hull she finds that her new employer's son Hugo is to marry Deborah. But Hugo, too, has taken a fancy to Emily, and dishonours and then betrays her to such an extent that she is imprisoned, tried and deported to Australia. But just when her fortunes seem to be at their lowest ebb, Emily is reunited with the one man who can save her from her miserable existence and bring her wealth and happiness.

Emily and Anne Brontë (Routledge Library Editions: The Brontës)

From the claustrophobic environment of Haworth Parsonage emerged an astonishing range and diversity of character and talent. Between them the two youngest Brontë sisters wrote three novels, each sharply individual in style, purpose and subject-matter. The title, first published in 1968, discusses and illustrates the similarities and differences in the writings of Emily and Anne Brontë, paying particular attention to their place in the development of the Victorian novel. He stresses the complexities of structure and characterisation in Wuthering Heights, introducing the reader first to the background of the novel. This book will be of interest to students of English Literature.

Emily and Anne Brontë (Routledge Library Editions: The Brontës)

From the claustrophobic environment of Haworth Parsonage emerged an astonishing range and diversity of character and talent. Between them the two youngest Brontë sisters wrote three novels, each sharply individual in style, purpose and subject-matter. The title, first published in 1968, discusses and illustrates the similarities and differences in the writings of Emily and Anne Brontë, paying particular attention to their place in the development of the Victorian novel. He stresses the complexities of structure and characterisation in Wuthering Heights, introducing the reader first to the background of the novel. This book will be of interest to students of English Literature.

Emily and the Dark Angel: A Rouge Regency Romance

Emily Grantwich lives quietly with her crippled father and eccentric aunt, managing the family’s land and waiting for news of her brother, Marcus, who has been missing in action for several months. Until she meets the handsomest man she has ever seen.He is Piers Verderan, known as the Dark Angel, a man without a conscience and a notorious rake. No decent woman should be seen in his company, but Verderan’s land adjoins the Grantwich estate. Before long, Emily will learn that the Dark Angel is very dangerous, especially to her heart...Emily and the Dark Angel is a hot romance novel and RITA award-winner perfect for fans for Georgette Heyer

Emily Brontë: A Critical and Biographical Study (pdf)

Emily Brontë (Women Writers)

A study of the writer Emily Bronte dealing with her life and work, this text forms part of a series which is designed to help in the reassessment of women's writing in the light of today's understanding.

Emily Bronte and the Religious Imagination

Readers of Emily Brontë's poetry and of Wuthering Heights have seen in their author, variously, a devout if somewhat unorthodox Christian, a heretic, or a visionary "mystic of the moors". Rather than seeking to resolve this matter, Emily Brontë and the Religious Imagination suggests that such conflicting readings are the product of tensions, conflicts and ambiguities within the texts themselves. Rejecting the idea that a single, coherent set of religious doctrines are to be found in Brontë's work, this book argues that Wuthering Heights and the poems dramatise individual experiences of faith in the context of a world in which such faith is always conflicted, always threatened. Brontë's work dramatises the experience of imaginative faith that is always contested by the presence of other voices, other worldviews. Her characters cling to visionary faith in the face of death and mortality, awaiting and anticipating a final vindication, an eschatological fulfilment that always lies in a future beyond the scope of the text.

Emily Bronte and the Religious Imagination

Readers of Emily Brontë's poetry and of Wuthering Heights have seen in their author, variously, a devout if somewhat unorthodox Christian, a heretic, or a visionary "mystic of the moors". Rather than seeking to resolve this matter, Emily Brontë and the Religious Imagination suggests that such conflicting readings are the product of tensions, conflicts and ambiguities within the texts themselves. Rejecting the idea that a single, coherent set of religious doctrines are to be found in Brontë's work, this book argues that Wuthering Heights and the poems dramatise individual experiences of faith in the context of a world in which such faith is always conflicted, always threatened. Brontë's work dramatises the experience of imaginative faith that is always contested by the presence of other voices, other worldviews. Her characters cling to visionary faith in the face of death and mortality, awaiting and anticipating a final vindication, an eschatological fulfilment that always lies in a future beyond the scope of the text.

Emily Brontë Reappraised

Emily Brontë occupies a special place in the English literary canon. And rightly so: the incomparable Wuthering Heights is a novel that has bewitched us for almost 200 years, and the character of Heathcliff is, perhaps, the ultimate romantic hero – and villain. But Emily herself remains an enigmatic figure, often portrayed as awkward, as a misanthrope, as "no normal being". That's the conventional wisdom on Emily as a person, but is it accurate, is it fair? In this biography with a twist, Claire O'Callaghan conjures a new image of Emily and rehabilitates her reputation by exploring the themes of her life and work – her feminism, her passion for the natural world – as well as the art she has inspired, and even the "fake news" stories about her. What we discover is that she was, in fact, a thoroughly modern woman. And now, in the 21st century, it's time for the real Emily Brontë to please stand up.“Thoughtful…an informally written, no-nonsense reappraisal…much more readable than most jargon-riggen academic articles.” Jacqueline Banerjee, Times Literary Supplement"A fascinating read.” Hephzibah Anderson, Mail on Sunday“O’Callaghan clearly knows her stuff… An original, valuable contribution that goes a long way to rehabilitating the image of one of the most influential female figures in English literature.” Katherine Clements, Northern Soul

Emily Bronte: Wuthering Heights (Analysing Texts)

Chapters on the narrative frame, characters, imagery and symbols, structure and themes use practical analysis to build and refine our insight into Wuthering Heights. Part Two gives information about Emily Brontë's life and works, a discussion of this novel's place in the development of fiction and a comparison of three important critical views. Suggestions for further reading, fully explained examples of analysis and suggestions for further work make this volume both accessible and a bridge to further study.