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Gender, Technology and the New Woman (Edinburgh Critical Studies in Victorian Culture (PDF))
by Lena WÃ¥nggrenThis book examines late nineteenth-century feminism in relation to technologies of the time, marking the crucial role of technology in social and literary struggles for equality. The New Woman, the fin de siècle cultural archetype of early feminism, became the focal figure for key nineteenth-century debates concerning issues such as gender and sexuality, evolution and degeneration, science, empire and modernity. While the New Woman is located in the debates concerning the ‘crisis in gender’ or ‘sexual anarchy’ of the time, the period also saw an upsurge of new technologies of communication, transport and medicine. As this monograph demonstrates, literature of the time is inevitably caught up in this technological modernity: technologies such as the typewriter, the bicycle, and medical technologies, through literary texts come to work as freedom machines, as harbingers of female emancipation.
Gender, the New Woman, and the Monster
by Elizabeth D. MacalusoThis book views late Victorian femininity, the New Woman, and gender through literary representations of the figure of the monster, an appendage to the New Woman. The monster, an aberrant occurrence, performs Brecht’s “alienation effect,” making strange the world that she inhabits, thereby drawing veiled conclusions about the New Woman and gender at the end of the fin-de-siècle. The monster reveals that New Women loved one another complexly, not just as “friend” or “lover,” but both “friend” and “lover.” The monster, like the fin-de-siècle British populace, mocked the New Woman’s modernity. She was paradoxically viewed as a threat to society and as a role model for women to follow. The tragic suicides of “monstrous” New Women of color suggest that many fin-de-siècle authors, especially female authors, thought that these women should be included in society, not banished to its limits. This book, the first on the relationship between the figure of the monster and the New Woman, argues that there is hidden complexity to the New Woman. Her sexuality was complicated and could move between categories of sexuality and friendship for late Victorian women, and the way that the fin-de-siècle populace viewed her was just as multifarious. Further, the narratives of her tragedies ironically became narratives that advocated for her survival.
Gender Theory: 'A blazing new voice in Scottish fiction'
by Madeline Docherty'An incredible debut from a blazing new voice in Scottish fiction' Image'Beautifully captures the pain of growing into yourself, and the intensity of all-consuming female friendship' ROSE WILDING'I inhaled Gender Theory in one intoxicating sitting . . . a powerful and necessary novel' RACHEL DAWSONYou lose your virginity to a boy from your gender theory seminar, and the first person you tell is Ella.Ella's with you at the party when you first kiss a girl. And Ella takes you to the hospital the first time you're diagnosed. Over the next few years you have a string of relationships and jobs, but you can always count on Ella to be there for you - until the drinking and the parties, the hospital visits and late-night calls, blur the lines of your friendship into something unbalanced and fragile, at risk of breaking altogether.The worst part is you can see it coming. The worst part is you don't know how to stop.Gender Theory is an incisive, affecting debut about illness, identity and how we care for those around us.
Gender Transgressions: Crossing the Normative Barrier in Old French Literature (Garland Library of Medieval Literature)
by Karen J. TaylorFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Gender Transgressions: Crossing the Normative Barrier in Old French Literature
by Karen J. TaylorFirst published in 1998 this collection, comprising nine critical essays from prominent and emerging medievalists, seeks to explore the different ways in which French authors of the Middle Ages transgress normative social and cultural codes in their literary works.
Gender Transgressions: Crossing the Normative Barrier in Old French Literature (Garland Library of Medieval Literature)
by Karen J. TaylorFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Gender Transgressions: Crossing the Normative Barrier in Old French Literature (Garland Library Of Medieval Literature Ser.)
by Karen J. TaylorFirst published in 1998 this collection, comprising nine critical essays from prominent and emerging medievalists, seeks to explore the different ways in which French authors of the Middle Ages transgress normative social and cultural codes in their literary works.
Gender Trouble: Feminism and the Subversion of Identity
by Judith ButlerOne of the most talked-about scholarly works of the past fifty years, Judith Butler’s Gender Trouble is as celebrated as it is controversial. Arguing that traditional feminism is wrong to look to a natural, 'essential' notion of the female, or indeed of sex or gender, Butler starts by questioning the category 'woman' and continues in this vein with examinations of 'the masculine' and 'the feminine'. Best known however, but also most often misinterpreted, is Butler's concept of gender as a reiterated social performance rather than the expression of a prior reality. Thrilling and provocative, few other academic works have roused passions to the same extent.
Gender Trouble: Feminism and the Subversion of Identity
by Judith ButlerOne of the most talked-about scholarly works of the past fifty years, Judith Butler’s Gender Trouble is as celebrated as it is controversial. Arguing that traditional feminism is wrong to look to a natural, 'essential' notion of the female, or indeed of sex or gender, Butler starts by questioning the category 'woman' and continues in this vein with examinations of 'the masculine' and 'the feminine'. Best known however, but also most often misinterpreted, is Butler's concept of gender as a reiterated social performance rather than the expression of a prior reality. Thrilling and provocative, few other academic works have roused passions to the same extent.
Gender Trouble Couplets, Volume 1: Volume 1
by A.W. StrouseJudith Butler’s Gender Trouble: Feminism and the Subversion of Identity radically claimed that the sexed body is a fallacy, discursively constructed by the performance of gender. A.W. Strouse has undertaken to rewrite Butler’s classic tome into an octosyllabic poem. Inspired by the rhyming encyclopedias of the Middle Ages, Strouse transforms each of Butler’s sentences into Seussian couplets. This performative repetition of Chapter 1 of Butler’s Gender Trouble, “Subjects of Sex/Gender/Desire,” deconstructs Butler’s deconstruction. Relishing in the campiness of rhyme and meter—in the bodily pleasures of form—Strouse’s Gender Trouble Couplets, Volume 1 is an imitation for which there is no original. Gender Trouble, perhaps, was poetry all along.
Gender, Writing, Spectatorships: Evenings at the Theatre, Opera, and Silent Screen in Late Nineteenth-Century Italy and Beyond (The Nineteenth Century Series)
by Katharine MitchellThis original study makes a valuable contribution to Italian feminist/women’s history, spectatorship studies, and cultural history by examining women as protagonists, producers and consumers of literature, theatre, opera and film. Drawing on archival material – female correspondence, life-writings and journalism – as well as an impressive range of canonical texts, it brings together detailed engagement with female performance and with female spectators’ material responses to "women’s opera, theatre and film," placing these in the context of melodrama from the 1880s to the 1920s in Italy, France, the US, and elsewhere. It is unique in its interdisciplinary approach and in its consideration of female relationships based on admiration among performers and writers – the embodiment of a vibrant, mobile and successful Italian female culture industry during the first wave of feminism.
Gender, Writing, Spectatorships: Evenings at the Theatre, Opera, and Silent Screen in Late Nineteenth-Century Italy and Beyond (The Nineteenth Century Series)
by Katharine MitchellThis original study makes a valuable contribution to Italian feminist/women’s history, spectatorship studies, and cultural history by examining women as protagonists, producers and consumers of literature, theatre, opera and film. Drawing on archival material – female correspondence, life-writings and journalism – as well as an impressive range of canonical texts, it brings together detailed engagement with female performance and with female spectators’ material responses to "women’s opera, theatre and film," placing these in the context of melodrama from the 1880s to the 1920s in Italy, France, the US, and elsewhere. It is unique in its interdisciplinary approach and in its consideration of female relationships based on admiration among performers and writers – the embodiment of a vibrant, mobile and successful Italian female culture industry during the first wave of feminism.
Gendered Ecologies: New Materialist Interpretations of Women Writers in the Long Nineteenth Century (Clemson University Press)
Gendered Ecologies: New Materialist Interpretations of Women Writers in the Long Nineteenth Century considers the value of interrelationships that exist among human, nonhuman species, and inanimate objects as part of the environment, and features observations by women writers as recorded in nature diaries, poetry, bildungsroman, sensational fiction, philosophical fiction, and folklore. In addition, the edition aims to present a case for transnational women writers who have been involved in participating in the discourse of natural philosophy from the late eighteenth through the early twentieth centuries. The collection engages with current paradigms of thought influencing the field of ecocriticism and, more specifically, ecofeminism. Various theories are featured, informing interpretation of literary and non-literary material, which include Anthropocene feminism, feminist geography, neo-materialism, object-oriented ontology, panarchy, and trans-corporeality. In particular, neo-materialism and trans-corporeality are guiding principles of the collection, providing theoretical coherence. Neo-materialism becomes a means by which to examine literary and non-literary content by women writers with attention to the materiality of objects as the aim of inquiry. Regarding trans-corporeality, contributors provide evidence of the interrelations between the body-as-matter and animate beings along with inanimate entities. Together, neo-materialism and trans-corporeality drive the edition, as contributors contemplate the significance of interactions among human, nonhuman, organic, and inanimate objects.
Gendered Identity and the Lost Female: Hybridity as a Partial Experience in the Anglophone Caribbean Performances
by Shrabani BasuThis book offers an exploration of the postcolonial hybrid experience in anglophone Caribbean plays and performance from a feminist perspective.In a hitherto unattempted consideration of Caribbean theatre and performance, this study of gendered identities chronicles the postcolonial hybrid experience – and how it varies in the context of questions of sex, performance and social designation. In the process, it examines the diverse performances of the anglophone Caribbean. The work includes works by Caribbean anglophone playwrights like Derek Walcott, Mustapha Matura, Michael Gikes, Dennis Scott, Trevor Rhone, Earl Lovelace and Errol John with more recent works of Pat Cumper, Rawle Gibbons and Tony Hall. The study would also engage with Carnival, calypso and chutney music, while commenting on its evolving influences over the hybrid imagination.Each section covers the dominant socio-political thematics associated with the tradition and its effect on it, followed by an analysis of contemporaneously significant literary and cultural works – plays, carnival narrative and calypso and chutney lyrics as well as the experiences of performers. From Lovelace’s fictional Jestina to the real-life Drupatee, the book critically explores the marginalization of female performances while forming a hybrid identity.
Gendered Politics in Sophocles’ Trachiniae
by Gesthimani SeferiadiThis is the first book-length examination of the notion of gendered politics in Sophocles' Trachiniae. Making use of feminist theory and tackling the political nature of the categories of identity, culture and sexuality, Seferiadi brings the interpretation of Sophocles' play up-to-date with the most recent scholarly developments. She discusses the play in the light of its Amazonian and monstrous background and touches upon topics such as marriage and the exchange of women; reciprocity within a corroded system of gift-exchanges; and the dynamics of female silence and the 'impaired' hegemonic masculinity. Contributing to the topic of rape in the ancient world, this book focuses on sexual violence and the intertwinement of marriage and rape from the perspective of tragedy. With an Amazon being placed within the civilized arrangement of an oikos, the play negotiates the position of the female and advocates the need to expel the monstrous sexualities from the polis. Differing from previous analyses, this study is a reminder that female subjectivity was less foreclosed than is often tacitly assumed.
Gendered Politics in Sophocles’ Trachiniae
by Gesthimani SeferiadiThis is the first book-length examination of the notion of gendered politics in Sophocles' Trachiniae. Making use of feminist theory and tackling the political nature of the categories of identity, culture and sexuality, Seferiadi brings the interpretation of Sophocles' play up-to-date with the most recent scholarly developments. She discusses the play in the light of its Amazonian and monstrous background and touches upon topics such as marriage and the exchange of women; reciprocity within a corroded system of gift-exchanges; and the dynamics of female silence and the 'impaired' hegemonic masculinity. Contributing to the topic of rape in the ancient world, this book focuses on sexual violence and the intertwinement of marriage and rape from the perspective of tragedy. With an Amazon being placed within the civilized arrangement of an oikos, the play negotiates the position of the female and advocates the need to expel the monstrous sexualities from the polis. Differing from previous analyses, this study is a reminder that female subjectivity was less foreclosed than is often tacitly assumed.
Gendered Power: Educated Women of the Meiji Empress' Court (Michigan Monograph Series in Japanese Studies #86)
by Mamiko SuzukiGendered Power sheds light on the sources of power for three prominent women of the Meiji period: Meiji Empress Haruko; public speaker, poet, and diarist Nakajima Shoen; and educator and prolific author Shimoda Utako. By focusing on the role Chinese classics (kanbun) played in the language employed by elite women, the chapters focus on how Empress Haruko, Shoen, and Shimoda Utako contributed new expectations for how women should participate in a modernizing Japan. By being in the public eye, all three women countered criticism of and commentary on their writings and activities, which they parried by navigating gender constraints. The success or failure as women ascribed to these three figures sheds light on the contradictions inhabited by them during a transformative period for Japanese women. By proposing and interrogating the possibility of Meiji women’s power, the book examines contradictions that were symptomatic of their struggles within the vast social, cultural, and political transformations that took place during the period. The book demonstrates that an examination of that conflict within feminist history is crucial in order to understand what radical resistance meant in the face of women-centered authority.
Gendered Spaces in Argentine Women's Literature
by M. SierraAddressing the issue of how gendered spatial relations impact the production of literary works, this book discusses gender implications of spatial categories: the notions of home and away, placement and displacement, dwelling and travel, location and dislocation, and the 'quest for place' in women's writing from Argentina from 1920 to the present.
The Gendered War: Evaluating Feminist Ethnographic Narratives of the 1971 War of Bangladesh
by Sanjib Kr Biswas Priyanka TripathiThe book rereads the historiography of the Liberation War of Bangladesh in 1971 documented by Bangladeshi, Indian, and Western historians to trace the position of women who share a negligible place in the gendered war history. It analyses how contemporary novels of South Asia have dealt with the war and highlights women's issues like their subordination through blame, their agency in the war, and their victimization in the ethnic politics of their men. The book has also taken into account nonfictional works of contemporary women ethnographers and studies the lives of women who had engaged in the 1971 war not only as victims, but also as social workers, healthcare professionals, and fighters, and whose voice has been continuously suppressed in the post-war situation of Bangladesh. The book follows a postmodern approach to evaluate the ethnographic metanarratives in the forms of ethnographic fictions, oral history, interview, and memoirs in order to challenge women's neglected place in the historical grand narratives of the 1971 war.
The Gendered War: Evaluating Feminist Ethnographic Narratives of the 1971 War of Bangladesh
by Sanjib Kr Biswas Priyanka TripathiThe book rereads the historiography of the Liberation War of Bangladesh in 1971 documented by Bangladeshi, Indian, and Western historians to trace the position of women who share a negligible place in the gendered war history. It analyses how contemporary novels of South Asia have dealt with the war and highlights women's issues like their subordination through blame, their agency in the war, and their victimization in the ethnic politics of their men. The book has also taken into account nonfictional works of contemporary women ethnographers and studies the lives of women who had engaged in the 1971 war not only as victims, but also as social workers, healthcare professionals, and fighters, and whose voice has been continuously suppressed in the post-war situation of Bangladesh. The book follows a postmodern approach to evaluate the ethnographic metanarratives in the forms of ethnographic fictions, oral history, interview, and memoirs in order to challenge women's neglected place in the historical grand narratives of the 1971 war.
Gendering Culture in Greater Syria: Intellectuals and Ideology in the Late Ottoman Period (Library of Middle East History)
by Fruma Zachs Sharon HaleviThe Nahda (lit. 'the Awakening') was one of the most significant cultural movements in modern Arab history. By focusing on the neglected role of women in the intellectual Islamic renaissance of the late Ottoman Period, Fruma Zachs and Sharon Halevi provide a refreshingly interdisciplinary exploration of gender and culture in the Arab World. Focusing mainly on Greater Syria, this book re-examines the cultural by-products of the Nahda - such as scientific debates, journal articles, essays, short stories and novels - and provides a new framework for rethinking the dynamics of cultural and social change in what today we know as Syria and Lebanon. The lasting impact of the Nahda is given an innovative and thoroughly unique interpretation, providing an indispensable perspective to studying the nuanced roles of the construction and development of gender ideologies in the nineteenth century Middle East. The authors explore contemporary ideas concerning modern gender roles in the Middle East, and the extent to which these emerged in nineteenth-century Greater Syria. How were these ideas incorporated into daily lives, consumer patterns and cultural activities?Was class a determining factor in the creation of gender relations in the Muslim world? How were the subjectivities of gender moulded and articulated in fictional and non-fictional texts? The authors delineate both the evolution of a discourse on gender as well the "real-life" activities of men and women as writers, readers and participants in philanthropic and cultural societies, literary salons and educational enterprises. This book reemphasizes the position of the Nahda in the worlds of Damascus, Aleppo and Beirut as an innovative, deeply influential, and significant socio-cultural and political movement in its own right, which played a major role in shaping modern Arab culture, worldviews and self-perception. Zachs and Halevi here provide a new framework for rethinking the dynamics of cultural and social change, and present a groundbreaking new interpretation of the cumulative impact of the Nahda on gender perception in the late Ottoman Period.
Gendering Modernism: A Historical Reappraisal of the Canon
by Maria BucurGendering Modernism offers a critical reappraisal of the modernist movement, asking how gender norms of the time shaped the rebellion of the self-avowed modernists and examining the impact of radical gender reformers on modernism. Focusing primarily on the connections between North American and European modernists, Maria Bucur explains why it is imperative that we consider the gender angles of modernism as a way to understand the legacies of the movement. She provides an overview of the scholarship on modernism and an analysis of how definitions of modernism have evolved with that scholarship. Interweaving vivid case studies from before the Great War to the interwar period - looking at individual modernists from Ibsen to Picasso, Hannah Höch to Josephine Baker - she covers various fields such as art, literature, theatre and film, whilst also demonstrating how modernism manifested itself in the major social-political and cultural shifts of the 20th century, including feminism, psychology, sexology, eugenics, nudism, anarchism, communism and fascism.This is a fresh and wide-ranging investigation of modernism which expands our definition of the movement, integrating gender analysis and thereby opening up new lines of enquiry. Written in a lively and accessible style, Gendering Modernism is a crucial intervention into the literature which should be read by all students and scholars of the modernist movement as well 20th-century history and gender studies more broadly.
Gendering Modernism: A Historical Reappraisal of the Canon
by Maria BucurGendering Modernism offers a critical reappraisal of the modernist movement, asking how gender norms of the time shaped the rebellion of the self-avowed modernists and examining the impact of radical gender reformers on modernism. Focusing primarily on the connections between North American and European modernists, Maria Bucur explains why it is imperative that we consider the gender angles of modernism as a way to understand the legacies of the movement. She provides an overview of the scholarship on modernism and an analysis of how definitions of modernism have evolved with that scholarship. Interweaving vivid case studies from before the Great War to the interwar period - looking at individual modernists from Ibsen to Picasso, Hannah Höch to Josephine Baker - she covers various fields such as art, literature, theatre and film, whilst also demonstrating how modernism manifested itself in the major social-political and cultural shifts of the 20th century, including feminism, psychology, sexology, eugenics, nudism, anarchism, communism and fascism.This is a fresh and wide-ranging investigation of modernism which expands our definition of the movement, integrating gender analysis and thereby opening up new lines of enquiry. Written in a lively and accessible style, Gendering Modernism is a crucial intervention into the literature which should be read by all students and scholars of the modernist movement as well 20th-century history and gender studies more broadly.
Gendering Taboos: Yanci; The Arrangement; A Woman Has Two Mouths; Who Is in My Garden?; The Taste of Justice; Desperanza; Oh!; In Her Silence; Horny & …; Gnash (Methuen Drama Play Collections)
by Tosin Kooshima Tume, Ekua Ekumah and Yvette HutchisonTen new short plays by African women tackling taboo topics on identity, gender, sexualities, family relations and power. Following the international success of Contemporary Plays by African Women, this new collection is the next step in the African Women Playwright Network (AWPN) both showcasing and encouraging the development of new work. Consisting of the ten winners of the AWPN's international writing competition, this collection is centered around the theme of 'Tackling Taboo Topics in African Female Writing', originally performed as staged readings at the AWPN Festival hosted by the University of Ghana in 2022. Selected from 75 submissions from nine African countries, these plays speak to contemporary and pressing issues, illuminating lived experiences of African women that are common but seldom discussed. An important resource for schools and universities looking to diversify and decolonise curricula and engage with short works for practical classes, performances and auditions from a range of various cultures, Gendering Taboos is also an invaluable tool for programmers looking for new work and scholars working specifically in areas of gender and dramatic criticism.
Gendering Taboos: Yanci; The Arrangement; A Woman Has Two Mouths; Who Is in My Garden?; The Taste of Justice; Desperanza; Oh!; In Her Silence; Horny & …; Gnash (Methuen Drama Play Collections)
Ten new short plays by African women tackling taboo topics on identity, gender, sexualities, family relations and power. Following the international success of Contemporary Plays by African Women, this new collection is the next step in the African Women Playwright Network (AWPN) both showcasing and encouraging the development of new work. Consisting of the ten winners of the AWPN's international writing competition, this collection is centered around the theme of 'Tackling Taboo Topics in African Female Writing', originally performed as staged readings at the AWPN Festival hosted by the University of Ghana in 2022. Selected from 75 submissions from nine African countries, these plays speak to contemporary and pressing issues, illuminating lived experiences of African women that are common but seldom discussed. An important resource for schools and universities looking to diversify and decolonise curricula and engage with short works for practical classes, performances and auditions from a range of various cultures, Gendering Taboos is also an invaluable tool for programmers looking for new work and scholars working specifically in areas of gender and dramatic criticism.