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Genie Wish: Book 33 (Secret Kingdom #33)
by Rosie BanksQueen Malice has cast her most dangerous spell yet! The wicked queen has cursed the Magic Hourglass. When the sand runs out, all the magic will be gone from the Secret Kingdom forever! Jasmine, Ellie and Summer must find the four Enchanted Objects to break Queen Malice's spell. Can the girls get the Glitter Lamp and save Gina the genie?
The Genie's Curse (Little Legends #3)
by Tom PercivalMeet Jack and his talking chicken Betsy, Red, Rapunzel, Hansel and Gretel, and a host of other Little Legends as they have fantastic new adventures!
The "Genius"
by Theodore DreiserThe gritty, controversial story of a life devoted to art and sensuality from the Nobel Prize–winning author of Sister Carrie and An American Tragedy. Driven to experience life beyond the small Illinois town of his youth, Eugene Witla makes his way to Chicago, where he is immediately drawn to the buzz of the city and the sexual freedom of bohemian life. At the Chicago Art Institute, he studies painting, soon making a name for himself as a gifted urban realist. Throughout his life, Witla’s commitment to his art is rivaled only by his need for erotic adventure. In love and marriage, and from Chicago to New York to the cities of Europe, Witla finds himself at odds with convention and pays a profound cost for his struggle. First published in 1915, The “Genius”, Theodore Dreiser’s most personal and provocative novel, was declared obscene by the New York Society for the Suppression of Vice, and under threat of legal action, it was recalled from bookstores. Rereleased in 1923, it went on to establish Dreiser’s reputation as a writer ahead of his time, giving unparalleled insight into the mind of a prodigy. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Genius After Psychoanalysis: Freud and Lacan (Psychoanalytic Horizons)
by Professor or Dr. K. Daniel ChoDevelops a new psychoanalytic theory of genius, a concept that is often invoked and pervasive in popular culture but which is rarely scrutinized in depth. In the absence of this scrutiny, genius has come to be understood as exceptional talent or intelligence-an elitist notion. Genius After Psychoanalysis intervenes in this debate by offering a new account of genius. Drawing on the work of Sigmund Freud and Jacques Lacan, K. Daniel Cho argues that genius is not exceptional talent or intelligence but is related to and illuminated by the psychological concept of sublimation, where the unpleasures that arise when our intellectual products fail become themselves pleasurable. Beginning with a close examination of Freud's work on Leonardo da Vinci, Cho analyzes film, art, our relationship to nature, politics, group psychology, love, and philosophy to demonstrate that genius, far from an elitist notion, is universally available through a different approach to ideas of imperfection, disappointment, and failure. Genius After Psychoanalysis is a bold new intervention on a culturally central but understudied topic.
Genius and Ink: Virginia Woolf On How To Read
by Virginia WoolfFOREWORD BY ALI SMITH WITH AN INTRODUCTION BY FRANCESCA WADE Who better to serve as a guide to great books and their authors than Virginia Woolf?
The Genius and the Goddess: A Novel (P. S. Series)
by Aldous HuxleyIt is Christmas Eve, and John Rivers is thinking about the past; about his sheltered upbringing; about an extraordinary time spent as a lab assistant to the great physicist Henry Maartens; about Maartens' beautiful wife, Katy, and about a love affair which shook Rivers to the core and caused him to question everything he once revered.
The Genius Factor: How To Capture An Invisible Cat (The\genius Factor Ser. #1)
by Paul Tobin Thierry LafontaineEvery Friday the 13th, 6th-grade genius Nate Bannister does three not-so-smart things to keep life interesting. This time, he taught a caterpillar to read, mailed a love letter, and super-sized his cat Proton before turning him invisible. Now Proton is on the loose, and Nate and his new friend Delphine must reverse the experiment before the cat crushes everything and everybody in town.As if that's not enough, the Red Death Tea Society, known for its criminal activity, killer tactics, and tea-brewing skills, is plotting against Nate and Delphine. The dynamic duo must use their creativity, courage and friendship to save the day. Paul Tobin blends wacky humour and chaotic high jinks in this rip-roaring, action-packed middle-grade debut;perfect for fans of David Walliams and Tom Gates.
The Genius Factor: How To Capture An Invisible Cat (The\genius Factor Ser. #1)
by Paul Tobin Thierry LafontaineEvery Friday the 13th, 6th grade genius and inventor extraordinaire Nate Bannister does three not-so-smart things to keep life interesting. This time, he taught a caterpillar math, mailed a love letter, and super-sized his cat Proton before turning him invisible. As Nate and his new (well, only) friend Delphine race to stop Proton from crushing everyone and everything in town, they come face-to-face with Sir Jakob Maculte (the twenty-seventh lord of Mayberry Castle and leader of the nefarious Red Death Tea Society). Known for its criminal activity, killer tactics, and impressive tea brewing skills, the Red Death Tea Society will do anything to get in their way. Nate and Delphine must pull out every mind-blowing gadget, half-perfected invention, and unproven but theoretically sound strategy they've got up their sleeves in order to survive to see Saturday the 14th!Eisner winner Paul Tobin's extraordinarily madcap middle grade debut features black and white illustrations from film talent Thierry Lafontaine and is the first of five novels in the series.Awards for BandetteWinner, Eisner Award for Best Digital ComicWinner, IndieFab Award - Bronze, Graphic Novels & Comics
Genius in France: An Idea and Its Uses
by Ann JeffersonThis engaging book spans three centuries to provide the first full account of the long and diverse history of genius in France. Exploring a wide range of examples from literature, philosophy, and history, as well as medicine, psychology, and journalism, Ann Jefferson examines the ways in which the idea of genius has been ceaselessly reflected on and redefined through its uses in these different contexts. She traces its varying fortunes through the madness and imposture with which genius is often associated, and through the observations of those who determine its presence in others.Jefferson considers the modern beginnings of genius in eighteenth-century aesthetics and the works of philosophes such as Diderot. She then investigates the nineteenth-century notion of national and collective genius, the self-appointed role of Romantic poets as misunderstood geniuses, the recurrent obsession with failed genius in the realist novels of writers like Balzac and Zola, the contested category of female genius, and the medical literature that viewed genius as a form of pathology. She shows how twentieth-century views of genius narrowed through its association with IQ and child prodigies, and she discusses the different ways major theorists—including Sartre, Barthes, Derrida, and Kristeva—have repudiated and subsequently revived the concept.Rich in narrative detail, Genius in France brings a fresh approach to French intellectual and cultural history, and to the burgeoning field of genius studies.
Genius in France: An Idea and Its Uses
by Ann JeffersonThis engaging book spans three centuries to provide the first full account of the long and diverse history of genius in France. Exploring a wide range of examples from literature, philosophy, and history, as well as medicine, psychology, and journalism, Ann Jefferson examines the ways in which the idea of genius has been ceaselessly reflected on and redefined through its uses in these different contexts. She traces its varying fortunes through the madness and imposture with which genius is often associated, and through the observations of those who determine its presence in others.Jefferson considers the modern beginnings of genius in eighteenth-century aesthetics and the works of philosophes such as Diderot. She then investigates the nineteenth-century notion of national and collective genius, the self-appointed role of Romantic poets as misunderstood geniuses, the recurrent obsession with failed genius in the realist novels of writers like Balzac and Zola, the contested category of female genius, and the medical literature that viewed genius as a form of pathology. She shows how twentieth-century views of genius narrowed through its association with IQ and child prodigies, and she discusses the different ways major theorists—including Sartre, Barthes, Derrida, and Kristeva—have repudiated and subsequently revived the concept.Rich in narrative detail, Genius in France brings a fresh approach to French intellectual and cultural history, and to the burgeoning field of genius studies.
The Genius of Jane Austen: Her Love Of Theatre And Why She Is A Hit In Hollywood
by Paula ByrneA radical look at Jane Austen As you’ve never seen her – as a lover of farce, comic theatre and juvenilia. The Genius of Jane Austen celebrates Britain’s favourite novelist 200 years after her death and explores why her books make such awesome movies, time after time.
The Genius of Parody: Imitation and Originality in Seventeenth- and Eighteenth-Century English Literature
by R. MackRecent theoretical approaches have compelled critics to rethink many received notions regarding the significance of contemporary parodic activity. This study places parody firmly (if paradoxically) where it belongs: at the centre of the literary-creative process in the literature of the Seventeenth and Eighteenth centuries.
The Genius of Shakespeare: Picador Classic (Picador Classic #43)
by Jonathan BateWith an introduction by Simon CallowJudgements about the quality of works of art begin in opinion. But for the last two hundred years only the wilfully perverse (and Tolstoy) have denied the validity of the opinion that Shakespeare was a genius.Who was Shakespeare? Why has his writing endured? And what makes it so endlessly adaptable to different times and cultures? Exploring Shakespeare's life, including questions of authorship and autobiography, and charting how his legacy has grown over the centuries, this extraordinary book asks how Shakespeare has come to be such a powerful symbol of genius.Written with lively passion and wit, The Genius of Shakespeare is a fascinating biography of the life - and afterlife - of our greatest poet. Jonathan Bate, one of the world's leading Shakespearean scholars, has shown how the legend of Shakespeare's genius was created and sustained, and how the man himself became a truly global phenomenon.'The best modern book on Shakespeare' Sir Peter Hall
The Genius of the Jewish Joke
by Arthur Asa BergerThe Genius of the Jewish Joke focuses on what is distinctive and unusual about Jewish jokes and Jewish humor. Jewish humor is humor by Jews and about Jews, in whatever medium this humor is found. Jokes are defined as short stories, meant to amuse, with a punch line, though Jewish humor exists in many other forms—riddles, comic definitions, parodies—as well. The book makes a "radical" suggestion about the origin of Jewish humor—namely, that Sarah and Abraham's relation to God, and the name of their son Isaac (which, in Hebrew, means laughter), recognizes a special affinity in Jews for humor. Abraham does not sacrifice Isaac (humor) and, thus, humor and the Jews are linked early in Jewish history.Berger discusses techniques of humor and how they can be used to analyze jokes. He also compares "Old World Jewish Humor"—the humor of the shtetl, with its fabulous schlemiels, schlimazels, schnorrers, and other characters—and "New World Humor"—the humor of Jewish doctors, lawyers, accountants, and other professional types living mostly in the suburbs nowadays. Jewish humor is contrasted with other forms of ethnic humor, such as Polish jokes and Italian American jokes.This humor, in addition to providing pleasure, reveals a great deal about Jewish character and culture and, in addition, the human condition. Now available with a new introduction by the author, The Genius of the Jewish Joke is an entertaining and informative inquiry into Jewish humor that explores its distinctiveness, its unique spirit, and its role in Jewish identity.
The Genius of the Jewish Joke
by Arthur Asa BergerThe Genius of the Jewish Joke focuses on what is distinctive and unusual about Jewish jokes and Jewish humor. Jewish humor is humor by Jews and about Jews, in whatever medium this humor is found. Jokes are defined as short stories, meant to amuse, with a punch line, though Jewish humor exists in many other forms—riddles, comic definitions, parodies—as well. The book makes a "radical" suggestion about the origin of Jewish humor—namely, that Sarah and Abraham's relation to God, and the name of their son Isaac (which, in Hebrew, means laughter), recognizes a special affinity in Jews for humor. Abraham does not sacrifice Isaac (humor) and, thus, humor and the Jews are linked early in Jewish history.Berger discusses techniques of humor and how they can be used to analyze jokes. He also compares "Old World Jewish Humor"—the humor of the shtetl, with its fabulous schlemiels, schlimazels, schnorrers, and other characters—and "New World Humor"—the humor of Jewish doctors, lawyers, accountants, and other professional types living mostly in the suburbs nowadays. Jewish humor is contrasted with other forms of ethnic humor, such as Polish jokes and Italian American jokes.This humor, in addition to providing pleasure, reveals a great deal about Jewish character and culture and, in addition, the human condition. Now available with a new introduction by the author, The Genius of the Jewish Joke is an entertaining and informative inquiry into Jewish humor that explores its distinctiveness, its unique spirit, and its role in Jewish identity.
Genni's Dilemma (Mills & Boon Short Stories): Genni's Dilemma Charlotte's Choice
by Margaret WayPart of the Mills & Boon 100th Birthday Collection Genni has loved cattleman Blaine Courtland since childhood, but he’s only ever seemed to see her as a pretty social butterfly. A passion-filled kiss alters everything – just as Blaine is about to walk her down the aisle into the arms of another man!
Genocide in Contemporary Children's and Young Adult Literature: Cambodia to Darfur (Children's Literature and Culture)
by Jane GangiThis book studies children’s and young adult literature of genocide since 1945, considering issues of representation and using postcolonial theory to provide both literary analysis and implications for educating the young. Many of the authors visited accurately and authentically portray the genocide about which they write; others perpetuate stereotypes or otherwise distort, demean, or oversimplify. In this focus on young people’s literature of specific genocides, Gangi profiles and critiques works on the Cambodian genocide (1975-1979); the Iraqi Kurds (1988); the Maya of Guatemala (1981-1983); Bosnia, Kosovo, and Srebrenica (1990s); Rwanda (1994); and Darfur (2003-present). In addition to critical analysis, each chapter also provides historical background based on the work of prominent genocide scholars. To conduct research for the book, Gangi traveled to Bosnia, engaged in conversation with young people from Rwanda, and spoke with scholars who had traveled to or lived in Guatemala and Cambodia. This book analyses the ways contemporary children, typically ages ten and up, are engaged in the study of genocide, and addresses the ways in which child survivors who have witnessed genocide are helped by literature that mirrors their experiences.
Genocide in Contemporary Children's and Young Adult Literature: Cambodia to Darfur (Children's Literature and Culture)
by Jane GangiThis book studies children’s and young adult literature of genocide since 1945, considering issues of representation and using postcolonial theory to provide both literary analysis and implications for educating the young. Many of the authors visited accurately and authentically portray the genocide about which they write; others perpetuate stereotypes or otherwise distort, demean, or oversimplify. In this focus on young people’s literature of specific genocides, Gangi profiles and critiques works on the Cambodian genocide (1975-1979); the Iraqi Kurds (1988); the Maya of Guatemala (1981-1983); Bosnia, Kosovo, and Srebrenica (1990s); Rwanda (1994); and Darfur (2003-present). In addition to critical analysis, each chapter also provides historical background based on the work of prominent genocide scholars. To conduct research for the book, Gangi traveled to Bosnia, engaged in conversation with young people from Rwanda, and spoke with scholars who had traveled to or lived in Guatemala and Cambodia. This book analyses the ways contemporary children, typically ages ten and up, are engaged in the study of genocide, and addresses the ways in which child survivors who have witnessed genocide are helped by literature that mirrors their experiences.
Genre (The New Critical Idiom)
by John FrowThis second edition of John Frow’s Genre offers a comprehensive and accessible introduction to the area. Genre is a key means by which we categorize the many forms of literature and culture, but it is also much more than that: in talk and writing, in music and images, in film and television, genres actively generate and shape our knowledge of the world. Understanding genre as a dynamic process rather than a set of stable rules, this book explores: the relation of simple to complex genres the history of literary genre in theory the generic organisation of implied meanings the structuring of interpretation by genre the uses of genre in teaching. John Frow’s lucid exploration of this fascinating concept has become essential reading for students of literary and cultural studies, and the second edition expands on the original to take account of recent debates in genre theory and the emergence of digital genres.
Genre (The New Critical Idiom)
by John FrowThis second edition of John Frow’s Genre offers a comprehensive and accessible introduction to the area. Genre is a key means by which we categorize the many forms of literature and culture, but it is also much more than that: in talk and writing, in music and images, in film and television, genres actively generate and shape our knowledge of the world. Understanding genre as a dynamic process rather than a set of stable rules, this book explores: the relation of simple to complex genres the history of literary genre in theory the generic organisation of implied meanings the structuring of interpretation by genre the uses of genre in teaching. John Frow’s lucid exploration of this fascinating concept has become essential reading for students of literary and cultural studies, and the second edition expands on the original to take account of recent debates in genre theory and the emergence of digital genres.
Genre: A Guide To Writing For Stage And Screen (RADA Guides)
by Andrew TidmarshWhat makes tragedy tragic? What makes comedy comic? What does Much Ado About Nothing have in common with When Harry Met Sally? Seneca with Desperate Housewives? Goldoni with Frasier? In Genre: A Guide to Writing for Stage and Screen Andrew Tidmarsh explores these questions and more. Investigating how the relationship between form and content brings endless discoveries and illuminations about how narrative works, this entertaining and accessible book looks at how storytelling in film and theatre has evolved and how an appreciation of form can bring the writer, director or actor a solid foundation and a sense of security, which ultimately assists the creative process. Including genre-specific exercises in every chapter helping the reader to write and devise, Genre: A Guide to Writing for Stage and Screen is for all those with an interest in story and can be used by writers, actors and directors alike – whether students or experienced professionals – to make the blank page appear less terrifying.
Genre: A Guide To Writing For Stage And Screen (RADA Guides)
by Andrew TidmarshWhat makes tragedy tragic? What makes comedy comic? What does Much Ado About Nothing have in common with When Harry Met Sally? Seneca with Desperate Housewives? Goldoni with Frasier? In Genre: A Guide to Writing for Stage and Screen Andrew Tidmarsh explores these questions and more. Investigating how the relationship between form and content brings endless discoveries and illuminations about how narrative works, this entertaining and accessible book looks at how storytelling in film and theatre has evolved and how an appreciation of form can bring the writer, director or actor a solid foundation and a sense of security, which ultimately assists the creative process. Including genre-specific exercises in every chapter helping the reader to write and devise, Genre: A Guide to Writing for Stage and Screen is for all those with an interest in story and can be used by writers, actors and directors alike – whether students or experienced professionals – to make the blank page appear less terrifying.
Genre and Extravagance in the Novel: Lower Frequencies
by Jed RasulaThis book addresses an anomaly in the novel as genre: the generic promise to readers—that "reading a novel" is a familiar and repeatable experience—is challenged by the extravagant exceptions to this rule. Furthermore, these exceptions (such as Moby-Dick, Ulysses, or To the Lighthouse) are sui generis, hybrid concoctions that cannot be said to be typical novels. The novel, then, as literary form, succeeds by extravagantly disregarding or even disavowing the protocols of its own genre. Examining a number of famous examples from Don Quixote to Nostromo, this book offers an anatomy of exceptions that illustrate the structural role of their exceptionality for the prestige of the novel as literary form.
Genre and Extravagance in the Novel: Lower Frequencies
by Jed RasulaThis book addresses an anomaly in the novel as genre: the generic promise to readers—that "reading a novel" is a familiar and repeatable experience—is challenged by the extravagant exceptions to this rule. Furthermore, these exceptions (such as Moby-Dick, Ulysses, or To the Lighthouse) are sui generis, hybrid concoctions that cannot be said to be typical novels. The novel, then, as literary form, succeeds by extravagantly disregarding or even disavowing the protocols of its own genre. Examining a number of famous examples from Don Quixote to Nostromo, this book offers an anatomy of exceptions that illustrate the structural role of their exceptionality for the prestige of the novel as literary form.
Genre and Reception in the Gothic Parody: Framing the Subversive Heroine (Routledge Studies in Speculative Fiction)
by Kerstin-Anja MünderleinThis book brings together an analysis of the theoretical connection of genre, reception, and frame theory and a practical demonstration thereof, using a set of parodies of the first wave of the Gothic novel, ranging from well-known titles such as Jane Austen’s Northanger Abbey, to little known and researched titles such as Mary Charlton’s Rosella. Münderlein traces the development of socio-political debates conducted in the late eighteenth and early nineteenth centuries on female roles, behaviour, and subversion from the subtly subversive Gothic novel to the Gothic parody. Combining two major areas of research, literary criticism and Gothic studies, the book provides both a new take on an ongoing debate in literary criticism as well as an in-depth study of a virtually neglected aspect of Gothic studies, the Gothic parody.