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Gently With the Painters (George Gently #7)

The death of a young artist leaves Gently desperately piecing together the portrait of a murderer.When artist Shirley Johnson is murdered and her body dumped outside a provincial police headquarters, Gently is despatched from London to Northshire to take over the investigation. The prime suspect appears to be the woman's husband, a former bomber pilot with a guilty secret, but the other members of the woman's art group also have strong views about her and her controversial final painting - Dark Destroyer. With so many suspects to consider, Gently must get to the bottom of the mystery before the murderer manages to slip through his fingers.Praise for Alan Hunter's Gently books:'It is always a pleasure to look forward to another Gently book by Alan Hunter ...' Police Review

Gentry culture in late-medieval England (Manchester Medieval Studies #33)

Essays in this fascinating and important collection examine the lifestyles and attitudes of the gentry in late medieval England. They consider the emergence of the gentry as a group distinct from the nobility, and explore the various available routes to gentility. Through surveys of the gentry’s military background, administrative and political roles, social behaviour, and education, the reader is provided with an overview of how the group’s culture evolved, and how it was disseminated. Studies of the gentry’s literacy, creation and use of literature, cultural networks, religious activities and their experiences of music and the visual arts more directly address the practice and expression of this culture, exploring the extent to which the gentry’s activities were different from those of the wider population. Joining the editors in contributing essays to this collection is an impressive array of eminent scholars, all specialists in their respective fields: Christine Carpenter, Peter Fleming, Maurice Keen, Philippa Maddern, Nicholas Orme, Tim Shaw, Thomas Tolley and Deborah Youngs. As a whole, the book offers a broad view of gentry culture that explores, reassesses, and sometimes even challenges the idea that members of the gentry cultivated their own distinctive cultural identity. It will appeal to students looking for a comprehensive introduction to late medieval gentry culture, as well as to researchers interested in gentry studies more generally.

The Gentrys: Cinco (The Gentrys #1)

Rancher, security expert, family man. Cinco Gentry has already had enough excitement for one lifetime. Now all he wants is to run his ranch - and his family - without any complications. Until the arrival of U.S. Air Force Captain Meredith Powell changes everything.

The Gentrys: Cal (The Gentrys #3)

After a devastating car accident killed his wife, injured racing celebrity Cal Gentry came home to the family ranch to nurse his wounds and find a nanny for his infant daughter.

The Gentrys: Abby (The Gentrys #2)

Abby Gentry never wanted to risk losing her heart to anyone. But when she rescues her old high school crush from certain death, her virginal innocence is swept away by flames of desire. Sexy Comanche Gray Parker will do anything to thank Abby for saving him - even masquerade as her fiance to save her from her matchmaking brother.

Gents: A Novel

Ezekial Murphy, a West Indian immigrant, takes up a new job as an attendant at a large London lavatory. The supervisor, Josiah Reynolds, and Jason, a third West Indian, explain that their main problem is the casual sex which takes place in the cubicles.

Genuine Cowboy (Mills And Boon Intrigue Ser.)

Dark, rugged rancher Sean was coming home – to bad memories. And to beautiful widow Eve and her son. With an escaped convict on her tail, Eve knows Sean’s the only person she can trust to safeguard her and her son. He’s fiercely loyal and dangerously sexy. Yet as a killer draws in can she put her bodyguard lover in the line of fire?

Genuine Lies

Eve Benedict is a legend: a movie goddess with two Oscars, four ex-husbands and a legion of lovers to her name. She knows the truth behind every Hollywood scandal - and now she's planning to tell all in a no-holds-barred memoir. But telling the truth can be a dangerous business, especially in a town built on dreams and secrets. Eve's stepson Paul Winthrop is worried that the book will only bring trouble. But he can't argue with Eve's choice of ghostwriter, the talented and very beautiful Julia Summers. As Paul and Julia clash over Eve's book, they also have to fight a deep and growing attraction to each other. Struggling against their intense feelings, they don't realise they are also tangled in a very dark plot. Eve has one last, great secret to reveal - and it will put them all in danger . . .

Genus

In the Britain of a few tomorrows time, physical perfection is commonplace and self improvement has become an extinct expression: all the qualities men and women could aspire to can be purchased prior to birth. GENUS is a time of genetic selection and enrichment - life chances come on a sliding scale according to wealth. For some there is no money or choice, and an underclass has evolved; London's King's Cross, or The Kross as it is now known, has become a ghetto for the Unimproved. In The Kross, the natural, the dated, the cheap and the dull, live a brittle and unenviable existence. But unrest is growing; tension is mounting and a murderer is abroad in these dark quarters...Acclaimed author Jonathan Trigell's third novel is a breathtaking tour de force, exploring a dystopia of the not-too-distant-a future which will leave readers wondering not 'what if', as the original audience of Huxley's Brave New World did, but 'when'. Praise for Jonathan Trigell:'A compelling narrative, a beautifully structured piece of writing, and a thought-provoking novel of ideas. It's a wonderful debut.' - Sarah Waters, Chair of the Judges for the John Llewellyn Rhys Prize on Boy A'A fine and moving debut novel... compulsively readable... a rare treat' The Independent on Boy A'Does for extreme winter sports what Alex Garland's The Beach did for backpacking.' - Financial Times on Cham.

Genus Homo

Twenty-five men and women against a world of evolution gone mad!Here is the vivid story of their adventures and terrors - the monster in the forest - the city of giant beavers - and the secret of the incredible race that had supplanted mankind.

Geo-Spatiality in Asian and Oceanic Literature and Culture: Worlding Asia in the Anthropocene (Geocriticism and Spatial Literary Studies)

This collection opens the geospatiality of “Asia” into an environmental framework called "Oceania" and pushes this complex regional multiplicity towards modes of trans-local solidarity, planetary consciousness, multi-sited decentering, and world belonging. At the transdisciplinary core of this “worlding” process lies the multiple spatial and temporal dynamics of an environmental eco-poetics, articulated via thinking and creating both with and beyond the Pacific and Asia imaginary.

Geocritical Explorations: Space, Place, and Mapping in Literary and Cultural Studies

In recent years the spatial turn in literary and cultural studies has opened up new ways of looking at the interactions among writers, readers, texts, and places. Geocriticism offers a timely new approach, and this book presents an array of concrete examples or readings, which also reveal the broad range of geocritical practices.

The Geocritical Legacies of Edward W. Said: Spatiality, Critical Humanism, and Comparative Literature (Geocriticism and Spatial Literary Studies)

Edward W. Said is considered one of the most influential literary and postcolonial theorists in the world. Affirming Said's multifaceted and enormous critical impact, this collection features essays that highlight the significance of Said's work for contemporary spatial criticism, comparative literary studies, and the humanities in general.

Geocriticism: Real and Fictional Spaces

Geocriticism provides a theoretical foundation and a critical exploration of geocriticism, an interdisciplinary approach to understanding literature in relation to space and place. Drawing on diverse thinkers, Westphal argues that a geocritical approach enables novel ways of seeing literary texts and of conducting literary studies.

Geofeminism in Irish and Diasporic Culture: Intimate Cartographies (Geocriticism and Spatial Literary Studies)

Geofeminism in Irish and Diasporic Culture: Intimate Cartographies demonstrates the ways in which contemporary feminist Irish and diasporic authors, such as Nuala Ní Dhomhnaill and Tana French, cross borders literally (in terms of location), ideologically (in terms of syncretive politics and faiths), figuratively (in terms of conventions and canonicity), and linguistically to develop an epistemological “Fifth Space” of cultural actualization beyond borders. This book contextualizes their work with regard to events in Irish and diasporic history and considers these authors in relation to other more established counterparts such as W.B. Yeats, P.H. Pearse, James Joyce, and Mairtín Ó Cadhain. Exploring the intersections of postcolonial cultural geography, transnational feminisms, and various theologies, Christin M. Mulligan engages with media from the ninth century to present day and considers how these writer-cartographers reshape Ireland both as real landscape and fantasy island, traversed in order to negotiate place in terms of terrain and subjectivity both within and outside of history in the realm of desire.

Geoffrey Chaucer (Writers in their Time)

This volume situates Chaucer's life and writings within the context of fourteenth-century history, national and international, giving a broad general outline of the period for those coming to it for the first time. The book focuses on particular poetic texts, including The Canterbury Tales, Troilus and Criseyde, The Book of the Duchess and The Parliament of Fowls, interpreting them in the light of contemporary ideology and literary practice, and underlining the specific relations between texts and audiences in a manuscript culture.

Geoffrey Chaucer (Author Chronologies Series)

Geoffrey Chaucer (Routledge Guides to Literature)

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Geoffrey Chaucer (Routledge Guides to Literature)

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Geoffrey Chaucer Hath a Blog: Medieval Studies and New Media (The New Middle Ages)

This text presents all of the most memorable posts of the medievalist internet phenomenon 'Geoffrey Chaucer Hath a Blog', along with essays on the genesis of the blog itself, the role of blogs in medieval scholarship, and the unique pleasures of studying a time period full of plagues, schisms, and assizes.

Geoffrey Chaucer: A Very Short Introduction (Very Short Introductions)

Originally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance. Why do poets, translators, and audiences from so many cultures, from the mountains of Iran to the islands of Japan, find Chaucer so inspiring? In part this is down to the character and sheer inventiveness of Chaucer's work. At the time Chaucer's writings were not just literary adventures, but also a means of convincing the world that poetry and science, tragedy and astrology, could all be explored through the English language. French was still England's aristocratic language of choice when Chaucer was born; Latin was used for university education, theological discussion, and for burying the dead. Could a hybrid tongue such as English ever generate great writing to compare with French and Latin? Chaucer, miraculously, believed that it could, through gradual expansion of expressiveness and scientific precision. He was never paid to do this; he was valued, rather, as a capable civil servant, regulating the export of wool and the building of seating for royal tournaments. Such experiences, however, fed his writing, leading him to achieve a range of social registers, from noble tragedy to barnyard farce, unrivalled for centuries. His tale-telling geography is vast, his fascination with varieties of religious belief endless, and his desire to voice female experience especially remarkable. Many Chaucerian poets and performers, today, are women. In this Very Short Introduction David Wallace introduces the life, performance, and poetry of Chaucer, and analyses his astonishing and enduring appeal. Previously published in hardback as Geoffrey Chaucer: A New Introduction ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Geoffrey Chaucer: A Very Short Introduction (Very Short Introductions)

Originally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance. Why do poets, translators, and audiences from so many cultures, from the mountains of Iran to the islands of Japan, find Chaucer so inspiring? In part this is down to the character and sheer inventiveness of Chaucer's work. At the time Chaucer's writings were not just literary adventures, but also a means of convincing the world that poetry and science, tragedy and astrology, could all be explored through the English language. French was still England's aristocratic language of choice when Chaucer was born; Latin was used for university education, theological discussion, and for burying the dead. Could a hybrid tongue such as English ever generate great writing to compare with French and Latin? Chaucer, miraculously, believed that it could, through gradual expansion of expressiveness and scientific precision. He was never paid to do this; he was valued, rather, as a capable civil servant, regulating the export of wool and the building of seating for royal tournaments. Such experiences, however, fed his writing, leading him to achieve a range of social registers, from noble tragedy to barnyard farce, unrivalled for centuries. His tale-telling geography is vast, his fascination with varieties of religious belief endless, and his desire to voice female experience especially remarkable. Many Chaucerian poets and performers, today, are women. In this Very Short Introduction David Wallace introduces the life, performance, and poetry of Chaucer, and analyses his astonishing and enduring appeal. Previously published in hardback as Geoffrey Chaucer: A New Introduction ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Geoffrey Gets the Jitters

Shortlisted for the Oscar’s Book Prize, 2024.From the creator of Barbara Throws a Wobbler - the ultimate story to chase (and laugh) your worries away‘A wise and comical look at anxiety and how to banish it ... With funny pictures and a guide to different kinds of worries, this is soothing for all ages’ - The TimesGeoffrey's got the jitters! It started last night when he was thinking about school - a funny, wiggly feeling in his tummy that grew and grew. But when Geoffrey's tummy jitters started talking to him - that's when he knew they were out of control. Geoffrey had to do something...Through a laugh-out-loud story and loveable character, Nadia Shireen shows how to understand and dispel anxieties, one jitter at a time.Selected as one of The Sunday Times Best Children's Book of the Year.

Geoffrey Hartman: Romanticism after the Holocaust

Geoffrey Hartman: Romanticism after the Holocaust offers the first comprehensive critical account of the work of the American literary critic Geoffrey Hartman. The book aims to achieve two things: first, it charts the whole trajectory of Hartman's career (now more than half a century long) while playing close attention to the place of his career in broader cultural and intellectual contexts; second, it engages with contemporary discussions about ecology, ethics, trauma, the media, and community in order to argue that Hartman's work presents a surprisingly consistent and original position in current debates in literary and cultural studies. Vermeulen identifies a persistent belief in the potency of aesthetic mediation at the heart of Hartman's project, and shows how his work repeatedly reasserts that belief in the face of institutional, cultural and intellectual factors that seem to deny the singular importance of literature. The book allows Hartman to emerge as a major literary thinker whose relevance extends far beyond the domains of Romanticism, of literary theory, and of trauma studies.

Geoffrey Hill: Essays On His Later Work

A collection of new essays on the remarkable work produced by the poet Geoffrey Hill since the mid-1990s. Hill is widely recognised as the finest living English poet and the quality of his recent publications has been matched by the pace at which he produces quantities of profound and startlingly original verse. This book brings together work on Hill by figures as diverse as Rowan Williams and Christopher Ricks, along with penetrating treatments of these late writings by younger scholars, in order to provide a series of fresh perspectives on some of the finest and most challenging poetry now being written. It explores topics including physicality, death, confession, and recusancy, and also contains a large-scale bibliography of Hill's writings, which will be invaluable to all those seeking to read more widely in the work of this fascinating and exceptional figure.