- Table View
- List View
Geoparsing Early Modern English Drama (Geocriticism and Spatial Literary Studies)
by M. Matei-ChesnoiuGeo-spatial identity and early Modern European drama come together in this study of how cultural or political attachments are actively mediated through space. Matei-Chesnoiu traces the modulated representations of rivers, seas, mountains, and islands in sixteenth-century plays by Shakespeare, Jasper Fisher, Thomas May, and others.
Geopolitical Shakespeare: Western Entanglements from Internationalism to Cold War (Oxford Mid-Century Studies Series)
by Erica SheenGeopolitical Shakespeare: Western Entanglements from Internationalism to Cold War examines the entanglement of Shakespearean culture in the geopolitical dynamics of the post-war West. Taking its cue from a speech given by Albert Einstein in London in 1933, in which Shakespeare is cited as an example of the Western value of personal and intellectual freedom, this book explores a series of events between 1945 and 1955 featuring key historical figures--scientists, international lawyers, diplomats and politicians, writers, actors, and filmmakers--who experienced the tensions of the early Cold War through Shakespeare, or called on him to articulate this new post-war world. Erica Sheen examines political, diplomatic, cultural, and economic interactions within 'core' Western power relations--the USA, UK, and Europe, with particular reference to Germany--in which Shakespeare, or the idea of Shakespeare, was entangled in the struggle for new ideas and social structures. The subjects of this book include John Humphrey and the drafting of the Universal Declaration of Human Rights; the Nuremberg Trials and the foundation of West Germany; Noel Annan and the Berlin Elizabethan Festival; an American production of Hamlet in Elsinore; Laurence Olivier, David Selznick, and the Shakespeare film in post-war Hollywood; Graham Greene and The Third Man; and Carl Schmitt and Salvador de Madariaga on Hamlet in post-war Europe. In each of these case studies, Sheen discovers a Shakespeare for our time: engaged in contestations of territoriality in cultures of international law and human rights, theatre, film, and literature.
Geopolitical Shakespeare: Western Entanglements from Internationalism to Cold War (Oxford Mid-Century Studies Series)
by Erica SheenGeopolitical Shakespeare: Western Entanglements from Internationalism to Cold War examines the entanglement of Shakespearean culture in the geopolitical dynamics of the post-war West. Taking its cue from a speech given by Albert Einstein in London in 1933, in which Shakespeare is cited as an example of the Western value of personal and intellectual freedom, this book explores a series of events between 1945 and 1955 featuring key historical figures--scientists, international lawyers, diplomats and politicians, writers, actors, and filmmakers--who experienced the tensions of the early Cold War through Shakespeare, or called on him to articulate this new post-war world. Erica Sheen examines political, diplomatic, cultural, and economic interactions within 'core' Western power relations--the USA, UK, and Europe, with particular reference to Germany--in which Shakespeare, or the idea of Shakespeare, was entangled in the struggle for new ideas and social structures. The subjects of this book include John Humphrey and the drafting of the Universal Declaration of Human Rights; the Nuremberg Trials and the foundation of West Germany; Noel Annan and the Berlin Elizabethan Festival; an American production of Hamlet in Elsinore; Laurence Olivier, David Selznick, and the Shakespeare film in post-war Hollywood; Graham Greene and The Third Man; and Carl Schmitt and Salvador de Madariaga on Hamlet in post-war Europe. In each of these case studies, Sheen discovers a Shakespeare for our time: engaged in contestations of territoriality in cultures of international law and human rights, theatre, film, and literature.
Georg Büchner (Sammlung Metzler)
by Gerhard P. KnappWerkanalyse und Interpretation. Gerhard P. Knapp hebt in der von Grund auf neu erarbeiteten Auflage gesicherte Forschungsergebnisse deutlich von Kontroversen und Debatten um noch nicht vollkommen abgesteckte und erschlossene Ansätze und von eigenen Thesen ab.
Georg Büchner und die Romantik (Abhandlungen zur Literaturwissenschaft)
by Roland Borgards Burghard DednerIn seiner Auseinandersetzung mit der Romantik verfolgt Büchner ein doppeltes Projekt: die Romantik modern zu machen und das Moderne der Romantik zu erkennen. Damit reagiert Büchner auf eine Ambivalenz, die schon in der romantischen Literatur selbst angelegt ist, eine Ambivalenz zwischen blauer Blume und schwarzer Nacht, zwischen gläubigem Gottvertrauen und wahnsinnigem Identitätsverlust, zwischen schöner Form und grotesker Gestalt. Der Band untersucht diese Zusammenhänge mit Blick auf einzelne Autoren, spezifische ästhetische Verfahren und einschlägige Themen.
Georg Büchner's Woyzeck (The Fourth Wall)
by Karoline Gritzner'Everyone's an abyss. You get dizzy if you look down.' -- Woyzeck Georg Büchner’s Woyzeck was left unfinished at the time of its author’s death in 1837, but the play is now widely recognised as the first ‘modern’ drama in the history of European theatre. Its fragmentary form and critical socio-political content have had a lasting influence on artists, readers and audiences to this day. The abuse, exploitation, and disenfranchisement that Woyzeck’s titular protagonist endures find their mirror in his own murderous outburst. But beyond that, they also echo in the flux and confusion of the various drafts and versions in which the play has been presented since its emergence. In this fresh engagement with a modern classic, Gritzner examines the revolutionary dimensions of Büchner’s political and creative practice, as well as modern approaches to the play in performance.
Georg Büchner's Woyzeck (The Fourth Wall)
by Karoline Gritzner'Everyone's an abyss. You get dizzy if you look down.' -- Woyzeck Georg Büchner’s Woyzeck was left unfinished at the time of its author’s death in 1837, but the play is now widely recognised as the first ‘modern’ drama in the history of European theatre. Its fragmentary form and critical socio-political content have had a lasting influence on artists, readers and audiences to this day. The abuse, exploitation, and disenfranchisement that Woyzeck’s titular protagonist endures find their mirror in his own murderous outburst. But beyond that, they also echo in the flux and confusion of the various drafts and versions in which the play has been presented since its emergence. In this fresh engagement with a modern classic, Gritzner examines the revolutionary dimensions of Büchner’s political and creative practice, as well as modern approaches to the play in performance.
Georg Lukacs: Aesthetics, Politics, Literature
by Timothy Bewes Timothy HallThe end of the Soviet period, the vast expansion in the power and influence of capital, and recent developments in social and aesthetic theory, have made the work of Hungarian Marxist philosopher and social critic Georg Lukács more vital than ever.The very innovations in literary method that, during the 80s and 90s, marginalized him in the West have now made possible new readings of Lukács, less in thrall to the positions taken by Lukács himself on political and aesthetic matters. What these developments amount to, this book argues, is an opportunity to liberate Lukács's thought from its formal and historical limitations, a possibility that was always inherent in Lukács's own thinking about the paradoxes of form. This collection brings together recent work on Lukács from the fields of Philosophy, Social and Political Thought, Literary and Cultural Studies. Against the odds, Lukács's thought has survived: as a critique of late capitalism, as a guide to the contradictions of modernity, and as a model for a temperament that refuses all accommodation with the way things are.
Georg Lukacs: Aesthetics, Politics, Literature
by Timothy Bewes Timothy HallThe end of the Soviet period, the vast expansion in the power and influence of capital, and recent developments in social and aesthetic theory, have made the work of Hungarian Marxist philosopher and social critic Georg Lukács more vital than ever.The very innovations in literary method that, during the 80s and 90s, marginalized him in the West have now made possible new readings of Lukács, less in thrall to the positions taken by Lukács himself on political and aesthetic matters. What these developments amount to, this book argues, is an opportunity to liberate Lukács's thought from its formal and historical limitations, a possibility that was always inherent in Lukács's own thinking about the paradoxes of form. This collection brings together recent work on Lukács from the fields of Philosophy, Social and Political Thought, Literary and Cultural Studies. Against the odds, Lukács's thought has survived: as a critique of late capitalism, as a guide to the contradictions of modernity, and as a model for a temperament that refuses all accommodation with the way things are.
Georg Lukács: Sammlung Metzler, 251 (Sammlung Metzler)
by Werner JungGeorg Lukács' Lebenswerk von geradezu enzyklopädischem Ausmaß hat grenz- und fachüberschreitend die politischen, philosophischen, ästhetischen und literaturtheoretischen Diskussionen des 20. Jahrhunderts beeinflußt.
Georg Lukacs Reconsidered: Critical Essays in Politics, Philosophy and Aesthetics
by Michael J. ThompsonGeorg Lukács stands as a towering figure in the areas of critical theory, literary criticism, aesthetics, ethical theory and the philosophy of Marxism and German Idealism. Yet, despite his influence throughout the twentieth century, his contributions to the humanities and theoretical social sciences are marked by neglect. What has been lost is a crucial thinker in the tradition of critical theory, but also, by extension, a crucial set of ideas that can be used to shed new light on the major problems of contemporary society. This book reconsiders Lukács' intellectual contributions in the light of recent intellectual developments in political theory, aesthetics, ethical theory, and social and cultural theory. An international team of contributors contend that Lukács' ideas and theoretical contributions have much to offer the theoretical paucity of the present. Ultimately the book reintegrates Lukács as a central thinker, not only in the tradition of critical theory, but also as a major theorist and critic of modernity, of capitalism, and of new trends in political theory, cultural criticism and legal theory.
George and the Big Bang (George's Secret Key to the Universe #3)
by Lucy Hawking Stephen HawkingMeet George. He's an ordinary boy with an incredible secret - the power to go on intergalactic adventures!Join him as he battles a sinister rebel-scientist, who's hell bent on sabotaging the most exciting - and dangerous - experiment of the century.A deadly bomb is ticking. The whole world is watching. Can George stop the second big bang?Featuring the latest scientific theories - plus all-new content about the Higgs boson!
George and the Blue Moon (George's Secret Key to the Universe #5)
by Stephen Hawking Lucy HawkingGeorge and his best friend, Annie have been selected as junior astronauts - part of a programme that trains up young people for a trip to Mars in the future. This is everything they've ever wanted - they get to be a part of up-to-the minute space discoveries and meet a bunch of new friends who are as fascinated by the universe as they are.But when they arrive at space camp, George and Annie quickly learn that strange things are happening - on Earth as well as up in our skies. Mysterious space missions are happening in secret, and the astronaut training they're undertaking gets scarier and scarier . . .The fifth adventure in this series by Lucy and Stephen Hawking - also containing up-to-the-minute scientific facts and information by the world's leading scientists.
George and the Dragon: Level 2: George And The Dragon (Must Know Stories: Level 2)
by Anne AdeneyWhen the King and his townspeople beg brave George to fight a fierce dragon, he immdiately agrees to help. Will he be able to slay the dragon and rescue the Princess?A beautifully illustrated retelling of this favourite traditional story. Must Know Stories includes favourite tales, celebrating the diversity of our literary heritage. Level 2 stories are told in short chapters, with under 1000 words.
George and the Dragon
by Christopher Wormell'Far, far away in the high, high mountains in a deep, deep valley in a dark, dark cave - there lived a mighty dragon.' He was an awesome and frightening creature, terrorising whole armies, destroying castles, demolishing forests and kidnapping princesses. But this mighty dragon had a deep, dark secret. . . .Uncover a charming tale of adventure, a dragon, and an unlikely hero. Told with gentle humour and mesmerising illustrations, this is a picture book to enchant and delight. This stunning new edition is perfect for new readers, as well as fans of George, the Dragon and the Princess. This much-loved classic tale comes from the exceptional storyteller and illustrator, Chris Wormell.
George and the Ship of Time (George's Secret Key to the Universe)
by Lucy HawkingWhen George finds a way to escape the spacecraft Artemis, where he has been trapped, he is overjoyed. Surely now he can return to Earth. But when George touches down, he knows immediately that something is wrong. There’s a barren wasteland where his home town used to be, intelligent robots roam the streets, and no one will talk to George about the Earth that he used to know. With the help of an unexpected new friend, can George find out what – or who – is behind this terrible new world, before it’s too late?
George and the Unbreakable Code: George's Secret Key To The Universe - George's Cosmic Treasure Hunt; George And The Big Bang; George And The Unbreakable Code (George's Secret Key to the Universe #4)
by Lucy Hawking Stephen HawkingGeorge and his best friend Annie haven't had any space adventures for a while and they're missing the excitement. But not for long . . .Seriously strange things start happening. Banks are handing out free money; supermarkets can’t charge for their produce so people are getting free food; and aircraft are refusing to fly. It looks like the world's biggest and best computers have all been hacked.George and Annie will travel further into space than ever before in order to find out who is behind it.
George Augustus Sala and the Nineteenth-Century Periodical Press: The Personal Style of a Public Writer
by Peter BlakeIn his study of the journalist George Augustus Sala, Peter Blake discusses the way Sala’s personal style, along with his innovations in form, influenced the New Journalism at the end of the nineteenth century. Blake places Sala at the centre of nineteenth-century newspapers and periodicals and examines his prolific contributions to newspapers and periodicals in the context of contemporary debates and issues surrounding his work. Sala’s journalistic style, Blake argues, was a product of the very different mediums in which he worked, whether it was the visual arts, bohemian journalism, novels, pornographic plays, or travel writing. Harkening back to a time when journalism and fiction were closely connected, Blake’s book not only expands our understanding of one of the more prominent and interesting journalists and personalities of the nineteenth century, but also sheds light on prominent nineteenth-century writers and artists such as Charles Dickens, Mathew Arnold, William Powell Frith, Henry Vizetelly, and Mary Elizabeth Braddon.
George Augustus Sala and the Nineteenth-Century Periodical Press: The Personal Style of a Public Writer
by Peter BlakeIn his study of the journalist George Augustus Sala, Peter Blake discusses the way Sala’s personal style, along with his innovations in form, influenced the New Journalism at the end of the nineteenth century. Blake places Sala at the centre of nineteenth-century newspapers and periodicals and examines his prolific contributions to newspapers and periodicals in the context of contemporary debates and issues surrounding his work. Sala’s journalistic style, Blake argues, was a product of the very different mediums in which he worked, whether it was the visual arts, bohemian journalism, novels, pornographic plays, or travel writing. Harkening back to a time when journalism and fiction were closely connected, Blake’s book not only expands our understanding of one of the more prominent and interesting journalists and personalities of the nineteenth century, but also sheds light on prominent nineteenth-century writers and artists such as Charles Dickens, Mathew Arnold, William Powell Frith, Henry Vizetelly, and Mary Elizabeth Braddon.