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George Beneath A Paper Moon (Virago Modern Classics #685)
by Nina BawdenGeorge is an unusually successful travel agent, providing other people with the adventures he dare not risk. Though content to wrap himself in fantasies, he is haunted by the fact that 'the important things happened whilst his back was turned' and by the belief that he fathered the daughter- now a desirable young woman- of his best friends, Sam and Claire. To avoid temptation, George stumbles into a disastrous marriage and determines to mould himself into a supportive husband. But a holiday in Turkey snaps his private world when George finds himself in the midst of intrigue and murder and is forced to acknowledge that life is not the fairy-tale he'd imagined. In this superbly constructed and mercilessly observed novel, part comedy, part thriller, Nina Bawden exposes the fictions we impose on our lives.
George Berkeley and Romanticism: Ghostly Language
by Chris TownsendGeorge Berkeley's mainstream legacy amongst critics and philosophers, from Samuel Johnson to Bertrand Russell, has tended to concern his claim that the objects of perception are in fact nothing more than our ideas. Yet there's more to Berkeley than idealism alone, and the poets now grouped under the label 'Romanticism' took up Berkeley's ideas in especially strange and surprising ways. As this book shows, the poets Blake, Wordsworth, Coleridge, and Shelley focused less on Berkeley's arguments for idealism than they did on his larger, empirically-derived claim that nature constitutes a kind of linguistic system. It is through that 'ghostly language' that we might come to know ourselves, each other, and even God. This book is a reappraisal of the role that Berkeley's ideas played in Romanticism, and it pursues his spiritualized philosophy across a range of key Romantic-period poems. But it is also a re-reading of Berkeley himself, as a thinker who was deeply concerned with language and with written—even literary—style. In that sense, it offers an incisive case study into the reception of philosophical ideas into the workings of poetry, and of the role of poetics within the history of ideas more broadly.
George Berkeley and Romanticism: Ghostly Language
by Chris TownsendGeorge Berkeley's mainstream legacy amongst critics and philosophers, from Samuel Johnson to Bertrand Russell, has tended to concern his claim that the objects of perception are in fact nothing more than our ideas. Yet there's more to Berkeley than idealism alone, and the poets now grouped under the label 'Romanticism' took up Berkeley's ideas in especially strange and surprising ways. As this book shows, the poets Blake, Wordsworth, Coleridge, and Shelley focused less on Berkeley's arguments for idealism than they did on his larger, empirically-derived claim that nature constitutes a kind of linguistic system. It is through that 'ghostly language' that we might come to know ourselves, each other, and even God. This book is a reappraisal of the role that Berkeley's ideas played in Romanticism, and it pursues his spiritualized philosophy across a range of key Romantic-period poems. But it is also a re-reading of Berkeley himself, as a thinker who was deeply concerned with language and with written—even literary—style. In that sense, it offers an incisive case study into the reception of philosophical ideas into the workings of poetry, and of the role of poetics within the history of ideas more broadly.
George Bernard Shaw: A Very Short Introduction (Very Short Introductions)
by Christopher WixsonGeorge Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures seventy years after his death is testament to the prescience of his thinking and his prolific creativity. This Very Short Introduction looks at Shaw's life, starting with his upbringing in Ireland, and then takes a chronological approach through his works. Considering Shaw's committed antagonism on behalf of a range of socio-political issues; his use of comedy as a mode for communicating serious ideas; and his rhetorical style that pushes conventional boundaries, Christopher Wixson provides an overview of the creative evolution of core themes throughout Shaw's long career. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
George Bernard Shaw: A Very Short Introduction (Very Short Introductions)
by Christopher WixsonGeorge Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures seventy years after his death is testament to the prescience of his thinking and his prolific creativity. This Very Short Introduction looks at Shaw's life, starting with his upbringing in Ireland, and then takes a chronological approach through his works. Considering Shaw's committed antagonism on behalf of a range of socio-political issues; his use of comedy as a mode for communicating serious ideas; and his rhetorical style that pushes conventional boundaries, Christopher Wixson provides an overview of the creative evolution of core themes throughout Shaw's long career. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
George C. Williams and Evolutionary Literacy (Literatures, Cultures, and the Environment)
by Michael P. CohenIn this book, a case study of a humanistic reading of an essential evolutionary theorist, George C. Williams (May 12, 1926–September 8, 2010), the author contends that certain classic works of evolutionary theory and history are the most important nature writing of recent times. What it means to be scientifically literate—is essential for humanistic scholars, who must ground themselves with literary reading of scientific texts. As the most influential American evolutionary theorist of the second half of the twentieth century, Williams masters critique, frames questions about adaptation and natural selection, and answers in a plain, aphoristic writing style. Williams aims for parsimony—to “recognize adaptation at the level necessitated by the facts and no higher”—through a minimalist writing style. This voice articulates a powerful process that operates at very low levels by blind and selfish chance at the expense of its designed products, using purely trial and error.
George Crabbe: Everyman's Poetry (Everyman's Poetry)
by Stephen DerryA selection of poems by George Crabbe, edited by Stephen Derry
George Crabbe and his Times 1754-1832: A Critical and Biographical Study (Routledge Revivals)
by René HuchonThis book was first published in 1968 First appearing in 1907, René Huchon with the help of original manuscripts rewrote the biography of Crabbe published by his son in 1834. As the title suggests, however, Huchon was not merely concerned with the presentation of Crabbe as a literary figure in isolation, and by conjuring up the atmosphere and background of the eighteenth century he is able to shed new light on Crabbe's poetry.There are descriptions of Aldborough, of the desolate heaths and marshy wastes where Crabbe spent his unhappy youth, which together with his background of poverty, and familiarity with the life of the country poor, led him to revolt against the current trend of pastoral poetry. At the time the most detailed study of Crabbe, this work is of foremost importance, for rarely is a poety placed so securely in his setting, and both followers of the poet, and devotees of the eighteenth century will welcome this being freely available agian.
George Crabbe and his Times 1754-1832: A Critical and Biographical Study (Routledge Revivals)
by René HuchonThis book was first published in 1968 First appearing in 1907, René Huchon with the help of original manuscripts rewrote the biography of Crabbe published by his son in 1834. As the title suggests, however, Huchon was not merely concerned with the presentation of Crabbe as a literary figure in isolation, and by conjuring up the atmosphere and background of the eighteenth century he is able to shed new light on Crabbe's poetry.There are descriptions of Aldborough, of the desolate heaths and marshy wastes where Crabbe spent his unhappy youth, which together with his background of poverty, and familiarity with the life of the country poor, led him to revolt against the current trend of pastoral poetry. At the time the most detailed study of Crabbe, this work is of foremost importance, for rarely is a poety placed so securely in his setting, and both followers of the poet, and devotees of the eighteenth century will welcome this being freely available agian.
George Du Maurier: Beyond Svengali
by Simon Cooke Paul GoldmanThough well-known as the author of Trilby and the creator of Svengali, the writer-artist George Du Maurier had many other accomplishments that are less familiar to modern audiences. This collection traces Du Maurier’s role as a participant in the wider cultural life of his time, restoring him to his proper status as a major Victorian figure. Divided into sections, the volume considers Du Maurier as an artist, illustrator and novelist who helped to form some of the key ideas of his time. The contributors place his life and work in the context of his treatment of Judaism and Jewishness; his fascination with urbanization, Victorian science, technology and clairvoyance; his friendships and influences; and his impact on notions of consumerism and taste. As an illustrator, Du Maurier collaborated with Thomas Hardy, Elizabeth Gaskell and sensational writers such as M. E. Braddon and the author of The Notting Hill Mystery. These partnerships, along with his reflections on the art of illustration, are considered in detail. Impossible to categorize, Du Maurier was an Anglo-Frenchman with cultural linkages in France, England, and America; a social commentator with an interest in The New Woman; a Punch humourist; and a friend of Henry James, with whom he shared a particular interest in the writing of domesticity and domestic settings. Closing with a consideration of Du Maurier’s after-life, notably the treatment of his work in film, this collection highlights his diverse achievements and makes a case for his enduring significance.
George Du Maurier: Beyond Svengali
by Simon Cooke Paul GoldmanThough well-known as the author of Trilby and the creator of Svengali, the writer-artist George Du Maurier had many other accomplishments that are less familiar to modern audiences. This collection traces Du Maurier’s role as a participant in the wider cultural life of his time, restoring him to his proper status as a major Victorian figure. Divided into sections, the volume considers Du Maurier as an artist, illustrator and novelist who helped to form some of the key ideas of his time. The contributors place his life and work in the context of his treatment of Judaism and Jewishness; his fascination with urbanization, Victorian science, technology and clairvoyance; his friendships and influences; and his impact on notions of consumerism and taste. As an illustrator, Du Maurier collaborated with Thomas Hardy, Elizabeth Gaskell and sensational writers such as M. E. Braddon and the author of The Notting Hill Mystery. These partnerships, along with his reflections on the art of illustration, are considered in detail. Impossible to categorize, Du Maurier was an Anglo-Frenchman with cultural linkages in France, England, and America; a social commentator with an interest in The New Woman; a Punch humourist; and a friend of Henry James, with whom he shared a particular interest in the writing of domesticity and domestic settings. Closing with a consideration of Du Maurier’s after-life, notably the treatment of his work in film, this collection highlights his diverse achievements and makes a case for his enduring significance.
George Eliot (Routledge Library Editions: George Eliot)
by Ian AdamFirst published in 1969. George Eliot is a writer of ordinary human experience, whose work emphasizes commonplace characters and commonplace situations. Her mind, however, was far from ordinary. Professor Adam shows how wit, observation and sympathy, combined with a lucid and energetic intelligence, enabled her to invest the commonplace with complexity and importance. Extracts from George Eliot’s major novels illustrate her treatment of character, setting, dialogue and narrative, while the author’s commentary discusses the particulars of her artistic procedures and techniques. This title will be of interest to students of literature.
George Eliot (Routledge Library Editions: George Eliot #1)
by Ian AdamFirst published in 1969. George Eliot is a writer of ordinary human experience, whose work emphasizes commonplace characters and commonplace situations. Her mind, however, was far from ordinary. Professor Adam shows how wit, observation and sympathy, combined with a lucid and energetic intelligence, enabled her to invest the commonplace with complexity and importance. Extracts from George Eliot’s major novels illustrate her treatment of character, setting, dialogue and narrative, while the author’s commentary discusses the particulars of her artistic procedures and techniques. This title will be of interest to students of literature.
George Eliot: Interdisciplinary Essays
by Jean Arnold Lila Marz HarperThis collection brings together new articles by leading scholars who reappraise George Eliot in her bicentenary year as an interdisciplinary thinker and writer for our times. Here, researchers, students, teachers and the general public gain access to new perspectives on Eliot’s vast interests and knowledge, informed by the nineteenth-century British culture in which she lived. Examining Eliot’s wide-ranging engagement with Victorian historical research, periodicals, poetry, mythology, natural history, realism, the body, gender relations, and animal studies, these essays construct an exciting new interdisciplinary agenda for future Eliot studies.
George Eliot (Modern Novelists)
by Allan BellringerA fresh look at George Eliot as inaugurator of a modern fictional world, as a provider of texts which stimulate radical questioning in religion, sociology, politics, economics and history. Alan Bellringer doubts the omniscience of the George Eliot authorial voice, regards her main theme of consentenaity of development as one which problematises unity and centrality, and examines the six main novels and six shorter tales as loci of cultural controversy which are still at the forefront of critical attention over a hundred years after the death of this woman-writer; hers was a death, which whenever it had occurred, would always have been felt as premature.
George Eliot
by Kristin BradyThis book offers a critique of traditional Eliot biography and criticism that has interpreted the author in terms of essentialist notions about gender. Kristin Brady then offers a feminist reading of Eliot's life by considering the ways in which it uncovers splits within patriarchal ideologies. Finally, she analyses Eliot's writing, offering dynamic new readings of many of Eliot's texts.
George Eliot: Interviews and Recollections (Interviews and Recollections)
by K. CollinsSpanning her entire life, the fully annotated selections in this volume include well known recollections of the great Victorian novelist plus a large assortment not found in her biographies. Altogether they provide a fresh, vivid, and sometimes startling portrait of a controversial genius.
George Eliot: An Intellectual Life
by V. DoddThere have been several biographies of George Eliot but this is the first study to focus on her intellectual development. The book provides an analysis of the biographical and intellectual factors which encouraged George Eliot to decide upon fiction as her chosen mode of expression, and demonstrates how that decision was influenced by, and an echoing of, J.S.Mill's and Carlyle's critiques of philosophy.
George Eliot: The Novels (Analysing Texts)
by Mike EdwardsThis volume guides students through Eliot's most widely studied novels: The Mill on the Floss, Silas Marner and Middlemarch. The first part of the book is based on analysis of extracts grouped by themes including relationships, society and morality. At the end of each chapter, a 'Methods' section offers ideas for independent study. The second part describes Eliot's biographical, cultural and intellectual environment, and gives readings of representative critical writing.
George Eliot: A Centenary Tribute (Yale Edition Of The George Eliot Letters Ser. #Vol. 6)
by Gordon S. Haight T. VanArsdel
George Eliot: A Critic's Biography (Writers Lives)
by Barbara HardyNot for publication: 'promises to present the distilled understanding and insight of Professor Hardy's lifetime engagement with George Eliot...strengths lie in the sensitive close reading that distinguishes Barbara Hardy's criticism and in the fascinating links and echoes between life and fiction that her comprehensive knowledge of the novelist's writing enables her to find...the proposed book would be accessible to a wide general readership and Barbara Hardy's established reputation would be a selling point in itself.' Readers report from John Rignall (Reader at University of Warwick and editor of The Oxford Reader's Companion to George Eliot) 'a genuinely interesting contribution to George Eliot scholarship by one of the leading postwar critics of Victorian fiction. The conception is bold and arresting... it reads excellently but its clarity is also vivid, effective and engaging. It wears its evident deep learning, and informed familiarity with Eliot's world, lightlyÁ It manages to integrate three achievements: to give an animated sense of Eliot's personality as a woman, an intellectual, and a writer; it evokes successfully the milieu in which she lived and worked; and it offers genuine illumination in relation to the fiction.' Professor Rick Rylance, Deputy Head of English Department, University of Exeter (and former Chair of Council for College and University English) Review of Thomas Hardy by NATFHE: 'The community of critics and readers interested in Victorian studies can always expect Barbara Hardy to come up with an interesting perspective on texts we all thought had been read thoroughly into familiarityÁ The beauty of this book is also that a whole range of people could read it, from A level students to Hardy specialists.'
George Eliot: A Critic's Biography (Writers Lives)
by Barbara HardyNot for publication: 'promises to present the distilled understanding and insight of Professor Hardy's lifetime engagement with George Eliot...strengths lie in the sensitive close reading that distinguishes Barbara Hardy's criticism and in the fascinating links and echoes between life and fiction that her comprehensive knowledge of the novelist's writing enables her to find...the proposed book would be accessible to a wide general readership and Barbara Hardy's established reputation would be a selling point in itself.' Readers report from John Rignall (Reader at University of Warwick and editor of The Oxford Reader's Companion to George Eliot) 'a genuinely interesting contribution to George Eliot scholarship by one of the leading postwar critics of Victorian fiction. The conception is bold and arresting... it reads excellently but its clarity is also vivid, effective and engaging. It wears its evident deep learning, and informed familiarity with Eliot's world, lightlyàIt manages to integrate three achievements: to give an animated sense of Eliot's personality as a woman, an intellectual, and a writer; it evokes successfully the milieu in which she lived and worked; and it offers genuine illumination in relation to the fiction.' Professor Rick Rylance, Deputy Head of English Department, University of Exeter (and former Chair of Council for College and University English) Review of Thomas Hardy by NATFHE: 'The community of critics and readers interested in Victorian studies can always expect Barbara Hardy to come up with an interesting perspective on texts we all thought had been read thoroughly into familiarityàThe beauty of this book is also that a whole range of people could read it, from A level students to Hardy specialists.'
George Eliot (Routledge Guides to Literature)
by Jan JedrzejewskiAs a woman in an illegal marriage, publishing under a male pseudonym, George Eliot was one of the most successful yet controversial writers of the Victorian period. Today she is considered a key figure for women’s writing and her novels, including The Mill on the Floss and Middlemarch, are commonly ranked as literary classics. This guide to Eliot’s enduringly popular work offers: an accessible introduction to the contexts and many interpretations of Eliot’s texts, from publication to the present an introduction to key critical texts and perspectives on Eliot’s life and work, situated in a broader critical history cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of George Eliot and seeking not only a guide to her works but also a way through the wealth of contextual and critical material that surrounds them.