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The Georgics: A Poem of the Land
by Virgil Kimberly JohnsonOne of the greatest poems of the classical world, Virgil's Georgics is a glorious celebration of the eternal beauty of the natural world, now brought vividly to life in a powerful new translation.'Georgic' means 'to work the earth', and this poetic guide to country living combines practical wisdom on tending the land with exuberant fantasy and eulogies to the rhythms of nature. It describes hills strewn with wild berries in 'vine-spread autumn'; recommends watching the stars to determine the right time to plant seeds; and gives guidance on making wine and keeping bees. Yet the Georgics also tells of angry gods, bloody battles and a natural world fraught with danger from storms, pests and plagues. Expansive in its scope, lush in its language, this extraordinary work is at once a reflection on the cycles of life, death and rebirth, an argument for the nobility of labour and an impassioned reflection on the Roman Empire of Virgil's times. Kimberly Johnson's lyrical verse translation captures all the rich beauty and abundant imagery of the original, re-creating this ancient masterpiece for our times.
Georgie, All Along
by Kate Clayborn'Magnetic, witty, and expansive. The world is going to fall hard for this deliciously whimsical and captivating story' ALI HAZELWOOD'Perfect for Emily Henry fans. [This] is the love story that proves you can go home again . . . so rich and wonderful' JULIA QUINN on The TODAY Show 'Outright perfection!' CHRISTINA LAUREN Longtime personal assistant Georgie Mulcahy has made a career out of putting others before herself. So when an unexpected upheaval sends her away from her hectic job in L.A. and back to her hometown, Georgie must confront an uncomfortable truth: her own wants and needs have always been a disconcertingly blank page. Then Georgie comes across a forgotten artifact-a 'friendfic' diary she wrote as a teenager, filled with possibilities she once imagined. To an overwhelmed Georgie, the diary's simple, small-scale ideas are a lifeline - a guidebook for getting started on a new path. But Georgie's plans hit a snag when she comes face to face with an unexpected roommate - Levi Fanning, onetime town troublemaker and current town hermit. But this quiet, grouchy man is more than just his reputation, and he offers to help Georgie with her quest. As the two make their way through her wish list, Georgie begins to realize that what she truly wants might not be in the pages of her diary after all, but right by her side - if only they can both find a way to let go of the pasts that hold them back. Honest and deeply emotional, Georgie, All Along is a smart, tender must-read for everyone who's ever wondered about the life that got away . . . 'Absolute perfection - this is the book you are looking for. Georgie All Along is a tour de force, beautifully written and full of charming characters, rich emotion, and delicious spice' SARAH MACLEAN, New York Times bestselling author'A sweet novel that reminds you going back is sometimes the best path forward . . . and that planning is never as rewarding as doing' JODI PICOULT 'A modern yet timeless love story' Kirkus Reviews (starred review) 'Tender and sexy . . . will appeal to fans of Emily Henry' Library Journal (starred review)
Georgie Grows a Dragon
by Emma LazellEach night before bed, Georgie thinks about what she'll grow the next day. One morning she finds she's grown a dragon! This dragon isn't like her other plants: it doesn't like the sun, the soil, being watered, and it's much much, more troublesome…
Georgie the Royal Prince Fairy (Rainbow Magic Early Reader #15)
by Daisy MeadowsThese cheerful and inviting Early Readers bring the blast of colour that Rainbow Magic's youngest fans have been waiting for!Rachel and Kirsty are very excited to attend a special royal weekend organised by the Queen! But when the Royal signet ring mysteriously disappears, the girls are in for another fantastic Rainbow Magic adventure! Help Kirsty and Rachel find the royal signet ring before it's too late!'These stories are magic; they turn children into readers!' ReadingZone.comIf you like Rainbow Magic, check out Daisy Meadows' other series: Magic Animal Friends and Unicorn Magic!
Georgie the Royal Prince Fairy: Special (Rainbow Magic #15)
by Daisy MeadowsGet ready for an exciting fairy adventure with the no. 1 bestselling series for girls aged 5 and up. Rachel and Kirsty are very excited to attend a special royal weekend organised by the Queen! But when the Royal signet ring mysteriously disappears, the girls are in for another fantastic Rainbow Magic adventure! Help Kirsty and Rachel find the royal signet ring before it's too late!'These stories are magic; they turn children into readers!' ReadingZone.comIf you like Rainbow Magic, check out Daisy Meadows' other series: Magic Animal Friends and Unicorn Magic!
Georgie's Big Greek Wedding?: A Bride For The Island Prince / Georgie's Big Greek Wedding? / Greek Doctor Claims His Bride (Mills And Boon Medical Ser.)
by Emily ForbesParamedic Georgie’s dreams of staying free and single come crashing down when her über-strict Greek family unexpectedly arrives in town. Desperate, she calls on new doc Josh ‘No strings attached’ Wetherly to pose as boyfriend-extraordinaire!
Georgina's Reasons (Classics To Go)
by Henry James(Excerpt): "She was certainly a singular girl, and if he felt at the end that he did n’t know her nor understand her, it is not surprising that he should have felt it at the beginning. But he felt at the beginning what he did not feel at the end, that her singularity took the form of a charm which—once circumstances had made them so intimate—it was impossible to resist or conjure away. He had a strange impression (it amounted at times to a positive distress, and shot through the sense of pleasure—morally speaking—with the acuteness of a sudden twinge of neuralgia) that it would be better for each of them that they should break off short and never see each other again. In later years he called this feeling a foreboding, and remembered two or three occasions when he had been on the point of expressing it to Georgina."
Georgy Girl
by Margaret ForsterGeorgy is young, gregarious and fun - she is also large, self-confessedly ugly and desperate for love. Georgy bears her fate bravely as she alternates between playing the fool and humbling herself before Meredith, her pretty, callous flatmate, although when James, middle-aged socialite and self-imposed 'Uncle', asks Georgy to become his mistress, she is tempted to accept. Then Meredith announces that she is pregnant and Jos, the expectant father, decides he is in love with Georgy...
Georgy Porgy (A Roald Dahl Short Story)
by Roald DahlGeorgy Porgy is a brilliant gem of a short story from Roald Dahl, the master of the sting in the tail.In Georgy Porgy, Roald Dahl, one of the world's favourite authors, tells a sinister story about the darker side of human nature. Here, a young curate has very, very good reasons to be afraid of his parishioners . . .Georgy Porgy is taken from the short story collection Kiss Kiss, which includes ten other devious and shocking stories, featuring the wife who pawns the mink coat from her lover with unexpected results; the priceless piece of furniture that is the subject of a deceitful bargain; a wronged woman taking revenge on her dead husband, and others.'Unnerving bedtime stories, subtle, proficient, hair-raising and done to a turn.' (San Francisco Chronicle )This story is also available as a Penguin digital audio download read by Derek Jacobi.Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.
Gerald O'Donovan: 1871-1942
by John F. RyanThis is the first full-length study of the life and work of novelist Gerald O’Donovan (1871–1942), a Catholic priest and social and cultural activist who, having abandoned the priesthood, became a writer and publisher. As a priest in Loughrea, Co. Galway, he was a very public figure in Irish life in several different areas. He was friendly with W. B. Yeats, Lady Gregory and George Moore and actively promoted the ‘Celtic Revival’. He was also a friend of Douglas Hyde and Sir Horace Plunkett and, for a number of years, he was a national figure in their respective organizations, the Gaelic League and the Co-operative Movement. After his marriage to Beryl Verschoyle, he moved to England and subsequently published six novels, the best-known and most controversial of which was Father Ralph (1913), a portrait of the artist as a priest. He also spent time working in the British Department of Propaganda under Lord Northcliffe, where H.G. Wells was one of his colleagues. This biography of an important and strangely neglected figure allows us new insights into a whole range of interesting cultural moments in twentieth-century Irish life, including the beginnings of literary modernism, the flourishing of the Irish literary revival and the emergence of a dissident strand within the Catholic clergy. Based on a rich and previously untapped array of archival material in Ireland, Britain and the US, the book provides both a much-needed reassessment of O'Donovan's work and also a history of Irish writing during those early decades of the twentieth century that saw the development of a new and powerful national literature.
Gerald's Busy Day (Froglets #2)
by Lynne BentonGerald's Busy Day is a funny story for young animal fans who are learning to read on their own. Perfect for children aged 5-7 who are reading at book band blue.Tom and Lucy wonder whether their pet gerbil, Gerald, will be bored while they're at school. Mum thinks he will sleep all day, but Gerald has other ideas!The Froglets series is perfect for children who are reading on their own, with fun stories of no more than 200 words and puzzles to encourage retelling the story and to help build vocabulary. Compiled in consultation with Catherine Glavina, PGCE and Primary Leader, The Centre for Professional Education, University of Warwick.
Gerald's Game (Bride Series)
by Stephen KingNow a Netflix movie directed by Mike Flanagan (Oculus, Hush) and starring Carla Gugino and Bruce Greenwood.A game. A husband and wife game. Gerald's Game.But this time Jesse didn't want to play. Lying there, spreadeagled and handcuffed to the bedstead while he'd loomed and drooled over her, she felt angry and humiliated. So she'd kicked out hard. Aimed to hit him where it hurt.He wasn't meant to die, leaving Jesse alone and helpless in a lakeside holiday cabin. Miles from anywhere. No-one to hear her screams. Alone. Except for the voices in her head that had begun to chatter and argue and sneer . . .
Gerald's Party (Penguin Modern Classics)
by Robert Coover T C BoyleRos is dead. A bad actress but a tremendous lover, when she was alive her thighs pillowed cast members, crew, friends and acquaintances. Now Gerald's party continues around her murdered corpse (it is, after all, just the first of the night), as the guests indulge in drinking, flirting and jealousies, and the police make their brutal investigations.An evening of cocktails, sex and violence, Robert Coover's novel is a murder mystery as rousing and disorienting as the best drunken party, a vaudevillian masterpiece.
Gerard Manley Hopkins: The Classical Background and Critical Reception of His Work
by Todd K. BenderIn his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well.Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.
Gerard Manley Hopkins: The Classical Background and Critical Reception of His Work
by Todd K. BenderOriginally published in 1966. In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well.Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.
Gerard Manley Hopkins: The Classical Background and Critical Reception of His Work
by Todd K. BenderOriginally published in 1966. In his lifetime, Gerard Manley Hopkins was known as a poet only by a small circle of his friends. More than any other major Victorian writer, he was recovered and presented as a poet to modern readers by editors and scholars of the first half of the twentieth century. This book analyzes how and to what extent the presuppositions of these critics have dictated the modern conception of Hopkins's work. Bender seeks to dispel, once and for all, the notion that Hopkins was a naïf poet. He provides an analysis of classical Greek and Latin rhetoric relative to the classical background of Hopkins's style and the structure in his poetry. He maintains that especially in Hopkins's more extreme work, such as "The Wreck of the Deutschland," there are precedents for the structure of the poem itself, the structure of the sentences within the poem, and its sensual and obscure imagery in the classical literature that Hopkins knew so well.Bender's study suggests two highly controversial positons: first, that although Hopkins is one of the most original voices in English, his poetry is within a tradition insufficiently recognized by modern critics; and second, that the effect of careful and sympathetic study of classical literature can induce quite the opposite of a neoclassical style in English.
Gerard Manley Hopkins (Routledge Guides to Literature)
by Angus EassonGerard Manley Hopkins was among the most innovative writers of the Victorian period. Experimental and idiosyncratic, his work remains important for any student of nineteenth-century literature and culture. This guide to Hopkins’ life and work offers: a detailed account of Hopkins life and creative development an extensive introduction to Hopkins’ poems, their critical history and the many interpretations of his work cross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Hopkins’ work and seeking not only a guide to the poems, but a way through the wealth of contextual and critical material that surrounds them.
Gerard Manley Hopkins (Routledge Guides to Literature)
by Angus EassonGerard Manley Hopkins was among the most innovative writers of the Victorian period. Experimental and idiosyncratic, his work remains important for any student of nineteenth-century literature and culture. This guide to Hopkins’ life and work offers: a detailed account of Hopkins life and creative development an extensive introduction to Hopkins’ poems, their critical history and the many interpretations of his work cross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of Hopkins’ work and seeking not only a guide to the poems, but a way through the wealth of contextual and critical material that surrounds them.
Gerard Manley Hopkins: A Literary Life (Literary Lives)
by Gerald RobertsA concise study of the life and poetry of the Victorian priest-poet. Gerald Roberts gives a chronological description and analysis of Hopkins's career and writing, and pays due attention to the Victorian and Jesuit background. The resulting picture is of a man divided between the religious and the aesthetic life, a story of apparent failure and real achievement.
Gerard Manley Hopkins and Tractarian Poetry (The Nineteenth Century Series)
by Margaret JohnsonGerard Manley Hopkins and Tractarian Poetry for the first time locates Hopkins and his work within the vital aesthetic and religious cultures of his youth. It introduces some of the most powerful cultural influences on his poetry as well as some of the most influential poets, from the well-known fellow convert John Henry Newman to the almost forgotten historian and poet Richard Dixon. From within the context of Hopkins' developing catholic sensibilities it assesses the impact of and his responses to issues of the time which related to his own religious and aesthetic perceptions, and provides a rich and intricate background against which to view both his early, often neglected poetry and the justly famous, idiosyncratic and deeply moving verse of his mature years. By detailing the influences Tractarian poetry had upon Hopkins' early work, and applying these to the productions of his later years, Gerard Manley Hopkins and Tractarian Poetry demonstrates how Hopkins' best known, mature works evolved from his upbringing in the Church of England and remained always indebted to this early culture. It offers readings of his works in light of a new appraisal of the contexts from which Hopkins himself grew, providing a fresh approach to this most challenging and rewarding of poets.
Gerard Manley Hopkins and Tractarian Poetry (The Nineteenth Century Series)
by Margaret JohnsonGerard Manley Hopkins and Tractarian Poetry for the first time locates Hopkins and his work within the vital aesthetic and religious cultures of his youth. It introduces some of the most powerful cultural influences on his poetry as well as some of the most influential poets, from the well-known fellow convert John Henry Newman to the almost forgotten historian and poet Richard Dixon. From within the context of Hopkins' developing catholic sensibilities it assesses the impact of and his responses to issues of the time which related to his own religious and aesthetic perceptions, and provides a rich and intricate background against which to view both his early, often neglected poetry and the justly famous, idiosyncratic and deeply moving verse of his mature years. By detailing the influences Tractarian poetry had upon Hopkins' early work, and applying these to the productions of his later years, Gerard Manley Hopkins and Tractarian Poetry demonstrates how Hopkins' best known, mature works evolved from his upbringing in the Church of England and remained always indebted to this early culture. It offers readings of his works in light of a new appraisal of the contexts from which Hopkins himself grew, providing a fresh approach to this most challenging and rewarding of poets.
Gerardo Diego’s Creation Myth of Music: Fábula de Equis y Zeda (Routledge Interdisciplinary Perspectives on Literature)
by Judith Stallings-WardSince its publication nearly eight decades ago, the consensus among scholars about Fábula de Equis y Zeda, by the Spanish poet Gerardo Diego (1896-1987) remains unchanged: Fábula is an enigmatic avant-garde curiosity. It seems to rob the reader of the reason necessary to interpret it, even as it lures him or her ineluctably to the task; nevertheless, the present study makes the case that this work is, in fact, not inaccessible, and that what the anhelante arquitecto, intended with his masterpiece was a creation myth that explains the evolution of music in his day. This monograph unlocks the fullness of the poem´s meaning sourced in music’s mythical consciousness and expressed in a poetic idiom that replicates aesthetic concepts and cubist strategies of form embraced by the neoclassical composers Bartok, Falla, Ravel, and Stravinsky.
Gerardo Diego’s Creation Myth of Music: Fábula de Equis y Zeda (Routledge Interdisciplinary Perspectives on Literature)
by Judith Stallings-WardSince its publication nearly eight decades ago, the consensus among scholars about Fábula de Equis y Zeda, by the Spanish poet Gerardo Diego (1896-1987) remains unchanged: Fábula is an enigmatic avant-garde curiosity. It seems to rob the reader of the reason necessary to interpret it, even as it lures him or her ineluctably to the task; nevertheless, the present study makes the case that this work is, in fact, not inaccessible, and that what the anhelante arquitecto, intended with his masterpiece was a creation myth that explains the evolution of music in his day. This monograph unlocks the fullness of the poem´s meaning sourced in music’s mythical consciousness and expressed in a poetic idiom that replicates aesthetic concepts and cubist strategies of form embraced by the neoclassical composers Bartok, Falla, Ravel, and Stravinsky.