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Germaine Dulac (French Film Directors Series)
by Maryann De JulioOne of the few women pioneers of cinema and a committed feminist, Germaine Dulac strongly believed that the public had a role to play in shaping the history of cinema and the kinds of films that filmmakers could make. This book draws on a wealth of archival material – both films and writing – to study Dulac’s ‘behind the scenes’ work on filmmaking and her social/political activism in the field of cinema. The biographical and historical introduction contextualises Dulac’s situation at the heart of the avant-garde. Three chapters organise her films and career around the kinds of cinema that she promoted: ‘psychological’, ‘pure’ and ‘documentary’. The conclusion contrasts Dulac’s contributions with those of Alice Guy Blaché, another early woman film pioneer, highlighting their differing paths to recognition.
Germaine Dulac (French Film Directors Series)
by Maryann De JulioOne of the few women pioneers of cinema and a committed feminist, Germaine Dulac strongly believed that the public had a role to play in shaping the history of cinema and the kinds of films that filmmakers could make. This book draws on a wealth of archival material – both films and writing – to study Dulac’s ‘behind the scenes’ work on filmmaking and her social/political activism in the field of cinema. The biographical and historical introduction contextualises Dulac’s situation at the heart of the avant-garde. Three chapters organise her films and career around the kinds of cinema that she promoted: ‘psychological’, ‘pure’ and ‘documentary’. The conclusion contrasts Dulac’s contributions with those of Alice Guy Blaché, another early woman film pioneer, highlighting their differing paths to recognition.
German Aesthetics: Fundamental Concepts from Baumgarten to Adorno (New Directions in German Studies)
by J. D. Mininger Jason Michael PeckGerman Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike.
German Aesthetics: Fundamental Concepts from Baumgarten to Adorno (New Directions in German Studies)
by Jason Michael Peck Edited by J. D. MiningerGerman Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike.
The German Bildungsroman from Wieland to Hesse
by Martin SwalesAlthough some of the most distinguished German novels written since about 1770 are generally considered to be Bildungsromane, the term Bildungsroman is all too frequently used in English without an awareness of the tradition from which it arose. Professor Swales concentrates on the roles of plot, characterization, and narrative commentary in novels by Wieland, Goethe, Stifter, Keller, Mann, and Hesse. By pointing out that the goal in each work is both elusive and problematic, he suggests a previously unsuspected ironic intent. His analysis adds to our awareness of the potentialities inherent in the novel.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The German Boy
by Tricia WastvedtA moving, inter-war family saga The German Boy from Patricia Wastvedt, the Orange Prize Longlisted author of The River.In 1947, Elisabeth Mander's German nephew comes to stay: Stefan Landau, her dead sister's teenage son, whom she hates and loves before she's even set eyes on him.Orphaned by the war and traumatised by the last, vicious battles of the Hitler Youth, Stefan brings with him to England only a few meagre possessions. Among them a portrait of a girl with long copper hair by a young painter called Michael Ross - and with it the memory, both painfuland precious, of her life and that time between the wars.Spanning decades and generations, The German Boy tells the moving story of two families entangled by love and friendship, divided by prejudice and war, and of a brief encounter between a woman and a man that touched each of their lives forever.'An absorbing literary saga ... a sophisticated and subtly woven story' Daily Mail'Hypnotic, atmospheric and exquisitely written. A novel I won't forget' Lucinda Riley, author of Hothouse Flower'A love story at its centre which will make your heart ache' Julia Green, author of Blue Moon'A heart-rending story of epic proportions, thrilling and utterly captivating. I am haunted by it still' Suzannah Dunn, author of The Confession of Katherine HowardBorn in 1954, Patricia Wastvedt grew up in Blackheath, south London, and spent her summers in Kent. She has a degree in Creative Arts and an MA in Creative Writing, and her first novel, The River, written in her late forties, was long-listed for the Orange Prize. She teaches at Bath Spa University, and is also a manuscript editor. She lives and writes in a cottage in Somerset.
A German Christmas: Festive Tales From Berlin to Bavaria (Vintage Christmas Tales #2)
by New Vessel PressFrom helpful elves to an enchanting Nutcracker, rediscover the German Christmas tales behind our most iconic festive traditionsEine fröhliche Weihnachten -- A Merry Christmas -- made all the more joyful with these literary treats redolent of candle-lit trees, St. Nikolaus, gingerbread, roast goose and red cabbage, tinsel and stollen cakes, accompanied by plenty of schnapps.In this collection, classic works by the Brothers Grimm and Thomas Mann intertwine with more recent stories from writers like Peter Stamm and Martin Suter to bring together the greatest festive tales from Austria, Switzerland and Germany. From a child lost in a snowy, pine-scented forest meeting an unlikely saviour to old lovers reuniting during a last-minute dash across the city for presents, each story creates magical moments of reflection and rediscovery.Bursting with family chaos, carols and yuletide cheer, A German Christmas showcases those works that have helped define the festive period the world over.
German Colonialism Revisited: African, Asian, and Oceanic Experiences (Social History, Popular Culture, And Politics In Germany)
by Nina Berman Klaus Muehlhahn Patrice NganangGerman Colonialism Revisited brings together military historians, art historians, literary scholars, cultural theorists, and linguists to address a range of issues surrounding colonized African, Asian, and Oceanic people’s creative reactions to and interactions with German colonialism. This scholarship sheds new light on local power dynamics; agency; and economic, cultural, and social networks that preceded and, as some now argue, ultimately structured German colonial rule. Going beyond issues of resistance, these essays present colonialism as a shared event from which both the colonized and the colonizers emerged changed.
German Culture and the Uncomfortable Past: Representations of National Socialism in Contemporary Germanic Literature (Warwick Studies in the Humanities)
by Helmut SchmitzBeginning with the question of the role of the past in the shaping of a contemporary identity, this volumes spans three generations of German and Austrian writers and explores changes and shifts in the aesthetics of Vergangenheitsbewältigung (coming to terms with the past). The purpose of the book is to assess contemporary German literary representations of National Socialism in a wider context of these current debates. The contributors address questions arising from a shift over the last decade, triggered by a generation change-questions of personal and national identity in Germany and Austria, and the aesthetics of memory. One of the central questions that emerges in relation to the Hitler youth generation is that of biography, as examined through Günter Grass' and Martin Walser's conflicting views on the subject of National Socialism. Other themes explored here are the conflict between the post-war generations and the contributions of that conflict to (West)-German mentality, and the growing historical distance and its influence on the aesthetics of representation.
German Culture and the Uncomfortable Past: Representations of National Socialism in Contemporary Germanic Literature (Warwick Studies in the Humanities)
by Helmut SchmitzBeginning with the question of the role of the past in the shaping of a contemporary identity, this volumes spans three generations of German and Austrian writers and explores changes and shifts in the aesthetics of Vergangenheitsbewältigung (coming to terms with the past). The purpose of the book is to assess contemporary German literary representations of National Socialism in a wider context of these current debates. The contributors address questions arising from a shift over the last decade, triggered by a generation change-questions of personal and national identity in Germany and Austria, and the aesthetics of memory. One of the central questions that emerges in relation to the Hitler youth generation is that of biography, as examined through Günter Grass' and Martin Walser's conflicting views on the subject of National Socialism. Other themes explored here are the conflict between the post-war generations and the contributions of that conflict to (West)-German mentality, and the growing historical distance and its influence on the aesthetics of representation.
German Ecocriticism in the Anthropocene (Literatures, Cultures, and the Environment)
by Caroline Schaumann Heather I. SullivanThis book offers essays on both canonical and non-canonical German-language texts and films, advancing ecocritical models for German Studies, and introducing environmental issues in German literature and film to a broader audience. This volume contextualizes the broad-ranging topics and authors in terms of the Anthropocene, beginning with Goethe and the Romantics and extending into twenty-first-century literature and film. Addressing the growing need for environmental awareness in an international humanities curriculum, this book complements ecocritical analyses emerging from North American and British studies with a specifically German Studies perspective, opening the door to a transnational understanding of how the environment plays an integral role in cultural, political, and economic issues.
German Fantasia
by Philippe ClaudelA deserting soldier treks through the torn-up countryside and abandoned villages, trying to distance himself from the atrocities of war.An elderly man sits beneath lime trees, remembering his first sexual encounter one summer night with a female stranger who whispered another man's name.A young woman takes up a job in a care home, spending monotonous days scrubbing floors and yearning to dance at the local nightclub.The artist Franz Marc lives on in an imagined life as a patient at an asylum, before falling victim to Hitler's policy of Gnadentod.Finally, a young Jewish girl, the life she once knew destroyed, holds her memories close as she finds refuge in wreckage of her homeland.And throughout there is the shadowy presence of Viktor - one man or many? A looming figure in Germany's own reckoning with its past.Through these five interconnected stories, Philippe Claudel reflects on Germany's complex history and the experiences of its people, dismantling the idea of "a nation" or "a people" and exploring the malleability of memory.
The German Heiress: A Novel
by Anika Scott_________________________'The kind of novel we need now more than ever, [and] achieves what the best historical fiction can . . . pushing us to see ourselves in that past, demanding: Who would you have been then? What would you have done? Unflinching and absorbing, [it] does not let you look away.' Sarah Blake, New York Times bestselling author of THE POSTMISTRESS _________________________Essen, 1946. Clara Falkenberg, once an iconic heiress, is on the run. With the city in ruins and her dear friend Elisa missing, Clara enlists the help of Jakob, a charming young racketeer with his own reasons for wanting to find Elisa. As the two join forces, it's not long before Clara's family secrets catch up with her. But she soon comes to realise the only way to survive is to face the truth of what she's done. _________________________'What a great debut! It still haunts me, days after finishing it.' Liz Trenow, author of The Poppy Factory and The Silk Weaver'Anika Scott's finely drawn characters ... bring to life not only the struggle to rise from the ashes of war, but also the depth of resolve often required to gain redemption. Illuminating and beautifully rendered.' Susan Meissner, author of The Last Year of the War'Meticulously researched and plotted like a noir thriller, The German Heiress tells a different story of WWII - of characters grappling with their own guilt and driven by the question of what they could have done to change the past.' Jessica Shattuck, author of The Women in the Castle'Anika Scott's epic novel offers a captivating tour through the reckoning years that followed WWII when clarifying identities, unearthing truths, and facing judgements was the only way to rebuild a life. The novel's heroine, Clara, marches along the razor's edge between the leviathan of the past and a future full of mine shafts. I will never forget her unending struggle to rise above the dark lineage thrust upon her and her battle to stay connected to the deep binds of love, responsibility, and compassion.' Devin Murphy, author of The Boat Runner'The German Heiress is a special novel that opens one's mind to aspects of history we on the "winning" side have given little thought to, and a moving story of courage and everyday heroism rising to meet unbearable challenges.' Alex Marwood, author of The Wicked Girls_________________________Previously published as Finding Clara_________________________Readers are falling in love with The German Heiress:'A story that kept me engrossed from start to finish. I loved it.''A stunning debut that will stay with me long after finishing the last page.''A brilliant story which will keep you reading late into the night!''An intense, dark and twisted historical read that skilfully portrays the often common experiences, horrors and dilemmas of being on the losing side in a war for ordinary people.''A fascinating read about fighting for survival in post-World War 2 Germany''The story is a page turner which had me gripped the whole way through''A gripping read with a well-drawn characters.''For those that love historical fiction, this was an unique and gripping plot'
The German House
by Annette Hess Elisabeth LaufferWhat if everything your family ever told you was a lie?
The "German Illusion": Germany and Jewish-German Motifs in Hélène Cixous’s Late Work (New Directions in German Studies)
by Professor or Dr. Olivier MorelExamines Jewish-German “tropes” in Hélène Cixous's oeuvre and life and their impact on her work as a feminist, poet, and playwright.Hélène Cixous is a poet, philosopher, and activist known worldwide for her manifesto on Écriture feminine (feminine writing) and for her influential literary texts, plays, and essays. While the themes were rarely present in her earlier writings, Germany and Jewish-German family figures and topics have significantly informed most of Cixous's late works. Born in Algeria in June 1937, she grew up with a mother who had escaped Germany after the rise of Nazism and a grandmother who fled the racial laws of the Third Reich in 1938. In her writing, Cixous refines the primitive scene of a “German” upbringing in French-occupied colonial, antisemitic Algeria.Scholar and filmmaker Olivier Morel delves into the signs and influences that “Germany,” “German,” and “Osnabrück” have exerted over Cixous's work. Featuring an exclusive interview with Hélène Cixous and stills from their travel together to Osnabrück in Morel's 2018 documentary, Ever, Rêve, Hélène Cixous, Morel's The “German Illusion” examines the unique literary meditation on the Holocaust sustained throughout her later texts. Morel helps us to understand an uncannily original oeuvre that embodies the complexities of modernity's genocidal history in a new way.
The "German Illusion": Germany and Jewish-German Motifs in Hélène Cixous’s Late Work (New Directions in German Studies)
by Professor or Dr. Olivier MorelExamines Jewish-German “tropes” in Hélène Cixous's oeuvre and life and their impact on her work as a feminist, poet, and playwright.Hélène Cixous is a poet, philosopher, and activist known worldwide for her manifesto on Écriture feminine (feminine writing) and for her influential literary texts, plays, and essays. While the themes were rarely present in her earlier writings, Germany and Jewish-German family figures and topics have significantly informed most of Cixous's late works. Born in Algeria in June 1937, she grew up with a mother who had escaped Germany after the rise of Nazism and a grandmother who fled the racial laws of the Third Reich in 1938. In her writing, Cixous refines the primitive scene of a “German” upbringing in French-occupied colonial, antisemitic Algeria.Scholar and filmmaker Olivier Morel delves into the signs and influences that “Germany,” “German,” and “Osnabrück” have exerted over Cixous's work. Featuring an exclusive interview with Hélène Cixous and stills from their travel together to Osnabrück in Morel's 2018 documentary, Ever, Rêve, Hélène Cixous, Morel's The “German Illusion” examines the unique literary meditation on the Holocaust sustained throughout her later texts. Morel helps us to understand an uncannily original oeuvre that embodies the complexities of modernity's genocidal history in a new way.
German-Jewish Literature in the Wake of the Holocaust: Grete Weil, Ruth Kluger and the Politics of Address (Studies in European Culture and History)
by P. BosCombining cultural history and literary analysis, this study proposes a new and thought-provoking reading of the changing relationship between Germans and Jews following the Holocaust. Two Holocaust survivors whose work became uniquely successful in the Germany of the 1980s and 1990s, Grete Weil and Ruth Kluger, emerge as exemplary in their contributions to a postwar German discussion about the Nazi legacy that had largely excluded living Jews. While acknowledging that the German audience for the works of Holocaust survivors began to change in the 1980s, this study disputes the common tendency to interpret this as a sign of greater willingness to confront the Holocaust, arguing instead that it resulted from a continued German misreading of Jews' criticisms. By tracing the particular cultural-political impact that Weil's and Kluger's works had on their German audience, it investigates the paradox of Germany's confronting the Holocaust without necessarily confronting the Jews as Germans. Furthermore, for the authors this literature also had a psychological impact: their 'return' to the German language and to Germany is read not as an act of mourning or nostalgia, but rather as a public call to Germans for a dialogue about the Nazi past, as a way to move into the public realm the private emotional and psychological battles resulting from German Jews' exclusion from and persecution by their own national community.
German-Language Children's and Youth Literature In The Media Network 1900-1945.
by Petra Josting Marlene Antonia Illies Matthias Preis Annemarie WeberWith the research of German-language children's and youth literature and its media associations in the period from 1900 to 1945 as well as the recording of all data in an online portal for research and visual analysis, an innovative contribution to the historiography of children's and youth literature is available. The introduction provides information on the criteria for inclusion, central sources, theoretical frameworks, and the spectrum of the media associations investigated. Part I assembles three overview articles on the media of radio, film and theater for children and young people as well as a contribution on the conception and development of the online portal. In the second part, 18 selected media alliances are presented, sorted into the categories pioneers conquer the new media - stage children migrate to radio and/or film - fairy tales in film and radio - classics in all media - school stories in the theater, book and on the screen - crime and scandal on the screen - political conquers book and film.
German-Language Nature Writing from Eighteenth Century to the Present: Controversies, Positions, Perspectives (Literatures, Cultures, and the Environment)
by Gabriele Dürbeck Christine KanzThis volume examines the topic of German-language nature writing in a broad historical context spanning more than two centuries. It brings together contributions on the debates of the category 'Nature Writing’ by numerous renowned international scholars. It discusses literary texts of natural history, nature exploration, nature poetry perception and reflection by German-speaking authors since the 18th century, including texts by Ulrike Draesner and on Esther Kinsky’s writing. The book asks whether the here discussed texts can, should, or may also be labeled as 'Nature Writing' and how this new perspective on German literary history might change traditional classifications such as “Naturlyrik” (nature poetry) in German literary history.
A German Life
by Christopher HamptonI had no idea what was going on. Or very little. No more than most people. So you can't make me feel guilty.Brunhilde Pomsel's life spanned the twentieth century. She struggled to make ends meet as a secretary in Berlin during the 1930s, her many employers including a Jewish insurance broker, the German Broadcasting Corporation and, eventually, Joseph Goebbels. Christopher Hampton's play is based on the testimony she gave when she finally broke her silence to a group of Austrian filmmakers, shortly before she died in 2016. Maggie Smith, alone on stage, plays Brunhilde Pomsel. Christopher Hampton's play is drawn from the testimony Pomsel gave when she finally broke her silence shortly before she died to a group of Austrian filmmakers, and from their documentary A German Life (Christian Krönes, Olaf Müller, Roland Schrotthofer and Florian Weigensamer, produced by Blackbox Film & Media Productions).