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Gifts of the Season (Mills & Boon Historical): A Gift Most Rare / Christmas Charade / The Virtuous Widow
by Miranda Jarrett Anne Gracie Lyn StoneA Gift Most Rare by Miranda Jarrett Sara had never thought to see her precious Rev ever again. Yet here he was, come to stay for the holidays in the very home where she was a governess…and bringing up the painful memories of their shared past.
Gifts of Virtue, Alice Walker, and Womanist Ethics (Black Religion/Womanist Thought/Social Justice)
by M. HarrisMelanie L. Harris dives into the spirituality and life work of Alice Walker, literary genius and poet. Through the lens of Womanist ethics, Harris takes an inside look into the virtues and values that can be lifted from a study of Walker s non-fiction work. This work enlivens the debate in African and African American religious thought about the fluidity of spirituality and widens the conversation to encourage readers to embrace religious traditions inclusive of and beyond Christianity as the foundations for empowerment of both women and ethical values.
The Gifts of War (Penguin Modern Classics)
by Margaret Drabble'Her feelings for the child redeemed her from bitterness, and shed some light on the dark industrial terraces and the waste lands of the city's rubble.'One of the most acclaimed novelists of her generation, Margaret Drabble is an unmatched observer of postwar English lives, portraying social change, sexual liberation, landscape, class and the messy complications of human relationships with intricacy and honesty. In these two stories of lives colliding, a mother buying a birthday gift has her dreams destroyed, and a honeymoon leads to an unexpected epiphany.This book contains The Gifts of War and Hassan's Tower.
El gigante Amapolas
by Juan Bautista AlberdiEl gigante Amapolas y sus formidables enemigos o sea fastos dramáticos de una guerra memorable, OBRA DE TEATRO INFANTIL PRESENTADA EN 1842, ES TAMBIÉN LA EXCUSA LITERARIA PARA QUE Alberdi exprese desde su exilio en Uruguay, sus ideas políticas. Un gigante de paja, símbolo del poder dominante, sojuzga al pueblo. Tres generales se oponen al gigante, pero son funcionales al mismo poder cuestionado. Son las mujeres del pueblo quienes toman las riendas y convencen a los hombres y soldados para que cambie la situación.
Gigantic
by Rob BiddulphA powerful and standout sea-life story featuring one very small and determined blue whale from bestselling and award-winning author and illustrator Rob Biddulph
The Gigantic Beard That Was Evil
by Stephen CollinsThe job of the skin is to keep things in…On the buttoned-down island of Here, all is well. By which we mean: orderly, neat, contained and, moreover, beardless. Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable…monster*! Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave?The first book from a new leading light of UK comics, The Gigantic Beard That Was Evil is an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards.(*We mean a gigantic beard, basically.)
Gigantic Cinema: A Weather Anthology
by Paul Keegan Alice Oswald‘It is in very truth a sunny, misty, cloudy, dazzling, howling, omniform Day...’ – Samuel Taylor Coleridge to William Sotheby, 27 September 1802This anthology of poems and prose ranges from literary weather – Homer’s winds, Ovid’s flood – to scientific reportage, whether Pliny on the eruption of Vesuvius or Victorian theories of the death of the sun. It includes imaginary as well as actual responses to what is transitory, and reactions both formal and fleeting – weather rhymes, journals and jottings, diaries and letters – to the drama unfolding above our heads.The entries narrate the weather of a single capricious day, from dawn, through rain, volcanic ash, nuclear dust, snow, light, fog, noon, eclipse, hurricane, flood, dusk, night and back to dawn again. Rather than drawing attention to authors and titles, entries appear bareheaded, exposed to each other’s elements, as a medley of voices. Rather than adding to our image of nature as a suffering solid, the anthology attends to patterns, events and forces: seasonal and endless, invisible, ephemeral, sudden, catastrophic. And by assembling a chorus of responses (ancient and modern, East and West) to air’s manifold appearances, Gigantic Cinema offers a new perspective on what is the oldest conversation of all.
Gigi and The Cat (Modern Classics Ser.)
by ColetteGIGI TRANSLATED BY ROGER SENHOUSE, THE CAT TRANSLATED BY ANTONIA WHITEGigi’s days are filled with cigars, lobster, lace and superstitions: the education of a future courtesan. Bored and unconvinced by what she’s taught, Gigi surprises all with her approach to love. In this classic turn-of-the-century novella, Colette unveils Gigi’s journey into womanhood in rich and supple prose. This edition includes The Cat translated by Antonia White.
The Gigolo (Penguin Modern)
by Françoise Sagan'The sap had dried up; the sap, the incentive, the fever, the desire to do, to act, to act the fool, make love, create'A middle-aged woman breaks with her handsome young lover; a placid husband is suspected of infidelity; and a dying man reflects on his extramarital affairs, in these tales of love and disillusionment from the author of Bonjour Tristesse.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
The Gil Cunningham Omnibus: The Harper's Quine, The Nicholas Feast, The Merchants's Mark, St. Mungo's Robin (Gil Cunningham #19)
by Pat McIntoshThe Harper’s QuineAt the May Day dancing at Glasgow Cross, Gil Cunningham sees not only the woman who is going to be murdered, but her murderer as well. Gil is a recently qualified lawyer whose family still expect him to enter the priesthood. When he finds the body of a young woman in the new building at Glasgow Cathedral he is asked to investigate, and identifies the corpse as the runaway wife of cruel, unpleasant nobleman John Semphill. With the help of Maistre Pierre, the French master-mason, Gil must ask questions and seek a murderer in the heart of the city.The Nicholas FeastGlasgow 1492. Gil Cunningham remarked later that if he had known he would find a corpse in the university coalhouse, he would never have gone to the Arts Faculty feast.In this mysterious adventure Gil Cunningham returns to his old university for the Nicholas Feast, where he and his colleagues are entertained by a play presented by some of the students. One of the actors, William Irvine, is later found murdered and Gil assisted by Alys, begins to disentangle a complex web of espionage and blackmail involving William's tutors and fellow students. Matters are further complicated by the arrival of Gil's formidable mother who is determined to inspect his betrothed. Little do Alys and Gil realise that it will be she who provides the final, vital key to unmask the murderer and lay his motives clear.The Merchant’s MarkThe barrel should have contained books - instead it held treasure and a severed head...Gil Cunningham and his old acquaintance, Glasgow merchant Augie Morison, expecting a delivery of books from the Low Countries, report the gruesome substitute to the Provost, and at the inquest the next morning Morison is accused of the murder and imprisoned. He appeals to Gil, who sets out with his friend and future father in law Maistre Pierre, the French master-mason, to find the treasure's owner, trace the barrel and identify the dead man.The trail they follow leads them from the court of James IV at Stirling via a cooper's yard in Linlithgow, to another death on the bare slopes of the Pentland Hills.St Mungo’s RobinThe warden of St Serf's has been found dead in the almshouse garden. He appears to have been killed on the previous night but there are those who are convinced he was present at that morning's service, The elderly residents, the almshouse nurse and Humphrey, her deranged favourite, have all been set against one another by the dead man's scheming - and then there is the discarded mistress and almshouse ghost to consider.Tracing the dead man's last movements between the Cathedral precinct and the shores of the Clyde, Gil Cunningham is both helped and hindered by his two sisters who have come to Glasgow for his wedding to Alys. An uncanny event followed by the arrival of Gil's godfather, precipitates the crisis. Finally, it is Alys who helps Gil identify the warden's killer.
Gil Vicente: Three Discovery Plays: Auto da Barca do Inferno, Exortacao da Guerra, Auto da India (Aris & Phillips Hispanic Classics)
by Anthony LappinThe three plays edited and translated in this volume are strongly linked to what we now think of as the Portuguese Discoveries. All three are fundamentally concerned with the expansion of Portugal in Africa and India through either crusade or commerce. In the introductions to the plays, the playwright's social role as a court dramatist is emphasized and his dramatic productions are set firmly within the political concerns of his time. Careful consideration is given to the involvement of both Gil Vicente and the Inquisition in the later emendation of the play's texts.
Gilbert and Sullivan: Class and the Savoy Tradition, 1875-1896 (The Nineteenth Century Series)
by Regina B. OostMaking use of archival resources in the United Kingdom and the United States, Regina B. Oost examines advertisements, promotional materials, and programs, as well as letters, diaries, and account books, to reconstruct the ways in which Richard D'Oyly Carte, W.S. Gilbert, and Arthur Sullivan attracted and shaped the expectations of theatergoers. Her findings place the Savoy operas in the context of other West End productions, considering similarities between Carte's promotional methods and those of managers Henry Irving, John Hollingshead, and Marie and Squire Bancroft. While all of these managers astutely understood patronage of a middle-class audience to be key to their success, the Savoy collaborators made strategic use of circumstances unique to their situation to distinguish Gilbert and Sullivan operas from contemporary theatrical fare. From Trial by Jury (1875) through The Grand Duke (1896), the Savoy operas celebrated the commodity culture beloved of the urban middle classes, validated a moral code that secured the social privileges audience members cherished, and ultimately provided a new model of British national identity that replaced the agrarian ideal espoused by earlier generations. Written in admirably accessible and jargon-free prose, Oost's book will appeal to scholars of theater history, literature, music, and popular culture, as well as general readers interested in Gilbert and Sullivan and the history of the D'Oyly Carte Opera Company.
Gilbert and Sullivan: Class and the Savoy Tradition, 1875-1896 (The Nineteenth Century Series)
by Regina B. OostMaking use of archival resources in the United Kingdom and the United States, Regina B. Oost examines advertisements, promotional materials, and programs, as well as letters, diaries, and account books, to reconstruct the ways in which Richard D'Oyly Carte, W.S. Gilbert, and Arthur Sullivan attracted and shaped the expectations of theatergoers. Her findings place the Savoy operas in the context of other West End productions, considering similarities between Carte's promotional methods and those of managers Henry Irving, John Hollingshead, and Marie and Squire Bancroft. While all of these managers astutely understood patronage of a middle-class audience to be key to their success, the Savoy collaborators made strategic use of circumstances unique to their situation to distinguish Gilbert and Sullivan operas from contemporary theatrical fare. From Trial by Jury (1875) through The Grand Duke (1896), the Savoy operas celebrated the commodity culture beloved of the urban middle classes, validated a moral code that secured the social privileges audience members cherished, and ultimately provided a new model of British national identity that replaced the agrarian ideal espoused by earlier generations. Written in admirably accessible and jargon-free prose, Oost's book will appeal to scholars of theater history, literature, music, and popular culture, as well as general readers interested in Gilbert and Sullivan and the history of the D'Oyly Carte Opera Company.
Gilbert and Sullivan: Interviews and Recollections
by Harold OrelSir William Schwenk Gilbert and Sir Arthur Sullivan created fourteen comic operas - witty satires set to sparkling music - that instantly won a large and enthusiastic audience and remain immensely popular today. Their talents brought the two men together and their temperaments finally drove them apart. Here, in forty interviews and recollections, is a record of what was said about them during and shortly after their lifetimes by friends, musicians, theatrical managers, singers, actors, and actresses, journalists and authors. For Gilbert and Sullivan devotees everywhere, this entertaining collection will provide fresh insights into the careers and collaborative achievements of one of the most successful - and enduring - enterprises of Victorian theatre.
Gilbert Filbert and his big MAD box
by Ian Gilbert Andy GilbertGilbert Filbert and His Big MAD Box, by Ian Gilbert and Andy Gilbert, is the story of one boy’s desire to make a difference and help his mother find her smile again. It is a book about a boy, a box and a battle for a penguin but, more than that, it is a tale about families, hope and how to make dreams come true. When Gilbert’s school project challenges him to ‘make a difference’, grandma introduces him to the mysterious big MAD box. Each of the sides helps Gilbert to focus on a different aspect of the challenge: setting a goal, identifying the reasons behind the goal, developing self-belief, possibility thinking, making a plan and taking action. Finally, Gilbert learns to appreciate what’s inside and celebrate his unique qualities and attributes, which have helped him to succeed at his challenge. As grandma tells Gilbert, any problem is really an opportunity in a hat. The story is deliberately split into short chapters, each relating to a step in the thinking process. The resources provided mean readers can plan to make a difference of their own and develop their possibility thinking. Drawing on proven thinking and success strategies used by leading businesses and organisations, this entertaining, accessible and humorous book is designed to show young people the power of having a goal, having a plan and making a difference. A goal without a plan, they say, is just a wish. This book has been written especially for young people to show them how to set about turning wishes into reality by applying the sorts of planning tools usually only found in big business. The powerful set of thinking tools included in this book will help young people to develop habits of mind that will last a lifetime. The book can be read on a number of levels: as an amusing story, as a method for developing young people’s own thinking processes, as a tool for engaging groups of young people in their thinking, or all three. The book also includes a Gilbert Filbert big MAD box which you can cut out, or download and print, together with a finger questions sheet (this will make sense once you have read the book!). Suitable for young people (aged 11+) to use on their own thinking adventures. Also suitable for parents, teachers or anyone working with teenagers who wants to join in the journey.
Gilbert is Dead (Modern Plays)
by Robin FrenchGilbert Is Dead is a Victorian scientific mystery play: a clever, funny and moving portrait of grief, faith and science. The plot follows Lucius Trickett, London's most celebrated taxidermist, who finds himself in cahoots with Queen Victoria and our hero Gilbert Shirley, to disprove Darwin's theory of evolution with a stuffed specimen of the mysterious ghost loris. But what happens when the missing link goes missing? Robin French's distinctive, often surrealist voice characterised by historically intelligent, meticulously researched subjects and a precise, quirky sense of irony. Very clever, his writing presents an academic, yet accessible, labyrinth, toying with history, scientific theories and popular beliefs. He manages to experiment with form, style and theatrical metaphor whilst also staying firmly rooted in narratives which are engaging, affecting and provide astute social and human comment.The publication of this programme text edition was published to coincide with the world premiere at Hoxton Music Hall (4-29 December 2009), produced by the theatre company Shining Man.
Gilbert is Dead (Modern Plays)
by Robin FrenchGilbert Is Dead is a Victorian scientific mystery play: a clever, funny and moving portrait of grief, faith and science. The plot follows Lucius Trickett, London's most celebrated taxidermist, who finds himself in cahoots with Queen Victoria and our hero Gilbert Shirley, to disprove Darwin's theory of evolution with a stuffed specimen of the mysterious ghost loris. But what happens when the missing link goes missing? Robin French's distinctive, often surrealist voice characterised by historically intelligent, meticulously researched subjects and a precise, quirky sense of irony. Very clever, his writing presents an academic, yet accessible, labyrinth, toying with history, scientific theories and popular beliefs. He manages to experiment with form, style and theatrical metaphor whilst also staying firmly rooted in narratives which are engaging, affecting and provide astute social and human comment.The publication of this programme text edition was published to coincide with the world premiere at Hoxton Music Hall (4-29 December 2009), produced by the theatre company Shining Man.
Gild: The dark fantasy romance TikTok sensation that’s sold over a million copies (Plated Prisoner #1)
by Raven KennedyTHE DARK FANTASY TIKTOK SENSATION AND SUNDAY TIMES BESTSELLER THAT'S SOLD OVER A MILLION COPIES**PERFECT FOR FANS OF SARAH J. MAAS AND JENNIFER L. ARMENTROUT** 'Read this series NOW! I felt like I was in the story watching and holding my breath the entire time' 5***** Reader Review'Sexy and touching all at the same time . . . and that plot twist, OMG' 5***** Reader Review_______Locked away in King Midas' kingdom, I have never known freedom.They say it's for my own safety, but now I'm not so sure.Because when political upheaval sees me sent to travel across kingdoms, everything I thought I knew about King Midas is shattered . . .The world has only ever heard his story.Now it's time to hear mine._______'A spectacularly written, engaging, imaginative retelling of the ancient myth of King Midas' 5***** Reader Review'I literally devoured this book in one sitting' 5***** Reader Review**Content warning: sexual violence**
The Gilda Stories: The immortal cult classic
by Jewelle Gomez'A groundbreaking work of Afrofuturism before the term was even coined' Guardian'A lush, exciting, inspiring read' Sarah WatersIn this radically reimagined vampire myth, the night hides many things...Louisiana, 1850. A young girl escapes slavery and is taken in by two mysterious women. Rumoured to be witches, the pair travel only at night, dress in men's clothing and seem to know others' innermost thoughts. But the girl sees the promise of true freedom in their dark glittering eyes: the promise to 'share the blood' and live forever. They name her Gilda.Over the next two hundred years, Gilda moves through unseen spaces: through antebellum brothels, gold-rush bars, Black women's suffrage groups, hair salons and jazz clubs, searching for a way to exist in the world. Her body, powerful against the passage of time, will know both beauty and horror through the women she desires and the blood she craves. But can Gilda truly outrun the darkness of history and face a future where the lives of everyone she loves are at stake?
Gilded
by Marissa MeyerAll magic comes at a price, but love was never part of the bargain . . .The look he was giving her. Serilda had never been looked at like that before . . . The intensity. The heat. The raw astonishment. He was going to kiss her.Cursed by the god of lies, a miller's daughter has developed a talent for storytelling - but are all of her tales as false as they appear?When one of Serilda's stories draws the attention of the devastating Erlking, she finds herself swept away into a world of enchantment, where ghouls prowl the earth, and ravens track her every move. The king locks Serilda in a castle dungeon and orders her to spin straw into gold, or be killed for lying. In despair, Serilda unwittingly summons a mysterious young man to her aid. And he agrees to help her, for a price. But love wasn't meant to be part of the bargain.A compulsive read, and as bewitchingly good as you'd expect from a YA bestselling author. You will stay up all night reading this.
A Gilded Age Christmas: A Convenient Winter Wedding / The Railroad Baron's Mistletoe Bride
by Amanda McCabe Lauri RobinsonCelebrate a Gilded Age Christmas!
The Gilded Auction Block: Poems
by Shane McCrae'Beautifully up-to-date, old-fashioned work, where the dignity of English meters meets, as in a mosh pit, the vitality - and often the brutality - of American speech' Dan Chiasson, New YorkerI'm made of murderers I'm madeOf nobodies and immigrants and the poorand a whole / Family the mother'sliver and her lungsIn The Gilded Auction Block, the acclaimed poet Shane McCrae considers the present moment in America on its own terms as well as for what it says about the American project and Americans themselves. In the book's four sections, McCrae alternately responds directly to Donald Trump and contextualizes him historically and personally, exploding the illusions of freedom of both black and white Americans. A moving, incisive, and frightening exploration of both the legacy and the current state of white supremacy, The Gilded Auction Block is a book about the present that reaches into the past and stretches toward the future.
The Gilded Cage: A gripping saga of long-lost family, power and passion
by Josephine CoxA young woman's search for her parentage has far-reaching repercussions... Josephine Cox writes a gripping saga in The Gilded Cage - a story of passion, ambition and discovering your roots. Perfect for fans of Lyn Andrews and Nadine Dorries.Powerful, hard-hearted Leonard Mears ruthlessly presides over his wife and children, exiling them from the outside world and brutally punishing any disobedience. But he is also a man with a dark secret; an illegitimate daughter that he forced his sister to bring up. The girl is now a young woman who, unbeknown to him, is determined to find the father that abandoned her.James Peterson, a gifted young man, runs Mear's factory with more success than Leonard's own sons. He lives for the day he can have his own business and make his fortune. Only then will he be able to declare his love for beautiful Isabel Mears who he means to release from the gilded cage her father has created. But then the lonely, lovely Sally comes in to his life, turning his heart and dreams upside down. What readers are saying about The Gilded Cage: 'This novel is Josephine Cox at her best... The strong characterisation and spellbinding plot made this book hard to resist...The plot has plenty of twists and Josephine manages to bring laughter, tragedy and intrigue into this novel''The Gilded Cage is another book that cannot be faulted, once I started it I couldn't put it down, a brilliant read''The author described the time and the people so easily that you felt like you knew them'
Gilded Cage: A 2018 World Book Night Pick (The Dark Gifts Trilogy #1)
by Vic JamesA thrilling Orwellian vision of Britain, with a rebellious Hunger Games heart, Gilded Cage is the astonishing debut novel from Vic James, and the first title in her electrifying The Dark Gifts Trilogy.A modern Britain. An age-old cruelty.Britain's magically skilled aristocracy compels all commoners to serve them for ten years – and now it's the Hadleys' turn. Abi Hadley is assigned to England's most ruthless noble family. The secrets she uncovers could win her freedom – or break her heart. Her brother Luke is enslaved in a brutal factory town, where new friends' ideals might cost him everything. Then while the elite vie for power, a young aristocrat plots to remake the world with his dark gifts. As Britain moves from anger to defiance, all three must take sides. And the consequences of their choices will change everything, forever.