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Global Ambiguity in Nineteenth-Century American Gothic: A Study in Form, History, and Culture (Routledge Research in American Literature and Culture)

by Wanlin Li

As part of a larger attempt to understand the dynamic interactions between gothic form and ideology, this volume focuses on a strong formal feature of the American gothic, "global ambiguity," and examines the important cultural work it performs in the nineteenth-century history of the genre. The author defines "global ambiguity" as occurring in texts whose internal evidence supports equally plausible and yet mutually exclusive interpretations. Combining insights from narrative theory and cultural studies, she investigates the narrative origin of global ambiguity and the ways in which it produces culturally meaningful readings. Canonical works and obscure ones from American gothic authors such as Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Louisa May Alcott, and Henry James are reexamined. This study reveals that the nineteenth-century American gothicists developed the gothic into an aesthetically sophisticated mode that engaged intensely with the pressing problems of American society, including moral citizenship, slavery, and the social status of women, and reimagined social realities in politically constructive manners. Literary scholars, students, and general readers interested in gothic literature, American literature, or narrative theory will find this book informative and inspiring.

Global Ambiguity in Nineteenth-Century American Gothic: A Study in Form, History, and Culture (Routledge Research in American Literature and Culture)

by Wanlin Li

As part of a larger attempt to understand the dynamic interactions between gothic form and ideology, this volume focuses on a strong formal feature of the American gothic, "global ambiguity," and examines the important cultural work it performs in the nineteenth-century history of the genre. The author defines "global ambiguity" as occurring in texts whose internal evidence supports equally plausible and yet mutually exclusive interpretations. Combining insights from narrative theory and cultural studies, she investigates the narrative origin of global ambiguity and the ways in which it produces culturally meaningful readings. Canonical works and obscure ones from American gothic authors such as Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Louisa May Alcott, and Henry James are reexamined. This study reveals that the nineteenth-century American gothicists developed the gothic into an aesthetically sophisticated mode that engaged intensely with the pressing problems of American society, including moral citizenship, slavery, and the social status of women, and reimagined social realities in politically constructive manners. Literary scholars, students, and general readers interested in gothic literature, American literature, or narrative theory will find this book informative and inspiring.

Global Anglophone Poetry: Literary Form and Social Critique in Walcott, Muldoon, de Kok, and Nagra (Modern and Contemporary Poetry and Poetics)

by Omaar Hena

Poetry's relevancy as a tool for social and political change continues to be overlooked in a global context. Looking to writers as diverse as Derek Walcott, Paul Muldoon, and Daljit Nagra, Hena shows that poets throughout the world have reinvigorated older poetic traditions to address political realities and the sweeping pressures of modernity.

Global City Dilemmas and Anglophone Singapore Literature: Intersectional Politics and Cultural Negotiations in the 21st Century

by Angelia Poon

This book looks at culturally significant, English-language texts produced in Singapore in the last 20 years by writers such as Balli Kaur Jaswal, Alfian Sa’at, Claire Tham, Amanda Lee Koe, Ng Yi-Sheng and Kevin Kwan. It provides an analysis sensitive to the writers' socio-political and cultural contexts, and shows how Singapore's Anglophone literature successfully disrupts the government’s narrative on transforming the island into a global city. By asking difficult questions, challenging hegemonic perspectives and exploring alternatives, the writers interrogate the country’s colonial history, its post-colonial Cold War development, and the normalization of totalizing narratives. Their texts also grapple with key aspects of contemporary Singapore society: its official multiracialism, forms of inequality, distribution of privilege, and gender and sexual politics. By connecting these texts to developments in postcolonial literary criticism, cosmopolitanism and globalization studies, thisbook sheds light on the ideological and cultural forces at work in Singapore society today.

Global Civilization: A Buddhist-Islamic Dialogue

by Majid Tehranian Daisaku Ikeda

"Global Civilization" emerged from a series of conversations between two peace advocates of Japanese and Iranian origin. It covers the encounters between Buddhist and Islamic civilizations from the 7th century to the present. For all their cultural differences, Buddhism and Islam share a surprising number of intrinsic similarities. The topics discussed include such diverse subjects as the nature of religious faith today, global ideological terrorism, religious fanatacism and universal human rights. Ikeda and Tehranian, two important representatives of their respective faiths, propose dialogue as the most effective method of conflict resolution at interpersonal, intra-national and international levels. It is a call for tolerance, for dialogue and for peace.

Global Crusoe: Comparative Literature, Postcolonial Theory and Transnational Aesthetics

by Ann Marie Fallon

Global Crusoe travels across the twentieth-century globe, from a Native American reservation to a Botswanan village, to explore the huge variety of contemporary incarnations of Daniel Defoe's intrepid character. In her study of the novels, poems, short stories and films that adapt the Crusoe myth, Ann Marie Fallon argues that the twentieth-century Crusoe is not a lone, struggling survivor, but a cosmopolitan figure who serves as a warning against the dangers of individual isolation and colonial oppression. Fallon uses feminist and postcolonial theory to reexamine Defoe's original novel and several contemporary texts, showing how writers take up the traumatic narratives of Crusoe in response to the intensifying transnational and postcolonial experiences of the second half of the twentieth century. Reading texts by authors such as Nadine Gordimer, Bessie Head, Derek Walcott, Elizabeth Bishop, and J.M. Coetzee within their social, historical and political contexts, Fallon shows how contemporary revisions of the novel reveal the tensions inherent in the transnational project as people and ideas move across borders with frequency, if not necessarily with ease. In the novel Robinson Crusoe, Crusoe's discovery of 'Friday's footprint' fills him with such anxiety that he feels the print like an animal and burrows into his shelter. Likewise, modern readers and writers continue to experience a deep anxiety when confronting the narrative issues at the center of Crusoe's story.

Global Crusoe: Comparative Literature, Postcolonial Theory and Transnational Aesthetics

by Ann Marie Fallon

Global Crusoe travels across the twentieth-century globe, from a Native American reservation to a Botswanan village, to explore the huge variety of contemporary incarnations of Daniel Defoe's intrepid character. In her study of the novels, poems, short stories and films that adapt the Crusoe myth, Ann Marie Fallon argues that the twentieth-century Crusoe is not a lone, struggling survivor, but a cosmopolitan figure who serves as a warning against the dangers of individual isolation and colonial oppression. Fallon uses feminist and postcolonial theory to reexamine Defoe's original novel and several contemporary texts, showing how writers take up the traumatic narratives of Crusoe in response to the intensifying transnational and postcolonial experiences of the second half of the twentieth century. Reading texts by authors such as Nadine Gordimer, Bessie Head, Derek Walcott, Elizabeth Bishop, and J.M. Coetzee within their social, historical and political contexts, Fallon shows how contemporary revisions of the novel reveal the tensions inherent in the transnational project as people and ideas move across borders with frequency, if not necessarily with ease. In the novel Robinson Crusoe, Crusoe's discovery of 'Friday's footprint' fills him with such anxiety that he feels the print like an animal and burrows into his shelter. Likewise, modern readers and writers continue to experience a deep anxiety when confronting the narrative issues at the center of Crusoe's story.

Global Dickens (A Library of Essays on Charles Dickens)

by Nirshan Perera

This volume of essays provides a selection of leading contemporary scholarship which situates Dickens in a global perspective. The articles address four main areas: Dickens's reception outside Britain and North America; his intertextual relations with and influence upon writers from different parts of the world; Dickens as traveller; and the presence throughout his fiction and journalism of subjects, such as race and empire, that extend beyond the national contexts in which his work is usually considered. Written by leading researchers from diverse countries and cultures, this is an indispensable reference work in the field of Dickens studies.

Global Dickens (A Library of Essays on Charles Dickens)

by Nirshan Perera

This volume of essays provides a selection of leading contemporary scholarship which situates Dickens in a global perspective. The articles address four main areas: Dickens's reception outside Britain and North America; his intertextual relations with and influence upon writers from different parts of the world; Dickens as traveller; and the presence throughout his fiction and journalism of subjects, such as race and empire, that extend beyond the national contexts in which his work is usually considered. Written by leading researchers from diverse countries and cultures, this is an indispensable reference work in the field of Dickens studies.

Global Ecologies and the Environmental Humanities: Postcolonial Approaches (Routledge Interdisciplinary Perspectives on Literature)

by Elizabeth DeLoughrey Jill Didur Anthony Carrigan

This book examines current trends in scholarly thinking about the new field of the Environmental Humanities, focusing in particular on how the history of globalization and imperialism represents a special challenge to the representation of environmental issues. Essays in this path-breaking collection examine the role that narrative, visual, and aesthetic forms can play in drawing attention to and shaping our ideas about long-term and catastrophic environmental challenges such as climate change, militarism, deforestation, the pollution and management of the global commons, petrocapitalism, and the commodification of nature. The volume presents a postcolonial approach to the environmental humanities, especially in conjunction with current thinking in areas such as political ecology and environmental justice. Spanning regions such as Africa, Asia, Eastern Europe, Latin America and the Caribbean, Australasia and the Pacific, as well as North America, the volume includes essays by founding figures in the field as well as new scholars, providing vital new interdisciplinary perspectives on: the politics of the earth; disaster, vulnerability, and resilience; political ecologies and environmental justice; world ecologies; and the Anthropocene. In engaging critical ecologies, the volume poses a postcolonial environmental humanities for the twenty-first century. At the heart of this is a conviction that a thoroughly global, postcolonial, and comparative approach is essential to defining the emergent field of the environmental humanities, and that this field has much to offer in understanding critical issues surrounding the creation of alternative ecological futures.

Global Ecologies and the Environmental Humanities: Postcolonial Approaches (Routledge Interdisciplinary Perspectives on Literature)

by Edited by Elizabeth DeLoughrey, Jill Didur, and Anthony Carrigan

This book examines current trends in scholarly thinking about the new field of the Environmental Humanities, focusing in particular on how the history of globalization and imperialism represents a special challenge to the representation of environmental issues. Essays in this path-breaking collection examine the role that narrative, visual, and aesthetic forms can play in drawing attention to and shaping our ideas about long-term and catastrophic environmental challenges such as climate change, militarism, deforestation, the pollution and management of the global commons, petrocapitalism, and the commodification of nature. The volume presents a postcolonial approach to the environmental humanities, especially in conjunction with current thinking in areas such as political ecology and environmental justice. Spanning regions such as Africa, Asia, Eastern Europe, Latin America and the Caribbean, Australasia and the Pacific, as well as North America, the volume includes essays by founding figures in the field as well as new scholars, providing vital new interdisciplinary perspectives on: the politics of the earth; disaster, vulnerability, and resilience; political ecologies and environmental justice; world ecologies; and the Anthropocene. In engaging critical ecologies, the volume poses a postcolonial environmental humanities for the twenty-first century. At the heart of this is a conviction that a thoroughly global, postcolonial, and comparative approach is essential to defining the emergent field of the environmental humanities, and that this field has much to offer in understanding critical issues surrounding the creation of alternative ecological futures.

A Global Encyclopedia of Historical Writing, Volume 2

by D. R. Woolf

First published in 1998. Including a wide range of information and recommended for academic libraries, this encyclopedia covers historiography and historians from around the world and will be a useful reference to students, researchers, scholars, librarians and the general public who are interested in the writing of history. Volume II covers entries from K to Z.

A Global Encyclopedia of Historical Writing, Volume 2

by D. R. Woolf

First published in 1998. Including a wide range of information and recommended for academic libraries, this encyclopedia covers historiography and historians from around the world and will be a useful reference to students, researchers, scholars, librarians and the general public who are interested in the writing of history. Volume II covers entries from K to Z.

Global Frankenstein (Studies in Global Science Fiction)

by Carol Margaret Davison Marie Mulvey-Roberts

Consisting of sixteen original essays by experts in the field, including leading and lesser-known international scholars, Global Frankenstein considers the tremendous adaptability and rich afterlives of Mary Shelley’s iconic novel, Frankenstein, at its bicentenary, in such fields and disciplines as digital technology, film, theatre, dance, medicine, book illustration, science fiction, comic books, science, and performance art. This ground-breaking, celebratory volume, edited by two established Gothic Studies scholars, reassesses Frankenstein’s global impact for the twenty-first century across a myriad of cultures and nations, from Japan, Mexico, and Turkey, to Britain, Iraq, Europe, and North America. Offering compelling critical dissections of reincarnations of Frankenstein, a generically hybrid novel described by its early reviewers as a “bold,” “bizarre,” and “impious” production by a writer “with no common powers of mind”, this collection interrogates its sustained relevance over two centuries during which it has engaged with such issues as mortality, global capitalism, gender, race, embodiment, neoliberalism, disability, technology, and the role of science.

The Global Future of English Studies (Wiley-Blackwell Manifestos #67)

by James F. English

The Global Future of English Studiespresents a succinct, carefully documented assessment of the current state and future trajectory of English studies around the world. Compiles data on student enrollments, faculty hiring, and financing in English studies around the world including China, home to more English majors than the U.S. and U.K. combined Rejects prevailing narratives of contraction and decline that dominate histories of the discipline Stresses English studies' expansion within a rapidly expanding global academic apparatus, and the new challenges and opportunities such sudden and dispersive growth presents Essential reading for anyone interested in studying or teaching English in higher education

The Global Future of English Studies (Wiley-Blackwell Manifestos #66)

by James F. English

The Global Future of English Studiespresents a succinct, carefully documented assessment of the current state and future trajectory of English studies around the world. Compiles data on student enrollments, faculty hiring, and financing in English studies around the world including China, home to more English majors than the U.S. and U.K. combined Rejects prevailing narratives of contraction and decline that dominate histories of the discipline Stresses English studies' expansion within a rapidly expanding global academic apparatus, and the new challenges and opportunities such sudden and dispersive growth presents Essential reading for anyone interested in studying or teaching English in higher education

The Global Histories of Books: Methods and Practices

by Elleke Boehmer Rouven Kunstmann Priyasha Mukhopadhyay Asha Rogers

This book is an edited volume of essays that showcases how books played a crucial role in making and materialising histories of travel, scientific exchanges, translation, and global markets from the late-eighteenth century to the present. While existing book historical practice is overly dependent on models of the local and the national, we suggest that approaching the book as a cross-region, travelling – and therefore global- object offers new approaches and methodologies for a study in global perspective. By thus studying the book in its transnational and inter-imperial, textual, inter-textual and material dimensions, this collection will highlight its key role in making possible a global imagination, shaped by networks of print material, readers, publishers and translators.

The Global Histories of Books: Methods and Practices (PDF)

by Elleke Boehmer Rouven Kunstmann Priyasha Mukhopadhyay Asha Rogers

This book is an edited volume of essays that showcases how books played a crucial role in making and materialising histories of travel, scientific exchanges, translation, and global markets from the late-eighteenth century to the present. While existing book historical practice is overly dependent on models of the local and the national, we suggest that approaching the book as a cross-region, travelling – and therefore global- object offers new approaches and methodologies for a study in global perspective. By thus studying the book in its transnational and inter-imperial, textual, inter-textual and material dimensions, this collection will highlight its key role in making possible a global imagination, shaped by networks of print material, readers, publishers and translators.

Global Impact of the Portuguese Language

by Asela Rodriguez de Laguna

Within the cultural and literary context of contemporary Portugal and Western literature, 1998 was unquestionably the year that Portuguese writing gained international recognition as JosU Saramago became the first Portuguese writer ever to receive the Nobel Prize in literature. Readers who had never thought about Portuguese letters began to consume his books and, most importantly, opted for expanding their reading lists to include other important writers not only from Portugal, but from Portuguese-speaking well beyond the borders of Portugal. Global Impact of the Portuguese Language is a collection of Portuguese writing that is as rich in content and broad in scope as the diversity of its topics and writing modes of its contributors. The book is divided into three major parts. Part 1, "Different Cultural Perspectives of Portuguese Writing," contains thirteen chapters in which the first and opening one, "Portugal: The New Frontier" ably sets the stage for the book by examining from a cultural perspective how Portugal, a peripheral country in the new world system, serves as a microcosm of the problems of cultural intercommunication in today's world. Subsequent chapters are grouped in three categories: "The Voices of the Writers," "Critical Approaches to Cames," and "Fictionalizing the Nation." Part 2, "Portuguese Language and Literature Outside Portugal," comprises one section devoted to the Portuguese language in Africa, followed by studies about Portuguese discoveries as part of the historical process of remembering and forging one's identity, and finally a comprehensive historical development of Portuguese writing, both in Portuguese and English, in the United States. Part 3, "Portuguese Literature and Criticism Available in English: Suggested Readings" details the recent literary happenings which point to a possible renaissance in Portuguese literary production. The concluding part of this volume offers a short, comprehensive listing of anthologies, general studies, and the most popular translations of the best of Portuguese writing from Portugal and Africa. This lively volume constitutes a first pioneering effort to contribute to a deepening appreciation and understanding of Portuguese writing. Anyone interested in ethnic writing will find this book an invaluable education resource with which to begin an exploration of Portuguese writing in the United States. Asela Rodriguez de Laguna is associate professor of Spanish and director of the Hispanic Civilization & Language Studies Program. She is the author of Notes on Puerto Rican Literature: Images and Identities: An Introduction, and editor of Images and Identities: The Puerto Rican in Two World Contexts.

Global Impact of the Portuguese Language

by Asela De Laguna

Within the cultural and literary context of contemporary Portugal and Western literature, 1998 was unquestionably the year that Portuguese writing gained international recognition as JosU Saramago became the first Portuguese writer ever to receive the Nobel Prize in literature. Readers who had never thought about Portuguese letters began to consume his books and, most importantly, opted for expanding their reading lists to include other important writers not only from Portugal, but from Portuguese-speaking well beyond the borders of Portugal. Global Impact of the Portuguese Language is a collection of Portuguese writing that is as rich in content and broad in scope as the diversity of its topics and writing modes of its contributors. The book is divided into three major parts. Part 1, "Different Cultural Perspectives of Portuguese Writing," contains thirteen chapters in which the first and opening one, "Portugal: The New Frontier" ably sets the stage for the book by examining from a cultural perspective how Portugal, a peripheral country in the new world system, serves as a microcosm of the problems of cultural intercommunication in today's world. Subsequent chapters are grouped in three categories: "The Voices of the Writers," "Critical Approaches to Cames," and "Fictionalizing the Nation." Part 2, "Portuguese Language and Literature Outside Portugal," comprises one section devoted to the Portuguese language in Africa, followed by studies about Portuguese discoveries as part of the historical process of remembering and forging one's identity, and finally a comprehensive historical development of Portuguese writing, both in Portuguese and English, in the United States. Part 3, "Portuguese Literature and Criticism Available in English: Suggested Readings" details the recent literary happenings which point to a possible renaissance in Portuguese literary production. The concluding part of this volume offers a short, comprehensive listing of anthologies, general studies, and the most popular translations of the best of Portuguese writing from Portugal and Africa. This lively volume constitutes a first pioneering effort to contribute to a deepening appreciation and understanding of Portuguese writing. Anyone interested in ethnic writing will find this book an invaluable education resource with which to begin an exploration of Portuguese writing in the United States. Asela Rodriguez de Laguna is associate professor of Spanish and director of the Hispanic Civilization & Language Studies Program. She is the author of Notes on Puerto Rican Literature: Images and Identities: An Introduction, and editor of Images and Identities: The Puerto Rican in Two World Contexts.

The Global Indies: British Imperial Culture and the Reshaping of the World, 1756-1815 (The Lewis Walpole Series in Eighteenth-Century Culture and History)

by Ashley L. Cohen

A study of British imperialism’s imaginative geography, exploring the pairing of India and the Atlantic world from literature to colonial policy In this lively book, Ashley Cohen weaves a complex portrait of the imaginative geography of British imperialism. Contrary to most current scholarship, eighteenth-century Britons saw the empire not as separate Atlantic and Indian spheres but as an interconnected whole: the Indies. Crisscrossing the hemispheres, Cohen traces global histories of race, slavery, and class, from Boston to Bengal. She also reveals the empire to be pervasively present at home, in metropolitan scenes of fashionable sociability. Close-reading a mixed archive of plays, poems, travel narratives, parliamentary speeches, political pamphlets, visual satires, paintings, memoirs, manuscript letters, and diaries, Cohen reveals how the pairing of the two Indies in discourse helped produce colonial policies that linked them in practice. Combining the methods of literary studies and new imperial history, Cohen demonstrates how the imaginative geography of the Indies shaped the culture of British imperialism, which in turn changed the shape of the world.

Global Jane Austen: Pleasure, Passion, and Possessiveness in the Jane Austen Community

by Laurence Raw Robert G. Dryden

Despite dying in relative obscurity, Jane Austen has become a global force as different readers across time, space and media have responded to her work. This volume examines the ways in which her novels affect individual psychologies and how Janeites experience her work, from visiting her home to public re-enactments to films based on her writings.

Global Jewish Plays: Extinct; Heartlines; The Kahena Berber Queen; Papa’gina; A People (Methuen Drama Play Collections)

by Berthe Bénichou-Aboulker Hana Vazana Grunwald Sarah Waisvisz Philip Arditti L M Feldman

A unique collection of plays that brings together stories of Jewish life from playwrights around the world. Curated and edited by an international theatre collective, these five plays showcase the dazzling multiplicity of Jewish narratives across the globe: the haunting, the challenging, the joyful. From a legendary North African warrior queen to queer French avant-garde artists during World War II; from Israel-Palestine tensions made personal to protests in Istanbul amidst intergenerational trauma, this is a genre-spanning collection that probes at the heart of what it means to be Jewish - past, present, and future. Curated by Jewish-Lebanese Brazilian queer theatre maker, the plays were performed at London's Bush Theatre as part of Global Voices Theatre's popular live events. At a sensitive time for Jewish communities in the UK and beyond, the original event Global Jewish Voices aimed to engage the UK Jewish community and make space for nuanced conversations and representation. This collection of selected plays is a legacy of the event and opens up avenues for wider audiences to read and perform the works.

Global Jewish Plays: Extinct; Heartlines; The Kahena Berber Queen; Papa’gina; A People (Methuen Drama Play Collections)

by Berthe Bénichou-Aboulker Hana Vazana Grunwald Sarah Waisvisz Philip Arditti L M Feldman

A unique collection of plays that brings together stories of Jewish life from playwrights around the world. Curated and edited by an international theatre collective, these five plays showcase the dazzling multiplicity of Jewish narratives across the globe: the haunting, the challenging, the joyful. From a legendary North African warrior queen to queer French avant-garde artists during World War II; from Israel-Palestine tensions made personal to protests in Istanbul amidst intergenerational trauma, this is a genre-spanning collection that probes at the heart of what it means to be Jewish - past, present, and future. Curated by Jewish-Lebanese Brazilian queer theatre maker, the plays were performed at London's Bush Theatre as part of Global Voices Theatre's popular live events. At a sensitive time for Jewish communities in the UK and beyond, the original event Global Jewish Voices aimed to engage the UK Jewish community and make space for nuanced conversations and representation. This collection of selected plays is a legacy of the event and opens up avenues for wider audiences to read and perform the works.

Global Literacies and the World Wide Web (Literacies)

by Gail E. Hawisher Cynthia L. Selfe

The World Wide Web is transforming the way that information is distributed, received and acted upon.Global Literacies and the World Wide Web provides a critical examination of the new on line literacy practices and values, and how these are determined by national, cultural and educational contexts. Gail Hawisher and Cynthia L. Selfe have brought together scholars from around the world, including: Mexico, Hungary, Australia, Palau, Cuba, Scotland, Greece, Japan, Africa and the United States. Each represents and examines on line literacy practices in their specific culture.Global Literacies and the World Wide Web resists a romanticised and inaccurate vision of global oneness. Instead, this book celebrates the dynamic capacity of these new self defined literacy communities to challenge the global village myth with robust, hybrid redefintions of identity that honour ethnic, cultural, economic, historical, and ideological differences. This is a lively and original challenge to conventional notions of the relationship between literacy and technology.

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