Browse Results

Showing 60,751 through 60,775 of 100,000 results

Greek Medical Literature and its Readers: From Hippocrates to Islam and Byzantium (Publications of the Centre for Hellenic Studies, King's College London #20)

by Petros Bouras-Vallianatos Sophia Xenophontos

This volume focuses on the relationship between Greek medical texts and their audience(s), offering insights into how not only the backgrounds and skills of medical authors but also the contemporary environment affected issues of readership, methodology and mode of exposition. One of the volume’s overarching aims is to add to our understanding of the role of the reader in the contextualisation of Greek medical literature in the light of interesting case-studies from various – often radically different – periods and cultures, including the Classical (such as the Hippocratic corpus) and Roman Imperial period (for instance Galen), and the Islamic and Byzantine world. Promoting, as it does, more in-depth research into the intricacies of Greek medical writings and their diverse revival and transformation from the fifth century BC down to the fourteenth century AD, this volume will be of interest to classicists, medical historians and anyone concerned with the reception of the Greek medical tradition. Chapters 3, 6, and 9 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Greek Medical Literature and its Readers: From Hippocrates to Islam and Byzantium (Publications of the Centre for Hellenic Studies, King's College London #20)

by Petros Bouras-Vallianatos Sophia Xenophontos

This volume focuses on the relationship between Greek medical texts and their audience(s), offering insights into how not only the backgrounds and skills of medical authors but also the contemporary environment affected issues of readership, methodology and mode of exposition. One of the volume’s overarching aims is to add to our understanding of the role of the reader in the contextualisation of Greek medical literature in the light of interesting case-studies from various – often radically different – periods and cultures, including the Classical (such as the Hippocratic corpus) and Roman Imperial period (for instance Galen), and the Islamic and Byzantine world. Promoting, as it does, more in-depth research into the intricacies of Greek medical writings and their diverse revival and transformation from the fifth century BC down to the fourteenth century AD, this volume will be of interest to classicists, medical historians and anyone concerned with the reception of the Greek medical tradition. Chapters 3, 6, and 9 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

The Greek Millionaire's Mistress: Proud Greek, Ruthless Revenge / The Power Of The Legendary Greek / The Greek Millionaire's Mistress (Mistress to a Millionaire #30)

by Catherine Spencer

Gina Hudson is in Athens to settle an old score, not fall into bed with her enemy's right-hand man.

The Greek Millionaire's Secret Child (Mills And Boon Modern Ser.)

by Catherine Spencer

The Leonidas love-child Nurse Emily Tyler has come to Greece with good intentions. But Nikolaos Leonidas sees only a gold-digger, with eyes fixed on his family’s fortune. It’s his plan to expose the fragile beauty. A weekend with champagne and seduction on his opulent yacht ought to do the trick.

Greek Mythography in the Roman World (Society for Classical Studies American Classical Studies #No. 48)

by Alan Cameron

By the Roman age the traditional stories of Greek myth had long since ceased to reflect popular culture. Mythology had become instead a central element in elite culture. If one did not know the stories one would not understand most of the allusions in the poets and orators, classics and contemporaries alike; nor would one be able to identify the scenes represented on the mosaic floors and wall paintings in your cultivated friends' houses, or on the silverware on their tables at dinner. Mythology was no longer imbibed in the nursery; nor could it be simply picked up from the often oblique allusions in the classics. It had to be learned in school, as illustrated by the extraordinary amount of elementary mythological information in the many surviving ancient commentaries on the classics, notably Servius, who offers a mythical story for almost every person, place, and even plant Vergil mentions. Commentators used the classics as pegs on which to hang stories they thought their students should know. A surprisingly large number of mythographic treatises survive from the early empire, and many papyrus fragments from lost works prove that they were in common use. In addition, author Alan Cameron identifies a hitherto unrecognized type of aid to the reading of Greek and Latin classical and classicizing texts--what might be called mythographic companions to learned poets such as Aratus, Callimachus, Vergil, and Ovid, complete with source references. Much of this book is devoted to an analysis of the importance evidently attached to citing classical sources for mythical stories, the clearest proof that they were now a part of learned culture. So central were these source references that the more unscrupulous faked them, sometimes on the grand scale.

Greek Mythography in the Roman World (Society for Classical Studies American Classical Studies #No. 48)

by Alan Cameron

By the Roman age the traditional stories of Greek myth had long since ceased to reflect popular culture. Mythology had become instead a central element in elite culture. If one did not know the stories one would not understand most of the allusions in the poets and orators, classics and contemporaries alike; nor would one be able to identify the scenes represented on the mosaic floors and wall paintings in your cultivated friends' houses, or on the silverware on their tables at dinner. Mythology was no longer imbibed in the nursery; nor could it be simply picked up from the often oblique allusions in the classics. It had to be learned in school, as illustrated by the extraordinary amount of elementary mythological information in the many surviving ancient commentaries on the classics, notably Servius, who offers a mythical story for almost every person, place, and even plant Vergil mentions. Commentators used the classics as pegs on which to hang stories they thought their students should know. A surprisingly large number of mythographic treatises survive from the early empire, and many papyrus fragments from lost works prove that they were in common use. In addition, author Alan Cameron identifies a hitherto unrecognized type of aid to the reading of Greek and Latin classical and classicizing texts--what might be called mythographic companions to learned poets such as Aratus, Callimachus, Vergil, and Ovid, complete with source references. Much of this book is devoted to an analysis of the importance evidently attached to citing classical sources for mythical stories, the clearest proof that they were now a part of learned culture. So central were these source references that the more unscrupulous faked them, sometimes on the grand scale.

Greek Myths: A New Retelling, with drawings by Chris Ofili

by Charlotte Higgins

In this spellbinding new collection, Charlotte Higgins reinterprets some of the most enduring stories of all time.Here are myths of the creation, of Heracles and Theseus and Perseus, the Trojan war and its origins and aftermaths, tales of Thebes and Argos and Athens. There are stories of love and desire, adventure and magic, destructive gods, helpless humans, fantastical creatures, resourceful witches and the origins of birds and animals.This is a world of extremes, and one that resonates deeply with our own: mysterious diseases devastate cities; environmental disasters tear lives apart; women habitually suffer violence at the hands of men.Unlike in many previous collected myths, female characters take centre stage - Athena, Helen, Circe, Penelope and others weave these stories into elaborate imagined tapestries. In Charlotte Higgins's thrilling new interpretation, their tales combine to form a dazzling, sweeping epic of storytelling, and a magnificent work of scholarship and imagination.With a series of original drawings by Chris Ofili.

The Greek Myths: Stories of the Greek Gods and Heroes Vividly Retold

by Robin Waterfield Kathryn Waterfield

The Greek Myths contains some of the most thrilling, romantic, and unforgettable stories in all human history. From Achilles rampant on the fields of Troy, to the gods at sport on Mount Olympus; from Icarus flying too close to the sun, to the superhuman feats of Heracles, Theseus, and the wily Odysseus, these timeless tales exert an eternal fascination and inspiration that have endured for millennia and influenced cultures from ancient to modern. Beginning at the dawn of human civilization, when the Titan Prometheus stole fire from Zeus and offered mankind hope, the reader is immediately immersed in the majestic, magical, and mythical world of the Greek gods and heroes. As the tales unfold, renowned classicist Robin Waterfield creates a sweeping panorama of the romance, intrigues, heroism, humour, sensuality, and brutality of the Greek myths and legends. The terrible curse that plagued the royal houses of Mycenae and Thebes, Jason and the golden fleece, Perseus and the dread Gorgon, the wooden horse and the sack of Troy - these amazing stories have influenced art and literature from the Iron Age to the present day. And far from being just a treasure trove of timeless tales, The Greek Myths is a catalogue of Greek myth in art through the ages, and a notable work of literature in its own right.

Greek Myths for a Post-Truth World

by Yiannis Gabriel

Yiannis Gabriel examines what ancient Greek myths can teach us about the troubles and challenges of our 'post-truth' times: environmental degradation, mass migration, war, inequality, exclusion, authoritarianism and perplexing technological possibilities. It shows how Greek myths continue to stir our emotions and shape our experiences, while also assuming new meanings in contemporary culture that suggest a diversity of possible answers to questions that preoccupy us today. In addition to acting as fountains of meaning when meaning is precarious and fragmented, Greek myths have a therapeutic power connecting us to the predicaments that humans have faced across the ages.Across centuries and millennia, Cassandra makes her unheeded prophecies and Pandora unleashes fresh troubles from her box. Yet, each age discovers new meaning and value in old stories, and different myths come into prominence as they address the aspirations and anxieties of each. Using ten ancient myths as his points of departure, Yiannis Gabriel invites readers to think and experience the world we inhabit mythologically – to engage with emotions and symbolism that lurk deeply inside old texts and to consider different courses of action, both individual and collective. In addition to providing intellectual stimulation, the book shows that Greek myths can be a source of practical wisdom and re-assurance that we so badly need in our times.

Greek Myths for a Post-Truth World

by Yiannis Gabriel

Yiannis Gabriel examines what ancient Greek myths can teach us about the troubles and challenges of our 'post-truth' times: environmental degradation, mass migration, war, inequality, exclusion, authoritarianism and perplexing technological possibilities. It shows how Greek myths continue to stir our emotions and shape our experiences, while also assuming new meanings in contemporary culture that suggest a diversity of possible answers to questions that preoccupy us today. In addition to acting as fountains of meaning when meaning is precarious and fragmented, Greek myths have a therapeutic power connecting us to the predicaments that humans have faced across the ages.Across centuries and millennia, Cassandra makes her unheeded prophecies and Pandora unleashes fresh troubles from her box. Yet, each age discovers new meaning and value in old stories, and different myths come into prominence as they address the aspirations and anxieties of each. Using ten ancient myths as his points of departure, Yiannis Gabriel invites readers to think and experience the world we inhabit mythologically – to engage with emotions and symbolism that lurk deeply inside old texts and to consider different courses of action, both individual and collective. In addition to providing intellectual stimulation, the book shows that Greek myths can be a source of practical wisdom and re-assurance that we so badly need in our times.

Greek Myths: Gods and Goddesses (Macmillan Collector's Library #353)

by Jean Menzies

The stories of the gods and goddesses of ancient Greece are sprawling, dramatic and wonderfully strange; their lives intertwine with mortals and their behaviours fluctuate wildly from benevolent to violent, from didactic to fickle, from loving to enraged.Greek Myths: Gods and Goddesses is part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.Classicist and author Jean Menzies captures the magic of Greek myths by drawing on a wide variety of vivid retellings from the nineteenth and twentieth centuries, which bring to life the stories of Zeus, Athena, Poseidon, Hermes, Pandora and many more. Coupled with her own entertaining commentary, this is the perfect book for learning about the world of the Greek deities and a treat for all fans of Greek mythology.Discover even more mythology with Greek Myths: Heroes and Heroines edited by Jean Menzies.

Greek Myths: Heroes and Heroines (Macmillan Collector's Library #352)

by Jean Menzies

Find out what happened when King Midas was granted his wish, how Icarus flew too close to the sun, and relive the adventures of Jason and the Argonauts in these stories of love, betrayal, infatuation and punishment.Greek Myths: Heroes and Heroines is part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.Greek myths have been part of Western culture since they were first set down by the ancients and, as there is no one definitive account, the stories have been ripe for reinterpretation through the centuries. Classicist and writer Jean Menzies has brought together fifteen retellings of famous myths from the likes of Andrew and Jean Lang, Nathaniel Hawthorne and Emilie Kip Baker, each chosen for its clarity and vivacity. The result? An enlightening and lively volume of stories and a treat for all fans of Greek mythology.Discover even more mythology with Greek Myths: Gods and Goddesses edited by Jean Menzies.

Greek Nymphs: Myth, Cult, Lore

by Jennifer Larson

Greek Nymphs: Myths, Cult, Lore is the first comprehensive study of the nymph in the ancient Greek world. This well-illustrated book examines nymphs as both religious and mythopoetic figures, tracing their development and significance in Greek culture from Homer through the Hellenistic period. Drawing upon a broad range of literary and archaeological evidence, Jennifer Larson discusses sexually powerful nymphs in ancient and modern Greek folklore, the use of dolls representing nymphs in the socialization of girls, the phenomenon of nympholepsy, the nymphs' relations with other deities in the Greek pantheon, and the nymphs' role in mythic narratives of city-founding and colonization. The book includes a survey of the evidence for myths and cults of the nymphs arranged by geographical region, and a special section of the worship of nymphs in caves throughout the Greek world.

Greek Political Imagery from Homer to Aristotle

by Roger Brock

The great helmsman, the watchdog of the people, the medicine the state needs: all these images originated in ancient Greece, yet retain the capacity to influence an audience today. This is the first systematic study of political imagery in ancient Greek literature, history and thought, tracing it from its appearance, influenced by Near Eastern precursors, in Homer and Hesiod, to the end of the classical period and Plato's deployment of images like the helmsman and the doctor in the service of his political philosophy. The historical narrative is complemented by thematic studies of influential complexes of images such as the ship of state, the shepherd of the people, and the state as a household, and enhanced by parallels from later literature and history which illustrate the persistence of Greek concepts in later eras.

Greek Political Imagery from Homer to Aristotle

by Roger Brock

The great helmsman, the watchdog of the people, the medicine the state needs: all these images originated in ancient Greece, yet retain the capacity to influence an audience today. This is the first systematic study of political imagery in ancient Greek literature, history and thought, tracing it from its appearance, influenced by Near Eastern precursors, in Homer and Hesiod, to the end of the classical period and Plato's deployment of images like the helmsman and the doctor in the service of his political philosophy. The historical narrative is complemented by thematic studies of influential complexes of images such as the ship of state, the shepherd of the people, and the state as a household, and enhanced by parallels from later literature and history which illustrate the persistence of Greek concepts in later eras.

Refine Search

Showing 60,751 through 60,775 of 100,000 results