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Haints Stay: An Acid Western
by Colin Winnette'Haints Stay turns the Western on its ear' - Washington Post Featured in: Slate Underrated Books of the Year 2015, Flavorwire Best Independent Press Books of 2015, Vice Magazine's '2015 Was the Year the Literary Versus Genre War Ended' best book list. Brooke and Sugar are contract killers without a contract. Bird is the 13-year-old who appears in their camp one night, with no memory and palms as smooth as stones. Driven from town after a bathhouse brawl, it's only a matter of time before the sheriffs will find them. Before the cannibals and stampedes and marauders will find them. Before the past will clamber up from where they buried it, covered in animal skins and teeth.In Haints Stay, Colin Winnette breaks down the classic Western and builds a bloody lean-to from the scraps. Brutal, surreal, and darkly funny, this bold new novel follows an ever-expanding cast of characters - each in the pursuit of their own brand of justice and belonging.
Hair (Object Lessons)
by Scott LoweObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Hair, a primary marker of our mammalian nature, is an extraordinary indicator of economic and social standing, political orientation, religious affiliation, marital status, and cultural leanings, among other things. The meanings of hair are deep, powerful, and so strongly embedded in cultural conditioning that they are usually understood unconsciously (and all the more strongly for that). In untangling its myriad meanings, Scott Lowe reveals just how little we control our hair, no matter the style: each and every passer-by decides on its significance anew. From Hittites to hippies and Pentecostals to porn stars, Hair combs through a ubiquitous personal yet public object, a charged and carefully managed dead thing. Object Lessons is published in partnership with an essay series in The Atlantic.
Hair (Object Lessons)
by Scott LoweObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Hair, a primary marker of our mammalian nature, is an extraordinary indicator of economic and social standing, political orientation, religious affiliation, marital status, and cultural leanings, among other things. The meanings of hair are deep, powerful, and so strongly embedded in cultural conditioning that they are usually understood unconsciously (and all the more strongly for that). In untangling its myriad meanings, Scott Lowe reveals just how little we control our hair, no matter the style: each and every passer-by decides on its significance anew. From Hittites to hippies and Pentecostals to porn stars, Hair combs through a ubiquitous personal yet public object, a charged and carefully managed dead thing. Object Lessons is published in partnership with an essay series in The Atlantic.
The Hair Carpet Weavers (Penguin Science Fiction)
by Andreas EschbachIn a distant universe, since the beginning of time, workers have spent their lives weaving intricate carpets from the hair of women and girls. But why? Andreas Eschbach's mysterious, poignant space opera explores the absurdity of work and of life itself.'A novel of ideas that evokes complex emotions through the working out of an intricate and ultimately satisfying plot, with echoes of Gene Wolfe, Ursula K. Le Guin, and Isaac Asimov' The New York Times Book Review
Hair Cut and Just a Nibble: Hair Cut And Just A Nibble Ebook (Don't Look Now)
by Paul Jennings Andrew WeldonRicky is an ordinary boy, about 10 years old, who dreams of being famous. And he has a secret that might just help him realise this dream. Because Ricky can fly. Truly. He can really fly. But there's a hitch. He can only fly when absolutely no one is looking. If a person, or an animal, or a bird sees him while he's flying, he will fall out of the sky and almost certainly die. Will he risk flying in public, just for a shot at being something more than ordinary? He'll do anything to impress Samantha, who is blind. The third book in this brilliant new series contains two complete stand-alone stories, broken into short chapters, liberally illustrated with hilarious cartoons.
Hair Love
by Matthew CherryIt's up to Daddy to give his daughter an extra-special hair style in this story of self-confidence and the love between fathers and daughters. Zuri knows her hair is beautiful, but it has a mind of its own. It kinks, coils, and curls every which way. Mum always does Zuri's hair just the way she likes it - so when Daddy steps in to style it for an extra special occasion, he has a lot to learn. But he LOVES his Zuri, and he'll do anything to make her - and her hair - happy.Tender and empowering, Hair Love is an ode to loving your natural hair - and a celebration of daddies and daughters everywhere.
Hair Love ABCs
by Matthew A. CherryThis heartwarming alphabet board book is inspired by the Oscar-winning short film Hair Love, with new illustrations and text from Matthew A. Cherry and Vashti Harrison.A is for Afro, N is for Natural, and W is for Waves. Letter by letter, follow Zuri and her father in their joy-filled journey through the kinks and curls of Black hair.Tender and empowering, Hair Love ABCs is perfect as a baby gift, for existing fans of "Hair Love", young readers embracing their natural hair, and toddlers learning their ABCs!
The Hair of Harold Roux: A Novel (Hardscrabble Bks.)
by Thomas WilliamsIn 1975 the National Book Award Fiction Prize was awarded to two writers: Robert Stone and Thomas Williams. Yet only Stone's Dog Soldiers is still remembered today. That oversight is startling when considering the literary impact of The Hair of Harold Roux. A dazzlingly crafted novel-within-a-novel hailed as a masterpiece, it deserves a new generation of readers. In The Hair of Harold Roux, we are introduced to Aaron Benham: college professor, writer, husband, and father. Aaron-when he can focus-is atwork on a novel, The Hair of Harold Roux, a thinly disguised autobiographical account of his college days. In Aaron's novel, his alter ego, Allard Benson, courts a young woman, despite the efforts of his rival, the earnest and balding Harold Roux-a GI recently returned from World War II with an unfortunate hairpiece. What unfolds through Aaron's mind, his past and present, and his nested narratives is a fascinating exploration of sex and friendship, responsibility and regret, youth and middle age, and the essential fictions that see us through. "Williams's novel is terrific: it is sweet, funny and sexy ... Williams is an accomplished magician."-Newsweek"Everywhere the language flows from the purest vernacular to the elevations demanded by distilled perception. Our largest sympathies are roused, tormented and consoled."-Washington Post Book World"A wonderfully old-fashioned writer ... that dinosaur among contemporary writers of fiction, an actual storyteller."-John Irving
Hair Oil Magic
by Anu ChouhanA beautiful picture book about the joyful magic in the tradition of hair oiling and a celebration of the bond between parent and child.Meenu loves Magic Hair Days, when Mommy mixes sweet-smelling oils together and massages the potion into Meenu's scalp and hair. It always leaves Meenu with a fuzzy, magical feeling. And after bath time, when Mom washes the oils out, Meenu's hair is soft and shining. When Meenu decides one day to mix the oils without any help, she discovers something's wrong: No matter how many oils she mixes, the magic just isn't there! What is she missing? But when Mommy comes to help, massaging Meenu's head, the fuzzy, magical feeling returns! Was it really in the oils, or something else? Inspired by Anu Chouhan's own memories and family, this author-illustrator debut is a lovely depiction of a cultural tradition and a delightful story that emphasizes that magical bond between parents and children.
Hair Oil Magic
by Anu ChouhanA beautiful picture book about the joyful magic in the tradition of hair oiling and a celebration of the bond between parent and child.Meenu loves Magic Hair Days, when Mommy mixes sweet-smelling oils together and massages the potion into Meenu's scalp and hair. It always leaves Meenu with a fuzzy, magical feeling. And after bath time, when Mom washes the oils out, Meenu's hair is soft and shining. When Meenu decides one day to mix the oils without any help, she discovers something's wrong: No matter how many oils she mixes, the magic just isn't there! What is she missing? But when Mommy comes to help, massaging Meenu's head, the fuzzy, magical feeling returns! Was it really in the oils, or something else? Inspired by Anu Chouhan's own memories and family, this author-illustrator debut is a lovely depiction of a cultural tradition and a delightful story that emphasizes that magical bond between parents and children.
Hairdos of the Mildly Depressed
by Doug CrandellBrad Orville has always wanted hair - lots of it, preferably thick and wavy - but he started going bald in the seventh grade. What makes it worse is the fact that his smart and charming brother Compton has a full head of gorgeous locks, still going strong as they enter middle age. But then Compton suffers a traumatic brain injury and Brad must take care of him 24/7. Yet Compton - even in his addled state - seems to somehow thrive, marrying the woman of his dreams, Peaches, while Brad turns to booze, Internet dating, and a toupee for solace. Happiness however might be a lot closer than Brad ever imagined, and it doesn't even involve fake hair.
Hair's Fate / Knockemstiff (Storycuts)
by Donald Ray PollockIn 'Hair's Fate', when Daniel's father chops off his hair with a kitchen knife for meddling with his younger sister's doll, he decides to leave home. He hitches a ride with a trucker by the name of Cowboy Roy who plies him with liquor and pills, before suggesting a disquieting solution for Daniel's hair problem.In 'Knockemstiff', Hank has been sweet on Tina Elliot for some time. When he hears that she's planning on lighting out for Texas with her boyfriend, he allows himself to get a little pensive-even if it makes a long day's work at the store feel that little bit longer.Part of the Storycuts series, these two stories were previously published in the collection Knockemstiff.
Hairy Harold: Book 8 (My Freaky Family #8)
by Laurence AnholtMeet Harold - the hairiest of all Ruby's relations! Join Ruby and Harold as they continue the hilarious tour of their crazy family in this delightful new spin on Laurence Anholt's much-loved series. With the original fabulous illustrations by Tony Ross, these popular books have been refreshed for a vibrant and contemporary feel.
Hairy Maclary's Bone (PDF)
by Lynley DoddHairy Maclary's Bone is a hilarious rhyming story. This favorite chronicles the escapades of our hero Hairy and his crew of five kooky canines. Here every dog-from big-as-a-horse Hercules Morse to Schnitzel von Krumm with the very low tum-tries to have his day with HAIRY MACLARY'S BONE, but guess who triumphs!
Hairy Maclary's Bone (PDF)
by Lynley DoddHairy Maclary's Bone is a hilarious rhyming story. This favorite chronicles the escapades of our hero Hairy and his crew of five kooky canines. Here every dog-from big-as-a-horse Hercules Morse to Schnitzel von Krumm with the very low tum-tries to have his day with HAIRY MACLARY'S BONE, but guess who triumphs!
Haiti and the United States: National Stereotypes and the Literary Imagination
by J. Michael DashImaginative literature, argues Michael Dash, does not merely reflect, but actively influences historical events. He demonstrates this by a close examination of the relations between Haiti and the United States through the imaginative literature of both countries. The West's mythification of Haiti is a strategy used to justify either ostracism or domination, a process traced here from the nineteenth-century until it emerges with a voyeuristic fierceness in the 1960s. In an effort to resist these stereotypes, Haitian literature becomes a subversive manoeuvre permitting Haitians to 'rewrite' themselves. The Unites States 'invented' Haiti as a land of savagery and mystery, a source of evil and shame. Weaving together text and historical context, Dash discusses the durability of these images, which continue to shape official policy and popular attitudes today.
Haiti and the United States: National Stereotypes and the Literary Imagination
by J Michael Dash Don Willis
The Haiti Exception: Anthropology and the Predicament of Narrative (Francophone Postcolonial Studies #7)
by Alessandra Benedicty-Kokken Kaiama L. Glover Mark Schuller Jhon Picard ByronThis collection of essays considers the means and extent of Haiti’s ‘exceptionalization’ – its perception in multiple arenas as definitively unique with respect not only to the countries of the North Atlantic, but also to the rest of the Americas. Painted as repulsive and attractive, abject and resilient, singular and exemplary, Haiti has long been framed discursively by an extraordinary epistemological ambivalence. This nation has served at once as cautionary tale, model for humanitarian aid and development projects and point of origin for general theorising of the so-called Third World. What to make of this dialectic of exemplarity and alterity? How to pull apart this multivalent narrative in order to examine its constituent parts? Conscientiously gesturing to James Clifford’s The Predicament of Culture (1988), the contributors to The Haiti Exception work on the edge of multiple disciplines, notably that of anthropology, to take up these and other such questions from a variety of methodological and disciplinary perspectives, including Africana Studies, Anthrohistory, Art History, Black Studies, Caribbean Studies, education, ethnology, Jewish Studies, Literary Studies, Performance Studies and Urban Studies. As contributors revise and interrogate their respective praxes, they accept the challenge of thinking about the particular stakes of and motivations for their own commitment to Haiti.
Haiti Unbound: A Spiralist Challenge to the Postcolonial Canon (Contemporary French and Francophone Cultures #15)
by Kaiama L. GloverAn Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Historically and contemporarily, politically and literarily, Haiti has long been relegated to the margins of the so-called 'New World.' Marked by exceptionalism, the voices of some of its most important writers have consequently been muted by the geopolitical realities of the nation's fraught history. In Haiti Unbound, Kaiama L. Glover offers a close look at the works of three such writers: the Haitian Spiralists Frankétienne, Jean-Claude Fignolé, and René Philoctète. While Spiralism has been acknowledged by scholars and regional writer-intellectuals alike as a crucial contribution to the French-speaking Caribbean literary tradition, the Spiralist ethic-aesthetic not yet been given the sustained attention of a full-length study. Glover's book represents the first effort in any language to consider the works of the three Spiralist authors both individually and collectively, and so fills an astonishingly empty place in the assessment of postcolonial Caribbean aesthetics. Touching on the role and destiny of Haiti in the Americas, Haiti Unbound engages with long-standing issues of imperialism and resistance culture in the transatlantic world. Glover's timely project emphatically articulates Haiti's regional and global centrality, combining vital 'big picture' reflections on the field of postcolonial studies with elegant close-reading-based analyses of the philosophical perspective and creative practice of a distinctively Haitian literary phenomenon. Most importantly perhaps, the book advocates for the inclusion of three largely unrecognized voices in the disturbingly fixed roster of writer-intellectuals that have thus far interested theorists of postcolonial (Francophone) literature. Providing insightful and sophisticated blueprints for the reading and teaching of the Spiralists' prose fiction, Haiti Unbound will serve as a point of reference for the works of these authors and for the singular socio-political space out of and within which they write.
The Haitian Revolution in the Early Republic of Letters (Oxford Studies in American Literary History)
by Prof Duncan FahertyConcerns about Haiti suffused the early American print public sphere from the outbreak of the revolution in 1791 until well after its conclusion in 1804. The gothic, sentimental, and sensationalist undertones of openly speculative periodical accounts were accelerated within the genre of fiction, where the specter of Haiti was a commonplace trope. Haiti was not an enigma occasionally deployed by American writers, but rather the overt bellwether against which the prospects for national futurity were imagined and interrogated. Ideological representations of Haiti infected the imaginations of early American readers in ways that have yet to be accounted for in American literary history. Unfortunately, scholars have long occluded how early Americans understood their nation as entwined with Haiti. Faherty aims to counter this tacit disavowal by registering just how obsessed early American readers were with the seismic force of the Haitian Revolution and its capacity to produce aftershocks in the American domestic sphere. In unraveling how American literary history has silenced certain historical contexts around race, citizenship, belonging, and freedom, The Haitian Revolution in the Early Republic of Letters: Incipient Fevers recuperates lost textual objects while redressing a crucial blind spot in American literary history. For myriad writers in the early Republic, Haiti was both unambiguously familiar and categorically incompatible. Synchronously held fast and rejected, Haiti was the ever-present index of the United States: a distorted reflection of the Republic's past, a troubling echo of its present, and a nightmarish harbinger of divisive futures.
The Haitian Revolution in the Early Republic of Letters (Oxford Studies in American Literary History)
by Prof Duncan FahertyConcerns about Haiti suffused the early American print public sphere from the outbreak of the revolution in 1791 until well after its conclusion in 1804. The gothic, sentimental, and sensationalist undertones of openly speculative periodical accounts were accelerated within the genre of fiction, where the specter of Haiti was a commonplace trope. Haiti was not an enigma occasionally deployed by American writers, but rather the overt bellwether against which the prospects for national futurity were imagined and interrogated. Ideological representations of Haiti infected the imaginations of early American readers in ways that have yet to be accounted for in American literary history. Unfortunately, scholars have long occluded how early Americans understood their nation as entwined with Haiti. Faherty aims to counter this tacit disavowal by registering just how obsessed early American readers were with the seismic force of the Haitian Revolution and its capacity to produce aftershocks in the American domestic sphere. In unraveling how American literary history has silenced certain historical contexts around race, citizenship, belonging, and freedom, The Haitian Revolution in the Early Republic of Letters: Incipient Fevers recuperates lost textual objects while redressing a crucial blind spot in American literary history. For myriad writers in the early Republic, Haiti was both unambiguously familiar and categorically incompatible. Synchronously held fast and rejected, Haiti was the ever-present index of the United States: a distorted reflection of the Republic's past, a troubling echo of its present, and a nightmarish harbinger of divisive futures.
Haiti’s Literary Legacies: Romanticism and the Unthinkable Revolution
by Kir Kuiken and Deborah Elise WhiteThe essays gathered in Haiti's Literary Legacies unpack the theoretical, historical, and political resonance of the Haitian revolution across a multiplicity of European and American Romanticisms, and include discussion of Haitian, British, French, German, and U.S. American traditions. Often referred to as the only successful slave revolt in history, the revolution that forged Haiti at once fulfilled, challenged, and ultimately surpassed Enlightenment conceptions of freedom and universality in ways that became crucial to transnational Romanticism, yet scholars and historians of Romanticism are only beginning to take the measure of its impact. This collection works at the intersection of Romantic and Caribbean studies to move that project forward, showing the myriad ways that literatures of the Romantic period respond to-and are transformed by-the Revolution in Haiti. Demonstrating the Revolution's centrality to romantic writing, Haiti's Literary Legacies urges an enlarged understanding of Romanticism and of its implications for the political, historical, and ecological genealogies of the present.
Haiti’s Literary Legacies: Romanticism and the Unthinkable Revolution
by Kir Kuiken and Deborah Elise WhiteThe essays gathered in Haiti's Literary Legacies unpack the theoretical, historical, and political resonance of the Haitian revolution across a multiplicity of European and American Romanticisms, and include discussion of Haitian, British, French, German, and U.S. American traditions. Often referred to as the only successful slave revolt in history, the revolution that forged Haiti at once fulfilled, challenged, and ultimately surpassed Enlightenment conceptions of freedom and universality in ways that became crucial to transnational Romanticism, yet scholars and historians of Romanticism are only beginning to take the measure of its impact. This collection works at the intersection of Romantic and Caribbean studies to move that project forward, showing the myriad ways that literatures of the Romantic period respond to-and are transformed by-the Revolution in Haiti. Demonstrating the Revolution's centrality to romantic writing, Haiti's Literary Legacies urges an enlarged understanding of Romanticism and of its implications for the political, historical, and ecological genealogies of the present.
