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Identity, Narrative and Politics

Identity, Narrative and Politics argues that political theory has barely begun to develop a notion of narrative identity; instead the book explores the sophisticated ideas which emerge from novels as alternative expressions of political understanding. This title uses a broad international selection of Twentieth Century English language works, by writers such as Nadine Gordimer and Thomas Pynchon.The book considers each novel as a source of political ideas in terms of content, structure, form and technique.The book assumes no prior knowledge of the literature discussed, and will be fascinating reading for students of literature, politics and cultural studies.

Identity, Otherness and Empire in Shakespeare's Rome (Anglo-Italian Renaissance Studies)

Contributors to this collection delve into the relationship between Rome and Shakespeare. They view the presence of Rome in Shakespeare's plays not simply as an unquestioned model of imperial culture, or a routine chapter in the history of literary influence, but rather as the problematic link with a distant and foreign ancestry which is both revered and ravaged in its translation into the terms of the Bard's own cultural moment. During a time when England was engaged in constructing a rhetoric of imperial nationhood, the contributors demonstrate that Englishmen used Roman history and the classical heritage to mediate a complex range of issues, from notions of cultural identity and gender to the representation of systems of exchange with Otherness in the expanding ethnic space of the nation. This volume addresses matters of concern not only for Shakespeare scholars but also for students interested in issues connected with gender, postcolonialism and globalization. Drawing implicitly or explicitly on recent criticism (intertextual studies, postcolonial theory, Derrida's conceptualization of hospitality, gender studies, global studies) the essayists explore how the Roman Shakespeare of an emerging early modern empire asks questions of our present as well as of our past.

Identity, Otherness and Empire in Shakespeare's Rome (Anglo-Italian Renaissance Studies)

Contributors to this collection delve into the relationship between Rome and Shakespeare. They view the presence of Rome in Shakespeare's plays not simply as an unquestioned model of imperial culture, or a routine chapter in the history of literary influence, but rather as the problematic link with a distant and foreign ancestry which is both revered and ravaged in its translation into the terms of the Bard's own cultural moment. During a time when England was engaged in constructing a rhetoric of imperial nationhood, the contributors demonstrate that Englishmen used Roman history and the classical heritage to mediate a complex range of issues, from notions of cultural identity and gender to the representation of systems of exchange with Otherness in the expanding ethnic space of the nation. This volume addresses matters of concern not only for Shakespeare scholars but also for students interested in issues connected with gender, postcolonialism and globalization. Drawing implicitly or explicitly on recent criticism (intertextual studies, postcolonial theory, Derrida's conceptualization of hospitality, gender studies, global studies) the essayists explore how the Roman Shakespeare of an emerging early modern empire asks questions of our present as well as of our past.

Identity, Space, and Everyday Life in Contemporary Northeast China

This edited volume is first of its kind to document and critically analyse the changes took place snice China’s opening-up and reform and its impact on Dongbei, China’s North-East region, known for its remote and vast landscape, unique and othered culture, rich resources, mighty infrastructures and industries, geopolitical significance. Through presenting up-to-date and multidimensional case studies, the book covers three major aspects of Dongbei, which put people at the heart of our scholarly focus, namely people’s mediated life through traditional and new media; people’s social, cultural, and living spaces; artistic and fictional representations of people’s everyday life.

Identity Unknown: Identity Unknown Lakeside Peril Kidnapped At Christmas (Northern Border Patrol #5)

Missing Memories

Identity Unknown (Colby Agency #22)

Experience the thrill of life on the edge and set your adrenalin pumping! These gripping stories see heroic characters fight for survival and find love in the face of danger. Can he help her find her past?

Identity Withheld: Deadly Holiday Reunion Twin Threat Christmas Identity Withheld (Mills And Boon Love Inspired Suspense Ser.)

WITNESS IN HIDING

Ideographic Modernism: China, Writing, Media

Ideographic Modernism offers a critical account of the ideograph (Chinese writing as imagined in the West) as a modernist invention. Through analyses of works by Claudel, Pound, Kafka, Benjamin, Segalen, and Valery, among others, Christopher Bush traces the interweaving of Western modernity's ethnographic and technological imaginaries, in which the cultural effects of technological media assumed "Chinese" forms, even as traditional representations of "the Orient" lived on in modernist-era responses to media. The book also makes a methodological argument, demonstrating new ways of recovering the generally overlooked presence of China in the text of Western modernism.

Ideographic Modernism: China, Writing, Media

Ideographic Modernism offers a critical account of the ideograph (Chinese writing as imagined in the West) as a modernist invention. Through analyses of works by Claudel, Pound, Kafka, Benjamin, Segalen, and Valery, among others, Christopher Bush traces the interweaving of Western modernity's ethnographic and technological imaginaries, in which the cultural effects of technological media assumed "Chinese" forms, even as traditional representations of "the Orient" lived on in modernist-era responses to media. The book also makes a methodological argument, demonstrating new ways of recovering the generally overlooked presence of China in the text of Western modernism.

Ideological Manipulation of Children’s Literature Through Translation and Rewriting: Travelling Across Times and Places

This book explores the topic of ideological manipulation in the translation of children’s literature by addressing several crucial questions, including how target language norms and conventions affect the quality of a translation, how translations are selected on the basis of what is culturally accepted, who is involved in the selection of what should be translated for children in the target culture, and how this process takes place. The author presents different ways of looking at the translation of children’s books, focusing particularly on the practices of intralingual and interlingual translations as a form of rewriting across a selection of European languages. This book will be of interest to Translation Studies and children's literature scholars, as well as those with a wider interest in the impact of ideology on culture.

Ideologue: Just a Collection of Poetry (Wordcatcher Modern Poetry)

ideologue I. An often blindly partisan advocate or adherent of a particular ideology. II. An impractical idealist, uncompromising and dogmatic. III. A Poem...? In this collection, Ross examines the topic of thoughts and ideas, whilst evaluating their weight and consequence. He has brought together a collection of writing that focuses on the creation, application and impact of ideas, and how easily their presence can influence the wider world. Ideologue is a book about consciousness and wakefulness, and how, as a captor to some of our ideals, we can find ourselves forming conclusive concepts at the expense of embracing wider thoughts and notions. Ross takes us on a journey through the destructiveness and joyfulness of blind advocacy to ideas, and the ebb and flow of limitless or limited thought.

Ideology (Transitions)

This concise introduction to the concept of ideology provides an overview of the term and considers its impact on literary theory. James M. Decker analyzes the history of Western ideology from its pre-Enlightenment roots to its current incarnations, providing readers with both an essential overview of key terms and issues and a thoughtful assessment of some of the important critical thinkers associated with the notion, including Marx, Gramsci and Althusser. Ideological theories are introduced within three broad categories - the subjective, the institutional and the political - which helps students to synthesize a concept that sprawls across the traditional disciplinary lines of philosophy, politics, economics, history and cultural and literary studies. Close readings of key texts demonstrate the impact of ideology on critical practice and literary reputation. Texts include: - Toni Morrison's Sula - William Faulkner's 'Barn Burning' - George Orwell's 1984Compact and easy-to-follow, Decker's study finally asks: are we now in a 'post-ideological' era?

Ideology (Transitions)

This concise introduction to the concept of ideology provides an overview of the term and considers its impact on literary theory. James M. Decker analyzes the history of Western ideology from its pre-Enlightenment roots to its current incarnations, providing readers with both an essential overview of key terms and issues and a thoughtful assessment of some of the important critical thinkers associated with the notion, including Marx, Gramsci and Althusser.Ideological theories are introduced within three broad categories - the subjective, the institutional and the political - which helps students to synthesize a concept that sprawls across the traditional disciplinary lines of philosophy, politics, economics, history and cultural and literary studies.Close readings of key texts demonstrate the impact of ideology on critical practice and literary reputation. Texts include: - Toni Morrison's Sula - William Faulkner's 'Barn Burning' - George Orwell's 1984Compact and easy-to-follow, Decker's study finally asks: are we now in a 'post-ideological' era?

Ideology

This collection of readings on the concept of ideology is brought together by the Marxist critic, Terry Eagleton. His introduction traces the historical evolution of ideology and examines in a more theoretical style the various meanings of the word and their significance. The readings begin with the first English translations of some of the writing of the French founder of the concept in the eighteenth century. They then move from the enlightenment to Hegel and Marxism, with particular emphasis on Marx and Engels themselves. They also look at other eighteenth-century traditions of thought such as Nietzche and Freud. All the readings are theoretical rather than examples of `ideology at work' and will be of interest to undergraduate students of cultural, political and historical studies concerned with ideology, as well as students of English literature.

Ideology

This collection of readings on the concept of ideology is brought together by the Marxist critic, Terry Eagleton. His introduction traces the historical evolution of ideology and examines in a more theoretical style the various meanings of the word and their significance. The readings begin with the first English translations of some of the writing of the French founder of the concept in the eighteenth century. They then move from the enlightenment to Hegel and Marxism, with particular emphasis on Marx and Engels themselves. They also look at other eighteenth-century traditions of thought such as Nietzche and Freud. All the readings are theoretical rather than examples of `ideology at work' and will be of interest to undergraduate students of cultural, political and historical studies concerned with ideology, as well as students of English literature.

Ideology and Form in Yan Lianke’s Fiction: Mythorealism as Method (Interdisciplinary and Transcultural Approaches to Chinese Literature)

Xie analyzes three novels by the international award-winning Chinese writer Yan Lianke and investigates how his signature “mythorealist” form produces textual meanings that subvert the totalizing reality prescribed by literary realism. The term mythorealism, which Yan coined to describe his own writing style, refers to a set of literary devices that incorporate both Chinese and Western literary elements while remaining primarily grounded in Chinese folk culture and literary tradition. In his use of mythorealism, carrying a burden of social critique that cannot allow itself to become “political,” Yan transcends the temporality and provinciality of immediate social events and transforms his potential socio-political commentaries into more diversified concerns for humanity, existential issues, and spiritual crisis. Xie identifies three modes of mythorealist narrative exemplified in Yan’s three novels: the minjian (folk) mode in Dream of Ding Village, the allusive mode in Ballad, Hymn, Ode, and the enigmatic mode in The Four Books. By positioning itself against an ambiguous articulation of social determinants of historical events that would perhaps be more straightforward in a purely realist text, each mode of mythorealism moves its narrative from the overt politicality of the subject matter to the existential riddle of negotiating an alternative reality. A groundbreaking study of one of contemporary China’s most important authors that will be of great value to scholars and students of Chinese literature.

Ideology and Form in Yan Lianke’s Fiction: Mythorealism as Method (Interdisciplinary and Transcultural Approaches to Chinese Literature)

Xie analyzes three novels by the international award-winning Chinese writer Yan Lianke and investigates how his signature “mythorealist” form produces textual meanings that subvert the totalizing reality prescribed by literary realism. The term mythorealism, which Yan coined to describe his own writing style, refers to a set of literary devices that incorporate both Chinese and Western literary elements while remaining primarily grounded in Chinese folk culture and literary tradition. In his use of mythorealism, carrying a burden of social critique that cannot allow itself to become “political,” Yan transcends the temporality and provinciality of immediate social events and transforms his potential socio-political commentaries into more diversified concerns for humanity, existential issues, and spiritual crisis. Xie identifies three modes of mythorealist narrative exemplified in Yan’s three novels: the minjian (folk) mode in Dream of Ding Village, the allusive mode in Ballad, Hymn, Ode, and the enigmatic mode in The Four Books. By positioning itself against an ambiguous articulation of social determinants of historical events that would perhaps be more straightforward in a purely realist text, each mode of mythorealism moves its narrative from the overt politicality of the subject matter to the existential riddle of negotiating an alternative reality. A groundbreaking study of one of contemporary China’s most important authors that will be of great value to scholars and students of Chinese literature.

Ideology in Russian Literature (Studies in Russia and East Europe)

The contributions in this volume, which is part of a series, examine the connection beween literature and ideas in important 19th-century instances. The editor contends that they demonstrate that Russian literature often subverts the ideology to suit its own autonomous needs.

Ideology, Power, Text: Self-Representation and the Peasant ‘Other’ in Modern Chinese Literature

The division between the scholar-gentry class and the “people” was an enduring theme of the traditional Chinese agrarian-bureaucratic state. Twentieth-century elites recast this as a division between intellectuals and peasants and made the confrontation between the writing/intellectual self and the peasant “other” a central concern of literature. The author argues that, in the process, they created the “peasantry,” the downtrodden rural masses represented as proper objects of political action and shifting ideological agendas. Throughout this transition, language or discourse has been not only a weapon of struggle but the center of controversy and contention. Because of this primacy of language, the author’s main approach is the close reading or, rather, re-reading of significant narrative fictions from four literary generations to demonstrate how historical, ideological, and cultural issues are absorbed, articulated, and debated within the text. Three chapters each focus on one representative author. The fiction of Lu Xun (1881-1936), which initiated the literary preoccupation with the victimized peasant, is also about the identity crisis of the intellectual. Zhao Shuli (1906-1970), upheld by the Communist Party as a model “peasant writer,” tragically exemplifies in his career the inherent contradictions of such an assigned role. In the post-Mao era, Gao Xiaosheng (1928—) uses the ironic play of language to present a more ambiguous peasant while deflating intellectual pretensions. The chapter on the last of the four “generations” examines several texts by Mo Yan (1956—), Han Shaogong (1952—), and Wang Anyi (1954—) as examples of “root-searching” fiction from the mid-1980’s. While reaching back into the past, this fiction is paradoxically also experimental in technique: the encounter with the peasant leads to questions about the self-construction of the intellectual and the nature of narrative representation itself. Throughout, the focus is on texts in which some sort of representation or stand-in of the writer/intellectual self is present—as character, as witness, as center of consciousness, or as first-person or obtrusive narrator. Each story catches the writer in a self-reflective mode, the confrontation with the peasant “other” providing a theater for acting out varying dramas of identity, power, ideology, political engagement, and self-representation.

Ideology, Rhetoric, Aesthetics: For De Man (The Frontiers of Theory)

This volume explicates Paul de Man’s late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical thought. After a reading of de Man’s work in all its rigour - and hence also the aesthetic theory of Kant, Schiller, and Hegel- the book goes on to uncover a ‘material moment’ in Hegel’s Phenomenology of Spirit that lives on in Marx and in the Marxist tradition. The book also elucidates de Man’s critical reading of Heidegger on the example of Hölderlin—a moment essential for de Man’s shifts to the question of rhetoric and then to the question of ideology—and ends with a reading of Derrida’s ‘last’ text on de Man and its uncanny self-inscription in Rousseau’s episode of the stolen ribbon.

Ideology, Rhetoric, Aesthetics: For De Man (The Frontiers of Theory)

This volume explicates Paul de Man’s late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical thought. After a reading of de Man’s work in all its rigour - and hence also the aesthetic theory of Kant, Schiller, and Hegel- the book goes on to uncover a ‘material moment’ in Hegel’s Phenomenology of Spirit that lives on in Marx and in the Marxist tradition. The book also elucidates de Man’s critical reading of Heidegger on the example of Hölderlin—a moment essential for de Man’s shifts to the question of rhetoric and then to the question of ideology—and ends with a reading of Derrida’s ‘last’ text on de Man and its uncanny self-inscription in Rousseau’s episode of the stolen ribbon.

The Ides of April: Flavia Albia 1 (Falco: The New Generation) (Flavia Albia #1)

Flavia Albia is the adopted daughter of a famous investigating family. In defiance of tradition, she lives alone on the colourful Aventine Hill, and battles out a solo career in a male-dominated world. As a woman and an outsider, Albia has special insight into the best, and worst, of life in ancient Rome. A female client dies in mysterious circumstances. Albia investigates and discovers there have been many other strange deaths all over the city, yet she is warned off by the authorities. The vigils are incompetent. The local magistrate is otherwise engaged, organising the Games of Ceres, notorious for its ancient fox-burning ritual. Even Albia herself is preoccupied with a new love affair: Andronicus, an attractive archivist, offers all that a love-starved young widow can want, even though she knows better than to take him home to meet the parents... As the festival progresses, her neighbourhood descends into mayhem and becomes the heartless killer's territory. While Albia and her allies search for him, he stalks them through familiar byways and brings murder ever closer to home. The Ides of April is vintage Lindsey Davis, offering wit, intrigue, action and a brilliant new heroine who promises to be as celebrated as Marcus Didius Falco and Helena Justina, her fictional predecessors.

The Ides of March

March, 44 BC. Rome, in all her glory, has expanded her territories beyond the wildest dreams of her citizens, led by Caius Julius Caesar – Pontifex Maximus, dictator perpetuo, invincible military leader and only fifty-six years old. He is a man in command of his destiny, who wields enormous power throughout the vast empire. However his god-given mission – to end the blood-splattered fratricidal wars, reconcile implacably hostile factions and preserve Roman civilization and world order – is teetering dangerously close to collapse . . . His power is draining away. None of his supporters can stop the inexorably evolving plot against him and prophecy will explode into truth on the Ides of March and the world will change forever.Valerio Massimo Manfredi's The Ides of March is a political thriller laced through with all the intrigue and action surrounding one of the most crucial turning points in the history of western civilization.

Idioglossia

Idioglossia: A secret language between a few people, a private language; a lalallation; the babble of babies or the murmur of lunatics.Bolshy, demanding, eccentric, Great Edie is a Jewish immigrant whose aspirations have always been dampened by reality and whose talents she obscures behind a bristling exterior. Her daughter Grace has been incarcerated in an asylum for most of her adult life following a tragedy from which she never recovers. As a result, Maggie, her only child, is brought up by an alcoholic father on board a cruise liner where, like him, she earns her keep as an entertainer of sorts. Her own daughter, Sarah, is truly dispossessed and, through promiscuous sex, seeks the affection denied to her as a child.Though disparate, their lives have a curious symmetry: four generations of women who have all been touched by a legacy of madness which they must, in one way or another, confront if they are to achieve fulfilment. Idioglossia is a rich and rewarding novel written with a sparklingly original voice and is destined to establish Eleanor Bailey as one of the most exciting writers of her generation.

Idiolects In Dickens: The Major Techniques And Chronological Development (Macmillan Studies in Victorian Literature)