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The Iliad: Edited With Apparatus Criticus, Prolegomena, Notes And Appendices: Vol I. , Books I-xii (Collins Classics)
by HomerHarperCollins is proud to present its new range of best-loved, essential classics.
The Iliad: Edited With Apparatus Criticus, Prolegomena, Notes And Appendices: Vol I. , Books I-xii (Macmillan Collector's Library)
by HomerThe Iliad has had a far-reaching impact on Western literature and culture, inspiring writers, artists and classical composers across the ages. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated into prose by Andrew Lang, Walter Leaf and Ernest Myers, and features an introduction by author and classicist Natalie Haynes.Paris, a Trojan prince, wins Helen as his prize for judging a beauty contest between three goddesses, and abducts her from her Greek husband Menelaos. The Greeks, enraged by his audacity, sail to Troy and begin a long siege of the city. The Iliad is set in the tenth year of the war. Achilles – the greatest Greek warrior – is angry with his commander, Agamemnon, for failing to show him respect. He refuses to fight any longer, which is catastrophic for the Greeks, and results in personal tragedy for Achilles, too. With themes of war, rage, grief and love, The Iliad remains powerful and enthralling more than 2,700 years after it was composed.
The Iliad (Johns Hopkins New Translations from Antiquity)
by HomerSing of rage, Goddess, that bane of Akhilleus,Peleus' son, which caused untold pain for Akhaians,sent down throngs of powerful spirits to Aides, war-chiefs rendered the prize of dogs and everysort of bird.Edward McCrorie’s new translation of Homer’s classic epic of the Trojan War captures the falling rhythms of a doomed Troy. McCrorie presents the sundry epithets and resonant symbols of Homer's verse style and remains as close to the Greek's meaning as research allows. The work is an epic with a flexible contemporary feel to it, capturing the wide-ranging tempos of the original. It underscores the honor of soldiers and dwells upon the machinations of Moira, each man's and woman's portion in life.Noted Homeric scholar Erwin Cook contributes a substantial introduction and extensive notes written to guide both students and general readers through relevant elements of ancient Greek history and culture. This version of the Iliad is ideal for readings and performances.
The Iliad: A New Translation
by HomerA stunning new translation of the classic tale of the fall of Troy from one of the world's finest translators. If you enjoyed THE SONG OF ACHILLES, discover the original and the best...Man seduces another's wife then kidnaps her. The husband and his brother get a gang together to steal her back and take revenge. The woman regrets being seduced and wants to escape, whilst the man's entourage resent the position they have been placed in. Yet the battle lines have been drawn and there is no going back...Not the plot of the latest Hollywood thriller, but the basis of the ILIAD - the Greek classic that details the war between the Greeks and the Trojans after the kidnapping of Helen of Sparta. Based on the recent, superb, M.L. West edition of the Greek, this ILIAD is more readable and moving than any previous version. Thanks to the scholarship and poetic power of the highly acclaimed Stephen Mitchell, this new translation recreates the energy and simplicity, the speed, grace, and continual thrust and pull of the original, while the ILIAD's ancient story bursts vividly into life. This edition also includes book 10 as an appendix, making it indispensible for students and lay readers alike.
The Iliad: (OWC Hardback) (Oxford World's Classics)
by Homer'War, the bringer of tears...' War, glory, despair, and mourning: for 2,700 years the Iliad has gripped listeners and readers with the story of Achilles' anger and Hector's death. This tragic episode during the siege of Troy, sparked by a quarrel between the leader of the Greek army and its mightiest warrior, Achilles, is played out between mortals and gods, with devastating human consequences. It is a story of many truths, speaking of awesome emotions, the quest for fame and revenge, the plight of women, and the lighthearted laughter of the gods. Above all, it confronts us with war in all its brutality - and with fleeting images of peace, which punctuate the poem as distant memories, startling comparisons, and doomed aspirations. The Iliad's extraordinary power testifies to the commitment of its many readers, who have turned to it in their own struggles to understand life and death. This elegant and compelling new translation is accompanied by a full introduction and notes that guide the reader in understanding the poem and the many different contexts in which it was performed and read.
The Iliad
by HomerThe heroic story of the siege of Troy is as enthralling today as it ever was.The Greeks are entering the tenth year of their war with the Trojans, but their armies are fractured and their best warrior Achilles has abandoned the battle on a mission of revenge. Only the death of his best friend Patroclus persuades Achilles to return to battle and confront the Trojan leader Hector in single combat.The Iliad is the oldest surviving work of Western literature and provides a powerful glimpse into the horrors and heroics of war - a message which undoubtedly endures today. This edition provides an accessible prose translation by the classical scholar and novelist Samuel Butler. Butler is considered one of the finest English writers of the late Victorian era, and his translation one of the most accessible and satisfying.
The Iliad: Translated Into English Hexameter Verse; An Abridgment Which Includes All The Main Story And The Most Celebrated Passages (classic Reprint)
by HomerThe Iliad is a riddle, wrapped in a mystery, inside an enigma, for which Barry Powell, one of the twenty-first century's leading Homeric scholars, has given us a magnificent new translation. Graceful, lucid, and energetic, Powell's translation renders the Homeric Greek with a simplicity and dignity reminiscent of the original. The text immediately engrosses students with its tight and balanced rhythms, while the incantatory repetitions evoke a continuous "stream of sound" that offers as good an impression of Homer's Greek as one could hope to attain without learning the language. Accessible, poetic, and accurate, Powell's translation is an excellent fit for today's students. With swift, transparent language that rings both ancient and modern, it exposes them to all of the rage, pleasure, pathos, and humor that are Homer's Iliad. Both the translation and the introduction are informed by the best recent scholarship. FEATURES * Uses well-modulated verse and accurate English that is contemporary but never without dignity * Powell's introduction sets the poem in its philological, mythological, and historical contexts * Features unique on-page notes, facilitating students' engagement with the poem * Embedded illustrations accompanied by extensive captions provide Greek and Roman visual sources for key passages in each of the poem's twenty-four books * Eight maps (the most of any available translation) provide geographic context for the poem's many place names * Audio recordings (read by Powell) of fifteen important passages are available at www.oup.com/us/powell and indicated in the text margin by an icon
The Iliad: A New Translation By Caroline Alexander
by Homer Caroline AlexanderREAD THE STORY BEHIND THE NEW BBC/NETFLIX EPIC SERIES, TROY: FALL OF A CITYHigh on Olympus, Zeus and the assembled deities look down on the world of men, to the city of Troy where a bitter and bloody war has dragged into its tenth year, and a quarrel rages between a legendary warrior and his commander. Greek ships decay, men languish, exhausted, and behind the walls of Troy a desperate people await the next turn of fate.This is the Iliad: an ancient story of enduring power; magnetic characters defined by stirring and momentous speeches; a panorama of human lives locked in a heroic struggle beneath a mischievous or indifferent heaven. Above all, this is a tale of the devastation, waste and pity of war.Caroline Alexander's virtuoso translation captures the rhythms and energy of Homer's original Greek while making the text as accessible as possible to a modern reader, accompanied by extensive extra material to provide a background to the poem.The result of 3,000 years of story-telling, Homer’s epic tale of the fall of Troy has resonated with every age and every human conflict: this is the Iliad at its most electrifying and vital.
The Iliad: With An English Translation (classic Reprint)
by Homer Peter Jones E V RieuOne of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode in the Trojan War. At its centre is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader Agamemnon. But when the Trojan Hector kills Achilles' close friend Patroclus, he storms back into battle to take revenge - although knowing this will ensure his own early death. Interwoven with this tragic sequence of events are powerfully moving descriptions of the ebb and flow of battle, of the domestic world inside Troy's besieged city of Ilium, and of the conflicts between the Gods on Olympus as they argue over the fate of mortals.
The Iliad: Structure, Myth, and Meaning
by Bruce LoudenExtending his distinctive analysis of Homeric epic to the Iliad, Bruce Louden, author of The "Odyssey": Structure, Narration, and Meaning, again presents new approaches to understanding the themes and story of the poem. In this thought-provoking study, he demonstrates how repeated narrative motifs argue for an expanded understanding of the structure of epic poetry. First identifying the "subgenres" of myth within the poem, he then reads these against related mythologies of the Near East, developing a context in which the poem can be more accurately interpreted.Louden begins by focusing on the ways in which the Iliad's three movements correspond with and comment on each other. He offers original interpretations of many episodes, notably in books 3 and 7, and makes new arguments about some well-known controversies (e.g., the duals in book 9), the Iliad's use of parody, the function of theomachy, and the prefiguring of Hektor as a sacrificial victim in books 3 and 6. The second part of the book compares fourteen subgenres of myth in the Iliad to contemporaneous Near Eastern traditions such as those of the Old Testament and of Ugaritic mythology. Louden concludes with an extended comparison of the Homeric Athena and Anat, a West Semitic goddess worshipped by the Phoenicians and Egyptians. Louden's innovative method yields striking new insights into the formation and early literary contexts of Greek epic poetry.
The Iliad
by Martin MuellerNo Western text boasts a life as long as the "Iliad", and few can match its energy and glory. This introduction to Homer's poem sees it as rooted in a particular culture with narrative and thematic conventions that are only partly explained by assumptions about the properties of oral poetry. Professor Mueller follows Plato and Aristotle in seeing the plot of the "Iliad" as a distinctly Homeric 'invention' which shaped Attic tragedy and the concept of dramatic action in Western literature. In this second edition the text has been revised in many places, and a new chapter on Homeric repetitions has been added.
The Iliad
by Martin MuellerNo Western text boasts a life as long as the "Iliad", and few can match its energy and glory. This introduction to Homer's poem sees it as rooted in a particular culture with narrative and thematic conventions that are only partly explained by assumptions about the properties of oral poetry. Professor Mueller follows Plato and Aristotle in seeing the plot of the "Iliad" as a distinctly Homeric 'invention' which shaped Attic tragedy and the concept of dramatic action in Western literature. In this second edition the text has been revised in many places, and a new chapter on Homeric repetitions has been added.
The Iliad
by Barry B. PowellThe Iliad is a riddle, wrapped in a mystery, inside an enigma, for which Barry Powell, one of the twenty-first century's leading Homeric scholars, has given us a magnificent new translation. Graceful, lucid, and energetic, Powell's translation renders the Homeric Greek with a simplicity and dignity reminiscent of the original. The text immediately engrosses students with its tight and balanced rhythms, while the incantatory repetitions evoke a continuous "stream of sound" that offers as good an impression of Homer's Greek as one could hope to attain without learning the language. Accessible, poetic, and accurate, Powell's translation is an excellent fit for today's students. With swift, transparent language that rings both ancient and modern, it exposes them to all of the rage, pleasure, pathos, and humor that are Homer's Iliad. Both the translation and the introduction are informed by the best recent scholarship. FEATURES * Uses well-modulated verse and accurate English that is contemporary but never without dignity * Powell's introduction sets the poem in its philological, mythological, and historical contexts * Features unique on-page notes, facilitating students' engagement with the poem * Embedded illustrations accompanied by extensive captions provide Greek and Roman visual sources for key passages in each of the poem's twenty-four books * Eight maps (the most of any available translation) provide geographic context for the poem's many place names * Audio recordings (read by Powell) of fifteen important passages are available at www.oup.com/us/powell and indicated in the text margin by an icon
The Iliad of Homer
by Homer"Sing, goddess, the anger of Peleus’ son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation—the gold standard for generations of students and general readers. This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century—while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses—with their memorably phrased heroic epithets and remarkable fidelity to the Greek—remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book. The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived—and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.
The Iliad of Homer
by Homer"Sing, goddess, the anger of Peleus’ son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation—the gold standard for generations of students and general readers. This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century—while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses—with their memorably phrased heroic epithets and remarkable fidelity to the Greek—remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book. The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived—and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.
The Iliad of Homer
by Homer"Sing, goddess, the anger of Peleus’ son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation—the gold standard for generations of students and general readers. This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century—while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses—with their memorably phrased heroic epithets and remarkable fidelity to the Greek—remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book. The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived—and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.
The Iliad of Homer
by Homer"Sing, goddess, the anger of Peleus’ son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation—the gold standard for generations of students and general readers. This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century—while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses—with their memorably phrased heroic epithets and remarkable fidelity to the Greek—remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book. The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived—and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.
The Iliad of Homer
by Homer"Sing, goddess, the anger of Peleus’ son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation—the gold standard for generations of students and general readers. This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century—while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses—with their memorably phrased heroic epithets and remarkable fidelity to the Greek—remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book. The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived—and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.
The Iliad of Homer
by Homer"Sing, goddess, the anger of Peleus’ son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation—the gold standard for generations of students and general readers. This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century—while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses—with their memorably phrased heroic epithets and remarkable fidelity to the Greek—remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers. A new introduction sets the poem in the wider context of Greek life, warfare, society, and poetry, while line-by-line notes at the back of the volume offer explanations of unfamiliar terms, information about the Greek gods and heroes, and literary appreciation. A glossary and maps round out the book. The result is a volume that actively invites readers into Homer's poem, helping them to understand fully the worlds in which he and his heroes lived—and thus enabling them to marvel, as so many have for centuries, at Hektor and Ajax, Paris and Helen, and the devastating rage of Achilleus.
The Iliad + The Odyssey Collection
by HomerHomer’s twin epics, together in one volume. Presented here in the Alexander Pope translations. The Iliad tells the story of the Trojan War. Paris, the prince of Troy, has stolen off with Helen, the beautiful wife of Menelaus, the King of Sparta. He leads a coalition of Greek states in a ten-year-long siege of Troy, with the poem picking up the story in the tenth year, and telling of the rivalry between Agamemnon and Achilles. In The Odyssey, in the aftermath of the events of the Trojan war, Ulysses sets sail with his men for the shores of Ithaca, his home, but a failure to properly honour the gods enrages them, and Poseidon exacts revenge on Ulysses, keeping him from his destination and forcing him to wander the world. Meanwhile Penelope,Ulysses’s wife, must fend off the advances of a group of miscreant suitors who are convinced that her husband must have perished.
La Ilíada
by HomeroHomero legó las más grandes obras épicas de la antigua Grecia. La Ilíada, y su hermana la Odisea, fueron, en su época temprana, entendidas como una sola obra: la historia sobre la Guerra de Troya, la tragedia de Aquiles, y la historia sobre Odiseo, uno de los héroes de la guerra; así, la historia de la Ilíada -el entorno histórico de Troya y su época- se disminuye un tanto sin la Odisea, y la Odisea, sin su precursora, la Ilíada, se pierde por completo. La Ilíada trata sobre la Cólera de Aquiles a causa de la afrenta a su honor por Agamemnón... pero, también tematiza sobre muchas otras cosas, tanto humanas como divinas: es una obra que, a pesar de haber sido ya establecida en un texto permanente, se encuentra, paradójicamente, en un estado de flujo continuo, pues sus lecturas jamás son iguales. Las fuerzas de Agamemnón llevan 9 años ya sobre tierra firme troyana, listos para abordar sus naves, darle la vuelta a la península que los mantiene alejados de la vista de los troyanos, y efectuar un asalto final sobre la desembocadura del río Escamandro. Es fácil ver el simbolismo de un embarazo de 9 meses y el alumbramiento subsecuente en el desembarco de hombres sobre la delta del Escamandro, territorio en otrora ocupado por los pigmeos, pero ahora por los ari(e)mos (una tribu troyana). Los eventos sebsecuentes duran 36 meses. Así, se ve que desde un principio hasta el final, la Ilíada abarca un período de 12 años, en coincidencia con las 12 casas del zodiaco.
Iliazd: A Meta-Biography of a Modernist (Hopkins Studies in Modernism)
by Johanna DruckerThe poet Ilia Zdanevich, known in his professional life as Iliazd, began his career in the pre-Revolutionary artistic circles of Russian futurism. By the end of his life, he was the publisher of deluxe limited edition books in Paris. The recent subject of major exhibitions in Moscow, his native Tbilisi, New York, and other venues, the work of Iliazd has been prized by bibliophiles and collectors for its exquisite book design and innovative typography. Iliazd collaborated with many major figures of modern art—Pablo Picasso, Sonia Delaunay, Max Ernst, Joán Miro, Natalia Goncharova, and Mikhail Larionov, among others. His 1949 anthology, The Poetry of Unknown Words, was the first international anthology of experimental visual and sound poetry ever published. The list of contributors is a veritable "Who's Who" of avant-garde writing and visual art. And Iliazd's unique hands-on engagement with book production and design makes him the ideal case study for considering the book as a modern art form. Iliazd is the first full-length biography of the poet-publisher, as well as the first comprehensive English-language study of his life and work. Johanna Drucker weaves two stories together: the history of Iliazd's work as a modern artist and poet, and the narrative of the author's encounter with his widow and other figures in the process of researching his biography. Drucker's reflection on what a biographical project entails addresses questions about the relationship between documentary evidence and narrative, between contemporary witnesses and retrospective accounts. Ultimately, Drucker asks how we should understand the connection between the life of an artist and their work. Enriched with photographs from the Iliazd archive and a wealth of primary documents, the book is a vivid account of a unique contributor to modernism—and to the way we continue to reevaluate the history of twentieth-century culture. Accounts of Drucker's research during the mid-1980s in the personal archive of Madame Hélène Zdanevich, the poet's widow, lend the narrative an incredible intimacy. Drucker recounts how, sitting in the studio that Iliazd occupied from the late 1930s until his death in 1975, she was drawn into the circle of scholars who had made him their focus and were doing foundational work on his significance. She also coped with the difference between the widow's view of the artist as a man she loved and Drucker's own perception of Iliazd's significance within a critical approach to history. Iliazd is at once a rich study of a significant figure and a thoughtful reflection on the way a biography creates an encounter with its always absent subject.
Iliazd: A Meta-Biography of a Modernist (Hopkins Studies in Modernism)
by Johanna DruckerThe poet Ilia Zdanevich, known in his professional life as Iliazd, began his career in the pre-Revolutionary artistic circles of Russian futurism. By the end of his life, he was the publisher of deluxe limited edition books in Paris. The recent subject of major exhibitions in Moscow, his native Tbilisi, New York, and other venues, the work of Iliazd has been prized by bibliophiles and collectors for its exquisite book design and innovative typography. Iliazd collaborated with many major figures of modern art—Pablo Picasso, Sonia Delaunay, Max Ernst, Joán Miro, Natalia Goncharova, and Mikhail Larionov, among others. His 1949 anthology, The Poetry of Unknown Words, was the first international anthology of experimental visual and sound poetry ever published. The list of contributors is a veritable "Who's Who" of avant-garde writing and visual art. And Iliazd's unique hands-on engagement with book production and design makes him the ideal case study for considering the book as a modern art form. Iliazd is the first full-length biography of the poet-publisher, as well as the first comprehensive English-language study of his life and work. Johanna Drucker weaves two stories together: the history of Iliazd's work as a modern artist and poet, and the narrative of the author's encounter with his widow and other figures in the process of researching his biography. Drucker's reflection on what a biographical project entails addresses questions about the relationship between documentary evidence and narrative, between contemporary witnesses and retrospective accounts. Ultimately, Drucker asks how we should understand the connection between the life of an artist and their work. Enriched with photographs from the Iliazd archive and a wealth of primary documents, the book is a vivid account of a unique contributor to modernism—and to the way we continue to reevaluate the history of twentieth-century culture. Accounts of Drucker's research during the mid-1980s in the personal archive of Madame Hélène Zdanevich, the poet's widow, lend the narrative an incredible intimacy. Drucker recounts how, sitting in the studio that Iliazd occupied from the late 1930s until his death in 1975, she was drawn into the circle of scholars who had made him their focus and were doing foundational work on his significance. She also coped with the difference between the widow's view of the artist as a man she loved and Drucker's own perception of Iliazd's significance within a critical approach to history. Iliazd is at once a rich study of a significant figure and a thoughtful reflection on the way a biography creates an encounter with its always absent subject.