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I'll Tell You Mine: Thirty Years of Essays from the Iowa Nonfiction Writing Program
by Robert AtwanThe University of Iowa is a leading light in the writing world. In addition to the Iowa Writers’ Workshop for poets and fiction writers, it houses the prestigious Nonfiction Writing Program (NWP), which was the first full-time masters-granting program in this genre in the United States. Over the past three decades the NWP has produced some of the most influential nonfiction writers in the country. I’ll Tell You Mine is an extraordinary anthology, a book rooted in Iowa’s successful program that goes beyond mere celebration to present some of the best nonfiction writing of the past thirty years. Eighteen pieces produced by Iowa graduates exemplify the development of both the program and the field of nonfiction writing. Each is accompanied by commentary from the author on a challenging issue presented by the story and the writing process, including drafting, workshopping, revising, and listening to (or sometimes ignoring) advice. The essays are put into broader context by a prologue from Robert Atwan, founding editor of the Best American Essays series, who details the rise of nonfiction as a literary genre since the New Journalism of the 1960s. Creative nonfiction is the fastest-growing writing concentration in the country, with more than one hundred and fifty programs in the United States. I’ll Tell You Mine shows why Iowa’s leads the way. Its insider’s view of the Iowa program experience and its wealth of groundbreaking nonfiction writing will entertain readers and inspire writers of all kinds.
I'll Tell You Mine: Thirty Years of Essays from the Iowa Nonfiction Writing Program
by Robert AtwanThe University of Iowa is a leading light in the writing world. In addition to the Iowa Writers’ Workshop for poets and fiction writers, it houses the prestigious Nonfiction Writing Program (NWP), which was the first full-time masters-granting program in this genre in the United States. Over the past three decades the NWP has produced some of the most influential nonfiction writers in the country. I’ll Tell You Mine is an extraordinary anthology, a book rooted in Iowa’s successful program that goes beyond mere celebration to present some of the best nonfiction writing of the past thirty years. Eighteen pieces produced by Iowa graduates exemplify the development of both the program and the field of nonfiction writing. Each is accompanied by commentary from the author on a challenging issue presented by the story and the writing process, including drafting, workshopping, revising, and listening to (or sometimes ignoring) advice. The essays are put into broader context by a prologue from Robert Atwan, founding editor of the Best American Essays series, who details the rise of nonfiction as a literary genre since the New Journalism of the 1960s. Creative nonfiction is the fastest-growing writing concentration in the country, with more than one hundred and fifty programs in the United States. I’ll Tell You Mine shows why Iowa’s leads the way. Its insider’s view of the Iowa program experience and its wealth of groundbreaking nonfiction writing will entertain readers and inspire writers of all kinds.
I'll Tell You Mine: Thirty Years of Essays from the Iowa Nonfiction Writing Program
by Robert AtwanThe University of Iowa is a leading light in the writing world. In addition to the Iowa Writers’ Workshop for poets and fiction writers, it houses the prestigious Nonfiction Writing Program (NWP), which was the first full-time masters-granting program in this genre in the United States. Over the past three decades the NWP has produced some of the most influential nonfiction writers in the country. I’ll Tell You Mine is an extraordinary anthology, a book rooted in Iowa’s successful program that goes beyond mere celebration to present some of the best nonfiction writing of the past thirty years. Eighteen pieces produced by Iowa graduates exemplify the development of both the program and the field of nonfiction writing. Each is accompanied by commentary from the author on a challenging issue presented by the story and the writing process, including drafting, workshopping, revising, and listening to (or sometimes ignoring) advice. The essays are put into broader context by a prologue from Robert Atwan, founding editor of the Best American Essays series, who details the rise of nonfiction as a literary genre since the New Journalism of the 1960s. Creative nonfiction is the fastest-growing writing concentration in the country, with more than one hundred and fifty programs in the United States. I’ll Tell You Mine shows why Iowa’s leads the way. Its insider’s view of the Iowa program experience and its wealth of groundbreaking nonfiction writing will entertain readers and inspire writers of all kinds.
Ill Will
by Michael Stewart‘An astonishing novel’ The Independent I am William Lee: brute; liar, and graveside thief. But you will know me by another name.
Ill Wind: A suspenseful mystery of the unruly American wilderness (Anna Pigeon Mysteries #No. 3)
by Nevada BarrNature is close at hand - but then again, so is murder... Ill Wind is the third novel in Nevada Barr's gripping crime series featuring park ranger Anna Pigeon. Perfect for fans of Jo Nesbo and Sue Grafton.'Stirring... vivid... vibrant... intelligent' - New York Times Book ReviewWhen national park ranger Anna Pigeon needs to find peace, she turns to nature of solace. Lucky for her, she's been newly assigned to Mesa Verde National Park in Colorado. Anna is enthralled by its ruins: the ancient cliff dwellings of a vanished Native American civilisation. But Anna's reverie is shattered by an inexplicable illness affecting visitors to the popular landmark - and two mysterious tragedies: the death of a child... and the murder of a friend. Now she must find the very human source of the evil wind that is blowing through the ruins. For it threatens more innocent lives - including Anna's own... What readers are saying about the Anna Pigeon Mysteries: 'Nevada Barr has a fabulous way of writing and her descriptions of the beautiful landscapes and natural beauty of these parks is just wonderful''Well-constructed mystery which keeps you guessing until the end''Five stars'
Ill Wind: The heart-stopping urban fantasy adventure (Weather Warden #1)
by Rachel CaineSome Weather Wardens control fire, others control earth, water, or wind – and the most powerful can control more than one element. Without Wardens, Mother Nature would wipe humanity off the face of the earth…Joanne Baldwin is a Weather Warden. Usually, all it takes is a wave of her hand to tame the most violent weather. But now Joanne is trying to outrun another kind of storm: accusations of corruption and murder. So she’s resorting to the very human tactic of running for her life.Her only hope is Lewis, the most powerful Warden. Unfortunately, he’s also on the run having stolen not one but three bottles of Djinn – making him the most wanted man on earth. Still, Joanne and her classic Mustang are racing hard to find him – because there’s some bad weather closing in fast…
An Ill Wind (John Pearce #6)
by David Donachie1793. John Pearce and his Pelicans are homeward bound, determined to put the treacherous Captain Ralph Barclay in the dock. But first they must evacuate Toulon where the Republican Army and the threat of the guillotine wreak havoc. Pearce must keep his wits about him in order to survive.Barclay and his wife Emily are sharing the voyage home and Pearce must stay close to both – difficult given his loathing for the captain and his feelings for Emily. Then she discovers the incriminating evidence Pearce holds against her husband, papers that could destroy his career and potentially her security.Back on British soil following a gruelling voyage, the Pelicans hope their troubles are over, but with the important documents missing, their real concerns are just beginning. Emily holds the key, but do her loyalties lie with her husband or her conscience?
The Illearth War: The Chronicles of Thomas Covenant Book Two (The Chronicles of Thomas Covenant the Unbeliever #2)
by Stephen DonaldsonThomas Covenant found himself once again summoned to the Land. The Council of Lords needed him to move against Foul the Despiser who held the Illearth Stone, ancient source of evil power. But although Thomas Covenant held the legendary white gold ring, he didn't know how to use its strength, and risked losing everything . . .
Illegal Action: (Liz Carlyle 3) (Liz Carlyle #3)
by Stella RimingtonILLEGAL ACTION is the third thriller from the former head of MI5 and bestselling author Stella Rimington, featuring MI5 officer Liz Carlyle.When MI5 intelligence officer Liz Carlyle learns of a Russian government plot to kill super-rich Nikita Brunovsky – a man who openly criticises the Putin regime from his London base – it’s a race against time to track down the killer. How the man is to be silenced is unclear, but the Foreign Office dreads any kind of incident and Liz must work fast to protect him.As she goes undercover, desperately trying to find out who in Brunovsky’s retinue might betray him, Liz discovers that an ‘illegal’ Russian agent has arrived in London. Is this the assassin she is seeking? Under an assumed name, caught up in the high-octane world of the oligarchs, Liz soon finds herself in terrible danger...
Illegally Dead (Marcus Corvinus Mysteries Ser.)
by David WishartWhen Corvinus receives a letter, with a tantalising PS, from his adopted daughter, Marilla, mentioning there might have been a murder, he hot-foots it to Castrimoenium at once. Not that everyone agrees that Lucius Hostilius was murdered. Poison was apparently the means of death, but Lucius was terminally ill: it was only a matter of time. Although he hasn't any official investigative status, Corvinus can't resist doing a little amateur sleuthing. And he has barely begun when two other corpses turn up and he is formally on the case. Lucius had been suffering something of a personality change because of his illness, so there is no shortage of suspects among friends and family whom he had antagonised. But Corvinus goes up many a blind alley before arriving at the heart of the mystery. As we follow Marcus Corvinus, clue by clue, on his twelfth case, we allow ourselves to be pleasurably diverted by rumours of Meton's love life - and by an authentic recipe for fish pickle sauce . . .
Illegibility: Blanchot and Hegel
by William S. AllenThe philosophical significance of Maurice Blanchot's writings has rarely been in doubt. Specifying the nature and implications of his thinking has proved much less easy, particularly in reference to the key figure of G. W. F. Hegel. Examination reveals that Blanchot's thinking is persistently oriented towards a questioning of the terms of Hegel's thought, while nevertheless remaining within its themes, whichshows how rigorously he studied Hegel's works but also how radical his critique of them became. Equally, it allows for a crucial discussion of the differences between Blanchot's responses to Hegel and those of Jacques Derrida, with the implicit suggestion that in some ways Blanchot's critique of Hegel is more far-reaching than that developed by Derrida. William S. Allen demonstrates those aspects of Hegelian thought that permeate Blanchot's writings and, in turn, develops a detailed three-way analysis of Derrida, Hegel, and Blanchot. The key question around which this analysis develops is that of the relation between thought and language concerning the issue of the infinite and its legibility. Illegibility introduces a new and substantially philosophical account of Blanchot's importance, and also showshow his writings laid the ground for Derrida's workswhile developing their own uniquely challenging response to the problems of post-Hegelian thought.
Illegibility: Blanchot and Hegel
by William S. AllenThe philosophical significance of Maurice Blanchot's writings has rarely been in doubt. Specifying the nature and implications of his thinking has proved much less easy, particularly in reference to the key figure of G. W. F. Hegel. Examination reveals that Blanchot's thinking is persistently oriented towards a questioning of the terms of Hegel's thought, while nevertheless remaining within its themes, whichshows how rigorously he studied Hegel's works but also how radical his critique of them became. Equally, it allows for a crucial discussion of the differences between Blanchot's responses to Hegel and those of Jacques Derrida, with the implicit suggestion that in some ways Blanchot's critique of Hegel is more far-reaching than that developed by Derrida. William S. Allen demonstrates those aspects of Hegelian thought that permeate Blanchot's writings and, in turn, develops a detailed three-way analysis of Derrida, Hegel, and Blanchot. The key question around which this analysis develops is that of the relation between thought and language concerning the issue of the infinite and its legibility. Illegibility introduces a new and substantially philosophical account of Blanchot's importance, and also showshow his writings laid the ground for Derrida's workswhile developing their own uniquely challenging response to the problems of post-Hegelian thought.
Illegible: A Novel (NIU Series in Slavic, East European, and Eurasian Studies)
by Sergey GandlevskySergey Gandlevsky's 2002 novel Illegible has a double time focus, centering on the immediate experiences of Lev Krivorotov, a twenty-year-old poet living in Moscow in the 1970s, as well as his retrospective meditations thirty years later after most of his hopes have foundered. As the story begins, Lev is involved in a tortured affair with an older woman and consumed by envy of his more privileged friend and fellow beginner poet Nikita, one of the children of high Soviet functionaries who were known as "golden youth."In both narratives, Krivorotov recounts with regret and self-castigation the failure of a double infatuation, his erotic love for the young student Anya and his artistic love for the poet Viktor Chigrashov. When this double infatuation becomes a romantic triangle, the consequences are tragic.In Illegible, as in his poems, Gandlevsky gives us unparalleled access to the atmosphere of the city of Moscow and the ethos of the late Soviet and post-Soviet era, while at the same time demonstrating the universality of human emotion.
Illegitimacy and the National Family in Early Modern England
by Helen Vella BonavitaThis study considers the figure of the bastard in the context of analogies of the family and the state in early modern England. The trope of illegitimacy, more than being simply a narrative or character-driven issue, is a vital component in the evolving construction and representation of British national identity in prose and drama of the sixteenth and early seventeenth century. Through close reading of a range of plays and prose texts, the book offers readers new insight into the semiotics of bastardy and concepts of national identity in early modern England, and reflects on contemporary issues of citizenship and identity. The author examines play texts of the period including Bale's King Johan, Peele's The Troublesome Reign of John, and Shakespeare's King John, Richard II, and King Lear in the context of a selection of legal, religious, and polemical texts. In so doing, she illuminates the extent to which the figure of the bastard and, more generally the trope of illegitimacy, existed as a distinct discourse within the wider discursive framework of family and nation.
Illegitimacy and the National Family in Early Modern England
by Helen Vella BonavitaThis study considers the figure of the bastard in the context of analogies of the family and the state in early modern England. The trope of illegitimacy, more than being simply a narrative or character-driven issue, is a vital component in the evolving construction and representation of British national identity in prose and drama of the sixteenth and early seventeenth century. Through close reading of a range of plays and prose texts, the book offers readers new insight into the semiotics of bastardy and concepts of national identity in early modern England, and reflects on contemporary issues of citizenship and identity. The author examines play texts of the period including Bale's King Johan, Peele's The Troublesome Reign of John, and Shakespeare's King John, Richard II, and King Lear in the context of a selection of legal, religious, and polemical texts. In so doing, she illuminates the extent to which the figure of the bastard and, more generally the trope of illegitimacy, existed as a distinct discourse within the wider discursive framework of family and nation.
The Illegitimate Billionaire: The Twin Birthright Reunited... With Baby The Illegitimate Billionaire (Billionaires and Babies #96)
by Barbara DunlopHis convenient wife is nothing like he expected…
Illegitimate Freedom: Informality in Modernist Literature, 1900–1940 (Among the Victorians and Modernists)
by Gaurav MajumdarIllegitimate Freedom: Informality in Modernist Literature, 1900 - 1940 is the first study of informality in modernist literature. Differentiating informality from intimacy in its introduction, the book discusses the informal in relation with sensory experience, aesthetic presentation, ethical deliberation or action, and social attitudes within modernist works. It examines these works for particular nuances of the word "informality" in each of its chapters in the following thematic sequence: informality that offers humour, interpretive freedom, and promiscuity as counters to self-absorption in works by Virginia Woolf; rebuttals to male priorities in liberalism through "feminine informality" in several short stories by Katherine Mansfield; contempt for colloquialism and intimacy, tinged with class-anxieties and crises of attitude, in T. S. Eliot’s poetry; resistance to disgust in James Joyce’s novels; and the fusion of irreverence, protest, and praise in W. H. Auden’s writings before 1940. The book’s conclusion considers the risks of informality through a discussion of what it calls "inverted dignity." The theoretical aspects of the book offer insights into Lockean liberalism, the ethical dimensions of what Hélène Cixous termed "feminine writing," relations of sublimity and domesticity, Sigmund Freud’s arguments on humour and melancholia, and recent affect theory’s—as well as Immanuel Kant’s and Friedrich Nietzsche’s—views on disgust, linking these with modernism. This wide range of engagement makes this study relevant for those interested in literary studies, critical theory, and philosophy.
Illegitimate Freedom: Informality in Modernist Literature, 1900–1940 (Among the Victorians and Modernists)
by Gaurav MajumdarIllegitimate Freedom: Informality in Modernist Literature, 1900 - 1940 is the first study of informality in modernist literature. Differentiating informality from intimacy in its introduction, the book discusses the informal in relation with sensory experience, aesthetic presentation, ethical deliberation or action, and social attitudes within modernist works. It examines these works for particular nuances of the word "informality" in each of its chapters in the following thematic sequence: informality that offers humour, interpretive freedom, and promiscuity as counters to self-absorption in works by Virginia Woolf; rebuttals to male priorities in liberalism through "feminine informality" in several short stories by Katherine Mansfield; contempt for colloquialism and intimacy, tinged with class-anxieties and crises of attitude, in T. S. Eliot’s poetry; resistance to disgust in James Joyce’s novels; and the fusion of irreverence, protest, and praise in W. H. Auden’s writings before 1940. The book’s conclusion considers the risks of informality through a discussion of what it calls "inverted dignity." The theoretical aspects of the book offer insights into Lockean liberalism, the ethical dimensions of what Hélène Cixous termed "feminine writing," relations of sublimity and domesticity, Sigmund Freud’s arguments on humour and melancholia, and recent affect theory’s—as well as Immanuel Kant’s and Friedrich Nietzsche’s—views on disgust, linking these with modernism. This wide range of engagement makes this study relevant for those interested in literary studies, critical theory, and philosophy.
The Illegitimate Heirs: Engagement Between Enemies; Reunion Of Revenge; Betrothed For The Baby (Mills And Boon By Request Ser. #1)
by Kathie DeNoskyENGAGEMENT BETWEEN ENEMIES Discovering he was a tycoon’s secret grandson shocked Caleb Walker, especially when he was made president of the family’s company. Yet his biggest surprise was spitfire employee Alyssa Merrick. So when a scandalous rumour broke, Caleb made Alyssa an offer she couldn’t refuse…
The Illegitimate Heirs: Bossman Billionaire; One Night, Two Babies; The Billionaire's Unexpected Heir (Mills And Boon By Request Ser. #4)
by Kathie DeNoskyBOSSMAN BILLIONAIRE
The Illegitimate King / Friday Night Mistress
by Jan Colley Olivia GatesBe swept away by passion… with intense drama and compelling plots, these emotionally powerful reads will keep you captivated from beginning to end. The Illegitimate King Olivia Gates
The Illegitimate Montague (Castonbury Park #5)
by Sarah Mallory‘Be careful who you get close to…’ Adam Stratton is a new breed of Regency Man. A hero of Trafalgar, he is now an entrepreneur, rich beyond imagination. Yet all the money in the world can’t erase the scandal and shame of his birth. Since childhood, Amber has been the only one to know Adam’s true value.
Illegitimate Power: Bastards in Renaissance Drama
by Alison FindlayIn Renaissance Drama, the bastard is an extraordinarily powerful and disruptive figure. We have only to think of Caliban or of Edmund to realise the challenge presented by the illegitimate child.Drawing on a wide rage of play texts, Alison Findlay shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. She considers bastards as indicators and instigators of crises in early modern England, reading them in relation to witch craft, spiritual insecurities and social unrest in family and State. The characters discussed range from demi-devils, unnatural villains and clowns to outstanding heroic or virtuous types who challenge officially sanctioned ideas of illegitimacy. The final chapter of the book considers bastards in performance; their relationship with theatre spaces and audiences. Illegitimate voices, Findlay argues, can bring about the death of the author/father and open the text as a piece of theatre, challenging accepted notions of authority.
The Illicit Happiness of Other People: A Darkly Comic Novel Set in Modern India
by Manu JosephSeventeen-year-old Unni has done something terrible. The only clue to his actions lies in a comic strip he has drawn, which has fallen into the hands of his father Ousep - a nocturnal anarchist with a wife who is fantasizing about his early death. Ousep begins investigating the extraordinary life of his son, but as he circles closer and closer to the truth, he unravels a secret that shakes his family to the core.Set in Madras in the 1990s, where every adolescent male is preparing for the toughest exam in the world, this is a powerful and darkly comic story involving an alcoholic's probe into the minds of the sober, an adolescent cartoonist's dangerous interpretation of absolute truth, an inner circle of talented schizophrenics and the pure love of a 12-year-old boy for a beautiful girl.