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Imaginary Worlds and Real Ethics in Japanese Fiction: Case Studies in Novel Reflexivity
by Professor or Dr. Christopher WeinbergerCan novels contribute to the ethical lives of readers? What responsibilities might they bear in representing others? Are we ethically accountable for how we read fiction? This study takes up modern Japanese fiction and metafiction, subjects overwhelmingly ignored by Anglophone scholarship on novel ethics, to discover pioneering answers to these and other questions. Each chapter offers new readings of major works of modern Japanese literature (1880s through 1920s) that experiment with the capacity of novel narration to involve readers in ethically freighted encounters. Christopher Weinberger shows that Mori Ogai and Akutagawa Ryunosuke help to address key issues in new ethical theories today: debates about the roles that identification and empathy play in novel ethics; concerns about the representation of “otherness” and alterity in novels; divergence between cognitive and affective theories of ethics; widespread disagreement about what novel ethics obtain in the experience of reading, the effects of reading, or the form or content of novel representation; and, finally, concerns with bias and appropriation in the study of world literature. Concluding with a jump to the present, Imaginary Worlds and Real Ethics in Japanese Fiction puts on display a startling continuity between the methods of Japan's modern novel progenitors and those of novelists at the forefront of global literature today, especially Haruki Murakami. Ultimately, this book models an original approach to ethical criticism while demonstrating the relevance of modern Japanese fiction for rethinking contemporary theories of the novel.
Imaginary Worlds and Real Ethics in Japanese Fiction: Case Studies in Novel Reflexivity
by Professor or Dr. Christopher WeinbergerCan novels contribute to the ethical lives of readers? What responsibilities might they bear in representing others? Are we ethically accountable for how we read fiction? This study takes up modern Japanese fiction and metafiction, subjects overwhelmingly ignored by Anglophone scholarship on novel ethics, to discover pioneering answers to these and other questions. Each chapter offers new readings of major works of modern Japanese literature (1880s through 1920s) that experiment with the capacity of novel narration to involve readers in ethically freighted encounters. Christopher Weinberger shows that Mori Ogai and Akutagawa Ryunosuke help to address key issues in new ethical theories today: debates about the roles that identification and empathy play in novel ethics; concerns about the representation of “otherness” and alterity in novels; divergence between cognitive and affective theories of ethics; widespread disagreement about what novel ethics obtain in the experience of reading, the effects of reading, or the form or content of novel representation; and, finally, concerns with bias and appropriation in the study of world literature. Concluding with a jump to the present, Imaginary Worlds and Real Ethics in Japanese Fiction puts on display a startling continuity between the methods of Japan's modern novel progenitors and those of novelists at the forefront of global literature today, especially Haruki Murakami. Ultimately, this book models an original approach to ethical criticism while demonstrating the relevance of modern Japanese fiction for rethinking contemporary theories of the novel.
Imaginary Worlds in Medieval Books: Exploring the Manuscript Matrix (The New Middle Ages)
by M. RustThis book presents a series of narratives that reflect the compelling and sometimes dangerous allure of the world of books - and the world in books - in late-medieval Britain. It envisions the confines of medieval manuscripts as virtual worlds: realms that readers call forth through imaginative interactions with books' material features.
Imagination According to Humphrey: Mysteries According To Humphrey; Winter According To Humphrey; Secrets According To Humphrey; Imagination According To Humphrey (Humphrey the Hamster #10)
by Betty G. BirneyEveryone's favourite hamster has another adventure in Room 26 and beyond!In this eleventh book in the bestselling 'According to Humphrey' series, Humphrey and his friends in Room 26 let their imaginations loose! Ahead of a big author visit to Longfellow Elementary School, they try writing their own stories, but Humphrey worries that hamsters don't have any imagination; he's finding creative writing just too hard. While he helps out his friends in Room 26, and the new school pet Gigi, a guinea pig, Humphrey encounters real, live parrots, dragons and even ghosts . . . and finally manages to let his imagination soar.
Imagination and Politics in Seventeenth-Century England
by Todd ButlerTodd Butler here proposes a new epistemology of early modern politics, one that sees-as did writers of the period-human thought as a precursor to political action. By focusing not on reason or the will but on the imagination, Butler uncovers a political culture in seventeenth-century England that is far more shifting and multi-polar than has been previously recognized. Pursuing the connection between individual thought and corporate political action, he also charts the existence of a discourse that grounds modern scholarly interests in the representational nature of early modern politics - its images, rituals and entertainment-within a language early moderns themselves used. Through analysis of a wide variety of seventeenth-century texts, including the writings of Francis Bacon and Thomas Hobbes, Caroline Court masques, and the poetry and prose of John Milton, he reveals a society deeply concerned with the fundamentally imaginative nature of politics. It is a strength of the study that Butler looks at unusual or slighted texts by these authors alongside their more canonical texts. The study also ranges widely across disciplines, engaging literature alongside both natural and political philosophy. By emphasizing the human mind rather than human institutions as the primary site of the period's political struggles, this study reframes critical understandings of seventeenth-century English politics and the texts that helped define them.
Imagination and Politics in Seventeenth-Century England
by Todd ButlerTodd Butler here proposes a new epistemology of early modern politics, one that sees-as did writers of the period-human thought as a precursor to political action. By focusing not on reason or the will but on the imagination, Butler uncovers a political culture in seventeenth-century England that is far more shifting and multi-polar than has been previously recognized. Pursuing the connection between individual thought and corporate political action, he also charts the existence of a discourse that grounds modern scholarly interests in the representational nature of early modern politics - its images, rituals and entertainment-within a language early moderns themselves used. Through analysis of a wide variety of seventeenth-century texts, including the writings of Francis Bacon and Thomas Hobbes, Caroline Court masques, and the poetry and prose of John Milton, he reveals a society deeply concerned with the fundamentally imaginative nature of politics. It is a strength of the study that Butler looks at unusual or slighted texts by these authors alongside their more canonical texts. The study also ranges widely across disciplines, engaging literature alongside both natural and political philosophy. By emphasizing the human mind rather than human institutions as the primary site of the period's political struggles, this study reframes critical understandings of seventeenth-century English politics and the texts that helped define them.
Imagination and Science in Romanticism
by Richard C. ShaRichard C. Sha argues that scientific understandings of the imagination indelibly shaped literary Romanticism. Challenging the idea that the imagination found a home only on the side of the literary, as a mental vehicle for transcending the worldly materials of the sciences, Sha shows how imagination helped to operationalize both scientific and literary discovery. Essentially, the imagination forced writers to consider the difference between what was possible and impossible while thinking about how that difference could be known. Sha examines how the imagination functioned within physics and chemistry in Percy Bysshe Shelley;€™s Prometheus Unbound, neurology in Blake;€™s Vala, or The Four Zoas, physiology in Coleridge;€™s Biographia Literaria, and obstetrics and embryology in Mary Shelley;€™s Frankenstein. Sha also demonstrates how the imagination was called upon to do aesthetic and scientific work using primary examples taken from the work of scientists and philosophers Davy, Dalton, Faraday, Priestley, Kant, Mary Somerville, Oersted, Marcet, Smellie, Swedenborg, Blumenbach, Buffon, Erasmus Darwin, and Von Baer, among others. Sha concludes that both fields benefited from thinking about how imagination could cooperate with reason;¢;‚¬;€?but that this partnership was impossible unless imagination;€™s penchant for fantasy could be contained.
The Imagination Box: A Mind Of Its Own (The Imagination Box #3)
by Martyn FordThere is a box. Anything you imagine will appear inside. You have one go, one chance to create anything you want. What would you pick?"That's exactly the question ten-year-old Timothy Hart gets to answer after discovering The Imagination Box. The greatest toy on earth.The top-secret contraption transforms his life but when the box's inventor, Professor Eisenstone, goes missing, Tim knows he has to investigate.With the help of a talking finger monkey called Phil, he sets out to find the professor. In order to rescue his friend, he must face his darkest fears and discover the true potential of his own mind.This stunning debut is first in an exciting new trilogy for readers aged 9+.
The Imagination Box: A Mind Of Its Own (The Imagination Box #3)
by Martyn FordThere was a sabre-toothed tiger in the playground. Wandering thoughts, Tim had come to realise, were extremely dangerous things.Nearly a year has passed since Tim, Dee and Phil the finger monkey (with the help of some fire-breathing bear-sharks) defeated Wilde Tech Inc and destroyed the imagination space. But since then, it's become increasingly clear that there's something wrong with Tim. His imagination seems limitless - anything he imagines immediately appears in front of him, with no need for the imagination box. Which has both good and bad consequences.Then, in the blink of an eye, everything changes. Tim wakes up and discovers he's in his old orphanage. No one, not even Dee, knows who he is. He's completely alone - his worst nightmare. But soon he realises who is to blame. His old enemy, Clarice Crowfield, has hijacked a new, all-powerful machine and created a reality where she is in charge! Tim must find Professor Eisenstone, convince Dee that they really are best friends (and, of course, recreate Phil) - then literally put their world to rights.
The Imagination Box: Beyond Infinity (The Imagination Box)
by Martyn FordTimothy Hart is getting used to the good life with his new imagination box. Anything he can imagine, he can create! There's only one rule - the box mustn't leave Tim's room.But Tim has never been good at following rules - especially when there's the opportunity to 'imagine' his homework into being without actually having to do it. Tim is feeling rather pleased with himself...Until he notices the strange people following him, and then chasing him, and then his beloved imagination box being ripped from his hands.He'll need the help of a top secret scientific institution if he's going to save the imagination box from corruption of the worst possible kind.Sequel to the critically acclaimed debut, The Imagination Box.
Imagination, Meditation, and Cognition in the Middle Ages
by Michelle KarnesIn Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period’s meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.
Imagination, Meditation, and Cognition in the Middle Ages
by Michelle KarnesIn Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period’s meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.
Imagination, Meditation, and Cognition in the Middle Ages
by Michelle KarnesIn Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period’s meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.
Imagination, Meditation, and Cognition in the Middle Ages
by Michelle KarnesIn Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period’s meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.
Imagination, Meditation, and Cognition in the Middle Ages
by Michelle KarnesIn Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period’s meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.
Imagination, Meditation, and Cognition in the Middle Ages
by Michelle KarnesIn Imagination, Meditation, and Cognition in the Middle Ages, Michelle Karnes revises the history of medieval imagination with a detailed analysis of its role in the period’s meditations and theories of cognition. Karnes here understands imagination in its technical, philosophical sense, taking her cue from Bonaventure, the thirteenth-century scholastic theologian and philosopher who provided the first sustained account of how the philosophical imagination could be transformed into a devotional one. Karnes examines Bonaventure’s meditational works, the Meditationes vitae Christi, the Stimulis amoris, Piers Plowman, and Nicholas Love’s Myrrour, among others, and argues that the cognitive importance that imagination enjoyed in scholastic philosophy informed its importance in medieval meditations on the life of Christ. Emphasizing the cognitive significance of both imagination and the meditations that relied on it, she revises a long-standing association of imagination with the Middle Ages. In her account, imagination was not simply an object of suspicion but also a crucial intellectual, spiritual, and literary resource that exercised considerable authority.
The Imagination of Evil: Detective Fiction and the Modern World (Continuum Literary Studies)
by Mary EvansFrom its growth in Europe in the nineteenth century, detective fiction has developed into one of the most popular genres of literature and popular culture more widely. In this monograph, Mary Evans examines detective fiction and its complex relationship to the modern and to modernity. She focuses on two key themes: the moral relationship of detection (and the detective) to a particular social world and the attempt to restore and even improve the social world that has been threatened and fractured by a crime, usually that of murder. It is a characteristic of much detective fiction that the detective, the pursuer, is a social outsider: this status creates a complex web of relationships between detective, institutional life and dominant and subversive moralities. Evans questions who and what the detective stands for and suggests that the answer challenges many of our assumptions about the relationship between various moralities in the modern world.
The Imagination of Evil: Detective Fiction and the Modern World (Continuum Literary Studies)
by Mary EvansFrom its growth in Europe in the nineteenth century, detective fiction has developed into one of the most popular genres of literature and popular culture more widely. In this monograph, Mary Evans examines detective fiction and its complex relationship to the modern and to modernity. She focuses on two key themes: the moral relationship of detection (and the detective) to a particular social world and the attempt to restore and even improve the social world that has been threatened and fractured by a crime, usually that of murder. It is a characteristic of much detective fiction that the detective, the pursuer, is a social outsider: this status creates a complex web of relationships between detective, institutional life and dominant and subversive moralities. Evans questions who and what the detective stands for and suggests that the answer challenges many of our assumptions about the relationship between various moralities in the modern world.
The Imagination of the Heart
by Judith GloverIn other people's eyes, Kitty van der Kleve is privileged. Despite her humble origins as an orphan and workhouse girl, she is now married to a gentleman of wealth and social standing in Victorian Tunbridge Wells.But Kitty would willingly change places with any of her admirers. There is one quality her husband, Oliver van der Kleve, can neither demand nor give, and that is love.Trapped in an ill-omened marriage, hated by Oliver's sister Beatrice, Kitty becomes increasingly unhappy. Her only consolation is free-spirited artist Jonathan Rivers. Inexorably, Kitty is drawn to him, little realising that what seems to be a route to happiness will lead to both tragedy and a new life.Set in the mid-nineteenth century The Imagination of the Heart is Judith Glover's fifth historical romance novel and bears the same superb qualities that marked her Sussex Quartet, The Stallion Man, Sisters and Brothers, To Everything a Season, and Birds in a Gilded Cage.
Imaginationen des Internet in deutschsprachiger Gegenwartsliteratur 1999-2018: Analyse anhand der Akteur-Netzwerk-Theorie
by Ann-Marie RiesnerIn diesem Buch wird ein Korpus an Texten der deutschsprachigen Gegenwartsliteratur zwischen 1999 und 2018 darauf untersucht, mit welchen inhaltlichen Reflexionen und Metaphern und mit welchen erzählerischen und ästhetischen Mitteln das Internet reflektiert und weitergedacht wird. Über die Akteur-Netzwerk-Theorie nach Bruno Latour wird ein eigener offener Internet-Begriff entwickelt, nach dem das Internet als immer punktuelles und nie finales Zusammenspiel von so diversen Akteuren wie materieller Infrastruktur, Zugangsgeräten, Anwendungen, User*innen-Handlungen, Protokollen, Gesetzen, Konzernstrategien, Imaginationen und Metaphern des Internet uvm. emergiert. Literatur und Imagination sind damit zentrale Akteure in der Aushandlung des Internet, aber auch Stätten, an denen der punktuelle Zusammenschluss der Akteure des Internet zu verschiedenen Zeitpunkten sichtbar gemacht wurden. Anhand eines Korpus von gut 20 literarischen Texten wird eine „Literaturgeschichte des Internet“ über einen Zeitraum von fast 20 Jahren nachgezeichnet. Über die thematische Betrachtung des Internet in den Texten hinaus wurde geprüft, wie die Texte über Erzählverfahren und ästhetische Mittel mit ihren Inhalten umgingen, diese inszenierten und in Dynamik versetzten. Vertiefend untersucht wurden Jana Hensels und Thomas Hettches Web-Anthologie "NULL" (1999), die Print-Romane "Ruhm" von Daniel Kehlmann (2009) und "Follower" von Eugen Ruge (2016), Josephine Rieks Roman "Serverland" (2018) und viele mehr.
An Imaginative Experience: A Novel
by Mary WesleyA train screeches to a halt in the middle of the English countryside and, observed by her fascinated fellow travellers, a woman climbs down and rushes to the aid of a sheep, stranded on its back and unable to rise. Sylvester Weekes watches with interest and noticing, as she turns, that her face is full of tragedy, the woman's lonely image lodges in his mind. But he is not the only one to speculate over her actions - Maurice Benson, former private detective turned full-time birdwatcher, is convinced that the mysterious woman must be tracked down, in whatever way possible.This is a story rich in character and wit, and powerfully moving in its exploration of the heart's pain and deliverance. It is a tale of loss, of release, of an acceptance of the cruelties of fate and of the imaginative experience of love.
Imaginative Transcripts: Selected Literary Essays
by Willard SpiegelmanWillard Spiegelman is considered one of the finest critics of poetry writing today and this volume collects his best work on the subject, offering essays that span his entire career and chart his changing relationship to an elusive form. He takes the measure of a wide spectrum of poetry, ranging from the Romantic era to the present, through an examination of those poets whose language, formal experiments, and music have fascinated him throughout his career. With his trademark engaging and stylish prose, Spiegelman takes readers on a tour of the rich and diverse landscape of British and American poetry, as he provides nuanced, insightful readings of works by William Wordsworth, John Keats, Robert Lowell, Elizabeth Bishop, and John Ashbery, to name just a few.
Imagine
by Mark HaysomThe party of the sixties is over and what's left is the hangover. It's 1973 - a time of riots, picket lines and unemployment. But it's also a time when you can imagine the stars. Enter the Bird family...Baxter - the first Bird to go to university. It's fresher's week and a new beginning. Except that his troubled past has followed him right into the lecture hall.Christie - haunted by what's gone before and held back by heartbreak. But with her son succeeding against the odds perhaps now it's her turn to follow her dreams? Truman - an absent father and husband for ten years, he now decides he's owed a second chance. And to help him on his way he's found a golden key that will open every door. Or so he believes.In a story of laughter and tears, Haysom takes us on one family's journey to achieve their dreams. And shows us that, stronger than every lie and secret in every family, is the love that lies within - and the ability to imagine...
Imagine Me (Shatter Me Ser. #6)
by Tahereh MafiThe book that all SHATTER ME fans have been waiting for is finally here. The finale of Tahereh Mafi's New York Times bestselling YA fantasy series perfect for fans of Sarah J. Maas, Victoria Aveyard's The Red Queen, Stranger Things and Leigh Bardugo's Six of Crows