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Imagining Cleopatra: Performing Gender and Power in Early Modern England (Arden Studies in Early Modern Drama)
by Yasmin ArshadShakespeare's characterization of Cleopatra may dominate the collective consciousness, but he was only one of several 16th-century writers fascinated by the enigmatic queen of Egypt. Early modern conceptions of Cleopatra offer a rich, complex, and variable set of models for understanding the period's responses to race, female sovereignty, and classical antiquity. This interdisciplinary study investigates images of Cleopatra in the early modern period and examines how her story was mediated and used – from drawing lessons from history to being a symbol of female heroism. It draws on early historiographical works, political and philosophical treatises, coterie dramatic productions, and gender, race and performance studies, as well as evidence from material culture, to consider what was known and thought about Cleopatra in the period This book provides a new literary and cultural history of one of the world's most contested and politically-charged iconic female figures. It combines a close reading of literary and dramatic works with historical and political contexts, paying particular attention to the three major early modern Cleopatra plays: Mary Sidney's translation of Robert Garnier's Marc Antoine, Samuel Daniel's The Tragedie of Cleopatra, and Shakespeare's Antony and Cleopatra. By examining these conflicting historical and fictional identities, Yasmin Arshad offers a diverse and ground-breaking study of Cleopatra's 'infinite variety'.
Imagining Cleopatra: Performing Gender and Power in Early Modern England (Arden Studies in Early Modern Drama)
by Yasmin ArshadShakespeare's characterization of Cleopatra may dominate the collective consciousness, but he was only one of several 16th-century writers fascinated by the enigmatic queen of Egypt. Early modern conceptions of Cleopatra offer a rich, complex, and variable set of models for understanding the period's responses to race, female sovereignty, and classical antiquity. This interdisciplinary study investigates images of Cleopatra in the early modern period and examines how her story was mediated and used – from drawing lessons from history to being a symbol of female heroism. It draws on early historiographical works, political and philosophical treatises, coterie dramatic productions, and gender, race and performance studies, as well as evidence from material culture, to consider what was known and thought about Cleopatra in the period This book provides a new literary and cultural history of one of the world's most contested and politically-charged iconic female figures. It combines a close reading of literary and dramatic works with historical and political contexts, paying particular attention to the three major early modern Cleopatra plays: Mary Sidney's translation of Robert Garnier's Marc Antoine, Samuel Daniel's The Tragedie of Cleopatra, and Shakespeare's Antony and Cleopatra. By examining these conflicting historical and fictional identities, Yasmin Arshad offers a diverse and ground-breaking study of Cleopatra's 'infinite variety'.
Imagining Culture: Essays in Early Modern History and Literature (Comparative Literature and Cultural Studies #1)
by Jonathan HartThis book of original essays explores three important areas in comparative literature and history and in cultural studies: the boundaries between history and fiction;women as writers and subjects; and the connection between the early modern, modern and postmodern.New history and new literary studies look at innovative ways to see past cultures in a new light. Traditional methods are used to new ends and writers who are familiar within their cultures are translated to other cultures. This study promotes an expanded understanding of our cultural artifacts in a rapidly changing present. It discusses English-speaking culture in the early modern period in the context of other European cultures and relates Europe to other parts of the world, most notably America.After grounding the discussion of culture in history, identity, dialogue as a genre that crosses the boundaries between philosophy and fiction, the rhetoric of prefaces to historical collections, cosmographies and histories that share something with the techniques of literary and forensic rhetoric, the book proceeds to discuss two central issues in cultural studies today: gender and postmodernity. The final section of the book provides a general assessment through early modern texts of modernity and postmodernity.
Imagining Culture: Essays in Early Modern History and Literature (Comparative Literature and Cultural Studies)
by Jonathan HartThis book of original essays explores three important areas in comparative literature and history and in cultural studies: the boundaries between history and fiction;women as writers and subjects; and the connection between the early modern, modern and postmodern.New history and new literary studies look at innovative ways to see past cultures in a new light. Traditional methods are used to new ends and writers who are familiar within their cultures are translated to other cultures. This study promotes an expanded understanding of our cultural artifacts in a rapidly changing present. It discusses English-speaking culture in the early modern period in the context of other European cultures and relates Europe to other parts of the world, most notably America.After grounding the discussion of culture in history, identity, dialogue as a genre that crosses the boundaries between philosophy and fiction, the rhetoric of prefaces to historical collections, cosmographies and histories that share something with the techniques of literary and forensic rhetoric, the book proceeds to discuss two central issues in cultural studies today: gender and postmodernity. The final section of the book provides a general assessment through early modern texts of modernity and postmodernity.
Imagining Death in Spenser and Milton
by E. Bellamy P. Cheney M. SchoenfeldtImagining Death in Spenser and Milton assembles a collection of essays on the compelling topic of death in two monumental representatives of the early modern canon, Edmund Spenser and John Milton. The volume draws its impetus from the conviction that death is a central, yet curiously understudied, preoccupation for Spenser and Milton, contending that death - in all its early modern reformations and deformations - is an indispensable backdrop for any attempt to articulate the relationship between Spenser and Milton.
Imagining Deliberative Democracy in the Early American Republic
by Sandra M. GustafsonDeliberation, in recent years, has emerged as a form of civic engagement worth reclaiming. In this persuasive book, Sandra M. Gustafson combines historical literary analysis and political theory in order to demonstrate that current democratic practices of deliberation are rooted in the civic rhetoric that flourished in the early American republic. Though the U.S. Constitution made deliberation central to republican self-governance, the ethical emphasis on group deliberation often conflicted with the rhetorical focus on persuasive speech. From Alexis de Tocqueville’s ideas about the deliberative basis of American democracy through the works of Walt Whitman, John Dewey, John F. Kennedy, and Martin Luther King Jr., Gustafson shows how writers and speakers have made the aesthetic and political possibilities of deliberation central to their autobiographies, manifestos, novels, and orations. Examining seven key writers from the early American republic—including James Fenimore Cooper, David Crockett, and Daniel Webster—whose works of deliberative imagination explored the intersections of style and democratic substance, Gustafson offers a mode of historical and textual analysis that displays the wide range of resources imaginative language can contribute to political life.
Imagining Deliberative Democracy in the Early American Republic
by Sandra M. GustafsonDeliberation, in recent years, has emerged as a form of civic engagement worth reclaiming. In this persuasive book, Sandra M. Gustafson combines historical literary analysis and political theory in order to demonstrate that current democratic practices of deliberation are rooted in the civic rhetoric that flourished in the early American republic. Though the U.S. Constitution made deliberation central to republican self-governance, the ethical emphasis on group deliberation often conflicted with the rhetorical focus on persuasive speech. From Alexis de Tocqueville’s ideas about the deliberative basis of American democracy through the works of Walt Whitman, John Dewey, John F. Kennedy, and Martin Luther King Jr., Gustafson shows how writers and speakers have made the aesthetic and political possibilities of deliberation central to their autobiographies, manifestos, novels, and orations. Examining seven key writers from the early American republic—including James Fenimore Cooper, David Crockett, and Daniel Webster—whose works of deliberative imagination explored the intersections of style and democratic substance, Gustafson offers a mode of historical and textual analysis that displays the wide range of resources imaginative language can contribute to political life.
Imagining Deliberative Democracy in the Early American Republic
by Sandra M. GustafsonDeliberation, in recent years, has emerged as a form of civic engagement worth reclaiming. In this persuasive book, Sandra M. Gustafson combines historical literary analysis and political theory in order to demonstrate that current democratic practices of deliberation are rooted in the civic rhetoric that flourished in the early American republic. Though the U.S. Constitution made deliberation central to republican self-governance, the ethical emphasis on group deliberation often conflicted with the rhetorical focus on persuasive speech. From Alexis de Tocqueville’s ideas about the deliberative basis of American democracy through the works of Walt Whitman, John Dewey, John F. Kennedy, and Martin Luther King Jr., Gustafson shows how writers and speakers have made the aesthetic and political possibilities of deliberation central to their autobiographies, manifestos, novels, and orations. Examining seven key writers from the early American republic—including James Fenimore Cooper, David Crockett, and Daniel Webster—whose works of deliberative imagination explored the intersections of style and democratic substance, Gustafson offers a mode of historical and textual analysis that displays the wide range of resources imaginative language can contribute to political life.
Imagining Deliberative Democracy in the Early American Republic
by Sandra M. GustafsonDeliberation, in recent years, has emerged as a form of civic engagement worth reclaiming. In this persuasive book, Sandra M. Gustafson combines historical literary analysis and political theory in order to demonstrate that current democratic practices of deliberation are rooted in the civic rhetoric that flourished in the early American republic. Though the U.S. Constitution made deliberation central to republican self-governance, the ethical emphasis on group deliberation often conflicted with the rhetorical focus on persuasive speech. From Alexis de Tocqueville’s ideas about the deliberative basis of American democracy through the works of Walt Whitman, John Dewey, John F. Kennedy, and Martin Luther King Jr., Gustafson shows how writers and speakers have made the aesthetic and political possibilities of deliberation central to their autobiographies, manifestos, novels, and orations. Examining seven key writers from the early American republic—including James Fenimore Cooper, David Crockett, and Daniel Webster—whose works of deliberative imagination explored the intersections of style and democratic substance, Gustafson offers a mode of historical and textual analysis that displays the wide range of resources imaginative language can contribute to political life.
Imagining Disarmament, Enchanting International Relations
by Matthew Breay BoltonThis book explores the global politics of disarmament through emerging international relations (IR) theories of discourse and imagination. Each chapter reflects on an aspect of contemporary activism on weapons through an analogous story from literary tradition. Shahrazade, convenor of the 1001 Nights, offers a potent metaphor for the humanitarian advocacy seeking to moderate the behaviour of violent people. The author reads Don Quixote in Cambodia’s minefields, reflects on Lysistrata at Greenham Common and considers how tropes in The Tempest were enrolled in both Pacific nuclear testing and efforts to resist it. The book draws on ethnographic fieldwork in communities affected by weapons and disarmament advocacy at the UN and calls for a re-enchantment of IR, alive to affect, ritual and myth.
Imagining Early Modern Histories
by Allison Kavey Elizabeth KetnerInterpreting textual mediations of history in early modernity, this volume adds nuance to our understanding of the contributions fiction and fictionalizing make to the shape and texture of versions of and debates about history during that period. Geographically, the scope of the essays extends beyond Europe and England to include Asia and Africa. Contributors take a number of different approaches to understand the relationship between history, fiction, and broader themes in early modern culture. They analyze the ways fiction writers use historical sources, fictional texts translate ideas about the past into a vernacular accessible to broad audiences, fictional depictions and interpretations shape historical action, and the ways in which nonfictional texts and accounts were given fictional histories of their own, intentionally or not, through transmission and interpretation. By combining the already contested idea of fiction with performance, action, and ideas/ideology, this collection provides a more thorough consideration of fictional histories in the early modern period. It also covers more than two centuries of primary material, providing a longer perspective on the changing and complex role of history in forming early modern national, gendered, and cultural identities.
Imagining Early Modern Histories
by Elizabeth Ketner Allison KaveyInterpreting textual mediations of history in early modernity, this volume adds nuance to our understanding of the contributions fiction and fictionalizing make to the shape and texture of versions of and debates about history during that period. Geographically, the scope of the essays extends beyond Europe and England to include Asia and Africa. Contributors take a number of different approaches to understand the relationship between history, fiction, and broader themes in early modern culture. They analyze the ways fiction writers use historical sources, fictional texts translate ideas about the past into a vernacular accessible to broad audiences, fictional depictions and interpretations shape historical action, and the ways in which nonfictional texts and accounts were given fictional histories of their own, intentionally or not, through transmission and interpretation. By combining the already contested idea of fiction with performance, action, and ideas/ideology, this collection provides a more thorough consideration of fictional histories in the early modern period. It also covers more than two centuries of primary material, providing a longer perspective on the changing and complex role of history in forming early modern national, gendered, and cultural identities.
Imagining Ever After: Fortune's June Bride (the Fortunes Of Texas: Cowboy Country) / Married For The Boss's Baby / Claiming His Convenient Fiancée (Harlequin Ser.)
by Allison Leigh Susan Carlisle Natalie AndersonBride for now or forever?
Imagining Extinction: The Cultural Meanings of Endangered Species
by Ursula K. HeiseWe are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Activists, filmmakers, writers, and artists are seeking to bring the crisis to the public’s attention through stories and images that use the strategies of elegy, tragedy, epic, and even comedy. Imagining Extinction is the first book to examine the cultural frameworks shaping these narratives and images. Ursula K. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not. These assumptions are hardwired into even seemingly neutral tools such as biodiversity databases and laws for the protection of endangered species. Heise shows that the conflicts and convergences of biodiversity conservation with animal welfare advocacy, environmental justice, and discussions about the Anthropocene open up a new vision of multispecies justice. Ultimately, Imagining Extinction demonstrates that biodiversity, endangered species, and extinction are not only scientific questions but issues of histories, cultures, and values.
Imagining Extinction: The Cultural Meanings of Endangered Species
by Ursula K. HeiseWe are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Activists, filmmakers, writers, and artists are seeking to bring the crisis to the public’s attention through stories and images that use the strategies of elegy, tragedy, epic, and even comedy. Imagining Extinction is the first book to examine the cultural frameworks shaping these narratives and images. Ursula K. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not. These assumptions are hardwired into even seemingly neutral tools such as biodiversity databases and laws for the protection of endangered species. Heise shows that the conflicts and convergences of biodiversity conservation with animal welfare advocacy, environmental justice, and discussions about the Anthropocene open up a new vision of multispecies justice. Ultimately, Imagining Extinction demonstrates that biodiversity, endangered species, and extinction are not only scientific questions but issues of histories, cultures, and values.
Imagining Extinction: The Cultural Meanings of Endangered Species
by Ursula K. HeiseWe are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Activists, filmmakers, writers, and artists are seeking to bring the crisis to the public’s attention through stories and images that use the strategies of elegy, tragedy, epic, and even comedy. Imagining Extinction is the first book to examine the cultural frameworks shaping these narratives and images. Ursula K. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not. These assumptions are hardwired into even seemingly neutral tools such as biodiversity databases and laws for the protection of endangered species. Heise shows that the conflicts and convergences of biodiversity conservation with animal welfare advocacy, environmental justice, and discussions about the Anthropocene open up a new vision of multispecies justice. Ultimately, Imagining Extinction demonstrates that biodiversity, endangered species, and extinction are not only scientific questions but issues of histories, cultures, and values.
Imagining Extinction: The Cultural Meanings of Endangered Species
by Ursula K. HeiseWe are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Activists, filmmakers, writers, and artists are seeking to bring the crisis to the public’s attention through stories and images that use the strategies of elegy, tragedy, epic, and even comedy. Imagining Extinction is the first book to examine the cultural frameworks shaping these narratives and images. Ursula K. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not. These assumptions are hardwired into even seemingly neutral tools such as biodiversity databases and laws for the protection of endangered species. Heise shows that the conflicts and convergences of biodiversity conservation with animal welfare advocacy, environmental justice, and discussions about the Anthropocene open up a new vision of multispecies justice. Ultimately, Imagining Extinction demonstrates that biodiversity, endangered species, and extinction are not only scientific questions but issues of histories, cultures, and values.
Imagining Extinction: The Cultural Meanings of Endangered Species
by Ursula K. HeiseWe are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Activists, filmmakers, writers, and artists are seeking to bring the crisis to the public’s attention through stories and images that use the strategies of elegy, tragedy, epic, and even comedy. Imagining Extinction is the first book to examine the cultural frameworks shaping these narratives and images. Ursula K. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not. These assumptions are hardwired into even seemingly neutral tools such as biodiversity databases and laws for the protection of endangered species. Heise shows that the conflicts and convergences of biodiversity conservation with animal welfare advocacy, environmental justice, and discussions about the Anthropocene open up a new vision of multispecies justice. Ultimately, Imagining Extinction demonstrates that biodiversity, endangered species, and extinction are not only scientific questions but issues of histories, cultures, and values.
Imagining Extinction: The Cultural Meanings of Endangered Species
by Ursula K. HeiseWe are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Activists, filmmakers, writers, and artists are seeking to bring the crisis to the public’s attention through stories and images that use the strategies of elegy, tragedy, epic, and even comedy. Imagining Extinction is the first book to examine the cultural frameworks shaping these narratives and images. Ursula K. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not. These assumptions are hardwired into even seemingly neutral tools such as biodiversity databases and laws for the protection of endangered species. Heise shows that the conflicts and convergences of biodiversity conservation with animal welfare advocacy, environmental justice, and discussions about the Anthropocene open up a new vision of multispecies justice. Ultimately, Imagining Extinction demonstrates that biodiversity, endangered species, and extinction are not only scientific questions but issues of histories, cultures, and values.
Imagining Gender in Biographical Fiction (Palgrave Studies in Life Writing)
by Julia Novak Caitríona Ní DhúillThis volume addresses the current boom in biographical fictions across the globe, examining the ways in which gendered lives of the past become re-imagined as gendered narratives in fiction. Building on this research, this book is the first to address questions of gender in a sustained and systematic manner that is also sensitive to cultural and historical differences in both raw material and fictional reworking. It develops a critical lens through which to approach biofictions as ‘fictions of gender’, drawing on theories of biofiction and historical fiction, life-writing studies, feminist criticism, queer feminist readings, postcolonial studies, feminist art history, and trans studies. Attentive to various approaches to fictionalisation that reclaim, appropriate or re-invent their ‘raw material’, the volume assesses the critical, revisionist and deconstructive potential of biographical fictions while acknowledging the effects of cliché, gender norms and established narratives in many of the texts under investigation. The introduction of this book is available open access under a CC BY 4.0 license at link.springer.com
Imagining Harmony: Poetry, Empathy, and Community in Mid-Tokugawa Confucianism and Nativism
by Peter FlueckigerMany intellectuals in eighteenth-century Japan valued classical poetry in either Chinese or Japanese for its expression of unadulterated human sentiments. They also saw such poetry as a distillation of the language and aesthetic values of ancient China and Japan, which offered models of the good government and social harmony lacking in their time. By studying the poetry of the past and composing new poetry emulating its style, they believed it possible to reform their own society. Imagining Harmony focuses on the development of these ideas in the life and work of Ogyu Sorai, the most influential Confucian philosopher of the eighteenth century, and that of his key disciples and critics. This study contends that the literary thought of these figures needs to be understood not just for what it has to say about the composition of poetry but as a form of political and philosophical discourse. Unlike other scholars of this literature, Peter Flueckiger argues that the increased valorization of human emotions in eighteenth-century literary thought went hand in hand with new demands for how emotions were to be regulated and socialized, and that literary and political thought of the time were thus not at odds but inextricably linked.
Imagining Iberia in English and Castilian Medieval Romance
by Emily Houlik-RitcheyImagining Iberia in English and Castilian Medieval Romance offers a broad disciplinary, linguistic, and national focus by analyzing the literary depiction of Iberia in two European vernaculars that have rarely been studied together. Emily Houlik-Ritchey employs an innovative comparative methodology that integrates the understudied Castilian literary tradition with English literature. Intentionally departing from the standard “influence and transmission” approach, Imagining Iberia challenges that standard discourse with modes drawn from Neighbor Theory to reveal and navigate the relationships among three selected medieval romance traditions. This welcome volume uncovers an overemphasis in prior scholarship on the relevance of “crusading” agendas in medieval romance, and highlights the shared investments of Christians and Muslims in Iberia’s political, creedal, cultural, and mercantile networks in the Mediterranean world.
Imagining India
by Richard CroninThis book investigates what happens to the English language when it seeks to accommodate India and what happens to India when it is accommodated within the language of a far-off European country. It explores the work of writers from Kipling to Salman Rushdie, Ghandhi to Ruth Prawer Jhabvala.
Imagining Indianness: Cultural Identity and Literature
by Diana Dimitrova Thomas De BruijnThis book brings together several important essays examining the interface between identity, culture, and literature within the issue of cultural identity in South Asian literature. The book explores how one imagines national identity and how this concept is revealed in the narratives of the nation and the production of various cultural discourses. The collection of essays examines questions related to the interpretation of the Indian past and present, the meanings of ancient and venerated cultural symbols in ancient times and modern, while discussing the ideological implications of the interpretation of identity and “Indianness” and how they reflect and influence the power-structures of contemporary societies in South Asia. Thus, the book studies the various aspects of the on-going process of constructing, imagining, re-imagining, and narrating “Indianness”, as revealed in the literatures and cultures of India.
Imagining Indianness: Cultural Identity and Literature
by Diana Dimitrova Thomas De BruijnThis book brings together several important essays examining the interface between identity, culture, and literature within the issue of cultural identity in South Asian literature. The book explores how one imagines national identity and how this concept is revealed in the narratives of the nation and the production of various cultural discourses. The collection of essays examines questions related to the interpretation of the Indian past and present, the meanings of ancient and venerated cultural symbols in ancient times and modern, while discussing the ideological implications of the interpretation of identity and “Indianness” and how they reflect and influence the power-structures of contemporary societies in South Asia. Thus, the book studies the various aspects of the on-going process of constructing, imagining, re-imagining, and narrating “Indianness”, as revealed in the literatures and cultures of India.