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Imago (Johns Hopkins: Poetry and Fiction)
by Brian SwannAn exuberant collection of poems celebrating art, nature, and humanity.This various and vital poetry collection, in rich language and sharp detail, spans the rural and urban, country and town, and foreign and domestic. Tracing the vagaries of the self, these poems record and transmute biography from an English youth to the trials and challenges of aging in America. Memorable for its exuberant voice and exacting eye, Brian Swann's Imago is awake to the natural world as well as the world within. From the half-page title poem to the multi-section "Elegiac," this volume is striking in its largeness, its tone evolving from self-indicting to ecstatic and self-transcendent. This collection, the author's fourteenth, is moving both as art and as testament.Imago unfolds much like a piece of music. It is a continuum by which Swann sees nature and art interwoven in the ways they emerge and change. In "Grief and Magritte," Swann muses upon "all of us snagged in a net whose skeins tangle in night sky / where one star dreams another." The title poem focuses on an insect "on its way through the changes, the patterns / of what led up to it, the catches and releases . . . saying now, and now" till "splitting down the back" such changes "release what was always there." Brian Swann's poems, moving in their candor, read as though they have always been there, too.
Imago (Johns Hopkins: Poetry and Fiction)
by Brian SwannAn exuberant collection of poems celebrating art, nature, and humanity.This various and vital poetry collection, in rich language and sharp detail, spans the rural and urban, country and town, and foreign and domestic. Tracing the vagaries of the self, these poems record and transmute biography from an English youth to the trials and challenges of aging in America. Memorable for its exuberant voice and exacting eye, Brian Swann's Imago is awake to the natural world as well as the world within. From the half-page title poem to the multi-section "Elegiac," this volume is striking in its largeness, its tone evolving from self-indicting to ecstatic and self-transcendent. This collection, the author's fourteenth, is moving both as art and as testament.Imago unfolds much like a piece of music. It is a continuum by which Swann sees nature and art interwoven in the ways they emerge and change. In "Grief and Magritte," Swann muses upon "all of us snagged in a net whose skeins tangle in night sky / where one star dreams another." The title poem focuses on an insect "on its way through the changes, the patterns / of what led up to it, the catches and releases . . . saying now, and now" till "splitting down the back" such changes "release what was always there." Brian Swann's poems, moving in their candor, read as though they have always been there, too.
Imago Bird (British Literature Ser.)
by Nicholas MosleyThis vivid and strikingly witty novel examines the contradictions between the public face and the private experience. Nephew to the prime minister of England, eighteen-year-old Bert tries to make sense of the grown-up world around him, a colourful crowd of television personalities, politicians, young, Trokatires, pop stars, and eccentric relatives. With the help of his laconic psychoanalyst, Bert questions the relation between exterior and interior reality, while Mosley himself questions art's ability to convey these different realities. Both Bert and Mosley triumph over these challenges by the end of this engaging and innovative novel.
Imajica: Featuring New Illustrations And An Appendix (Imajica Ser.)
by Clive BarkerA book of revelations. A seamless tapestry of erotic passion, thwarted ambition and mythic horror. Clive Barker takes us on a voyage to worlds beyond our knowledge, but within our grasp.
The Imam of Tawi-Tawi: The Imam Of Tawi-tawi: Book 10, The Goddess Of Yantai: Book 11, The Mountain Master Of Sha Tin: Book 12 (An Ava Lee Novel #10)
by Ian HamiltonIn the most explosive novel in the Ava Lee series to date, Ava partners with a CIA agent to investigate a college on a Philippine island that is suspected of training terrorists — what she discovers is brutal and shocking. Ava has spent two nights luxuriating in a hotel in Yunnan Province with the actress Pang Fai, with whom she has begun a secret relationship. She receives an urgent phone call from Chang Wang, the right hand to the billionaire Tommy Ordonez and one of Uncle’s oldest friends. Chang asks Ava to fly to Manila to meet with his friend, Senator Miguel Ramirez. Ramirez asks Ava to investigate a college in Tawi-Tawi, an island province in the Philippines, which he suspects is training terrorists. Ava’s investigation leads to a partnership with a CIA agent, and together they attempt to stop an international plot so horrific in size and that Ava’s judgement and morals are tested like never before.
Imelda: And Other Stories
by John HerdmanJohn Herdman's masterpiece of the modern Scottish Gothic appears in print from Leamington Books, with a new introduction from the author.Black humour and even blacker lives collide in a tale of love and murder on an old Borders family estate. In a grotesque story told from two perfectly contrasting angles we find the arrogant genius, Frank, known as 'Superbo', and his hated brother Hubert.Raw and immoral, Imelda is a puzzle, mocking the reader in its quest for answers. Murder and madness this way lie―but who if anyone is to be believed in unpicking the deadly secrets behind the birth of cousin Imelda's child?An assured masterpiece from Scotland's greatest living chronicler of the dark side, Imelda, first published in 1993 became an instant classic of Scottish letters.
Imitating Authors: Plato to Futurity
by Colin BurrowImitating Authors is a major study of the theory and practice of imitatio (the imitation of one author by another) from antiquity to the present day. It extends from early Greek texts right up to recent fictions about clones and artificial humans, and illuminates both the theory and practice of imitation. At its centre lie the imitating authors of the English Renaissance, including Ben Jonson and the most imitated imitator of them all, John Milton. Imitating Authors argues that imitation was not simply a matter of borrowing words, or of alluding to an earlier author. Imitators learnt practices from earlier writers. They imitated the structures and forms of earlier writing in ways that enabled them to create a new style which itself could be imitated. That made imitation an engine of literary change. Imitating Authors also shows how the metaphors used by theorists to explain this complex practice fed into works which were themselves imitations, and how those metaphors have come to influence present-day anxieties about imitation human beings and artificial forms of intelligence. It explores relationships between imitation and authorial style, its fraught connections with plagiarism, and how emerging ideas of genius and intellectual property changed how imitation was practised. In refreshing and jargon-free prose Burrow explains not just what imitation was in the past, but how it influences the present, and what it could be in the future. Imitating Authors includes detailed discussion of Plato, Roman rhetorical theory, Virgil, Lucretius, Petrarch, Cervantes, Ben Jonson, Milton, Pope, Wordsworth, Mary Shelley, and Kazuo Ishiguro.
Imitating Authors: Plato to Futurity
by Colin BurrowImitating Authors is a major study of the theory and practice of imitatio (the imitation of one author by another) from antiquity to the present day. It extends from early Greek texts right up to recent fictions about clones and artificial humans, and illuminates both the theory and practice of imitation. At its centre lie the imitating authors of the English Renaissance, including Ben Jonson and the most imitated imitator of them all, John Milton. Imitating Authors argues that imitation was not simply a matter of borrowing words, or of alluding to an earlier author. Imitators learnt practices from earlier writers. They imitated the structures and forms of earlier writing in ways that enabled them to create a new style which itself could be imitated. That made imitation an engine of literary change. Imitating Authors also shows how the metaphors used by theorists to explain this complex practice fed into works which were themselves imitations, and how those metaphors have come to influence present-day anxieties about imitation human beings and artificial forms of intelligence. It explores relationships between imitation and authorial style, its fraught connections with plagiarism, and how emerging ideas of genius and intellectual property changed how imitation was practised. In refreshing and jargon-free prose Burrow explains not just what imitation was in the past, but how it influences the present, and what it could be in the future. Imitating Authors includes detailed discussion of Plato, Roman rhetorical theory, Virgil, Lucretius, Petrarch, Cervantes, Ben Jonson, Milton, Pope, Wordsworth, Mary Shelley, and Kazuo Ishiguro.
Imitation and Contamination of the Classics in the Comedies of Ben Jonson: Guides Not Commanders (Studies in Performance and Early Modern Drama)
by Tom HarrisonThis book focuses on the influence of classical authors on Ben Jonson’s dramaturgy, with particular emphasis on the Greek and Roman playwrights and satirists. This book illuminates the interdependence of the aspects of Jonson’s creative personality by considering how classical performance elements including the Aristophanic ‘Great Idea,’ chorus, Terentian/Plautine performative strategies, and ‘performative’ elements from literary satire manifest themselves in the structuring and staging of his plays. This fascinating exploration contributes to the ‘performative turn’ in early modern studies by reframing Jonson’s classicism as essential to his dramaturgy as well as his erudition. This book is also a case study for how the early modern education system’s emphasis on imitative-contaminative practices prepared its students, many of whom became professional playwrights, for writing for a theatre that had a similar emphasis on the recycling and recombining performative tropes and structures.
Imitation and Contamination of the Classics in the Comedies of Ben Jonson: Guides Not Commanders (Studies in Performance and Early Modern Drama)
by Tom HarrisonThis book focuses on the influence of classical authors on Ben Jonson’s dramaturgy, with particular emphasis on the Greek and Roman playwrights and satirists. This book illuminates the interdependence of the aspects of Jonson’s creative personality by considering how classical performance elements including the Aristophanic ‘Great Idea,’ chorus, Terentian/Plautine performative strategies, and ‘performative’ elements from literary satire manifest themselves in the structuring and staging of his plays. This fascinating exploration contributes to the ‘performative turn’ in early modern studies by reframing Jonson’s classicism as essential to his dramaturgy as well as his erudition. This book is also a case study for how the early modern education system’s emphasis on imitative-contaminative practices prepared its students, many of whom became professional playwrights, for writing for a theatre that had a similar emphasis on the recycling and recombining performative tropes and structures.
Imitation and Praise in the Poems of Ben Jonson
by Richard S. PetersonIn the first edition of this now-classic text, Richard Peterson offered an important revaluation of the poetry of Ben Jonson and a new appreciation of the way in which the classical doctrine of imitation-the creative use of the thoughts and words of predecessors-permeates and shapes Jonson's critical ideas and his work as a whole. The publication of the original book in 1981 led to a reinterpretation of the poems and a coherent view of Jonson's philosophy; the resulting portrait of Jonson served as a corrective to earlier views based primarily on the satiric poems and plays. This second edition of Imitation and Praise in the Poems of Ben Jonson makes Peterson's important scholarship available to a new generation of scholars and students.
Imitation and Praise in the Poems of Ben Jonson
by Richard S. PetersonIn the first edition of this now-classic text, Richard Peterson offered an important revaluation of the poetry of Ben Jonson and a new appreciation of the way in which the classical doctrine of imitation-the creative use of the thoughts and words of predecessors-permeates and shapes Jonson's critical ideas and his work as a whole. The publication of the original book in 1981 led to a reinterpretation of the poems and a coherent view of Jonson's philosophy; the resulting portrait of Jonson served as a corrective to earlier views based primarily on the satiric poems and plays. This second edition of Imitation and Praise in the Poems of Ben Jonson makes Peterson's important scholarship available to a new generation of scholars and students.
Imitation In Death: 17 (In Death #17)
by J. D. RobbAs Lieutenant Eve Dallas stood over what had once been a woman, she wondered when she would see worse than this.Jack the Ripper, the Boston Strangler, Ted Bundy. The worst murderers in history and a new madman's inspiration. In the lost hours of the night a man in a top hat and swirling cloak leaves horror in his wake and a note to Eve Dallas, signed simply: Jack.More murders follow and Eve quickly realises the killer's deadly game of imitation. But facing this calm and menacing presence, with a trail running through London, Paris and LA, Eve struggles to keep her focus.At a time when legend collides with brutal reality, Eve needs all her wits about her . . .
The Immaculate Deception (Jonathan Argyll Mystery Ser. #Bk. 7)
by Iain PearsClever and witty art history-mystery featuring Jonathon Argyll, scholar and sleuth, from the bestselling author of ‘An Instance of the Fingerpost’.
Immanent Distance: Poetry and the Metaphysics of the Near at Hand (Poets On Poetry)
by Bruce BondIn these essays, Bruce Bond interrogates the commonly accepted notion that all poetry since modernism tends toward one of two traditions: that of a more architectural sensibility with its resistance to metaphysics, and that of a latter-day Romantic sensibility, which finds its authority in a metaphysics authenticated by the individual imagination. Poetry, whether self-consciously or not, has always thrived on the paradox of the distant in the immanent and the other in the self; as such, it is driven by both a metaphysical hunger and a resistance to metaphysical certainty. Hidden resources of being animate the language of the near, just as near things beckon from an elusive and inarticulate distance. Bond revalidates the role of poetry and, more broadly, of the poetic imagination as both models for and embodiments of a transfigurative process, an imperfectly mimetic yet ontological engendering of consciousness at the limits of a language that must—if cognizant of its psychological, ethical, and epistemological summons—honor that which lies beyond it.
Immanuel
by Matthew McNaughtAt what point does faith turn into tyranny? In Immanuel, winner of the inaugural Fitzcarraldo Editions Essay Prize, Matthew McNaught explores his upbringing in an evangelical Christian community in Winchester. As he moved away from the faith of his childhood in the early 2000s, a group of his church friends were pursuing it to its more radical fringes. They moved to Nigeria to join a community of international disciples serving TB Joshua, a charismatic millionaire pastor whose purported gifts of healing and prophecy attracted vast crowds to his Lagos ministry, the Synagogue Church of All Nations (SCOAN). Years later, a number of these friends left SCOAN with accounts of violence, sexual abuse, sleep deprivation and public shaming. In reconnecting with his old friends, McNaught realized that their journey into this cult-like community was directly connected to the teachings and tendencies of the church of their childhood. Yet speaking to them awakened a yearning for this church that, despite everything, he couldn’t shake off. Was the church’s descent into hubris and division separable from the fellowship and mutual sustenance of its early years? Was it possible to find community and connection without dogma and tribalism? Blending essay, memoir and reportage, Immanuel is an exceptional debut about community, doubt, and the place of faith in the twenty-first century.
The Immaterial Book: Reading and Romance in Early Modern England
by Sarah Wall-RandellIn romances—Renaissance England’s version of the fantasy novel—characters often discover books that turn out to be magical or prophetic, and to offer insights into their readers’ selves. The Immaterial Book examines scenes of reading in important romance texts across genres: Spenser’s Faerie Queene, Shakespeare’s Cymbeline and The Tempest, Wroth’s Urania, and Cervantes’ Don Quixote. It offers a response to “material book studies” by calling for a new focus on imaginary or “immaterial” books and argues that early modern romance authors, rather than replicating contemporary reading practices within their texts, are reviving ancient and medieval ideas of the book as a conceptual framework, which they use to investigate urgent, new ideas about the self and the self-conscious mind.
Immeasurable Outcomes: Teaching Shakespeare in the Age of the Algorithm
by Gayle GreeneWhat is the purpose of education? The answer might be found in a Shakespeare class at a small liberal arts college.In this engaging account of teaching a Shakespeare class at a small liberal arts college, Gayle Greene illustrates what is so vital and urgent about the humanities. Follow along with Greene as she introduces us to her students and showcases their strengths, needs, and vulnerabilities, so we can experience the magic of her classroom. In Immeasurable Outcomes, Greene's class builds a complex human ecosystem that pushes students to think more deeply and discover their own interests and potential, all while recognizing the inherent dignity in other people's views and values. Grounding her analyses in half a century of teaching, Greene pushes back against the demand for measurable student learning outcomes and the standardization imposed on K-12 schools in the name of reform. Instead, she draws her conclusions about education directly from the students themselves. Alumni testimonials describe the transformative power of a liberal arts education, recounting how their experience of community and engagement has provided them the tools to navigate the uncertainties of a rapidly changing world while also inspiring the social awareness our democracy depends on. Immeasurable Outcomes rejects claims that the liberal arts are impractical, exposing the political agendas of technocrats and ideologues who would transform higher education into vocational training and programs focused only on profitability. Greene reminds us that the liberal arts have been the basis for the most successful educational system in the world and provides a powerful demonstration that education at a human scale that is relationship-rich and humanities-based should be the model for education in the future.
Immersion, and Other Short Novels
by Gregory BenfordThe author of such hard-science masterpieces as Eater, Benford excels at short fiction as well, from a tale of courage in the aftermath of nuclear war ("To the Storming Gulf") to a thoughtful commentary on human and primate interaction in his title novella.
Immersion, Identification, and the Iliad
by Prof Jonathan L. ReadyThis is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Immersion, Identification, and the Iliad explains why people care about this foundational epic poem and its characters. It represents the first book-length application to the Iliad of research in communications, literary studies, media studies, and psychology on how readers of a story or viewers of a play, movie, or television show find themselves immersed in the tale and identify with the characters. Immersed recipients get wrapped up in a narrative and the world it depicts and lose track to some degree of their real-world surroundings. Identification occurs when recipients interpret the storyworld from a character's perspective, feel emotions congruent with those of the character, and root for the character to succeed. This volume situates modern research on these experiences in relation to ancient criticism on how audiences react to narratives. It then offers close readings of select episodes and detailed analyses of recurring features to show how the Iliad immerses both ancient and modern recipients and encourages them to identify with its characters. Accessible to students and researchers, to those inside and outside of classical studies, this interdisciplinary project aligns research on the Iliad with contemporary approaches to storyworlds in a range of media. It thereby opens new frontiers in the study of ancient Greek literature and helps investigators of audience engagement from antiquity to the present contextualize and historicize their own work.
Immersion, Identification, and the Iliad
by Prof Jonathan L. ReadyThis is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Immersion, Identification, and the Iliad explains why people care about this foundational epic poem and its characters. It represents the first book-length application to the Iliad of research in communications, literary studies, media studies, and psychology on how readers of a story or viewers of a play, movie, or television show find themselves immersed in the tale and identify with the characters. Immersed recipients get wrapped up in a narrative and the world it depicts and lose track to some degree of their real-world surroundings. Identification occurs when recipients interpret the storyworld from a character's perspective, feel emotions congruent with those of the character, and root for the character to succeed. This volume situates modern research on these experiences in relation to ancient criticism on how audiences react to narratives. It then offers close readings of select episodes and detailed analyses of recurring features to show how the Iliad immerses both ancient and modern recipients and encourages them to identify with its characters. Accessible to students and researchers, to those inside and outside of classical studies, this interdisciplinary project aligns research on the Iliad with contemporary approaches to storyworlds in a range of media. It thereby opens new frontiers in the study of ancient Greek literature and helps investigators of audience engagement from antiquity to the present contextualize and historicize their own work.
Immersion, Narrative, and Gender Crisis in Survival Horror Video Games (Routledge Advances in Game Studies)
by Andrei NaeThis book investigates the narrativity of some of the most popular survival horror video games and the gender politics implicit in their storyworlds. In a thorough analysis of the genre that draws upon detailed comparisons with the mainstream action genre, Andrei Nae places his analysis firmly within a political and social context. In comparing survival horror games to the dominant game design norms of the action genre, the author differentiates between classical and postclassical survival horror games to show how the former reject the norms of the action genre and deliver a critique of the conservative gender politics of action games, while the latter are more heterogeneous in terms of their game design and, implicitly, gender politics. This book will appeal not only to scholars working in game studies, but also to scholars of horror, gender studies, popular culture, visual arts, genre studies and narratology.
Immersion, Narrative, and Gender Crisis in Survival Horror Video Games (Routledge Advances in Game Studies)
by Andrei NaeThis book investigates the narrativity of some of the most popular survival horror video games and the gender politics implicit in their storyworlds. In a thorough analysis of the genre that draws upon detailed comparisons with the mainstream action genre, Andrei Nae places his analysis firmly within a political and social context. In comparing survival horror games to the dominant game design norms of the action genre, the author differentiates between classical and postclassical survival horror games to show how the former reject the norms of the action genre and deliver a critique of the conservative gender politics of action games, while the latter are more heterogeneous in terms of their game design and, implicitly, gender politics. This book will appeal not only to scholars working in game studies, but also to scholars of horror, gender studies, popular culture, visual arts, genre studies and narratology.
The Immigrant: A Novel
by Manju KapurAn engrossing portrait of an arranged marriage, from the prize-winning author of Home and Difficult Daughters.Nina is a thirty-year-old English lecturer in New Delhi, living with her widowed mother and frustrated by how little life has to offer. Ananda has recently emigrated to Halifax, Canada; having spent his twenties painstakingly building his career, he searches for something to complete his new life. When an arranged marriage is proposed, Nina is uncertain: can she really give up her home and her country to build a new life with a husband she barely knows? The consequences of change are far greater than she could have imagined. As the two of them struggle to adapt to married life, Nina's whole world is thrown into question. And as certain truths threaten the marriage, her fragile new life in Canada begins to unravel. Poignant and intimate, The Immigrant is an honest exploration of a marriage, what it costs to start again - and what we can never leave behind.
Immigrant, Montana
by Amitava KumarOne winter morning, a monkey stole into Mamaji's room. He climbed on the huge white bed and finding Mamaji's pistol brandished it - they say - at my cousin, born two months after me and still in her crib. No one moved. Then, turning the pistol around, the primate brain prompting the opposable thumb to grasp the trigger, the monkey blew his brains out.Meet Kailash. AKA Kalashnikov. Or AK-47. Or just plain AK. His journey from India has taken him to graduate school in New York where he keeps falling in love: not only with women - Jennifer, Nina, Cai Yan - but with literature and radical politics, the fuel of youthful exuberance. Each heady affair brings new learning: about himself, about America, and his relationship to a country founded on immigration, but a country that is now unsure of the migrant's place in the nation's fabric. How do you educate yourself in belonging when you are in a constant state of exile?Immigrant, Montana is the story of AK's sentimental education. His intellectual, emotional, and romantic journey gives the book a new narrative form, one that thrillingly reinvents the campus and postcolonial novel through wry, comic intelligence. A sharp cultural satire for a generation losing an ideological sense of itself, Immigrant, Montana is erotic and tender, provocative and playful - a meditation on courage and endeavour, and what it takes to truly be heroic.