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An Imperfect Match / Next Comes Love (Mills And Boon Cherish Ser.)
by Helen Brenna Kimberly Van MeterDare to dream… these sparkling romances will make you laugh, cry and fall in love – again and again! An Imperfect Match
Imperfect Sense: The Predicament of Milton's Irony
by Victoria SilverWhy do we hate Milton's God? Victoria Silver reengages with a perennial problem in Milton studies, one whose genealogy dates back at least to the Romantics, but which finds its most cogent modern expression in William Empson's revulsion at Milton's God and Stanley Fish's defense. Thoroughly reexamining Milton's theology and its sources in Luther and Calvin, as well as theoretical parallels in the works of Wittgenstein, Cavell, Adorno, and Benjamin, Silver contends that this repugnance is not extrinsic but deliberately cultivated in the theodicy of Paradise Lost. From the vantage of a world riven by injustice, deity can appear to contradict its own revelation, with the result that we experience a God divided against himself. For as Job found in his sufferings, that God appears more ruse than redeemer. Milton's irony recreates this religious predicament in Paradise Lost to the intractable perplexity of his readers, who have in their turn fashioned an equally dissociated Milton--at once unconscious and calculating, heterodox and doctrinaire, heroic and intolerable. Silver argues that, ultimately, these contrary Gods and antithetical Miltons arise from the sense we want to give the speaker's justification, which rather than ratifying our assumptions of meaning and the incoherence they foster, seeks fundamentally to reform them and thus to justify God's ways.
Imperfect Sense: The Predicament of Milton's Irony
by Victoria SilverWhy do we hate Milton's God? Victoria Silver reengages with a perennial problem in Milton studies, one whose genealogy dates back at least to the Romantics, but which finds its most cogent modern expression in William Empson's revulsion at Milton's God and Stanley Fish's defense. Thoroughly reexamining Milton's theology and its sources in Luther and Calvin, as well as theoretical parallels in the works of Wittgenstein, Cavell, Adorno, and Benjamin, Silver contends that this repugnance is not extrinsic but deliberately cultivated in the theodicy of Paradise Lost. From the vantage of a world riven by injustice, deity can appear to contradict its own revelation, with the result that we experience a God divided against himself. For as Job found in his sufferings, that God appears more ruse than redeemer. Milton's irony recreates this religious predicament in Paradise Lost to the intractable perplexity of his readers, who have in their turn fashioned an equally dissociated Milton--at once unconscious and calculating, heterodox and doctrinaire, heroic and intolerable. Silver argues that, ultimately, these contrary Gods and antithetical Miltons arise from the sense we want to give the speaker's justification, which rather than ratifying our assumptions of meaning and the incoherence they foster, seeks fundamentally to reform them and thus to justify God's ways.
Imperfect Spiral
by Dena MichelliDanielle Snyder's summer of babysitting turns into one of overwhelming guilt and sadness when Humphrey, her five-year-old charge is killed suddenly. Danielle gets caught up in the machinery of tragedy: police investigations, neighborhood squabbling, and, when the driver of the car that struck Humphrey turns out to be an undocumented alien, a politically charged immigration debate. Wanting only to mourn the sweet little boy she grew to love, Danielle tries to avoid the world around her, until a new and unexpected friendship with Justin, a boy she meets at the park, helps her find a way to preserve Humphrey's memory, stand up for what she believes in, and find her own path to forgiveness. Readers will be swept away by this heart-wrenching, but uplifting story.
Imperfect Stranger (Mills And Boon Vintage 90s Modern Ser.)
by Elizabeth OldfieldAppearances can be deceptive… As a stranger, Flynn had just one imperfection: an overriding obsession with secrecy. Danielle was intrigued - dangerously sexy, Flynn had awakened more than her journalistic curiosity. She sensed a story; she also sensed trouble.
Imperfect Sympathies: Jews and Judaism in British Romantic Literature and Culture
by J. PageJudith W. Page argues that the 'cultural revolution' of sympathy and sentiment in British literature from 1770-1830 influenced the representations of Jews and Judaism. Page draws on historical materials and primary documents by and about Jews of the period, as well as a variety of authors and literary genres. She argues that there is a tension between the Romantic impulse to admire and sympathize with Jews and Judaism on the one hand, and the traditions of anti-semitism and conversionist philo-Semitism on the other. This often unresolved tension in the literature reflects the political and cultural struggles of the time, as well as the dilemma of Romanticism, which advocates sympathy but doesn't always accommodate difference.
Imperfect Women: The blockbuster must-read novel of the summer that everyone is talking about
by Araminta HallYOU'D DO ANYTHING FOR YOUR FRIENDS. BUT WOULD YOU TELL THEM THE TRUTH?'Rare and complex' Marian Keyes'Immersive and unsettling.' Sarah Vaughn'An excellent twist.' Dorothy Koomson'Painfully honest' Dolly Wells'Beautifully written' Samantha Downing'A masterclass' Simon Lelic'Immersive, intelligent and gripping' S.E. Lynes'Pitch-perfect' Philippa EastNancy, Eleanor and Mary met at college and have been friends ever since, through marriages, children and love affairs. Nancy married her college sweetheart and is now missing that excitement of her youth.Eleanor put her career above all else and hasn't looked back, despite her soft spot for Nancy's husband.Mary fell pregnant far too young and is now coping with three children and a mentally unwell husband.But when Nancy is killed, Eleanor and Mary must align themselves to uncover her killer. And as each of their stories unfold, they realise that there are many ways different truths to find, and many different ways to bring justice for those we love...Everyone wants a perfect life. But there is no such thing...
The Imperfectionists
by Tom RachmanThe charming and enthralling story of an idiosyncratic English-language newspaper in Rome and the lives of its staffers as the paper fights for survival in the internet age.'A precise, playful fiction with a deep but lightly worn intelligence' - Times Literary SupplementThe newspaper was founded in Rome in the 1950s, a product of passion and a multi-millionaire's fancy. Over fifty years, its eccentricities earned a place in readers' hearts around the globe. But now, circulation is down, the paper lacks a website, and the future looks bleak. Still, those involved in the publication seem to barely notice. The obituary writer is too busy avoiding work. The editor-in-chief is pondering sleeping with an old flame. The obsessive reader is intent on finishing every old edition, leaving her trapped in the past. And the publisher seems less interested in his struggling newspaper than in his magnificent basset hound, Schopenhauer. The Imperfectionists interweaves the stories of eleven unusual and endearing characters who depend on the paper. Funny and moving, the novel is about endings - the end of life, the end of sexual desire, the end of the era of newspapers - and about what might rise afterward.
The Imperial Banner: Agent of Rome 2 (Agent of Rome #2)
by Nick Brown272 AD The Roman Emperor Aurelian has defeated Queen Zenobia and crushed the Palmyran revolt. Faridun's Banner, hallowed battle standard of the Persian Empire, has fallen into Roman hands and is to be returned to the Persians as part of a historic peace treaty. But on the eve of the signing the banner goes missing. Recalled to Syria, imperial agent Cassius Corbulo is charged with recovering the flag. Accompanied by his faithful servant Simo and ex-gladiator bodyguard Indavara, Cassius must journey across the dangerous wastes of Syria to the equally perilous streets of Antioch. He and his companions face ruthless brigands, mysterious cults, merciless assassins and intrigue at every turn.
Imperial Beast Fables: Animals, Cosmopolitanism, and the British Empire (Palgrave Studies in Animals and Literature)
by Kaori NagaiThis book coins the term ‘imperial beast fable’ to explore modern forms of human-animal relationships and their origins in the British Empire. Taking as a starting point the long nineteenth-century fascination with non-European beast fables, it examines literary reworkings of these fables, such as Rudyard Kipling’s Jungle Books, in relation to the global politics of race, language, and species. The imperial beast fable figures variably as a key site where the nature and origins of mankind are hotly debated; an emerging space of conservation in which humans enclose animals to manage and control them; a cage in which an animal narrator talks to change its human jailors; and a vision of animal cosmopolitanism, in which a close kinship between humans and other animals is dreamt of. Written at the intersection of animal studies and postcolonial studies, this book proposes that the beast fable embodies the ideologies and values of the British Empire, while also covertly critiquing them. It therefore finds in the beast fable the possibility that the multitudinous animals it gives voice to might challenge the imperial networks which threaten their existence, both in the nineteenth century and today.
Imperial Bedrooms (Vintage Contemporaries Ser.)
by Bret Easton EllisClay is a successful screenwriter, middle-aged and disaffected; he’s in LA to cast his new movie. However, this trip is anything other than professional, and he’s soon drifting through a louche and long-familiar circle – a world largely populated by the band of infamous teenagers first introduced in Bret Easton Ellis's first novel Less Than Zero. After a meeting with a gorgeous but talentless actress determined to win a role in his movie, Clay finds himself connected with Kelly Montrose, a producer whose gruesomely violent death is suddenly very much the talk of the town.Imperial Bedrooms follows Clay as his debauched reverie is interrupted by a violent plot for revenge and his seemingly endless proclivity for betrayal and exploitation looks set to land him somewhere darker and more ominous than ever before.
Imperial Culture and the Sudan: Authorship, Identity and the British Empire
by Lia ParadisGeneral Gordon's death in the Sudan marks the height of imperial cultural fever. Even in the late nineteen seventies, the themes of Khartoum were still the basis for children's stories, comic books, and depictions of masculinity.Imperial Culture in the Sudan seeks to examine the cultural impact of Sudan on the popular image of the British empire – why were these colonial administrators characterized as 'adventurers'? Why was Sudan and the story of General Gordon so popular? The author argues it coincided with the mass production of popular journalism, the height of Jingoism as a cultural product and therefore a study of Sudan's experience tells us a lot about the British Empire – how it was made, consumed and remembered.
Imperial Culture and the Sudan: Authorship, Identity and the British Empire
by Lia ParadisGeneral Gordon's death in the Sudan marks the height of imperial cultural fever. Even in the late nineteen seventies, the themes of Khartoum were still the basis for children's stories, comic books, and depictions of masculinity.Imperial Culture in the Sudan seeks to examine the cultural impact of Sudan on the popular image of the British empire – why were these colonial administrators characterized as 'adventurers'? Why was Sudan and the story of General Gordon so popular? The author argues it coincided with the mass production of popular journalism, the height of Jingoism as a cultural product and therefore a study of Sudan's experience tells us a lot about the British Empire – how it was made, consumed and remembered.
Imperial Earth (Gateway Essentials)
by Sir Arthur C. ClarkeColonists from the entire solar system converge on the mother planet for the 2276 celebrations.Among the influx of humanity is Duncan Makenzie, scientist-administrator from the underground colony of Titan, one of the outer moons of Saturn. Makenzie is not just on Earth for the celebrations, though; he has a delicate mission to perform - for his world, his family and himself . . .
Imperial Emotions: Cultural Responses to Myths of Empire in Fin-de-Siècle Spain (Contemporary Hispanic and Lusophone Cultures #10)
by Javier KrauelAn Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.Imperial Emotions: Cultural Responses to Myths of Empire in Fin-de-Siècle Spain reconsiders debates about historical memory from the perspective of the theory of emotions. Its main claim is that the demise of the Spanish empire in 1898 spurred a number of contradictory emotional responses, ranging from mourning and melancholia to indignation, pride, and shame. It shows how intellectuals sought to reimagine a post-Empire Spain by drawing on myth and employing a predominantly emotional register, a contention that departs from current scholarly depictions of the fin-de-siècle crisis in Spain that largely leave the role of both emotions and imperial myths in that crisis unexplored. By focusing on the neglected emotional dimension of memory practices, Imperial Emotions opens up new ways of interpreting some of the most canonical essays in twentieth-century Iberian literature: Miguel de Unamuno’s En torno al casticismo, Ángel Ganivet’s Idearium español, Ramiro de Maeztu’s Hacia otra España, and Enric Prat de la Riba’s La nacionalitat catalana. It also examines the profound implications the emotional attachment to imperial myths has had for the collective memory of the conquest and colonization of the Americas, a collective memory that today has acquired a transnational character due to the conflicting emotional investments in the Spanish empire that are performed throughout the Americas and Spain.
The Imperial Experience: From Carlyle to Forster (Context and Commentary)
by C.C. EldridgeThis book examines attitudes towards empire and the creation and perpetuation of a British world-view during the years 1834-1924. Besides focusing on the usual Victorian and Edwardian novelists and poets, surveys of popular culture and anti-empire views are also included. By adopting a longer chronological context, the high level of continuity in beliefs and actions throughout the nineteenth and twentieth centuries is highlighted. As a result, the period is viewed as a dramatic episode in a much longer story.
Imperial Eyes: Travel Writing and Transculturation
by Mary Louise PrattUpdated and expanded throughout with new illustrations and new material, this is the long- awaited second edition of a highly acclaimed and interdisciplinary book which quickly established itself as a seminal text in its field.
Imperial Eyes: Travel Writing and Transculturation
by Mary Louise PrattUpdated and expanded throughout with new illustrations and new material, this is the long- awaited second edition of a highly acclaimed and interdisciplinary book which quickly established itself as a seminal text in its field.
Imperial Fictions: German Literature Before and Beyond the Nation-State (Social History, Popular Culture, And Politics In Germany)
by Todd KontjeImperial Fictions explores ways in which writers from late antiquity to the present have imagined communities before and beyond the nation-state. It takes as its point of departure challenges to the discrete nation-state posed by globalization, migration, and European integration today, but then circles back to the beginnings of European history after the fall of the Roman Empire. Unlike nationalist literary historians of the nineteenth century, who sought the tribal roots of an allegedly homogeneous people, this study finds a distant mirror of analogous processes today in the fluid mixtures and movements of peoples. Imperial Fictions argues that it is time to stop thinking about today’s multicultural present as a deviation from a culturally monolithic past. We should rather consider the various permutations of “German” identities that have been negotiated within local and imperial contexts from the early Middle Ages to the present.
Imperial Fire (Vallon #2 Ser.)
by Robert LyndonAD 1081: Vast empires struggle for dominance.From the Normans in the north to the Byzantines in the south, battles rage across Europe and around its fringes. But in the east, an empire still mightier stirs, wielding a weapon to rule the world: gunpowder.Seeking the destructive might of this 'fire drug', the mercenary Vallon is sent by the defeated Byzantine emperor on a near-impossible quest to the far-off land of Song Dynasty China. Leading a highly trained squadron, Vallon is accompanied by the physician Hero, Wayland the English hunter, and a young upstart named Lucas.All have their own reasons for going, all have secrets.It's a quest that leads them across treacherous seas and broiling deserts, and into the uncharted land of mountains and plains beyond the Silk Road. Many will die... but the rewards are unbelievable.
Imperial Masochism: British Fiction, Fantasy, and Social Class
by John KucichBritish imperialism's favorite literary narrative might seem to be conquest. But real British conquests also generated a surprising cultural obsession with suffering, sacrifice, defeat, and melancholia. "There was," writes John Kucich, "seemingly a different crucifixion scene marking the historical gateway to each colonial theater." In Imperial Masochism, Kucich reveals the central role masochistic forms of voluntary suffering played in late-nineteenth-century British thinking about imperial politics and class identity. Placing the colonial writers Robert Louis Stevenson, Olive Schreiner, Rudyard Kipling, and Joseph Conrad in their cultural context, Kucich shows how the ideological and psychological dynamics of empire, particularly its reorganization of class identities at the colonial periphery, depended on figurations of masochism. Drawing on recent psychoanalytic theory to define masochism in terms of narcissistic fantasies of omnipotence rather than sexual perversion, the book illuminates how masochism mediates political thought of many different kinds, not simply those that represent the social order as an opposition of mastery and submission, or an eroticized drama of power differentials. Masochism was a powerful psychosocial language that enabled colonial writers to articulate judgments about imperialism and class. The first full-length study of masochism in British colonial fiction, Imperial Masochism puts forth new readings of this literature and shows the continued relevance of psychoanalysis to historicist studies of literature and culture.
Imperial Masochism: British Fiction, Fantasy, and Social Class
by John KucichBritish imperialism's favorite literary narrative might seem to be conquest. But real British conquests also generated a surprising cultural obsession with suffering, sacrifice, defeat, and melancholia. "There was," writes John Kucich, "seemingly a different crucifixion scene marking the historical gateway to each colonial theater." In Imperial Masochism, Kucich reveals the central role masochistic forms of voluntary suffering played in late-nineteenth-century British thinking about imperial politics and class identity. Placing the colonial writers Robert Louis Stevenson, Olive Schreiner, Rudyard Kipling, and Joseph Conrad in their cultural context, Kucich shows how the ideological and psychological dynamics of empire, particularly its reorganization of class identities at the colonial periphery, depended on figurations of masochism. Drawing on recent psychoanalytic theory to define masochism in terms of narcissistic fantasies of omnipotence rather than sexual perversion, the book illuminates how masochism mediates political thought of many different kinds, not simply those that represent the social order as an opposition of mastery and submission, or an eroticized drama of power differentials. Masochism was a powerful psychosocial language that enabled colonial writers to articulate judgments about imperialism and class. The first full-length study of masochism in British colonial fiction, Imperial Masochism puts forth new readings of this literature and shows the continued relevance of psychoanalysis to historicist studies of literature and culture.
Imperial Romance: Fictions of Colonial Intimacy in Korea, 1905–1945
by Su Yun KimIn Imperial Romance, Su Yun Kim argues that the idea of colonial intimacy within the Japanese empire of the early twentieth century had a far broader and more popular influence on discourse makers, social leaders, and intellectuals than previously understood. Kim investigates representations of Korean-Japanese intimate and familial relationships—including romance, marriage, and kinship—in literature, media, and cinema, alongside documents that discuss colonial policies during the Japanese protectorate period and colonial rule in Korea (1905–45). Focusing on Korean perspectives, Kim uncovers political meaning in the representation of intimacy and emotion between Koreans and Japanese portrayed in print media and films. Imperial Romance disrupts the conventional reading of colonial-period texts as the result of either coercion or the disavowal of colonialism, thereby expanding our understanding of colonial writing practices. The theme of intermarriage gave elite Korean writers and cultural producers opportunities to question their complicity with imperialism. Their fictions challenged expected colonial boundaries, creating tensions in identity and hierarchy, and also in narratives of the linear developmental trajectory of modernity. Examining a broad range of writings and films from this period, Imperial Romance maps the colonized subjects' fascination with their colonizers and with moments that allowed them to become active participants in and agents of Japanese and global imperialism.
Imperial Stars: Family d'Alembert Book 1 (Gateway Essentials #1)
by Stephen Goldin E.E. 'Doc' SmithThe Empire of Earth, spanning more than a thousand solar systems, is threatened by a conspiracy from within. Now, with more than three-quarters of the Galaxy ready to fall into enemy hands, the Empire is forced to call on its top-secret weapon: the renowned Circus of the Galaxy featuring the d'Alembert family, a clan of circus performers with uncanny abilities. But even these super agents may not be in time to save the Empire. The Imperial Stars is the first book in the "Family D'Alembert" series.
The Imperial Triumph: A Vespasian novella (A Crossroads Brotherhood Novella #5)
by Robert FabbriRome 44 AD, Marcus Salvius Magnus has returned from three years fighting for the emperor Claudius in Britannia. As the leader of the South Quirinal Crossroads Brotherhood he must quickly re-establish his command. But he is beset with problems. Who is evicting tenants in his territory? How can he settle a debt to his patron's sister Vespasia Polla? How can he best his rivals, the West Viminal Brotherhood, who thwart him at every turn?Meanwhile Magnus' patron, Senator Gaius Vespasius Pollo is trying to broker a deal to illegally benefit from the booty looted from the war in Britannia, and he needs Magnus' help to carry out such an illicit task. Magnus, who doesn't leave anything up to Fortuna, is the perfect man for the job. He must use the resources of Rome's criminal underworld to find a way to regain control, appease his patrons, and of course, to make a profit.______________________________________________Don't miss Robert Fabbri's epic new series Alexander's Legacy