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The Imposters
by Tom RachmanThe Imposters is the first novel in stories that Tom Rachman has written since his international bestseller The Imperfectionists.'An astonishing achievement - brutally funny, humane, dizzying - will win Rachman the readership he deserves' Patrick Gale'Clever and full of tricks from start to finish' SpectatorIt's set during a crisis in democracy, a society in lockdown linked digitally but convulsed by a social media frenzy, and is told by a little-known, little-read Dutch novelist named Dora Frenhofer who has decided that her life as an old woman in this post-truth pandemic world has become too much.But like a twenty-first century Scheherazade Dora spins stories to fend off the evil day, conjuring connections from her past to give meaning to the present. She imagines the fate of her missing brother, lost on the hippie trail in India in the sixties; the loneliness of her estranged daughter Beck, whose career writing stand-up shows for Netflix dramatizes the culture wars; Danny, an almost equally unfashionable writer she meets at a festival; the tortured history of the van driver who takes her unwanted books away; the nonchalant courier who nearly ran her over in the rain; her former lover, the sophisticated food critic; her last remaining friend. And finally, Dora's own last chapter.The Imposters is Rachman at his inimitable best, a writer whose formal ingenuity and flamboyant technique is matched by his humanity and generosity.
The Impostor: A True Story (MacLehose Press Editions)
by Javier CercasLONGLISTED FOR THE MAN BOOKER INTERNATIONAL 2018A TRUE STORY THAT IS PACKED WITH FICTION - FICTION CREATED BY ITS MAIN CHARACTER, ENRIC MARCOBut who is Enric Marco? A veteran of the Spanish Civil War, a fighter against fascism, an impassioned campaigner for justice, and a survivor of the Nazi death camps? Or, is he simply an old man with delusions of grandeur, a charlatan who fabricated his heroic war record, who was never a prisoner in the Third Reich and never opposed Franco; a charming, beguiling and compulsive liar who refashioned himself as a defender of liberty and who was unmasked in 2005 at the height of his influence and renown?In this extraordinary novel - part narrative, part history, part essay, part biography, part autobiography - Javier Cercas unravels the enigma of the man and delves with passion and honesty into the most ambiguous aspects of what makes us human - our infinite capacity for self-deception, our need for conformity, our thirst for affection and our conflicting needs for fiction and for truth.Translated from the Spanish by Frank Wynne
The Impostor: Author of the 2021 Booker Prize-winning novel THE PROMISE
by Damon GalgutShortlisted for the Commonwealth Writers' Prize for Best Book (Africa region)When Adam moves into an abandoned house on the dusty edge of town, he is hoping to recover from the loss of his job and his home in the city. But when he meets Canning - a shadowy figure from his childhooh - and Canning's enigmatic and beautiful wife, a sinister new chapter in his life begins. Canning has inherited a vast fortune and built for himself a giant folly in the veld, a magical place of fantasy and dreams that seduces Adam and transforms him absolutely, violently - and perhaps forever.Damon Galgut's magnificent novel evokes a hot and cruel and claustrophobic world, in which sex and death are never far from the surface. It is his most powerful and unforgettable novel yet.
The Impostor
by Helen McCloyMaria Skinner recovers consciousness after a car crash to find herself in a psychiatric clinic. She remembers the crash quite clearly but she is told that she is suffering from delusions - and must not leave hospital.She tries to contact her husband but is informed that he is unavailable. Finally, in a desperate attempt to escape, she reluctantly agrees to accompany a man who insists he is her husband - but whom she knows is an impostor. Moving from one captivity to another, she becomes a pawn in someone else's sinister game ...
Impostor: Book 1 (Variants #1)
by Susanne WinnackerTessa is a Variant, able to absorb the DNA of anyone she touches and mimic their appearance. Shunned by her family, she's spent the last two years with the Forces with Extraordinary Abilities, a secret branch of the FBI. There she trains with other Variants, such as long-term crush Alec, who each have their own extraordinary ability. When a serial killer rocks a small town in Oregon, Tessa is given a mission: she must impersonate Madison, a local teen, to find the killer before he strikes again. Tessa hates everything about being an impostor - the stress, the danger, the deceit - but loves playing the role of a normal girl. As Madison, she finds friends, romance, and the kind of loving family she'd do anything to keep. Amid action, suspense, and a ticking clock, this super-human comes to a very human conclusion: even a girl who can look like anyone struggles the most with being herself.'Fun and suspenseful.' Marissa Meyer, New York Times bestselling author of CINDER 'An unpredictable page-turner ... reminiscent of a Stephen King novel.' VOYA
Impostors: Literary Hoaxes and Cultural Authenticity
by Christopher L. MillerWriting a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
Impostors: Literary Hoaxes and Cultural Authenticity
by Christopher L. MillerWriting a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
Impostors: Literary Hoaxes and Cultural Authenticity
by Christopher L. MillerWriting a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
Impostors: Literary Hoaxes and Cultural Authenticity
by Christopher L. MillerWriting a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
Impostors: Literary Hoaxes and Cultural Authenticity
by Christopher L. MillerWriting a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
Impostors: Literary Hoaxes and Cultural Authenticity
by Christopher L. MillerWriting a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
Imposture
by Benjamin MarkovitsThree years after Lord Byron dismissed him from his service, Dr John Polidori has fallen on hard times. And then a young woman mistakes the doctor for the poet. As the pair fall in love, Polidori knows that he can only emerge from Byron's shadow if he confesses his true identity to the deluded girl; but was it only Byron's shadow that led her to love him in the first place? And a ghost story, The Vampyre, is published under Byron's name, but will the truth of the matter be uncovered?
Impostures in early modern England: Representations and perceptions of fraudulent identities (Politics, Culture and Society in Early Modern Britain)
by Tobias HugImpostors and impostures featured prominently in the political, social and religious life of early modern England. Who was likely to be perceived as impostor, and why? This book offers the first full-scale analysis of an important and multifaceted phenomenon. Tobias B. Hug examines a wide range of sources, from judicial archives and other official records to chronicles, newspapers, ballads, pamphlets and autobiographical writings. This closely argued and pioneering book will be of interest to specialists, students and anyone concerned with the timeless questions of why and how individuals fashion, re-fashion and make sense of their selves.
Impostures in early modern England: Representations and perceptions of fraudulent identities (Politics, Culture and Society in Early Modern Britain)
by Tobias HugImpostors and impostures featured prominently in the political, social and religious life of early modern England. Who was likely to be perceived as impostor, and why? This book offers the first full-scale analysis of an important and multifaceted phenomenon. Tobias B. Hug examines a wide range of sources, from judicial archives and other official records to chronicles, newspapers, ballads, pamphlets and autobiographical writings. This closely argued and pioneering book will be of interest to specialists, students and anyone concerned with the timeless questions of why and how individuals fashion, re-fashion and make sense of their selves.
The Impotency Poem from Ancient Latin to Restoration English Literature
by Hannah LaveryThe first book length study of the motif of impotency in poetry from early antiquity through to the late Restoration, this book explores the impotency poem as a recognisable form of poetry in the longer tradition of erotic elegy. Hannah Lavery’s central claim is that the impotency motif is adopted by poets in recognition of its potential to signify satirically through its use as symbol and allegory. By drawing together analysis of works in the tradition, Lavery shows how the impotency motif is used to engage with anxieties as to what it means to enact ’service’ within political and social contexts. She demonstrates that impotency poems can be seen on one level to represent bawdy escapism, but on the other to offer positions of resistance and opposition to social and political concerns contemporary to a particular time. Whilst the link between the 'Imperfect Enjoyment' poems by Ovid and Rochester is well known, Lavery here looks further back to the origins of the concept of male impotency as degradation in the works of earlier Roman poets. This is an important context for considering how the impotency poem then first appears in the French and English vernaculars during the sixteenth century, leading to translations and adaptations throughout the seventeenth century. Lavery's close readings of the poems consider both the nature of the literary form, and the political and social contexts within which the works appear, in order to chart the intertextual development of the impotency poem as a distinct form of writing in the early modern period.
The Impotency Poem from Ancient Latin to Restoration English Literature
by Hannah LaveryThe first book length study of the motif of impotency in poetry from early antiquity through to the late Restoration, this book explores the impotency poem as a recognisable form of poetry in the longer tradition of erotic elegy. Hannah Lavery’s central claim is that the impotency motif is adopted by poets in recognition of its potential to signify satirically through its use as symbol and allegory. By drawing together analysis of works in the tradition, Lavery shows how the impotency motif is used to engage with anxieties as to what it means to enact ’service’ within political and social contexts. She demonstrates that impotency poems can be seen on one level to represent bawdy escapism, but on the other to offer positions of resistance and opposition to social and political concerns contemporary to a particular time. Whilst the link between the 'Imperfect Enjoyment' poems by Ovid and Rochester is well known, Lavery here looks further back to the origins of the concept of male impotency as degradation in the works of earlier Roman poets. This is an important context for considering how the impotency poem then first appears in the French and English vernaculars during the sixteenth century, leading to translations and adaptations throughout the seventeenth century. Lavery's close readings of the poems consider both the nature of the literary form, and the political and social contexts within which the works appear, in order to chart the intertextual development of the impotency poem as a distinct form of writing in the early modern period.
Impoverished Miss, Convenient Wife (Mills And Boon Historical Ser. #299)
by Michelle StylesHis unexpected bride…
Impractical Magic
by null Emily GrimoirePerfect for readers of Pumpkin Spice Café, Erin Sterling and Lana Harper. In Oak Haven, this witch is about to brew up more trouble than she bargained for… When Scarlett Melrose receives a call from her estranged sisters, she immediately knows something is wrong. The magic at their mother’s inn – and in fact, the whole of Oak Haven – has gone awry, and they need her help to save it. As the conflicted middle-child, returning home has given Scarlett the heebie jeebies. And to make matters worse, she’s just come face-to-face with charming old flame and handyman, Nate. When her spell to fix the magic goes horribly wrong, all Scarlett wants to do is flee back to the peace and quiet of her San Francisco flat. But she can’t keep running away forever, and she’ll need all the help she can to solve this magical mess. With time slipping away, Scarlett must learn that sometimes the greatest spells really do come with the greatest responsibility – especially when love is involved… *** Perfect for fans of: Grumpy x sunshine ☀️ Slow burn 🔥 Witchy aesthetic 🔮✨ Cosy small town 🍂☕
The Impregnable Women
by Eric LinklaterThe Next Great War begins, and soon all Europe is involved. The war lasts a year - and then the women, robbed of husbands and sweethearts and sons, grow doubtful of the benefits of military policy, and begin to think that victory will come too late to do them any good.But what can they do? A remedy was discovered by Aristophanes about 2350 years ago. It is re-discovered and re-applied. And it is again successful.This is an Aristophanic comedy, and takes some Aristophanic liberties. It is satirical when the author pleases and when he cares to be serious he is very serious indeed. There is no monotony. The story shifts from realism to wild burlesque; from earnest appeal to uproarious extravagance.The final scenes are in Edinburgh. Aristophanes made his insurgent women seize the Acropolis - here they take possession of Edinburgh Castle, as tall an eminence, and hold it against the infuriated men. The fight for the Castle is the culminating incident in a vigorous and many-sided novel.
The Impressionist
by Hari KunzruAn adventure brimming with colour, energy and humour -- the acclaimed debut novel from the author of White TearsThis is the extraordinary story of a child conceived in a wild monsoon night, a boy destined to be an outsider, a man with many names and no name.Born into luxury but disinherited and cast out onto the streets of Agra, Pran Nath must become a chameleon. Chasing his fortune, he will travel from the red light district of Bombay to the green lawns of England to the unmapped African wilderness. He will play many different roles -- a young prize in a brothel, the adopted son of Scottish missionaries, the impeccably educated young Englishman headed for Oxford -- in order to find the role that will finally fit.Daring and riotously inventive, The Impressionist is an odyssey of self-discovery: a tale of the many lives one man can live and of the universal search for true identity.
Impressions of Southern Italy: British Travel Writing from Henry Swinburne to Norman Douglas (Routledge Research in Travel Writing)
by Sharon OudittNaples was conventionally the southernmost stop of the Grand Tour beyond which, it was assumed, lay violent disorder: earthquakes, malaria, bandits, inhospitable inns, few roads and appalling food. On the other hand, Southern Italy lay at the heart of Magna Graecia, whose legends were hard-wired into the cultural imaginations of the educated. This book studies the British travellers who visited Italy's Southern territories. Spanning the late eighteenth century to the mid-twentieth century, the author considers what these travellers discovered, not in the form of a survey, but as a series of unfolding impressions disclosing multiple Southern Italies. Of the numerous travellers analysed within this volume, the central figures are Henry Swinburne, Craufurd Tait Ramage and Norman Douglas, whose Old Calabria (1915) remains in print. Their appeal is that they take the region seriously: Southern Italy wasn't simply a testing ground for their superior sensibilities, it was a vibrant curiosity, unknown but within reach. Was the South simply behind on the road to European integration; or was it beyond a fault line, representing a viable alternative to Northern neuroses? The travelogues analysed in this book address a wide variety of themes which continue to shape discussions about European identity today.
Impressions of Southern Italy: British Travel Writing from Henry Swinburne to Norman Douglas (Routledge Research in Travel Writing)
by Sharon OudittNaples was conventionally the southernmost stop of the Grand Tour beyond which, it was assumed, lay violent disorder: earthquakes, malaria, bandits, inhospitable inns, few roads and appalling food. On the other hand, Southern Italy lay at the heart of Magna Graecia, whose legends were hard-wired into the cultural imaginations of the educated. This book studies the British travellers who visited Italy's Southern territories. Spanning the late eighteenth century to the mid-twentieth century, the author considers what these travellers discovered, not in the form of a survey, but as a series of unfolding impressions disclosing multiple Southern Italies. Of the numerous travellers analysed within this volume, the central figures are Henry Swinburne, Craufurd Tait Ramage and Norman Douglas, whose Old Calabria (1915) remains in print. Their appeal is that they take the region seriously: Southern Italy wasn't simply a testing ground for their superior sensibilities, it was a vibrant curiosity, unknown but within reach. Was the South simply behind on the road to European integration; or was it beyond a fault line, representing a viable alternative to Northern neuroses? The travelogues analysed in this book address a wide variety of themes which continue to shape discussions about European identity today.
Impressions of Theophrastus Such (Pickering Women's Classics)
by George EliotGeorge Eliot (1819-80) is one of the most widely-read of the 19th-century novelists and story-writers. "Impressions of Theophrastus Such" appeared in 1879, Eliot's last completed work. It consists of 18 short essays narrated by a middle-aged bachelor, Theophrastus.
Impressions of Theophrastus Such (Pickering Women's Classics)
by George EliotGeorge Eliot (1819-80) is one of the most widely-read of the 19th-century novelists and story-writers. "Impressions of Theophrastus Such" appeared in 1879, Eliot's last completed work. It consists of 18 short essays narrated by a middle-aged bachelor, Theophrastus.
Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama (Material Readings in Early Modern Culture)
by Harry NewmanImpressive Shakespeare reassesses Shakespeare’s relationship with "print culture" in light of his plays’ engagement with the language and material culture of three interrelated "impressing technologies": wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to "imprint" early modern audiences and readers with ideas, morals and memories, and—looking to our own cultural moment—shows how Shakespeare has been historically constructed as an "impressive" dramatist. Through material readings of four plays—Coriolanus, A Midsummer Night’s Dream, Measure for Measure and The Winter’s Tale—Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare’s critical afterlife. The book pushes the boundaries of what we understand by "print culture", and challenges assumptions about the emergence of concepts now central to Shakespeare’s perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood. Harry Newman’s suggestive analysis of techniques and tropes of sealing, coining and printing produces a revelatory account of Shakespearean creative poetics. It’s sustainedly startling in its rereading of familiar lines - but the chapter I found most original is on Measure for Measure: Newman is the first critic to attempt to interpret the play’s authorial status as part of its own thematic and linguistic interrogation of illegitimacy and counterfeiting. He makes authorship matter in a literary and creative, rather than a quantitative and statistical, sense. Impressive Shakespeare is a brilliant scholarly debut. - Emma Smith Editor, Shakespeare Survey Professor of Shakespeare Studies, Hertford College, Oxford