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Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama (Material Readings in Early Modern Culture)
by Harry NewmanImpressive Shakespeare reassesses Shakespeare’s relationship with "print culture" in light of his plays’ engagement with the language and material culture of three interrelated "impressing technologies": wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to "imprint" early modern audiences and readers with ideas, morals and memories, and—looking to our own cultural moment—shows how Shakespeare has been historically constructed as an "impressive" dramatist. Through material readings of four plays—Coriolanus, A Midsummer Night’s Dream, Measure for Measure and The Winter’s Tale—Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare’s critical afterlife. The book pushes the boundaries of what we understand by "print culture", and challenges assumptions about the emergence of concepts now central to Shakespeare’s perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood. Harry Newman’s suggestive analysis of techniques and tropes of sealing, coining and printing produces a revelatory account of Shakespearean creative poetics. It’s sustainedly startling in its rereading of familiar lines - but the chapter I found most original is on Measure for Measure: Newman is the first critic to attempt to interpret the play’s authorial status as part of its own thematic and linguistic interrogation of illegitimacy and counterfeiting. He makes authorship matter in a literary and creative, rather than a quantitative and statistical, sense. Impressive Shakespeare is a brilliant scholarly debut. - Emma Smith Editor, Shakespeare Survey Professor of Shakespeare Studies, Hertford College, Oxford
Imprimatur: An Atto Melani Novel
by Rita Monaldi Francesco SortiAn exuberant and discursive historical novel, crammed with fascinating detail.' The Independent It's 11 September 1683, Rome. The citizens of the city wait anxiously for the outcome of the battle for Vienna as Ottoman forces lay siege to the defenders of Catholic Europe. Meanwhile, a suspected outbreak of plague causes a famous Roman tavern to be placed under quarantine. One of its detainees, the mysterious Atto Melani, a spy in the service of France, discovers a secret passage leading deep into the Roman underworld. A plot to assassinate the pope and plans to use the plague as a weapon of mass destruction in the battle between Islam and the West are discovered. Meticulously researched and brilliantly conceived, "Imprimatur" contains startling revelations that have been concealed for centuries, drawing on original papers discovered in the Vatican archives. A thriller in the vein of Umberto Eco's "The Name of the Rose", this novel sheds new light on the power struggles of 17th-century Europe, the repercussions of which are still felt today. First published to great controversy in Italy in 2002, "Imprimatur" was boycotted by the Italian press and publishing world. Despite this, the novel has gained European bestseller status; it has been translated into 20 languages with editions published in 45 countries. Over 1 million copies have been sold to date.
The Imprint of Another Life: Adoption Narratives and Human Possibility
by Margaret HomansThe Imprint of Another Life: Adoption Narratives and Human Possibilityaddresses a series of questions about common beliefs about adoption. Underlying these beliefs is the assumption that human qualities are innate and intrinsic, an assumption often held by adoptees and their families, sometimes at great emotional cost. This book explores representations of adoption—transracial, transnational, and domestic same-race adoption—that reimagine human possibility by questioning this assumption and conceiving of alternatives. Literary scholar Margaret Homans examines fiction making’s special relationship to themes of adoption, an “as if” form of family making, fabricated or fictional instead of biological or “real.” Adoption has tended to generate stories rather than uncover bedrock truths. Adoptive families are made, not born; in the words of novelist Jeanette Winterson, “adopted children are self-invented because we have to be.” In attempting to recover their lost histories and identities, adoptees create new stories about themselves. While some believe that adoptees cannot be whole unless they reconnect with their origins, others believe that privileging biology reaffirms hierarchies (such as those of race) that harm societies and individuals. Adoption is lived and represented through an irresolvable tension between belief in the innate nature of human traits and belief in their constructedness, contingency, and changeability. The book shows some of the ways in which literary creation, and a concept of adoption as a form of creativity, manages this tension. The texts examined include fiction (e.g., classic novels such as Silas Marner, What Maisie Knew, and Beloved); memoirs by adoptees, adoptive parents, and birthmothers; drama, documentary films, advice manuals, social science writing; and published interviews with adoptees, parents, and birth parents. Along the way the book tracks the quests of adoptees who, whether or not they meet their original families, must construct their own stories rather than finding them; follows transnational adoptees as they return, hopes held high, to Korea and China; looks over the shoulders of a generation of girls adopted from China as they watch Disney’s iconic Mulan, with its alluring story of destiny written on the skin; and listens to birthmothers as they struggle to tell painful secrets held for decades. This book engages in debates within adoption studies, women’s and gender studies, transnational studies, and ethnic studies; it will appeal to literary scholars and critics, including specialists in memoir or narrative theory, and to general readers interested in adoption and in race.
Imprison the Sky (The Elementae)
by A. C. Gaughen"[A] fantasy romance in the vein of books by Sabaa Tahir, Renee Ahdieh." - School Library Journal on Reign the EarthThe sweeping Elementae series continues with a heroine so powerful she can command the sky . . .Stolen from her family as a child, Aspasia has clawed her way up the ranks of Cyrus's black market empire to captain her own trading vessel--and she risks it all every time she uses her powerful magic to free as many women, children, and Elementae from slavery as she can. But Cyrus is close to uncovering her secrets--not only that Aspasia is a wind Elementa with the ability to sail her ship through the sky, but that she is also searching for her lost family. And if Aspasia can't find her younger siblings before Cyrus does, she will never be able to break free. Armed with her loyal crew full of Elementae and a new recruit who controls an intriguing power, Aspasia finds herself in the center of a brewing war that spans every inch of the ocean, and her power alone may not be enough to save her friends, family, and freedom.
Imprisoned by a Vow: Mr Right At The Wrong Time / Imprisoned By A Vow / The Millionaire And The Maid (Mills And Boon Modern Ser. #5)
by Annie WestSigned, sealed… for ever!
Imprisoned By The Greek's Ring: Castiglione's Pregnant Princess; Consequence Of His Revenge; Imprisoned By The Greek's Ring; Blackmailed Into The Marriage Bed (Conveniently Wed! #4)
by Caitlin CrewsHis vengeance won’t be complete……until he has her as his bride!
Imprisoned By Love
by C. S. BrahamsDeputy head teacher, Sophie Boswell, is back from Croatia and set to tackle the new academic year at her independent school in London. As the term unfolds, Sophie’s husband Michael’s increasingly erratic behaviour begins to take its toll on her. Everything is in a state of flux. Sophie’s world is no longer safe. How will she cope with Michael’s confusion and violence at home while maintaining authority and dignity at work?Imprisoned by Love is a compelling story about living with dementia. The author's debut novel provides an arresting insight into the uncomfortable realities of balancing love and duty. With her many years in the teaching profession, C.S. Brahams is all too aware of the problems teachers face keeping up appearances in the classroom whilst compartmentalising their personal struggles. In the past, the author was deeply affected by a significant trauma which left her emotionally labile; it was this strain of maintaining authority on the surface whilst drowning beneath it that made her want to explore someone's mental health whilst dealing with a personal crisis at home.
Impro: Improvisation and the Theatre (Performance Books)
by Keith JohnstoneA leading figure in the theatre, Keith Johnstone lays bare his techniques and exercises to foster spontaneity and narrative skill for actors. These techniques and exercises were evolved in the actors' studio, when he was Associate Director of the Royal Court and then in demonstrations to schools and colleges and ultimately in the founding of a company of performers called The Theatre Machine. Divided into four sections, "Status", "Spontaneity", "Narrative Skills" and "Masks and Trance", arranged more or less in the order a group might approach them, the book sets out the specific approaches which Johnstone has himself found most useful and most stimulating. The result is a fascinating exploration of the nature of spontaneous creativity. "If teachers were honoured in the British theatre along-side directors, designers and playwrights, Keith Johnstone would be as familiar a name as are those of . . . Jocelyn Herbert, Edward Bond and other young talents who were drawn to the great lodestone of the Royal Court Theatre in the late 1950s. As head of the script department, Johnstone played a crucial part in the development of the 'writers' theatre . . . " Irving Wardle
Impro: Improvisation and the Theatre (Performance Books)
by Keith JohnstoneA leading figure in the theatre, Keith Johnstone lays bare his techniques and exercises to foster spontaneity and narrative skill for actors. These techniques and exercises were evolved in the actors' studio, when he was Associate Director of the Royal Court and then in demonstrations to schools and colleges and ultimately in the founding of a company of performers called The Theatre Machine. Divided into four sections, "Status", "Spontaneity", "Narrative Skills" and "Masks and Trance", arranged more or less in the order a group might approach them, the book sets out the specific approaches which Johnstone has himself found most useful and most stimulating. The result is a fascinating exploration of the nature of spontaneous creativity. "If teachers were honoured in the British theatre along-side directors, designers and playwrights, Keith Johnstone would be as familiar a name as are those of . . . Jocelyn Herbert, Edward Bond and other young talents who were drawn to the great lodestone of the Royal Court Theatre in the late 1950s. As head of the script department, Johnstone played a crucial part in the development of the 'writers' theatre . . . " Irving Wardle
The Improbability of Love: SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016
by Hannah RothschildWINNER OF THE BOLLINGER EVERYMAN WODEHOUSE PRIZE FOR COMIC FICTION 2016SHORTLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION 2016 A BBC Radio 2 Book Club pickWhen lovelorn Annie McDee stumbles across a dirty painting in a junk shop while looking for a present for an unsuitable man, she has no idea what she has discovered. Soon she finds herself drawn unwillingly into the tumultuous London art world, populated by exiled Russian oligarchs, avaricious Sheikas, desperate auctioneers and unscrupulous dealers, all scheming to get their hands on her painting - a lost eighteenth-century masterpiece called 'The Improbability of Love'. Delving into the painting's past, Annie will uncover not just an illustrious list of former owners, but some of the darkest secrets of European history – and in doing so she might just learn to open up to the possibility of falling in love again.
The Improbability of Othello: Rhetorical Anthropology and Shakespearean Selfhood
by Joel B. AltmanShakespeare’s dramatis personae exist in a world of supposition, struggling to connect knowledge that cannot be had, judgments that must be made, and actions that need to be taken. For them, probability—what they and others might be persuaded to believe—governs human affairs, not certainty. Yet negotiating the space of probability is fraught with difficulty. Here, Joel B. Altman explores the problematics of probability and the psychology of persuasion in Renaissance rhetoric and Shakespeare’s theater. Focusing on the Tragedy of Othello, Altman investigates Shakespeare’s representation of the self as a specific realization of tensions pervading the rhetorical culture in which he was educated and practiced his craft. In Altman’s account, Shakespeare also restrains and energizes his audiences’ probabilizing capacities, alternately playing the skeptical critic and dramaturgic trickster. A monumental work of scholarship by one of America’s most respected scholars of Renaissance literature, The Improbability of Othello contributes fresh ideas to our understanding of Shakespeare’s conception of the self, his shaping of audience response, and the relationship of actors to his texts.
The Improbability of Othello: Rhetorical Anthropology and Shakespearean Selfhood
by Joel B. AltmanShakespeare’s dramatis personae exist in a world of supposition, struggling to connect knowledge that cannot be had, judgments that must be made, and actions that need to be taken. For them, probability—what they and others might be persuaded to believe—governs human affairs, not certainty. Yet negotiating the space of probability is fraught with difficulty. Here, Joel B. Altman explores the problematics of probability and the psychology of persuasion in Renaissance rhetoric and Shakespeare’s theater. Focusing on the Tragedy of Othello, Altman investigates Shakespeare’s representation of the self as a specific realization of tensions pervading the rhetorical culture in which he was educated and practiced his craft. In Altman’s account, Shakespeare also restrains and energizes his audiences’ probabilizing capacities, alternately playing the skeptical critic and dramaturgic trickster. A monumental work of scholarship by one of America’s most respected scholars of Renaissance literature, The Improbability of Othello contributes fresh ideas to our understanding of Shakespeare’s conception of the self, his shaping of audience response, and the relationship of actors to his texts.
The Improbability of Othello: Rhetorical Anthropology and Shakespearean Selfhood
by Joel B. AltmanShakespeare’s dramatis personae exist in a world of supposition, struggling to connect knowledge that cannot be had, judgments that must be made, and actions that need to be taken. For them, probability—what they and others might be persuaded to believe—governs human affairs, not certainty. Yet negotiating the space of probability is fraught with difficulty. Here, Joel B. Altman explores the problematics of probability and the psychology of persuasion in Renaissance rhetoric and Shakespeare’s theater. Focusing on the Tragedy of Othello, Altman investigates Shakespeare’s representation of the self as a specific realization of tensions pervading the rhetorical culture in which he was educated and practiced his craft. In Altman’s account, Shakespeare also restrains and energizes his audiences’ probabilizing capacities, alternately playing the skeptical critic and dramaturgic trickster. A monumental work of scholarship by one of America’s most respected scholars of Renaissance literature, The Improbability of Othello contributes fresh ideas to our understanding of Shakespeare’s conception of the self, his shaping of audience response, and the relationship of actors to his texts.
The Improbability of Othello: Rhetorical Anthropology and Shakespearean Selfhood
by Joel B. AltmanShakespeare’s dramatis personae exist in a world of supposition, struggling to connect knowledge that cannot be had, judgments that must be made, and actions that need to be taken. For them, probability—what they and others might be persuaded to believe—governs human affairs, not certainty. Yet negotiating the space of probability is fraught with difficulty. Here, Joel B. Altman explores the problematics of probability and the psychology of persuasion in Renaissance rhetoric and Shakespeare’s theater. Focusing on the Tragedy of Othello, Altman investigates Shakespeare’s representation of the self as a specific realization of tensions pervading the rhetorical culture in which he was educated and practiced his craft. In Altman’s account, Shakespeare also restrains and energizes his audiences’ probabilizing capacities, alternately playing the skeptical critic and dramaturgic trickster. A monumental work of scholarship by one of America’s most respected scholars of Renaissance literature, The Improbability of Othello contributes fresh ideas to our understanding of Shakespeare’s conception of the self, his shaping of audience response, and the relationship of actors to his texts.
The Improbable Cat
by Allan AhlbergThe Burrell family could never have foreseen the consequences of adopting the tiny stray kitten that appeared when David was twelve. But the sweet cat is not as harmless as it seems, and soon has them completely under its sinister spell. The only one unaffected, David concocts a plan to rescue his family - but will it work?
An Improbable Season (Unexpected Seasons)
by Rosalyn EvesFor fans of Bridgerton, An Improbable Season is a swoony Regency romance by Rosalyn Eves about three young women, their big dreams, and a London Season gone awry.When Thalia, Kalliope, and Charis set off to Regency London for their first Season, they each have clear goals — few of which include matrimony. Thalia means to make her mark among the intelligentsia and publish her poetry, Charis hopes to earn her place among the scientific elite, and Kalliope aims to take the fashionable ton by storm. But this Season, it doesn't take long for things to fall apart. . .Kalli finds herself embroiled in scandal and reliant upon an arranged marriage to redeem her reputation, Thalia's dreams of publication are threatened by her attraction to a charming rake, and Charis finds herself an unexpected social hit – and the source of a family scandal that her heart might not survive. Can this roller-coaster Season find its happily ever after?'If you’re looking for your next Bridgerton-esque fix, it’s all too probable you’ll find An Improbable Season as utterly charming as I did.' – Jennieke Cohen, author of My Fine Fellow
Impromptu in Moribundia
by Patrick Hamilton'I recommend Hamilton at every opportunity, because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific' Sarah Waters'If you were looking to fly from Dickens to Martin Amis with just one overnight stop, then Hamilton is your man' Nick HornbyImpromptu in Moribundia is a satirical fable about one (nameless) man's trespass (through a fantastical machine called the 'Asteradio') into a parallel universe on a far-off planet where the 'miserably dull affairs of England' are mirrored and transformed into an apparent idyll of bourgeois English imagination.Moribundia is the 'physical enactment of the stereotypes and myths of English middle-class culture and consciousness.' Yet the narrator comes to discover that he has stumbled among a people characterised by 'cupidity, ignorance, complacence, meanness, ugliness, short-sightedness, cowardice, credulity, hysteria and, when the occasion called for it . . . cruelty and blood-thirstiness.
An Improper Affair (Mills And Boon Desire Ser. #1803)
by Anna DePaloBusiness mogal Ryan Sperling prided himself on being different from his old man, a self-centered philanderer who had let the family assets dwindle.
An Improper Aristocrat: Scandalous Lord, Rebellious Miss / An Improper Aristocrat (Mills And Boon Historical Ser.)
by Deb MarloweRapscallion! Rake! Wanderer! Adventurer! All accusations that the Earl of Treyford acknowledges with pride. The scandalous son of a disgraced mother, he has no time for the pretty niceties of the ton, nor the simpering debutantes who populate its ballrooms. He has returned to England to aid an "aging" spinster facing an undefined danger.
An Improper Arrangement: A Gentleman 'til Midnight / The Trouble With Honor / An Improper Arrangement / A Wedding By Dawn / The Devil Takes A Bride / A Promise By Daylight (The Little Season #1)
by Kasey MichaelsThe Dashing Duke-to-be and the Daring Debutante
An Improper Companion (Mills And Boon Historical Ser. #227)
by Anne HerriesDaniel, Earl of Cavendish, finds the frivolity of the ton dull after the adventures and hardship of the Peninsular War.
An Improper Duchess
by Amanda McCabeScotland, 1540 Katrina McLeod fled an arranged marriage, decreed by King James of Scotland, to a man with a fearful reputation, only to find herself on trial for her life! Accused of witchcraft, her salvation lies in the hands of brooding nobleman Duncan Rothmore….
The 'Improper' Feminine: The Women's Sensation Novel and the New Woman Writing
by Lyn PykettThe women's sensation novel of the 1860s and the New Woman fiction of the 1890s were two major examples of a perceived feminine invasion of fiction which caused a critical furore in their day. Both genres, with their shocking, `fast' heroines, fired the popular imagination by putting female sexuality on the literary agenda and undermining the `proper feminine' ideal to which nineteenth-century women and fictional heroines were supposed to aspire. By exploring in impressive depth and breadth the material and discursive conditions in which these novels were produced, The `Improper' Feminine draws attention to key gendered interrelationships within the literary and wider cultures of the mid-Victorian and fin-de-diècle periods.
The 'Improper' Feminine: The Women's Sensation Novel and the New Woman Writing
by Lyn PykettThe women's sensation novel of the 1860s and the New Woman fiction of the 1890s were two major examples of a perceived feminine invasion of fiction which caused a critical furore in their day. Both genres, with their shocking, `fast' heroines, fired the popular imagination by putting female sexuality on the literary agenda and undermining the `proper feminine' ideal to which nineteenth-century women and fictional heroines were supposed to aspire. By exploring in impressive depth and breadth the material and discursive conditions in which these novels were produced, The `Improper' Feminine draws attention to key gendered interrelationships within the literary and wider cultures of the mid-Victorian and fin-de-diècle periods.
Improper Miss Darling (Mills And Boon Historical Ser.)
by Gail WhitikerA HIGHLY UNSUITABLE MATCH When Alexander, Viscount Stewart, arrives on Emma Darling’s doorstep, protesting his brother’s engagement to her younger sister, she’s furious! Emma cares not a jot that Alex is the heir to an earldom and she’s a society unknown – how dares this high-handed gentleman meddle in her family’s private affairs?