- Table View
- List View
Imperial Earth (Gateway Essentials)
by Sir Arthur C. ClarkeColonists from the entire solar system converge on the mother planet for the 2276 celebrations.Among the influx of humanity is Duncan Makenzie, scientist-administrator from the underground colony of Titan, one of the outer moons of Saturn. Makenzie is not just on Earth for the celebrations, though; he has a delicate mission to perform - for his world, his family and himself . . .
Imperial Emotions: Cultural Responses to Myths of Empire in Fin-de-Siècle Spain (Contemporary Hispanic and Lusophone Cultures #10)
by Javier KrauelAn Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.Imperial Emotions: Cultural Responses to Myths of Empire in Fin-de-Siècle Spain reconsiders debates about historical memory from the perspective of the theory of emotions. Its main claim is that the demise of the Spanish empire in 1898 spurred a number of contradictory emotional responses, ranging from mourning and melancholia to indignation, pride, and shame. It shows how intellectuals sought to reimagine a post-Empire Spain by drawing on myth and employing a predominantly emotional register, a contention that departs from current scholarly depictions of the fin-de-siècle crisis in Spain that largely leave the role of both emotions and imperial myths in that crisis unexplored. By focusing on the neglected emotional dimension of memory practices, Imperial Emotions opens up new ways of interpreting some of the most canonical essays in twentieth-century Iberian literature: Miguel de Unamuno’s En torno al casticismo, Ángel Ganivet’s Idearium español, Ramiro de Maeztu’s Hacia otra España, and Enric Prat de la Riba’s La nacionalitat catalana. It also examines the profound implications the emotional attachment to imperial myths has had for the collective memory of the conquest and colonization of the Americas, a collective memory that today has acquired a transnational character due to the conflicting emotional investments in the Spanish empire that are performed throughout the Americas and Spain.
The Imperial Experience: From Carlyle to Forster (Context and Commentary)
by C.C. EldridgeThis book examines attitudes towards empire and the creation and perpetuation of a British world-view during the years 1834-1924. Besides focusing on the usual Victorian and Edwardian novelists and poets, surveys of popular culture and anti-empire views are also included. By adopting a longer chronological context, the high level of continuity in beliefs and actions throughout the nineteenth and twentieth centuries is highlighted. As a result, the period is viewed as a dramatic episode in a much longer story.
Imperial Eyes: Travel Writing and Transculturation
by Mary Louise PrattUpdated and expanded throughout with new illustrations and new material, this is the long- awaited second edition of a highly acclaimed and interdisciplinary book which quickly established itself as a seminal text in its field.
Imperial Eyes: Travel Writing and Transculturation
by Mary Louise PrattUpdated and expanded throughout with new illustrations and new material, this is the long- awaited second edition of a highly acclaimed and interdisciplinary book which quickly established itself as a seminal text in its field.
Imperial Fictions: German Literature Before and Beyond the Nation-State (Social History, Popular Culture, And Politics In Germany)
by Todd KontjeImperial Fictions explores ways in which writers from late antiquity to the present have imagined communities before and beyond the nation-state. It takes as its point of departure challenges to the discrete nation-state posed by globalization, migration, and European integration today, but then circles back to the beginnings of European history after the fall of the Roman Empire. Unlike nationalist literary historians of the nineteenth century, who sought the tribal roots of an allegedly homogeneous people, this study finds a distant mirror of analogous processes today in the fluid mixtures and movements of peoples. Imperial Fictions argues that it is time to stop thinking about today’s multicultural present as a deviation from a culturally monolithic past. We should rather consider the various permutations of “German” identities that have been negotiated within local and imperial contexts from the early Middle Ages to the present.
Imperial Fire (Vallon #2 Ser.)
by Robert LyndonAD 1081: Vast empires struggle for dominance.From the Normans in the north to the Byzantines in the south, battles rage across Europe and around its fringes. But in the east, an empire still mightier stirs, wielding a weapon to rule the world: gunpowder.Seeking the destructive might of this 'fire drug', the mercenary Vallon is sent by the defeated Byzantine emperor on a near-impossible quest to the far-off land of Song Dynasty China. Leading a highly trained squadron, Vallon is accompanied by the physician Hero, Wayland the English hunter, and a young upstart named Lucas.All have their own reasons for going, all have secrets.It's a quest that leads them across treacherous seas and broiling deserts, and into the uncharted land of mountains and plains beyond the Silk Road. Many will die... but the rewards are unbelievable.
Imperial Masochism: British Fiction, Fantasy, and Social Class
by John KucichBritish imperialism's favorite literary narrative might seem to be conquest. But real British conquests also generated a surprising cultural obsession with suffering, sacrifice, defeat, and melancholia. "There was," writes John Kucich, "seemingly a different crucifixion scene marking the historical gateway to each colonial theater." In Imperial Masochism, Kucich reveals the central role masochistic forms of voluntary suffering played in late-nineteenth-century British thinking about imperial politics and class identity. Placing the colonial writers Robert Louis Stevenson, Olive Schreiner, Rudyard Kipling, and Joseph Conrad in their cultural context, Kucich shows how the ideological and psychological dynamics of empire, particularly its reorganization of class identities at the colonial periphery, depended on figurations of masochism. Drawing on recent psychoanalytic theory to define masochism in terms of narcissistic fantasies of omnipotence rather than sexual perversion, the book illuminates how masochism mediates political thought of many different kinds, not simply those that represent the social order as an opposition of mastery and submission, or an eroticized drama of power differentials. Masochism was a powerful psychosocial language that enabled colonial writers to articulate judgments about imperialism and class. The first full-length study of masochism in British colonial fiction, Imperial Masochism puts forth new readings of this literature and shows the continued relevance of psychoanalysis to historicist studies of literature and culture.
Imperial Masochism: British Fiction, Fantasy, and Social Class
by John KucichBritish imperialism's favorite literary narrative might seem to be conquest. But real British conquests also generated a surprising cultural obsession with suffering, sacrifice, defeat, and melancholia. "There was," writes John Kucich, "seemingly a different crucifixion scene marking the historical gateway to each colonial theater." In Imperial Masochism, Kucich reveals the central role masochistic forms of voluntary suffering played in late-nineteenth-century British thinking about imperial politics and class identity. Placing the colonial writers Robert Louis Stevenson, Olive Schreiner, Rudyard Kipling, and Joseph Conrad in their cultural context, Kucich shows how the ideological and psychological dynamics of empire, particularly its reorganization of class identities at the colonial periphery, depended on figurations of masochism. Drawing on recent psychoanalytic theory to define masochism in terms of narcissistic fantasies of omnipotence rather than sexual perversion, the book illuminates how masochism mediates political thought of many different kinds, not simply those that represent the social order as an opposition of mastery and submission, or an eroticized drama of power differentials. Masochism was a powerful psychosocial language that enabled colonial writers to articulate judgments about imperialism and class. The first full-length study of masochism in British colonial fiction, Imperial Masochism puts forth new readings of this literature and shows the continued relevance of psychoanalysis to historicist studies of literature and culture.
Imperial Romance: Fictions of Colonial Intimacy in Korea, 1905–1945
by Su Yun KimIn Imperial Romance, Su Yun Kim argues that the idea of colonial intimacy within the Japanese empire of the early twentieth century had a far broader and more popular influence on discourse makers, social leaders, and intellectuals than previously understood. Kim investigates representations of Korean-Japanese intimate and familial relationships—including romance, marriage, and kinship—in literature, media, and cinema, alongside documents that discuss colonial policies during the Japanese protectorate period and colonial rule in Korea (1905–45). Focusing on Korean perspectives, Kim uncovers political meaning in the representation of intimacy and emotion between Koreans and Japanese portrayed in print media and films. Imperial Romance disrupts the conventional reading of colonial-period texts as the result of either coercion or the disavowal of colonialism, thereby expanding our understanding of colonial writing practices. The theme of intermarriage gave elite Korean writers and cultural producers opportunities to question their complicity with imperialism. Their fictions challenged expected colonial boundaries, creating tensions in identity and hierarchy, and also in narratives of the linear developmental trajectory of modernity. Examining a broad range of writings and films from this period, Imperial Romance maps the colonized subjects' fascination with their colonizers and with moments that allowed them to become active participants in and agents of Japanese and global imperialism.
Imperial Stars: Family d'Alembert Book 1 (Gateway Essentials #1)
by Stephen Goldin E.E. 'Doc' SmithThe Empire of Earth, spanning more than a thousand solar systems, is threatened by a conspiracy from within. Now, with more than three-quarters of the Galaxy ready to fall into enemy hands, the Empire is forced to call on its top-secret weapon: the renowned Circus of the Galaxy featuring the d'Alembert family, a clan of circus performers with uncanny abilities. But even these super agents may not be in time to save the Empire. The Imperial Stars is the first book in the "Family D'Alembert" series.
The Imperial Triumph: A Vespasian novella (A Crossroads Brotherhood Novella #5)
by Robert FabbriRome 44 AD, Marcus Salvius Magnus has returned from three years fighting for the emperor Claudius in Britannia. As the leader of the South Quirinal Crossroads Brotherhood he must quickly re-establish his command. But he is beset with problems. Who is evicting tenants in his territory? How can he settle a debt to his patron's sister Vespasia Polla? How can he best his rivals, the West Viminal Brotherhood, who thwart him at every turn?Meanwhile Magnus' patron, Senator Gaius Vespasius Pollo is trying to broker a deal to illegally benefit from the booty looted from the war in Britannia, and he needs Magnus' help to carry out such an illicit task. Magnus, who doesn't leave anything up to Fortuna, is the perfect man for the job. He must use the resources of Rome's criminal underworld to find a way to regain control, appease his patrons, and of course, to make a profit.______________________________________________Don't miss Robert Fabbri's epic new series Alexander's Legacy
Imperial Vengeance (Twilight of Empire #5)
by Ian RossTHE ROMAN EMPIRE HAS NO MERCY IN ITS QUEST FOR POWER. Aurelius Castus is one of the leading military commanders of an empire riven by civil war. As the Emperor Constantine grows ever more ruthless in his pursuit of power, Castus fears that the world he knows is slipping away. On the eve of the war's final campaign, Castus discovers that the emperor's son Crispus aims to depose his father and restore the old ways of Rome. Castus must choose between honour and survival, and face a final confrontation with the most powerful man in the Roman world, the ruler he has sworn loyally to serve: the Emperor Constantine himself.
Imperial Women Writers in Victorian India: Representing Colonial Life, 1850-1910
by Éadaoin AgnewThis book is about Victorian women’s representations of colonial life in India. These accounts contributed to imperial rule by exemplifying an idealized middle-class femininity and attesting to the Anglicisation of the subcontinent. Writers described familiarly feminine modes of experience, focusing on the domestic environment, household management, the family, hobbies and pastimes, romance and courtship and their busy social lives. However, this book reveals the extent to which their lives in India bore little resemblance to their lives in Britain and suggests that the acclaimed transportation of the home culture was largely an ideological construct iterated by women writers in the service of the Raj. In this way, they subverted the constraints of Victorian gender discourses and were part of a growing proto-feminism.
Imperial Women Writers in Victorian India: Representing Colonial Life, 1850-1910
by Éadaoin AgnewThis book is about Victorian women’s representations of colonial life in India. These accounts contributed to imperial rule by exemplifying an idealized middle-class femininity and attesting to the Anglicisation of the subcontinent. Writers described familiarly feminine modes of experience, focusing on the domestic environment, household management, the family, hobbies and pastimes, romance and courtship and their busy social lives. However, this book reveals the extent to which their lives in India bore little resemblance to their lives in Britain and suggests that the acclaimed transportation of the home culture was largely an ideological construct iterated by women writers in the service of the Raj. In this way, they subverted the constraints of Victorian gender discourses and were part of a growing proto-feminism.
Imperialism and juvenile literature (Studies in Imperialism #9)
by Jeffrey RichardsPopular culture is invariably a vehicle for the dominant ideas of its age. Never was this truer than in the late-nineteenth and early twentieth centuries, when it reflected the nationalist and imperialist ideologies current throughout Europe. It both reflects popular attitudes, ideas and preconceptions and it generates support for selected views and opinions. This book examines the various media through which nationalist ideas were conveyed in late-Victorian and Edwardian times: in the theatre, "ethnic" shows, juvenile literature, education and the iconography of popular art. It seeks to examine in detail the articulation and diffusion of imperialism in the field of juvenile literature by stressing its pervasiveness across boundaries of class, nation and gender. It analyses the production, distribution and marketing of imperially-charged juvenile fiction, stressing the significance of the Victorians' discovery of adolescence, technological advance and educational reforms as the context of the great expansion of such literature. An overview of the phenomenon of Robinson Crusoe follows, tracing the process of its transformation into a classic text of imperialism and imperial masculinity for boys. The imperial commitment took to the air in the form of the heroic airmen of inter-war fiction. The book highlights that athleticism, imperialism and militarism become enmeshed at the public schools. It also explores the promotion of imperialism and imperialist role models in fiction for girls, particularly Girl Guide stories.
Imperialism and the Wider Atlantic: Essays on the Aesthetics, Literature, and Politics of Transatlantic Cultures
by Tania Gentic Francisco Larubia-PradoThe essays in this volume broaden previous approaches to Atlantic literature and culture by comparatively studying the politics and textualities of Southern Europe, North America, and Latin America across languages, cultures, and periods. Historically grounded while offering new theoretical approaches, the volume encourages debate on whether the critical lens of imperialism often invoked to explain transatlantic studies may be challenged by the diagonal translinguistic relationships that comprise what the editors term "the wider Atlantic". The essays explore how instances of inverse coloniality, global networks of circulation, and linguistic conceptualizations of nation and identity question dominant structures of power from the nineteenth century to today.
Imperialism and the Wider Atlantic: Essays on the Aesthetics, Literature, and Politics of Transatlantic Cultures
by Tania Gentic Francisco Larubia-PradoThe essays in this volume broaden previous approaches to Atlantic literature and culture by comparatively studying the politics and textualities of Southern Europe, North America, and Latin America across languages, cultures, and periods. Historically grounded while offering new theoretical approaches, the volume encourages debate on whether the critical lens of imperialism often invoked to explain transatlantic studies may be challenged by the diagonal translinguistic relationships that comprise what the editors term "the wider Atlantic". The essays explore how instances of inverse coloniality, global networks of circulation, and linguistic conceptualizations of nation and identity question dominant structures of power from the nineteenth century to today.
Imperialism as Diaspora: Race, Sexuality, and History in Anglo-India (Postcolonialism Across the Disciplines #13)
by Ralph Crane Radhika MohanramWithin postcolonial studies, Britain’s long contact with India has been read generally only within the context of imperialism to inform our understanding of race, gender, identity, and power within colonialism. Such postcolonial interpretations that focus on single dimensions of identity risk disregarding the sense of displacement, discontinuities, and discomforts that compromised everyday life for the British in India—the Anglo-Indians—during the Raj. Imperialism as Diaspora reconsiders the urgencies, governing principles, and modes of being of the Anglo-Indians by approaching Britain’s imperial relationship with India from new, interdisciplinary directions. Moving freely between the disciplines of literature, history, and art this new work offers readers a more nuanced and comprehensive understanding of the lives of Anglo-Indians. Focussing on the years between the Indian Mutiny of 1857 and Independence in 1947—the period of the British Raj in India—Imperialism as Diaspora at once sets in motion the multidisciplinary fields of cultural and social history, art and iconography, and literary productions while carefully maintaining the tension between imperialism and diaspora in a ground-breaking reassessment of Anglo-India. Crane and Mohanram examine the seamless continuum between cultural history, the semiotics of art, and Anglo-Indian literary works. Specifically, they focus on the influence of the Sepoy Mutiny on Anglo-Indian identity; the trope of duty and the white man’s burden on the racialization of Anglo-India; the role of the missionary and the status of Christianity in India; and gender, love and contamination within mixed marriages.
Imperialism, Reform and the Making of Englishness in Jane Eyre
by S. ThomasThis new study demonstrates the precision of Brontë's historical setting of Jane Eyre . Thomas addresses the historical worlding of Brontë and her characters, mapping relations of genre and gender across the novel's articulation of questions of imperial history and relations, reform, racialization and the making of Englishness.
Imperialisms: Historical and Literary Investigations, 1500-1900
by E. Sauer B. RajanFilling a major gap in historical, literary, and post-colonial scholarship, Imperialisms examines the identity statements of the world's major imperialisms in multiple theatres of competition over the course of four centuries. Filling a major gap in historical, literary, and post-colonial scholarship, Imperialisms examines early identity statements and nuances of dominance of the world's major imperialisms in various theatres of competition. Developed in collaboration with leading scholars in the field, this book balances historical essays and case studies, and encourages investigations of conversant and competing imperialisms, their practices, and rhetoric of self-justification. Europe (west and east), India, the New World, Africa, and the Far East are among the sites of imperialism featured here, which are analyzed in relation to intersecting debates on politics, religion, literature, nationalism, commerce, conversion, and race. Valuable for preliminary or advanced studies, Imperialisms provides multiple points of entry into and guidelines for a conversation both current and vigorous.
Imperiled Heritage: Selected Essays by Klaus Garber (Studies in European Cultural Transition)
by Klaus Garber Max Reinhart Martin Stannard Greg WalkerThe most prolific historian of early modern German literature in the twentieth century, Klaus Garber has largely remained unknown to English-language scholars. The seven essays selected here are translated into English for the first time and represent the ’essence’ of Garber’s work. Central to Garber’s outlook is a break with the traditional canonization of culture into national categories. Moreover, he argues that literary history consists not only of intellectual history, but also political and social history. As he states in his preface to this volume: ’To bring Old Europe to life in all the variety of its cultural landscapes; to hear across space and time the voices that praised this multiplicity as a valuable possession; to be inspired by the past to respond to our own needs - these tasks constitute the noblest goal of early modern literary studies today.’
Imperiled Heritage: Selected Essays by Klaus Garber (Studies in European Cultural Transition)
by Max ReinhartThe most prolific historian of early modern German literature in the twentieth century, Klaus Garber has largely remained unknown to English-language scholars. The seven essays selected here are translated into English for the first time and represent the ’essence’ of Garber’s work. Central to Garber’s outlook is a break with the traditional canonization of culture into national categories. Moreover, he argues that literary history consists not only of intellectual history, but also political and social history. As he states in his preface to this volume: ’To bring Old Europe to life in all the variety of its cultural landscapes; to hear across space and time the voices that praised this multiplicity as a valuable possession; to be inspired by the past to respond to our own needs - these tasks constitute the noblest goal of early modern literary studies today.’
Imperium: From the Sunday Times bestselling author (Cicero Trilogy #1)
by Robert HarrisPRE-ORDER PRECIPICE, THE THRILLING NEW NOVEL FROM ROBERT HARRIS, NOW - PUBLISHING AUGUST 2024'Masterful' Sunday Times'Gripping and accomplished' Guardian'Truly gifted, razor-sharp' Daily TelegraphAncient Rome teems with ambitious and ruthless men. None is more brilliant than Marcus Cicero. A rising young lawyer, backed by a shrewd wife, he decides to gamble everything on one of the most dramatic courtroom battles of all time. Win it, and he could win control of Rome itself. Lose it, and he is finished forever.Imperium is an epic account of the timeless struggle for power and the sudden disintegration of a society.'In Harris' hands, the great game becomes a beautiful one' The Times'A further step forward by this brilliant man who excels in everything he writers' Sunday Telegraph
Imperium of the soul: The political and aesthetic imagination of Edwardian imperialists (Studies in Imperialism #144)
by Norman EtheringtonSome of the most compelling and enduring creative work of the late Victorian and Edwardian Era came from committed imperialists and conservatives. Their continuing popularity owes a great deal to the way their guiding ideas resonated with modernism in the arts and psychology. The analogy they perceived between the imperial business of subjugating savage subjects and the civilised ego's struggle to subdue the unruly savage within generated some of their best artistic endeavours. In a series of thematically linked chapters Imperium of the soul explores the work of writers Rudyard Kipling, Joseph Conrad, Rider Haggard and John Buchan along with the composer Edward Elgar and the architect Herbert Baker. It culminates with an analysis of their mutual infatuation with T. E. Lawrence - Lawrence of Arabia - who represented all their dreams for the future British Empire but whose ultimate paralysis of creative imagination exposed the fatal flaw in their psycho-political project. This transdisciplinary study will interest not only scholars of imperialism and the history of ideas but general readers fascinated by bygone ideas of exotic adventure and colonial rule.