- Table View
- List View
Impostors: Literary Hoaxes and Cultural Authenticity
by Christopher L. MillerWriting a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
Impostors: Literary Hoaxes and Cultural Authenticity
by Christopher L. MillerWriting a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
Impostors: Literary Hoaxes and Cultural Authenticity
by Christopher L. MillerWriting a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
Impostors: Literary Hoaxes and Cultural Authenticity
by Christopher L. MillerWriting a new page in the surprisingly long history of literary deceit, Impostors examines a series of literary hoaxes, deceptions that involved flagrant acts of cultural appropriation. This book looks at authors who posed as people they were not, in order to claim a different ethnic, class, or other identity. These writers were, in other words, literary usurpers and appropriators who trafficked in what Christopher L. Miller terms the “intercultural hoax.” In the United States, such hoaxes are familiar. Forrest Carter’s The Education of Little Tree and JT LeRoy’s Sarah are two infamous examples. Miller’s contribution is to study hoaxes beyond our borders, employing a comparative framework and bringing French and African identity hoaxes into dialogue with some of their better-known American counterparts. In France, multiculturalism is generally eschewed in favor of universalism, and there should thus be no identities (in the American sense) to steal. However, as Miller demonstrates, this too is a ruse: French universalism can only go so far and do so much. There is plenty of otherness to appropriate. This French and Francophone tradition of imposture has never received the study it deserves. Taking a novel approach to this understudied tradition, Impostors examines hoaxes in both countries, finding similar practices of deception and questions of harm.
Imposture
by Benjamin MarkovitsThree years after Lord Byron dismissed him from his service, Dr John Polidori has fallen on hard times. And then a young woman mistakes the doctor for the poet. As the pair fall in love, Polidori knows that he can only emerge from Byron's shadow if he confesses his true identity to the deluded girl; but was it only Byron's shadow that led her to love him in the first place? And a ghost story, The Vampyre, is published under Byron's name, but will the truth of the matter be uncovered?
The Impotency Poem from Ancient Latin to Restoration English Literature
by Hannah LaveryThe first book length study of the motif of impotency in poetry from early antiquity through to the late Restoration, this book explores the impotency poem as a recognisable form of poetry in the longer tradition of erotic elegy. Hannah Lavery’s central claim is that the impotency motif is adopted by poets in recognition of its potential to signify satirically through its use as symbol and allegory. By drawing together analysis of works in the tradition, Lavery shows how the impotency motif is used to engage with anxieties as to what it means to enact ’service’ within political and social contexts. She demonstrates that impotency poems can be seen on one level to represent bawdy escapism, but on the other to offer positions of resistance and opposition to social and political concerns contemporary to a particular time. Whilst the link between the 'Imperfect Enjoyment' poems by Ovid and Rochester is well known, Lavery here looks further back to the origins of the concept of male impotency as degradation in the works of earlier Roman poets. This is an important context for considering how the impotency poem then first appears in the French and English vernaculars during the sixteenth century, leading to translations and adaptations throughout the seventeenth century. Lavery's close readings of the poems consider both the nature of the literary form, and the political and social contexts within which the works appear, in order to chart the intertextual development of the impotency poem as a distinct form of writing in the early modern period.
The Impotency Poem from Ancient Latin to Restoration English Literature
by Hannah LaveryThe first book length study of the motif of impotency in poetry from early antiquity through to the late Restoration, this book explores the impotency poem as a recognisable form of poetry in the longer tradition of erotic elegy. Hannah Lavery’s central claim is that the impotency motif is adopted by poets in recognition of its potential to signify satirically through its use as symbol and allegory. By drawing together analysis of works in the tradition, Lavery shows how the impotency motif is used to engage with anxieties as to what it means to enact ’service’ within political and social contexts. She demonstrates that impotency poems can be seen on one level to represent bawdy escapism, but on the other to offer positions of resistance and opposition to social and political concerns contemporary to a particular time. Whilst the link between the 'Imperfect Enjoyment' poems by Ovid and Rochester is well known, Lavery here looks further back to the origins of the concept of male impotency as degradation in the works of earlier Roman poets. This is an important context for considering how the impotency poem then first appears in the French and English vernaculars during the sixteenth century, leading to translations and adaptations throughout the seventeenth century. Lavery's close readings of the poems consider both the nature of the literary form, and the political and social contexts within which the works appear, in order to chart the intertextual development of the impotency poem as a distinct form of writing in the early modern period.
Impoverished Miss, Convenient Wife (Mills And Boon Historical Ser. #299)
by Michelle StylesHis unexpected bride…
Impractical Magic
by null Emily GrimoirePerfect for readers of Pumpkin Spice Café, Erin Sterling and Lana Harper. In Oak Haven, this witch is about to brew up more trouble than she bargained for… When Scarlett Melrose receives a call from her estranged sisters, she immediately knows something is wrong. The magic at their mother’s inn – and in fact, the whole of Oak Haven – has gone awry, and they need her help to save it. As the conflicted middle-child, returning home has given Scarlett the heebie jeebies. And to make matters worse, she’s just come face-to-face with charming old flame and handyman, Nate. When her spell to fix the magic goes horribly wrong, all Scarlett wants to do is flee back to the peace and quiet of her San Francisco flat. But she can’t keep running away forever, and she’ll need all the help she can to solve this magical mess. With time slipping away, Scarlett must learn that sometimes the greatest spells really do come with the greatest responsibility – especially when love is involved… *** Perfect for fans of: Grumpy x sunshine ☀️ Slow burn 🔥 Witchy aesthetic 🔮✨ Cosy small town 🍂☕
The Impregnable Women
by Eric LinklaterThe Next Great War begins, and soon all Europe is involved. The war lasts a year - and then the women, robbed of husbands and sweethearts and sons, grow doubtful of the benefits of military policy, and begin to think that victory will come too late to do them any good.But what can they do? A remedy was discovered by Aristophanes about 2350 years ago. It is re-discovered and re-applied. And it is again successful.This is an Aristophanic comedy, and takes some Aristophanic liberties. It is satirical when the author pleases and when he cares to be serious he is very serious indeed. There is no monotony. The story shifts from realism to wild burlesque; from earnest appeal to uproarious extravagance.The final scenes are in Edinburgh. Aristophanes made his insurgent women seize the Acropolis - here they take possession of Edinburgh Castle, as tall an eminence, and hold it against the infuriated men. The fight for the Castle is the culminating incident in a vigorous and many-sided novel.
The Impressionist
by Hari KunzruAn adventure brimming with colour, energy and humour -- the acclaimed debut novel from the author of White TearsThis is the extraordinary story of a child conceived in a wild monsoon night, a boy destined to be an outsider, a man with many names and no name.Born into luxury but disinherited and cast out onto the streets of Agra, Pran Nath must become a chameleon. Chasing his fortune, he will travel from the red light district of Bombay to the green lawns of England to the unmapped African wilderness. He will play many different roles -- a young prize in a brothel, the adopted son of Scottish missionaries, the impeccably educated young Englishman headed for Oxford -- in order to find the role that will finally fit.Daring and riotously inventive, The Impressionist is an odyssey of self-discovery: a tale of the many lives one man can live and of the universal search for true identity.
Impressions of Southern Italy: British Travel Writing from Henry Swinburne to Norman Douglas (Routledge Research in Travel Writing)
by Sharon OudittNaples was conventionally the southernmost stop of the Grand Tour beyond which, it was assumed, lay violent disorder: earthquakes, malaria, bandits, inhospitable inns, few roads and appalling food. On the other hand, Southern Italy lay at the heart of Magna Graecia, whose legends were hard-wired into the cultural imaginations of the educated. This book studies the British travellers who visited Italy's Southern territories. Spanning the late eighteenth century to the mid-twentieth century, the author considers what these travellers discovered, not in the form of a survey, but as a series of unfolding impressions disclosing multiple Southern Italies. Of the numerous travellers analysed within this volume, the central figures are Henry Swinburne, Craufurd Tait Ramage and Norman Douglas, whose Old Calabria (1915) remains in print. Their appeal is that they take the region seriously: Southern Italy wasn't simply a testing ground for their superior sensibilities, it was a vibrant curiosity, unknown but within reach. Was the South simply behind on the road to European integration; or was it beyond a fault line, representing a viable alternative to Northern neuroses? The travelogues analysed in this book address a wide variety of themes which continue to shape discussions about European identity today.
Impressions of Southern Italy: British Travel Writing from Henry Swinburne to Norman Douglas (Routledge Research in Travel Writing)
by Sharon OudittNaples was conventionally the southernmost stop of the Grand Tour beyond which, it was assumed, lay violent disorder: earthquakes, malaria, bandits, inhospitable inns, few roads and appalling food. On the other hand, Southern Italy lay at the heart of Magna Graecia, whose legends were hard-wired into the cultural imaginations of the educated. This book studies the British travellers who visited Italy's Southern territories. Spanning the late eighteenth century to the mid-twentieth century, the author considers what these travellers discovered, not in the form of a survey, but as a series of unfolding impressions disclosing multiple Southern Italies. Of the numerous travellers analysed within this volume, the central figures are Henry Swinburne, Craufurd Tait Ramage and Norman Douglas, whose Old Calabria (1915) remains in print. Their appeal is that they take the region seriously: Southern Italy wasn't simply a testing ground for their superior sensibilities, it was a vibrant curiosity, unknown but within reach. Was the South simply behind on the road to European integration; or was it beyond a fault line, representing a viable alternative to Northern neuroses? The travelogues analysed in this book address a wide variety of themes which continue to shape discussions about European identity today.
Impressions of Theophrastus Such (Pickering Women's Classics)
by George EliotGeorge Eliot (1819-80) is one of the most widely-read of the 19th-century novelists and story-writers. "Impressions of Theophrastus Such" appeared in 1879, Eliot's last completed work. It consists of 18 short essays narrated by a middle-aged bachelor, Theophrastus.
Impressions of Theophrastus Such (Pickering Women's Classics)
by George EliotGeorge Eliot (1819-80) is one of the most widely-read of the 19th-century novelists and story-writers. "Impressions of Theophrastus Such" appeared in 1879, Eliot's last completed work. It consists of 18 short essays narrated by a middle-aged bachelor, Theophrastus.
Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama (Material Readings in Early Modern Culture)
by Harry NewmanImpressive Shakespeare reassesses Shakespeare’s relationship with "print culture" in light of his plays’ engagement with the language and material culture of three interrelated "impressing technologies": wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to "imprint" early modern audiences and readers with ideas, morals and memories, and—looking to our own cultural moment—shows how Shakespeare has been historically constructed as an "impressive" dramatist. Through material readings of four plays—Coriolanus, A Midsummer Night’s Dream, Measure for Measure and The Winter’s Tale—Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare’s critical afterlife. The book pushes the boundaries of what we understand by "print culture", and challenges assumptions about the emergence of concepts now central to Shakespeare’s perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood. Harry Newman’s suggestive analysis of techniques and tropes of sealing, coining and printing produces a revelatory account of Shakespearean creative poetics. It’s sustainedly startling in its rereading of familiar lines - but the chapter I found most original is on Measure for Measure: Newman is the first critic to attempt to interpret the play’s authorial status as part of its own thematic and linguistic interrogation of illegitimacy and counterfeiting. He makes authorship matter in a literary and creative, rather than a quantitative and statistical, sense. Impressive Shakespeare is a brilliant scholarly debut. - Emma Smith Editor, Shakespeare Survey Professor of Shakespeare Studies, Hertford College, Oxford
Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama (Material Readings in Early Modern Culture)
by Harry NewmanImpressive Shakespeare reassesses Shakespeare’s relationship with "print culture" in light of his plays’ engagement with the language and material culture of three interrelated "impressing technologies": wax sealing, coining, and typographic printing. It analyses the material and rhetorical forms through which drama was thought to "imprint" early modern audiences and readers with ideas, morals and memories, and—looking to our own cultural moment—shows how Shakespeare has been historically constructed as an "impressive" dramatist. Through material readings of four plays—Coriolanus, A Midsummer Night’s Dream, Measure for Measure and The Winter’s Tale—Harry Newman argues that Shakespeare deploys the imprint as a self-reflexive trope in order to advertise the value of his plays to audiences and readers, and that in turn the language of impression has shaped, and continues to shape, Shakespeare’s critical afterlife. The book pushes the boundaries of what we understand by "print culture", and challenges assumptions about the emergence of concepts now central to Shakespeare’s perceived canonical value, such as penetrating characterisation, poetic transformation, and literary fatherhood. Harry Newman’s suggestive analysis of techniques and tropes of sealing, coining and printing produces a revelatory account of Shakespearean creative poetics. It’s sustainedly startling in its rereading of familiar lines - but the chapter I found most original is on Measure for Measure: Newman is the first critic to attempt to interpret the play’s authorial status as part of its own thematic and linguistic interrogation of illegitimacy and counterfeiting. He makes authorship matter in a literary and creative, rather than a quantitative and statistical, sense. Impressive Shakespeare is a brilliant scholarly debut. - Emma Smith Editor, Shakespeare Survey Professor of Shakespeare Studies, Hertford College, Oxford
Imprimatur: An Atto Melani Novel
by Rita Monaldi Francesco SortiAn exuberant and discursive historical novel, crammed with fascinating detail.' The Independent It's 11 September 1683, Rome. The citizens of the city wait anxiously for the outcome of the battle for Vienna as Ottoman forces lay siege to the defenders of Catholic Europe. Meanwhile, a suspected outbreak of plague causes a famous Roman tavern to be placed under quarantine. One of its detainees, the mysterious Atto Melani, a spy in the service of France, discovers a secret passage leading deep into the Roman underworld. A plot to assassinate the pope and plans to use the plague as a weapon of mass destruction in the battle between Islam and the West are discovered. Meticulously researched and brilliantly conceived, "Imprimatur" contains startling revelations that have been concealed for centuries, drawing on original papers discovered in the Vatican archives. A thriller in the vein of Umberto Eco's "The Name of the Rose", this novel sheds new light on the power struggles of 17th-century Europe, the repercussions of which are still felt today. First published to great controversy in Italy in 2002, "Imprimatur" was boycotted by the Italian press and publishing world. Despite this, the novel has gained European bestseller status; it has been translated into 20 languages with editions published in 45 countries. Over 1 million copies have been sold to date.
The Imprint of Another Life: Adoption Narratives and Human Possibility
by Margaret HomansThe Imprint of Another Life: Adoption Narratives and Human Possibilityaddresses a series of questions about common beliefs about adoption. Underlying these beliefs is the assumption that human qualities are innate and intrinsic, an assumption often held by adoptees and their families, sometimes at great emotional cost. This book explores representations of adoption—transracial, transnational, and domestic same-race adoption—that reimagine human possibility by questioning this assumption and conceiving of alternatives. Literary scholar Margaret Homans examines fiction making’s special relationship to themes of adoption, an “as if” form of family making, fabricated or fictional instead of biological or “real.” Adoption has tended to generate stories rather than uncover bedrock truths. Adoptive families are made, not born; in the words of novelist Jeanette Winterson, “adopted children are self-invented because we have to be.” In attempting to recover their lost histories and identities, adoptees create new stories about themselves. While some believe that adoptees cannot be whole unless they reconnect with their origins, others believe that privileging biology reaffirms hierarchies (such as those of race) that harm societies and individuals. Adoption is lived and represented through an irresolvable tension between belief in the innate nature of human traits and belief in their constructedness, contingency, and changeability. The book shows some of the ways in which literary creation, and a concept of adoption as a form of creativity, manages this tension. The texts examined include fiction (e.g., classic novels such as Silas Marner, What Maisie Knew, and Beloved); memoirs by adoptees, adoptive parents, and birthmothers; drama, documentary films, advice manuals, social science writing; and published interviews with adoptees, parents, and birth parents. Along the way the book tracks the quests of adoptees who, whether or not they meet their original families, must construct their own stories rather than finding them; follows transnational adoptees as they return, hopes held high, to Korea and China; looks over the shoulders of a generation of girls adopted from China as they watch Disney’s iconic Mulan, with its alluring story of destiny written on the skin; and listens to birthmothers as they struggle to tell painful secrets held for decades. This book engages in debates within adoption studies, women’s and gender studies, transnational studies, and ethnic studies; it will appeal to literary scholars and critics, including specialists in memoir or narrative theory, and to general readers interested in adoption and in race.
Imprison the Sky (The Elementae)
by A. C. Gaughen"[A] fantasy romance in the vein of books by Sabaa Tahir, Renee Ahdieh." - School Library Journal on Reign the EarthThe sweeping Elementae series continues with a heroine so powerful she can command the sky . . .Stolen from her family as a child, Aspasia has clawed her way up the ranks of Cyrus's black market empire to captain her own trading vessel--and she risks it all every time she uses her powerful magic to free as many women, children, and Elementae from slavery as she can. But Cyrus is close to uncovering her secrets--not only that Aspasia is a wind Elementa with the ability to sail her ship through the sky, but that she is also searching for her lost family. And if Aspasia can't find her younger siblings before Cyrus does, she will never be able to break free. Armed with her loyal crew full of Elementae and a new recruit who controls an intriguing power, Aspasia finds herself in the center of a brewing war that spans every inch of the ocean, and her power alone may not be enough to save her friends, family, and freedom.
Imprisoned by a Vow: Mr Right At The Wrong Time / Imprisoned By A Vow / The Millionaire And The Maid (Mills And Boon Modern Ser. #5)
by Annie WestSigned, sealed… for ever!
Imprisoned By The Greek's Ring: Castiglione's Pregnant Princess; Consequence Of His Revenge; Imprisoned By The Greek's Ring; Blackmailed Into The Marriage Bed (Conveniently Wed! #4)
by Caitlin CrewsHis vengeance won’t be complete……until he has her as his bride!
Imprisoned By Love
by C. S. BrahamsDeputy head teacher, Sophie Boswell, is back from Croatia and set to tackle the new academic year at her independent school in London. As the term unfolds, Sophie’s husband Michael’s increasingly erratic behaviour begins to take its toll on her. Everything is in a state of flux. Sophie’s world is no longer safe. How will she cope with Michael’s confusion and violence at home while maintaining authority and dignity at work?Imprisoned by Love is a compelling story about living with dementia. The author's debut novel provides an arresting insight into the uncomfortable realities of balancing love and duty. With her many years in the teaching profession, C.S. Brahams is all too aware of the problems teachers face keeping up appearances in the classroom whilst compartmentalising their personal struggles. In the past, the author was deeply affected by a significant trauma which left her emotionally labile; it was this strain of maintaining authority on the surface whilst drowning beneath it that made her want to explore someone's mental health whilst dealing with a personal crisis at home.
Impro: Improvisation and the Theatre (Performance Books)
by Keith JohnstoneA leading figure in the theatre, Keith Johnstone lays bare his techniques and exercises to foster spontaneity and narrative skill for actors. These techniques and exercises were evolved in the actors' studio, when he was Associate Director of the Royal Court and then in demonstrations to schools and colleges and ultimately in the founding of a company of performers called The Theatre Machine. Divided into four sections, "Status", "Spontaneity", "Narrative Skills" and "Masks and Trance", arranged more or less in the order a group might approach them, the book sets out the specific approaches which Johnstone has himself found most useful and most stimulating. The result is a fascinating exploration of the nature of spontaneous creativity. "If teachers were honoured in the British theatre along-side directors, designers and playwrights, Keith Johnstone would be as familiar a name as are those of . . . Jocelyn Herbert, Edward Bond and other young talents who were drawn to the great lodestone of the Royal Court Theatre in the late 1950s. As head of the script department, Johnstone played a crucial part in the development of the 'writers' theatre . . . " Irving Wardle
Impro: Improvisation and the Theatre (Performance Books)
by Keith JohnstoneA leading figure in the theatre, Keith Johnstone lays bare his techniques and exercises to foster spontaneity and narrative skill for actors. These techniques and exercises were evolved in the actors' studio, when he was Associate Director of the Royal Court and then in demonstrations to schools and colleges and ultimately in the founding of a company of performers called The Theatre Machine. Divided into four sections, "Status", "Spontaneity", "Narrative Skills" and "Masks and Trance", arranged more or less in the order a group might approach them, the book sets out the specific approaches which Johnstone has himself found most useful and most stimulating. The result is a fascinating exploration of the nature of spontaneous creativity. "If teachers were honoured in the British theatre along-side directors, designers and playwrights, Keith Johnstone would be as familiar a name as are those of . . . Jocelyn Herbert, Edward Bond and other young talents who were drawn to the great lodestone of the Royal Court Theatre in the late 1950s. As head of the script department, Johnstone played a crucial part in the development of the 'writers' theatre . . . " Irving Wardle