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Improving Passions: Sentimental Aesthetics and American Film

Reappraises – and reinstates – the jurisprudence of Judge Schreber, looking beyond his mental health to his distinguished contribution to legal theory

Improving Passions: Sentimental Aesthetics and American Film

A bold study on the very epicentre of Victorian ideology: the white, male body

Improvisation and the Making of American Literary Modernism

Improvisation, despite its almost ubiquitous presence in many art forms, is notoriously misunderstood and mysterious. Although earlier strands of American philosophy and art emphasized what might be called improvisational practices, it was during the modernist period that improvisational practice and theory began to make a significant impact on art and culture, specifically via the African American musical forms of jazz and blues. This musical development held important consequences for the larger artistic, cultural, and political life of America as a whole-and, eventually, the world. The historical convergence of jazz and philosophical currents like pragmatism in American culture provides the framework for Wallace's discussion of improvisation in literary modernism. Focusing on poets ranging from Gertrude Stein to Langston Hughes, Wallace's work provides a fresh perspective on the complex circuits of modernist culture. Improvisation and The Making of American Literary Modernism will be of interest to scholars of poetry, music, American and modernist studies, and race and ethnic studies.

Improvisation as Art: Conceptual Challenges, Historical Perspectives (New Directions in German Studies)

Improvisation as Art traces how modernity's emphasis on inventiveness has changed the meaning of improvisation; and how the ideals and laws that led improvisation to be banned from "high art" in the eighteenth century simultaneously enabled the inventive reintegration of improvisation into modernism. After an in-depth exploration of contemporary theoretical contentions surrounding improvisation, Landgraf examines how the new emphasis on inventiveness affects the understanding of improvisation in the emerging aesthetic and anthropological discourses of the late 18th and early 19th centuries. He first focuses on accounts of improvisational performances by Moritz, Goethe, and Fernow and reads them alongside the aesthetics of autonomy as it develops at the same time. In its second half, the book investigates how the problem of "planning" art receives a different treatment in German Romanticism. The final chapter focuses on the writings of Heinrich von Kleist where improvisation presents a central aesthetic principle. Kleist's figurations of improvisation recognize the anthropological predicament of the self in modern society and the social constraints that invite and often force individuals to improvise.

Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature

There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.

Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature

There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.

Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature

There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.

Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature

There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.

Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature

There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.

Improvising Improvisation: From Out of Philosophy, Music, Dance, and Literature

There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.

Imprudence: Book Two of The Custard Protocol (The Custard Protocol #2)

From New York Times bestselling author Gail Carriger comes the stunning sequel to Prudence. Rue and the crew of the Spotted Custard return from India with revelations that shake the foundations of England's scientific community. Queen Victoria is not amused, the vampires are tetchy, and something is wrong with the local werewolf pack. To top it all off, Rue's best friend Primrose keeps getting engaged to the most unacceptable military types. Rue has family problems as well. Her vampire father is angry, her werewolf father is crazy, and her obstreperous mother is both. Worst of all, Rue's beginning to suspect that what they really are . . . is frightened.

An Imprudent Lady (Fortney Follies #1)

As a young woman, Lady Charlotte Fortney learned what passion truly was from her handsome neighbor, Daniel Walsh.

Impulse: The Lightship Chronicles (The\lightship Chronicles #Bk. 1)

A remote solar systemA fragile galactic allianceAn interstellar war is on the brink of eruption...When the Lightship Impulse is attacked without provocation, Lt. Peter Cochrane, son of the Grand Admiral, is sent to investigate.His first deep space mission, this isn't what Peter has spent three years in training for. Surrounded by strangers and following secret orders, is he willing to do what it takes to keep the alliance together? Even mutiny?Book one in The Lightship Chronicles, a groundbreaking new action-adventure space opera from Dave Bara

Impulse: The Lightship Chronicles (The\lightship Chronicles #Bk. 1)

A remote solar systemA fragile galactic allianceAn interstellar war is on the brink of eruption...When the Lightship Impulse is attacked without provocation, Lt. Peter Cochrane, son of the Grand Admiral, is sent to investigate.His first deep space mission, this isn't what Peter has spent three years in training for. Surrounded by strangers and following secret orders, is he willing to do what it takes to keep the alliance together? Even mutiny?Book one in The Lightship Chronicles, a groundbreaking new action-adventure space opera from Dave Bara

Impulse (Mills And Boon M&b Ser.)

“Angela, be serious. You could not possibly marry one of the grooms. That’s absurd. ”

Impulse (Mills And Boon Vintage Desire Ser.)

Headed For the Altar? The stranger's name was Chas Cougar and he was so divine that Amy Allen just had to meet him. He was in town for a Cougar family wedding, so she decided to pose as Cougar kin and crash the festivities. Oh, sure, it was deceptive… but what else was a lonely female to do?

Impulse: Faces of Evil 2 (The Faces of Evil #2)

The second novel in Debra Webb's internationally bestselling FACES OF EVIL series, for fans of Karen Rose, Katia Lief and Mary Burton.He will hurt those she loves...Special Agent Jess Harris is the only person to have come close to The Player, a terrifying serial killer. And now, as she tries to rebuild her life in her hometown of Birmingham, Alabama - with the offer of promotion and the prospect of love - The Player has other ideas...Until she is his.He is fixated on Jess, on how close she came to catching him and on the terrifying revenge he plans to enact when he finds her. As it becomes clear that he is targeting those closest to her, Jess realises that the only way to save them is to sacrifice herself. But can he be stopped?Jess is determined to protect those she loves and defend her way of life. But will she be strong enough? And how high a price might she have to pay?Catch the rest of the heart-stopping series: Obsession, Power, Rage, Revenge and Ruthless.

The Impulse of Fantasy Literature

The Impulse Purchase: The unmissable heartwarming and uplifting read for 2023 from the Sunday Times bestselling author

'Gorgeous. A joy to read from start to finish' JILL MANSELL'An exquisite story bursting at the seams with summer, hope and love' MILLY JOHNSONSometimes you have to let your heart rule your head . . .Cherry, Maggie and Rose are mother, daughter and granddaughter, each with their own hopes, dreams and even sorrows. They have always been close, so when, in a moment of impulse, Cherry buys a gorgeous but rundown pub in the village she grew up in, it soon becomes a family affair.All three women uproot themselves and move to Rushbrook, deep in the heart of Somerset, to take over The Swan and restore it to its former glory. Cherry is at the helm, Maggie is in charge of the kitchen, and Rose tends the picturesque garden that leads down to the river.Before long, the locals are delighted to find the beating heart of the village is back, bringing all kinds of surprises through the door.Could Cherry's impulse purchase change all their lives - and bring everyone the happiness they're searching for?Escape to the glorious Somerset countryside with this joyful and uplifting story of family, love and hope. Praise for The Impulse Purchase from your favourite authors:'Uplifting, inspiring and guaranteed to make you hungry' SARAH MORGAN'Warm, escapist and utterly uplifting, this is Veronica Henry at her very best' LUCY DIAMOND'A lovely, cosy, delicious read' LIBBY PAGE'Perfect escapism full of warmth, joy and a brilliant cast of characters' ALEX BROWN

An Impulsive Debutante: An Impulsive Debutante / A Question Of Impropriety (Mills And Boon Historical Ser. #1)

Indulge your fantasies of delicious Regency Rakes, fierce Viking warriors and rugged Highlanders. Be swept away into a world of intense passion, lavish settings and romance that burns brightly through the centuries A kiss, a carriage ride, a hasty wedding!

Impure Cinema: Intermedial and Intercultural Approaches to Film

Impure Cinema goes back to Bazin's original title precisely for its defence of impurity, applying it on the one hand to cinema's interbreeding with other arts and on the other to its ability to convey and promote cultural diversity. In contemporary progressive film criticism, ideas of purity, essence and origin have been superseded by favourable approaches to 'hybridization', 'transnationalism', 'multiculturalism' and cross-fertilizations of all sorts. Impure Cinema builds on this idea in novel and exciting ways, as it draws on cinema's combination of intermedial and intercultural aspects as a means to bridge the divide between studies of aesthetics and culture. Film is revealed here as the location par excellence of media encounters, mutual questioning and self-dissolution into post-medium experiments. Most importantly, the book argues, film's intermedial relations can only be properly understood if their cultural determinants are taken into account. Scholars and students of film, cinefiles and students of the arts will discover here unexpected connections across many artistic practices.

Impure Cinema: Intermedial and Intercultural Approaches to Film (World Cinema)

André Bazin's famous article, 'Pour un cinéma impur: défense de l'adaptation', was first translated into English simply as 'In Defence of Mixed Cinema', probably to avoid any uncomfortable sexual or racial resonances the word 'impure' might have. Impure Cinema goes back to Bazin's original title precisely for its defence of impurity, applying it on the one hand to cinema's interbreeding with other arts and on the other to its ability to convey and promote cultural diversity. In contemporary progressive film criticism, ideas of purity, essence and origin have been superseded by favourable approaches to 'hybridization', 'transnationalism', 'multiculturalism' and cross-fertilizations of all sorts. Impure Cinema builds on this idea in novel and exciting ways, as it draws on cinema's combination of intermedial and intercultural aspects as a means to bridge the divide between studies of aesthetics and culture. Film is revealed here as the location par excellence of media encounters, mutual questioning and self-dissolution into post-medium experiments. Most importantly, the book argues, film's intermedial relations can only be properly understood if their cultural determinants are taken into account. Scholars and students of film, cinéfiles and students of the arts will discover here unexpected connections across many artistic practices.

Impure thoughts: Sexuality, Catholicism and literature in twentieth-century Ireland

Impure thoughts is the first study of the twentieth-century Irish Catholic Bildungsroman. This comparative examination of six Irish novelists tracks the historical evolution of a literary genre and its significant role in Irish culture. With chapters on James Joyce and Kate O’Brien, along with studies of Maura Laverty, Patrick Kavanagh, Edna O’Brien and John McGahern, this book offers a fresh new approach to the study of twentieth-century Irish writing and of the twentieth-century novel.Combining the study of literature and of archival material, Impure thoughts also develops a new interpretive framework for studying the history of sexuality in twentieth-century Ireland. Addressing itself to a wide set of interdisciplinary questions about Irish sexuality, modernity and post-colonial development, as well as Irish literature, it will be of interest to students and scholars in various disciplines, including literary studies, history, sociology and gender studies.

In a Better Place: A Doctor’s Journey

A doctor's white coat is like an armour against the world. Cool and confident behind it, smiling to reassure nervous patients, while the doctor's own anxieties and uncertainties remain well hidden. In a Better Place takes us to the world behind that self-assured exterior through the lives of Sudha, practising in a busy hospital in the heart of Delhi, her husband, Girish, and their close circle of doctor friends and colleagues.It is a world of sudden crises and long hours in bleak hospital wards, courageous fights to save a life and heartbreak, personal dilemmas and aspirations for a better life, but also the great satisfactions of a job well done. Always there is the pulsating canvas of the city-first the hospital in Delhi, then in England. From minor observations to broader strokes-a doctor evaluating quickly what to do to save a patient, the rusty screech of a screen as it is pulled to give privacy to a patient being given emergency care, to a tea seller near the IIT gate and a dhaba which serves excellent food, the details help us connect to Sudha, Girish, Jai and Sanjay with a rare immediacy. Always, like a good doctor does her patient, Bornali Datta carries the reader along with her. Sudha and her husband do get to be where they think they want to be, but, as this engaging novel develops, it is not quite what they wanted, they realise.

In a Bind: Watch And Learn; In A Bind; No Peeking... (Sex For Beginners Ser. #434)

An unfulfilled desire. A life on the verge of change. And an old letter that ignites a delicious chain of events! Zoe Smythe, an engaged international flight attendant, is suddenly very curious. The letter she wrote to herself ten years ago reminds her that her deepest sexual fantasy is bondage. And she's never experienced it!