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Instant Gratification (Wilder #Bk. 2)

by Jill Shalvis

'Perfect, feel-good fiction' Sarah Morgan on The Lemon SistersIf you love Holly Martin, Jill Mansell and Debbie Macomber, you'll LOVE Jill Shalvis and her irresistible trademark gift for humour, warmth and romance!Jill's books are guaranteed to make you smile:'You can't go wrong with a Jill Shalvis book' 5* reader review'A heartwarming read with all the feels' 5* reader review'Another winner... I cannot wait for more' 5* reader review'A riveting and comforting romance' 5* reader reviewWelcome to Wishful, California, where the air is mountain clean, the people are small-town friendly and the wide-open spaces are perfect for a woman wanting to reinvent herself.There was a time when Dr. Emma Sinclair wanted to challenge herself, sharpen her medical skills by plunging into the relentless pace of a New York City ER. But she was younger then. Now she's not that much older, but at least she's wise enough to jump at the chance to run her father's clinic for a summer in the Sierra Nevadas. Here she treats bee stings, stomach flu, and the occasional pet cat. She also contends with patients like Stone Wilder, laid-back and well-aware of his good looks - and irritating beyond belief. The man laughs at her. And Emma loathes him. Partly because she can't resist his smile and the gleam in his eyes...As co-owner of Wilder Adventures and Expeditions, Stone knows when he sees a fish out of water. He also knows how to put it back in the water. When he tries to help Emma loosen up a bit, he pictures white-water rafting or scenic mountain hikes. He never bargained for a much more intimate encounter. Still, Emma's sure she has no place in a town like Wishful, but Stone knows different. Emma belongs here - in this town, in his life. Convincing her is a challenge he was born to take...Want more warm, funny romance? Check out the Heartbreaker Bay novels starting with Sweet Little Lies, visit stunning Wildstone, gorgeous Cedar Ridge, spellbinding Lucky Harbor or experience some Animal Magnetism in Sunshine, Idaho in Jill's other unforgettable series.

Instant Husband (The\wedding Night Ser. #1001)

by Judith McWilliams

CELEBRATION 1000 The Wedding Night MAIL-ORDER MRS.

Instant In The Wind

by André Brink

In early 1749 a white woman and a black man are stranded in the wilderness of the South African interior. She is an educated woman, totally helpless in the wilds. He is a runaway slave. They know only each other. At first their relationship is guarded, poisoned by the black and white in them both. But hesitantly there emerges between them a fellowship that engulfs their most private selves, as they face the long trek back to civilisation.

Instant Mother (Mills And Boon Vintage Cherish Ser. #No. 415)

by Emma Richmond

Wife for a year! A recent accident has left Alexa Gifford homeless, jobless and manless, with a rather scruffy dog to support! Her situation looks pretty desperate until her longtime friend Stefan Blake offers her a new position…as his wife!

Instant Prairie Family (Mills And Boon Love Inspired Historical Ser.)

by Bonnie Navarro

HE CAN’T LET HER STAY Will Hopkins’s new housekeeper is the prettiest young woman he’s ever seen—and that’s the problem. Will thought Abigail Stewart was a middle-aged matron well suited to hardscrabble prairie life. Even if his young sons are entranced by her wholesome kindness, his only option is to send Abby back east.

Instant Temptation (Wilder #3)

by Jill Shalvis

'Perfect, feel-good fiction' Sarah Morgan on The Lemon SistersIf you love Holly Martin, Jill Mansell and Debbie Macomber, you'll LOVE Jill Shalvis and her irresistible trademark gift for humour, warmth and romance!Jill's books are guaranteed to make you smile:'You can't go wrong with a Jill Shalvis book' 5* reader review'A heartwarming read with all the feels' 5* reader review'Another winner... I cannot wait for more' 5* reader review'A riveting and comforting romance' 5* reader reviewTo Harley Stephens, the landscape around Wishful, California, is exhilarating, untamed, and more than a little dangerous...The same could be said for T.J. Wilder, who's invited himself along on her trek to study a rare coyote. He's the perfect package of breathtaking adventure and excitement. But Harley's career is riding on this trip, and she doesn't need a stubborn, incredibly sexy distraction tagging along.For T.J., Harley is the one woman he's never been able to forget. But he's a professional guide who knows when to stay back and when to provide invaluable expertise - just like he's done since they were in high school. And Harley, as usual, is torn between throttling him and giving in to the raw attraction that's been smoldering all these years.After waiting so long, it's all about timing...Want more warm, funny romance? Check out the Heartbreaker Bay novels starting with Sweet Little Lies, visit stunning Wildstone, gorgeous Cedar Ridge, spellbinding Lucky Harbor or experience some Animal Magnetism in Sunshine, Idaho in Jill's other unforgettable series.

Instapoetry: Digitale Bild-Texte (Essays zur Gegenwartsästhetik)

by Niels Penke

Instapoetry zählt zu den populärsten literarischen Phänomenen der Gegenwart. In wenigen Jahren sind Millionen von kurzen bis ultra-kurzen Texten auf Instagram publiziert und geteilt worden. Im Kampf um Aufmerksamkeit mit unzähligen anderen Texten müssen die Mechanismen der Plattform und die Nutzungsroutinen der User bedient werden. Der äußere Druck auf die literarische Produktion ist immens. Das Buch erklärt die Produktionsstrategien und Rezeptionsverfahren von Instapoetry, erläutert ihre Entwicklung und verortet ihre Bedeutung – irgendwo zwischen letzter Verfallsstufe und Zukunft der Lyrik.

Instapoetry: Digital Image Texts

by Niels Penke

Instapoetry is one of the most popular literary phenomena of our time. In just a few years, millions of short to ultra-short texts have been published and shared on Instagram. In the battle for attention with countless other texts, the mechanisms of the platform and the usage routines of the users have to be served. The external pressure on literary production is immense. The book explains the production strategies and reception procedures of Instapoetry, explains its development and locates its significance - somewhere between the last stage of decay and the future of poetry.

Instauration der Erde: Konstitutives Erzählen im Anthropozän und die kritischen Zonen der Literatur (Environmental Humanities #2)

by Simon Probst

Mit dem Anthropozän wird oft das Entstehen einer planetaren Universalität und die ‚Wiederkehr der großen Erzählungen‘ verknüpft. Die Verflechtungen von Menschen und Erde werden hier zur Grundlage kultureller Selbstverständigung. Das Buch untersucht strukturelle Merkmale und Problemkonstellationen dieser erdgebundenen konstitutiven Erzählungen. Wie können sie globale Ungleichheiten berücksichtigen? Wie lassen sie die Erde und andere Spezies zu Wort kommen? Inwiefern sind diese Erzählungen selbst planetare Kräfte? Und: Wie kann das Eigenwissen der Literatur unseren Blick auf die Erde erweitern? Diese Fragen werden im Dialog von Wissenschaft und Literatur untersucht. Eingehende Lektüren verbinden kanonische Texten des Anthropozän-Diskurses (z.B. Dipesh Chakrabarty, Donna Haraway, Bruno Latour und Isabelle Stengers) mit literarischen Stimmen (Ursula K. Le Guin, Daniel Falb, Christoph Ransmayr).

Instead of Dying (Colorado Prize for Poetry)

by Lauren Haldeman

Invoking spiders and senators, physicists and aliens, Lauren Haldeman’s second book, Instead of Dying, decodes the world of death with a powerful mix of humor, epiphany, and agonizing grief. In the spirit of Calvino’s Invisible Cities, these poems compulsively imagine alternate realities for a lost sibling (“Instead of dying, they inject you with sunlight & you live” or “Instead of dying, you join a dog-sledding team in Quebec”), relentlessly recording the unlived possibilities that blossom from the purgative magical thinking of mourning. Whether she is channeling Google Maps Street View to visit a scene of murder (“Because / a picture of this place is / also a picture of you”) or investigating the origins of consciousness (“Yes, alien / life-forms exist / they are your thoughts”), Haldeman wrenches verse into new sublime forms, attempting to both translate the human experience as well as encrypt it, inviting readers into realms where we hover, plunge, rise again, and ascend.

Instead of modernity: The Western canon and the incorporation of the Hispanic (c. 1850–75) (Interventions: Rethinking the Nineteenth Century)

by Andrew Ginger

This book revisits the claim that a key dimension of cultural modernity – understood as a turn to the autonomy of the signs and the erasure of the 'face of man' - arose in the mid-nineteenth century. It presents an alternative to that obsession, focusing instead on the aesthetic appreciation of forms through which connections are realised across place and time. The book is one of few to offer a comparative approach to numerous major writers and artists of this period over diverse countries. Specifically, the comparative approach overcomes the constitutively ambiguous relation between the modern and the Hispanic. The Hispanic is often imagined as at once foundational for and excluded from the modern world. Its reincorporation into the story of the mid-century unsettles the notion of modernity. The book offers instead an experiment in writing, tracing commonalities across place and time, and drawing on mid-century expressions of such likenesses.

Instead of modernity: The Western canon and the incorporation of the Hispanic (c. 1850–75) (Interventions: Rethinking the Nineteenth Century)

by Andrew Ginger

This book revisits the claim that a key dimension of cultural modernity – understood as a turn to the autonomy of the signs and the erasure of the 'face of man' - arose in the mid-nineteenth century. It presents an alternative to that obsession, focusing instead on the aesthetic appreciation of forms through which connections are realised across place and time. The book is one of few to offer a comparative approach to numerous major writers and artists of this period over diverse countries. Specifically, the comparative approach overcomes the constitutively ambiguous relation between the modern and the Hispanic. The Hispanic is often imagined as at once foundational for and excluded from the modern world. Its reincorporation into the story of the mid-century unsettles the notion of modernity. The book offers instead an experiment in writing, tracing commonalities across place and time, and drawing on mid-century expressions of such likenesses.

Instinct

by Ben Kay

Hidden in a remote corner of the South American jungle is a clandestine research facility known simply as MEROS. Here, working in laboratories buried a thousand feet underground, military scientists have developed the most astonishing and deadly weapon known to man . . .Meanwhile, on the other side of the globe, a Chinook helicopter lands a highly trained squad of special forces soldiers deep in hostile territory - their mission: to clean up a black-ops killzone. As they enter the cave, they hear the faint buzz of the weapon - like the beating of a thousand pairs of insect wings . . .

Instinct: Chronicles Of Nick (Chronicles of Nick #Bk. 6)

by Sherrilyn Kenyon

Zombies, demons, vampires, shapeshifters - another day in the life of Nick Gautier - and those are just his friends. But now that he's accepted the demon that lives inside him, he must learn to control it and temper the very emotions that threaten the lives of everyone he cares for. Something that's hard to do while trying to stay off the menus of those who want his head on a platter. And no one wants him more than the dark gods who created his race. Now that they know where he is, they will stop at nothing to reclaim him. And without knowing it, Nick has just embraced the one person he should never have trusted. The one person who will hand him over to his enemies to get back the life they lost.Nick has finally accepted his fate, now he must learn to defy his destiny, and the dark, deadly forces that will stop at nothing to destroy everyone he loves so that they can again return to the world of man and own it.

Instinctive Male (Heartbreakers #10)

by Cait London

Past experience had taught Mikhail Stepanov to keep his boss's dangerously alluring daughter at arm's length. But once the desperate single mother turned to him, how could he resist? In his embrace, Ellie wasn't the willful heiress he remembered but a fiery temptress he was determined to have and to hold forever….

The Institute: A Novel

by Stephen King

'It does everything you'd expect of a masterpiece - and it is one' Sunday Express'Hums and crackles with delicious unease' Independent'A captivating, hybrid novel that shape-shifts through several genres' The Sunday TimesDeep in the woods of Maine, there is a dark state facility where kids, abducted from across the United States, are incarcerated. In the Institute they are subjected to a series of tests and procedures meant to combine their exceptional gifts - telepathy, telekinesis - for concentrated effect. Luke Ellis is the latest recruit. He's just a regular 12-year-old, except he's not just smart, he's super-smart. And he has another gift which the Institute wants to use...Far away in a small town in South Carolina, former cop Tim Jamieson has taken a job working for the local sheriff. He's basically just walking the beat. But he's about to take on the biggest case of his career.Back in the Institute's downtrodden playground and corridors where posters advertise 'just another day in paradise', Luke, his friend Kalisha and the other kids are in no doubt that they are prisoners, not guests. And there is no hope of escape.But great events can turn on small hinges and Luke is about to team up with a new, even younger recruit, Avery Dixon, whose ability to read minds is off the scale. While the Institute may want to harness their powers for covert ends, the combined intelligence of Luke and Avery is beyond anything that even those who run the experiments - even the infamous Mrs Sigsby - suspect.Thrilling, suspenseful, heartbreaking, THE INSTITUTE is a stunning novel of childhood betrayed and hope regained.

The Institute

by Maria Del Rey

When Lucy is sentenced to be rehabiliated in a bizarre institute for the treatment of delinquent girls, she finds that the discplinary methods used are not what she has been led to expect. They are, in fact, decidedly perverse.

The Institution

by Helen Fields

‘Brilliant! The Institution is a harrowing, nonstop story that will grab you from the first page and not let go. Helen Fields is a master of suspense. You’ll consume it in one sitting.’ – International bestselling sensation JEFFERY DEAVER They’re locked up for your safety. Now, you’re locked in with them.

The Institution of Criticism

by Peter Uwe Hohendahl

German radicals of the 1960s announced the death of literature. For them, literature both past and present, as well as conventional discussions of literary issues, had lost its meaning. In The Institution of Criticism, Peter Uwe Hohendahl explores the implications of this crisis from a Marxist perspective and attempts to define the tasks and responsibilities of criticism in advanced capitalist societies. Hohendahl takes a close look at the social history of literary criticism in Germany since the eighteenth century. Drawing on the tradition of the Frankfurt School and on Jürgen Habermas’s concept of the public sphere, Hohendahl sheds light on some of the important political and social forces that shape literature and culture. The Institution of Criticism is made up of seven essays originally published in German and a long theoretical introduction written by the author with English-language readers in mind. This book conveys the rich possibilities of the German perspective for those who employ American and French critical techniques and for students of contemporary critical theory.

The Institution of Theory

by Murray Krieger

In The Institution of Theory, Murray Krieger examines, at once sympathetically and critically, the process by which theory has become institutionalized in the American academy and the consequences of theory as an academic institution. He traces the transformation of literary theory into critical theory and relates it to changes in the place of literature within questions about discourse at large. And he faces the costs as well as the gains of the recent denial of privilege to the literary. To support his view of the issues at stake in current theoretical debates, Krieger surveys both the history of American criticism and the general history of literary theory in the West. He sees divisions in each of them that foreshadow the current debates: in the first a conflict between the social and the aesthetic functions of literature, and in the second a conflict between the treatment of literature as a reflection of a culture's ideology and the treatment of literature as a subversion of that ideology. To what extent, he asks, are our debates new and to what extent are they merely refashioned versions of those we have always had?

The Institution of Theory

by Murray Krieger

Originally published in 1994. In The Institution of Theory, Murray Krieger examines, at once sympathetically and critically, the process by which theory has become institutionalized in the American academy and the consequences of theory as an academic institution. He traces the transformation of literary theory into critical theory and relates it to changes in the place of literature within questions about discourse at large. And he faces the costs as well as the gains of the recent denial of privilege to the literary. To support his view of the issues at stake in current theoretical debates, Krieger surveys both the history of American criticism and the general history of literary theory in the West. He sees divisions in each of them that foreshadow the current debates: in the first a conflict between the social and the aesthetic functions of literature, and in the second a conflict between the treatment of literature as a reflection of a culture's ideology and the treatment of literature as a subversion of that ideology. To what extent, he asks, are our debates new and to what extent are they merely refashioned versions of those we have always had?

Institutions of World Literature: Writing, Translation, Markets (Routledge Interdisciplinary Perspectives on Literature)

by Pieter Vermeulen Stefan Helgesson

This volume engages critically with the recent and ongoing consolidation of "world literature" as a paradigm of study. On the basis of an extended, active, and ultimately more literary sense of what it means to institute world literature, it views processes of institutionalization not as limitations, but as challenges to understand how literature may simultaneously function as an enabling and exclusionary world of its own. It starts from the observation that literature is never simply a given, but is always performatively and materially instituted by translators, publishers, academies and academics, critics, and readers, as well as authors themselves. This volume therefore substantiates, refines, as well as interrogates current approaches to world literature, such as those developed by David Damrosch, Pascale Casanova, and Emily Apter. Sections focus on the poetics of writers themselves, market dynamics, postcolonial negotiations of discrete archives of literature, and translation, engaging a range of related disciplines. The chapters contribute to a fresh understanding of how singular literary works become inserted in transnational systems and, conversely, how transnational and institutional dimensions of literature are inflected in literary works. Focusing its methodological and theoretical inquiries on a broad archive of texts spanning the triangle Europe-Latin America-Africa, the volume unsettles North America as the self-evident vantage of recent world literature debates. Because of the volume’s focus on dialogues between world literature and fields such as postcolonial studies, translation studies, book history, and transnational studies, it will be of interest to scholars and students in a range of areas.

Institutions of World Literature: Writing, Translation, Markets (Routledge Interdisciplinary Perspectives on Literature)

by Pieter Vermeulen Stefan Helgesson

This volume engages critically with the recent and ongoing consolidation of "world literature" as a paradigm of study. On the basis of an extended, active, and ultimately more literary sense of what it means to institute world literature, it views processes of institutionalization not as limitations, but as challenges to understand how literature may simultaneously function as an enabling and exclusionary world of its own. It starts from the observation that literature is never simply a given, but is always performatively and materially instituted by translators, publishers, academies and academics, critics, and readers, as well as authors themselves. This volume therefore substantiates, refines, as well as interrogates current approaches to world literature, such as those developed by David Damrosch, Pascale Casanova, and Emily Apter. Sections focus on the poetics of writers themselves, market dynamics, postcolonial negotiations of discrete archives of literature, and translation, engaging a range of related disciplines. The chapters contribute to a fresh understanding of how singular literary works become inserted in transnational systems and, conversely, how transnational and institutional dimensions of literature are inflected in literary works. Focusing its methodological and theoretical inquiries on a broad archive of texts spanning the triangle Europe-Latin America-Africa, the volume unsettles North America as the self-evident vantage of recent world literature debates. Because of the volume’s focus on dialogues between world literature and fields such as postcolonial studies, translation studies, book history, and transnational studies, it will be of interest to scholars and students in a range of areas.

Instructed to Play

by

Ten sexy stories about bad behaviour and the disciplinary measures taken to correct it. Original erotica from Monica Belle, Rose de Fer, Liz Coldwell, Heather Towne, and many more.

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