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The Third Space: Body, Voice, and Imagination
by Robert LewisThe Third Space serves a crucial need for contemporary performers by providing an interdisciplinary and physiovocal approach to training. It is a new take on body and voice integration designed to develop the holistic performer. It takes performers through a series of step-by-step practical physiovocal exercises that connects the actor’s centre to the outside world, which increases awareness of self and space. It also develops a deeper connection between spaces within the body and the environment by connecting sound, imagination, and movement.Robert Lewis’s approach is a way of working that unlocks the imagination as well as connecting performers to self, space, and imagination, through voice and body. It conditions, controls, and engages performers by integrating various voice and movement practices.The theories and practice are balanced throughout by: introducing the practical works theoretical underpinnings through research, related work, and case studies of performances; demonstrating a full program of exercises that helps performers get in touch with their centre, their space, and shape both within and outside the body; and exploring the performers physiovocal instrument and its connection with imagination, energies, and dynamics. This book is the result of nearly 20 years of research and practice working with voice and movement practitioners across the globe to develop training that produces performers that are physiovocally ready to work in theatre, screen, and emergent technologies.
Thirty Years with the Big Bands
by Arthur RolliniArthur Rollini describes his career as a tenor saxophonist in the big US jazz orchestras. In the 1920s he played in London with the Savoy Dance Orchestra and on his return to the USA he joined the nascent Benny Goodman Orchestra, before working in the bands of the Dorsey Brothers, Paul Whiteman and Ray McKinley. He thus tells an insider's story of the foremost white swing orchestras. Rollini's account of the early development of jazz in England and Europe and of the growth of the Goodman Orchestra will be of great use to jazz historians, as will his discussion of his brother Adrian's career. The book contains a number of rare photographs.
This Beats Perfect (This Beats Perfect #2)
by Rebecca Denton'This Beats Perfect is a fabulous celebration of music, friendship, and following your dreams' Katherine Webber, author of Wing JonesAmelie Ayres has impeccable taste in music. Bowie. Bush. Bob. So when she finds herself backstage at The Keep's only UK gig she expects to hate it; after all they are the world's most tragic band. In fact she feels a grudging respect - not (obviously) for their music, but for the work that goes in to making them megastars. And when lead singer, 'Maxx', is not dressed up as a cross between Elvis and a My Little Pony, he is actually rather normal, talented and has creative struggles not too dissimilar to her own. But the next morning she wakes up and rolls over to discover a million new @'s on social media. Overnight, a photo of her at the gig has made her a subject of global speculation. Suddenly the world needs to know #Who'sThatGirl? - but for all the wrong reasons.All Amelie wants is to play her music. She's got the guitar, the songs, the soul and, in the safety of her bedroom, she's got the voice. But when it comes to getting up on stage, she struggles with self-doubt.Immaculate's a concept. Flawless is fake. But just sometimes music - and hearts - can rock a perfect beat.'A witty exploration into the world of celebrity' The Sun
This Day in Rap and Hip-Hop History
by Chuck DForeword by Shepard Fairey.As featured in Best stocking-filler books of 2017 - The GuardianIf you want to understand our culture. To learn knowledge itself. Truth about the art form of poetry in motion. The struggle of our community through rhyme and rhythm. This is the book that inspired me long before I found my place in hip-hop. The power of self-expression. Unapologetically. Taught by the teacher himself. Chuck D!!!Kendrick LamarThis book is required reading for those who claim to know hip-hop, love hip-hop, and want their information from a true Master and General of the hip-hop culture...Public Enemy #1, Chuck D!Ice-TChuck D wasn't put here to play any games. He created the greatest hip-hop album in my opinion to date, It Takes a Nation of Millions to Hold Us Back. But the very first minute he sonically appeared to us, I knew rap was changed forever. Power, awareness, strength, and militancy is his stance in a world obsessed with punishing poor people. I knew he would righteously and boldly die so that a little young boy he didn't even know from Queensbridge could live. He attacked wickedness head-on being the rappin' rhino terror that he is. He represented for all of us putting his life on the line and making the right music fighting for hip hop, the youth, truth, and justice. Chuck D made the lane for people like me to walk.NasReading this book is like reliving my life all over again. Chuck D is Dope!!!LL Cool JIn the more than 40 years since the days of DJ Kool Herc and "Rapper's Delight," hip-hop and rap have become a billion-pound worldwide cultural phenomenon that reaches well beyond music, into fashion, movies, art and politics. Yet there is no definitive history of the genre - until now.This massive compendium details the most iconic moments and influential songs in the genre's recorded history, from Kurtis Blow's "Christmas Rappin'" to The Miseducation of Lauryn Hill to Kendrick Lamar's verse on "Control." Also included are key events in hip-hop history, from Grandmaster Flash's first scratch through to Tupac's holographicappearance at Coachella.Throughout the book, Chuck offers an insider's perspective on the chart toppers, artists and key moments. Illustrating the pages are more than 150 portraits from mADurgency, an artist collective specialising in art and design for the hip-hop community.
This Is a Call: The Life And Times Of Dave Grohl
by Paul Brannigan‘Someone called and said Kurt died. I just f*****g lost it.’
This Is Christmas, Song by Song: The Stories Behind 100 Holiday Hits
by Annie ZaleskiCelebrate the merriest season of the year with award-winning author and music journalist Annie Zaleski's collection of the 100 most popular and beloved holiday songs of all time. 'Tis the season! Break out the eggnog, hang the mistletoe, blast those Christmas songs, and settle down in your favorite armchair with this beautifully illustrated volume exploring well-known and lesser-known behind-the-scenes stories of the 100 most cherished holiday songs of all time and their everlasting impact. From artists such as Bing Crosby and Ella Fitzgerald all the way up to Mariah Carey and Ariana Grande, this all-encompassing collection of holiday favorites (called one of "the 25 best Christmas books of all time" by Book Riot) is sure to warm your heart during the merriest season of the year. What song was listed in the Guinness Book of World Records as the best-selling single of all time? Which popular Christmas tune was reportedly written to commemorate Thanksgiving? What holiday song led to a special meet-and-greet between the song's 10-year-old singer and a 700-pound hippopotamus? Spanning musical genres and decades of classics and modern hits, some of the featured songs include: &“White Christmas&” by Bing Crosby "All I Want for Christmas Is You" by Mariah Carey "Deck the Halls" by Mannheim Steamroller &“Christmas Tree Farm&” by Taylor Swift &“Christmas Time (Is Here Again)" by The Beatles &“Feliz Navidad&” by José Feliciano "Rudolph the Red-Nosed Reindeer" by Gene Autry "You Make It Feel Like Christmas" by Gwen Stefani &“Santa Baby&” by Eartha Kitt &“Rockin&’ around the Christmas Tree&” by Brenda Lee &“Merry Christmas, Happy Holidays&” by NSYNC &“Run Rudolph Run&” by Chuck Berry And many more! Including full-color illustrations throughout, this gorgeously packaged compendium is the perfect gift for you and your loved ones to experience the holiday magic year after year.
This Is Grime
by Hattie Collins Olivia Rose'In British music, you have indie, rock... Grime is now one of those pillars. It's a foundation of British music.' - StormzyShortlisted for the Penderyn Music Book Prize 201713 years ago, from the depths of Bow E3, the voice of a generation emerged.It was dark, it was angry, it was loud, it was unapologetic. It was provocative and fiercely independent.It was the brittle sound of disillusionment, resentment and despair, but also the voice of hope...This Is Grime.Written by Hattie Collins (i-D, the Guardian, The Sunday Times), an authority on Grime who has documented the scene since its beginnings, and accompanied by beautiful images shot by award-winning photographer Olivia Rose solely for the book, THIS IS GRIME will have unrivaled access to the artists and influencers who have created and cultivated the culture over the past fifteen years. Telling their stories and the story of this musical culture - one of the most significant working class British subcultures of its time - in tandem.
This is Not a Remix: Piracy, Authenticity and Popular Music
by Margie BorschkeWidespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture. This Is Not a Remix uncovers the analog roots of digital practices and brings the long history of copies and piracy into contact with contemporary controversies about the reproduction, use and circulation of recordings on the internet.Borschke examines the innovations that have sprung from the use of recording formats in grassroots music scenes, from the vinyl, tape and acetate that early disco DJs used to create remixes to the mp3 blogs and vinyl revivalists of the 21st century. This is Not A Remix challenges claims that 'remix culture' is a substantially new set of innovations and highlights the continuities and contradictions of the Internet era. Through an historical focus on copy as a property and practice, This Is Not a Remix focuses on questions about the materiality of media, its use and the aesthetic dimensions of reproduction and circulation in digital networks. Through a close look at sometimes illicit forms of composition-including remixes, edits, mashup, bootlegs and playlists-Borschke ponders how and why ideals of authenticity persist in networked cultures where copies and copying are ubiquitous and seemingly at odds with romantic constructions of authorship. By teasing out unspoken assumptions about media and culture, this book offers fresh perspectives on the cultural politics of intellectual property in the digital era and poses questions about the promises, possibilities and challenges of network visibility and mobility.
This is Not a Remix: Piracy, Authenticity and Popular Music
by Margie BorschkeWidespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture. This Is Not a Remix uncovers the analog roots of digital practices and brings the long history of copies and piracy into contact with contemporary controversies about the reproduction, use and circulation of recordings on the internet.Borschke examines the innovations that have sprung from the use of recording formats in grassroots music scenes, from the vinyl, tape and acetate that early disco DJs used to create remixes to the mp3 blogs and vinyl revivalists of the 21st century. This is Not A Remix challenges claims that 'remix culture' is a substantially new set of innovations and highlights the continuities and contradictions of the Internet era. Through an historical focus on copy as a property and practice, This Is Not a Remix focuses on questions about the materiality of media, its use and the aesthetic dimensions of reproduction and circulation in digital networks. Through a close look at sometimes illicit forms of composition-including remixes, edits, mashup, bootlegs and playlists-Borschke ponders how and why ideals of authenticity persist in networked cultures where copies and copying are ubiquitous and seemingly at odds with romantic constructions of authorship. By teasing out unspoken assumptions about media and culture, this book offers fresh perspectives on the cultural politics of intellectual property in the digital era and poses questions about the promises, possibilities and challenges of network visibility and mobility.
This is the Sound of Irony: Music, Politics And Popular Culture (Ashgate Popular and Folk Music Series)
by Katherine L. TurnerThe use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics of messaging. Contributors to this collection address a variety of musical ironies found in the ’notes themselves,’ in the text or subtext, and through performance, reception and criticism. The chapters explore the linkages between irony and the comic, the tragic, the remembered, the forgotten, the co-opted, and the resistant. From the nineteenth to twenty-first centuries, through America, Europe and Asia, this provocative range of ironies course through issues of race, religion, class, the political left and right, country, punk, hip hop, folk, rock, easy listening, opera and the technologies that make possible our pop music experience. This interdisciplinary volume creates new methodologies and applies existing theories of irony to musical works that have made a cultural or political impact through the use of this most multifaceted of devices.
This is the Sound of Irony: Music, Politics And Popular Culture (Ashgate Popular and Folk Music Series)
by Katherine L. TurnerThe use of irony in music is just beginning to be defined and critiqued, although it has been used, implied and decried by composers, performers, listeners and critics for centuries. Irony in popular music is especially worthy of study because it is pervasive, even fundamental to the music, the business of making music and the politics of messaging. Contributors to this collection address a variety of musical ironies found in the ’notes themselves,’ in the text or subtext, and through performance, reception and criticism. The chapters explore the linkages between irony and the comic, the tragic, the remembered, the forgotten, the co-opted, and the resistant. From the nineteenth to twenty-first centuries, through America, Europe and Asia, this provocative range of ironies course through issues of race, religion, class, the political left and right, country, punk, hip hop, folk, rock, easy listening, opera and the technologies that make possible our pop music experience. This interdisciplinary volume creates new methodologies and applies existing theories of irony to musical works that have made a cultural or political impact through the use of this most multifaceted of devices.
This Is What It Sounds Like: What the Music You Love Says About You
by Dr. Susan Rogers Ogi OgasLegendary record producer-turned-brain scientist explains why you fall in love with music.'Extraordinary insights about music, emotion and the brain...An instant classic' Daniel Levitin, author of This Is Your Brain on MusicThis Is What It Sounds Like is a journey into the science and soul of music. It's also the story of a musical trailblazer who began as a humble audio tech in L.A. to become Prince's chief engineer for Purple Rain and one of the most successful female record producers of all time.Now an award-winning professor of cognitive neuroscience, Dr Susan Rogers takes readers behind the scenes of record-making and leads us to musical self-awareness. She explains that everyone possesses a unique 'listener profile', shows how being musical can mean actively listening, and encourages us to think about the records that define us. Lively and illuminating, this book will refresh your playlists, deepen your connection to artists, and change the way you listen to music.'Superb... this book can show you how to be a better listener' Times Literary Supplement 'A provocative blend of studio stories and fascinating neuroscience' Alan Light, author of Let's Go Crazy: Prince and the Making of Purple Rain'Fizzing with energy and insight...a crucial addition to the canon of music must-reads' Kate Hutchinson
This is Your Brain on Music: Understanding a Human Obsession
by Daniel LevitinThis is the first book to offer a comprehensive explanation of how humans experience music and to unravel the mystery of our perennial love affair with it. Using musical examples from Bach to the Beatles, Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience.Music is an obsession at the heart of human nature, even more fundamental to our species than language. In This Is Your Brain On Music Levitin offers nothing less than a new way to understand it, and its role in human life
This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century
by Steven HydenThe making and meaning of Radiohead's groundbreaking, controversial, epoch-defining album, Kid A.In 1999, as the end of an old century loomed, five musicians entered a recording studio in Paris without a deadline. Their band was widely recognized as the best and most forward-thinking in rock, a rarefied status granting them the time, money, and space to make a masterpiece. But Radiohead didn't want to make another rock record. Instead, they set out to create the future.For more than a year, they battled writer's block, inter-band disagreements, and crippling self-doubt. In the end, however, they produced an album that was not only a complete departure from their prior guitar-based rock sound, it was the sound of a new era, and embodied widespread changes catalyzed by emerging technologies just beginning to take hold of the culture.What they created was Kid A. At the time, Radiohead's fourth album divided critics. Some called it an instant classic; others, including the U.K. music magazine Melody Maker, deemed it "tubby, ostentatious, self-congratulatory . . . whiny old rubbish." But two decades later, Kid A sounds like nothing less than an overture for the chaos and confusion of the twenty-first century.Acclaimed rock critic Steven Hyden digs deep into the songs, history, legacy, and mystique of Kid A, outlining the album's pervasive influence and impact on culture, in time for its 20th anniversary. Deploying a mix of criticism, journalism, and personal memoir, Hyden skillfully revisits this enigmatic, alluring LP and investigates the many ways in which Kid A shaped and foreshadowed our world.
This Land Is Your Land: Woody Guthrie and the Journey of an American Folk Song
by Robert Santelli"This Land Is Your Land" is the most iconic folk song in American history, and is the masterwork of one of America's greatest artists, Woody Guthrie. Written in 1940 and first recorded in 1944, the song became an instant hit, and then a point of controversy, and finally a cross-generation anthem. It's been co-opted and rewritten in many other countries. Praised for its heartfelt lyrics and accompanying pride and spirit, no folk song has made such a lasting impression on American culture—or stirred as much controversy.The book will publish to coincide with "Woody at 100"— a partnership between the Grammy Museum and the Guthrie Archives to stage numerous celebratory events throughout 2012 nationwide and beyond.This Land Is Your Land is a remarkably detailed account of the journey of America's most celebrated folk song. It also details Guthrie's legendary journey from Oklahoma across the Heartland to New York City, where he wrote many of his works including "This Land Is Your Land."With more than forty rare black-and-white photographs from the Woody Guthrie archives, a removable poster, plus original interviews with Bob Dylan, Bruce Springsteen, Willie Nelson, Pete Seeger, John Mellencamp, and more, This Land Is Your Land delivers a revealing portrait of an American treasure.
This Land that I Love: Irving Berlin, Woody Guthrie, and the Story of Two American Anthems
by John ShawFebruary, 1940: After a decade of worldwide depression, World War II had begun in Europe and Asia. With Germany on the march, and Japan at war with China, the global crisis was in a crescendo. America's top songwriter, Irving Berlin, had captured the nation's mood a little more than a year before with his patriotic hymn, "God Bless America.”Woody Guthrie was having none of it. Near-starving and penniless, he was traveling from Texas to New York to make a new start. As he eked his way across the country by bus and by thumb, he couldn't avoid Berlin's song. Some people say that it was when he was freezing by the side of the road in a Pennsylvania snowstorm that he conceived of a rebuttal. It would encompass the dark realities of the Dust Bowl and Great Depression, and it would begin with the lines: "This land is your land, this land is my land....”In This Land That I Love, John Shaw writes the dual biography of these beloved American songs. Examining the lives of their authors, he finds that Guthrie and Berlin had more in common than either could have guessed. Though Guthrie's image was defined by train-hopping, Irving Berlin had also risen from homelessness, having worked his way up from the streets of New York.At the same time, This Land That I Love sheds new light on our patriotic musical heritage, from "Yankee Doodle” and "The Star-Spangled Banner” to Martin Luther King's recitation from "My Country 'Tis of Thee” on the steps of the Lincoln Memorial in August 1963. Delving into the deeper history of war songs, minstrelsy, ragtime, country music, folk music, and African American spirituals, Shaw unearths a rich vein of half-forgotten musical traditions. With the aid of archival research, he uncovers new details about the songs, including a never-before-printed verse for "This Land Is Your Land.” The result is a fascinating narrative that refracts and re-envisions America's tumultuous history through the prism of two unforgettable anthems.
This Must Be The Place: An Architectural History of Popular Music Performance Venues
by Robert KronenburgThis Must Be The Place is the first architectural history of popular music performance space, describing its beginnings, its different typologies, and its development into a distinctive genre of building design. It examines the design and form of popular music architecture and charts how it has been developed in ad-hoc ways by non-professionals such as building owners, promoters, and the musicians themselves as well as professionally by architects, designers, and construction specialists. With a primary focus on Europe and North America (and excursions to Australia, the Far East and South America), it explores audience experience and how venues have influenced the development of different musical scenes. From music halls and Vaudeville in the 1800s, via the seminal clubs and theatres of the 20th century, to the large-scale multi-million-dollar arena concerts of today, this book explores the impact that the use of private and public space for performance has on our cities' urban identity, and, to a lesser extent, how rural space is perceived and used. Like architecture, popular music is neither static nor standardized; it continuously develops and has multiple strands. This Must Be The Place describes the factors that have determined the development of music venue architecture, focusing on both famous and less well-known examples from the smallest bar room music space to the largest stadium-filling rock set.
This Must Be The Place: An Architectural History of Popular Music Performance Venues
by Robert KronenburgThis Must Be The Place is the first architectural history of popular music performance space, describing its beginnings, its different typologies, and its development into a distinctive genre of building design. It examines the design and form of popular music architecture and charts how it has been developed in ad-hoc ways by non-professionals such as building owners, promoters, and the musicians themselves as well as professionally by architects, designers, and construction specialists. With a primary focus on Europe and North America (and excursions to Australia, the Far East and South America), it explores audience experience and how venues have influenced the development of different musical scenes. From music halls and Vaudeville in the 1800s, via the seminal clubs and theatres of the 20th century, to the large-scale multi-million-dollar arena concerts of today, this book explores the impact that the use of private and public space for performance has on our cities' urban identity, and, to a lesser extent, how rural space is perceived and used. Like architecture, popular music is neither static nor standardized; it continuously develops and has multiple strands. This Must Be The Place describes the factors that have determined the development of music venue architecture, focusing on both famous and less well-known examples from the smallest bar room music space to the largest stadium-filling rock set.
This Searing Light, the Sun and Everything Else: Joy Division: The Oral History
by Jon SavageThe SUNDAY TIMES Top Ten Bestseller#1 Book of the Year, UNCUT#1 Book of the Year, ROUGH TRADEBook of the Year, MOJOOver the course of two albums and some legendary gigs, Joy Division became the most successful and exciting underground band of their generation. Then, on the brink of a tour to America, Ian Curtis took his own life.In This Searing Light, the Sun and Everything Else, Jon Savage has assembled three decades' worth of interviews with the principal players in the Joy Division story to create an intimate, candid and definitive account of the band. It is the story of how a group of young men can galvanise a generation of fans, artists and musicians with four chords and three-and-a-half minutes of music. And it is the story of how illness and inner demons can rob the world of a shamanic lead singer and visionary lyricist.
This Thing Called Life: Prince, Race, Sex, Religion, and Music
by Joseph VogelWhat were Prince's politics? What did he believe about God? And did he really forsake the subject-sex-that once made him the most subversive superstar of the Reagan era? In this illuminating thematic biography, Joseph Vogel explores the issues that made Prince one of the late 20th century's most unique, controversial, and fascinating artists.Since his unexpected death in 2016, Prince has been recognized by peers, critics, and music fans alike. President Barack Obama described him as "one of the most gifted and prolific musicians of our time.†? Yet in spite of the influx of attention, much about Prince's creative life, work, and cultural impact remains thinly examined. This Thing Called Life fills this vacuum, delving deep into seven key topics-politics, sound, race, gender, sex, religion, and death-that allow us to see Prince in fresh, invigorating new ways. Accessible and timely, This Thing Called Life takes the reader on a journey through the catalog and creative revolution of one of America's most compelling and elusive icons.
This Thing Called Life: Prince, Race, Sex, Religion, and Music
by Joseph VogelWhat were Prince's politics? What did he believe about God? And did he really forsake the subject-sex-that once made him the most subversive superstar of the Reagan era? In this illuminating thematic biography, Joseph Vogel explores the issues that made Prince one of the late 20th century's most unique, controversial, and fascinating artists.Since his unexpected death in 2016, Prince has been recognized by peers, critics, and music fans alike. President Barack Obama described him as “one of the most gifted and prolific musicians of our time.” Yet in spite of the influx of attention, much about Prince's creative life, work, and cultural impact remains thinly examined. This Thing Called Life fills this vacuum, delving deep into seven key topics-politics, sound, race, gender, sex, religion, and death-that allow us to see Prince in fresh, invigorating new ways. Accessible and timely, This Thing Called Life takes the reader on a journey through the catalog and creative revolution of one of America's most compelling and elusive icons.
This Too is Music
by Rena UpitisThis Too is Music guides and motivates teachers to foster playful and motivating classroom conditions that enable elementary students to thrive as musicians in every way-as singers, improvisers, critical listeners, storytellers, dancers, performers, and composers. Told through anecdotes and illustrated with musical examples, the book explores how all of these aspects of music making are intertwined, quelling any doubts teachers may have regarding their abilities to create an environment where children can improvise, dance, compose, and notate their musical offerings. While the book acknowledges the importance of traditional approaches to teaching notation and performance, the emphasis is on the student's point of view, illustrating how young musicians can learn when their musical ideas are honored and celebrated. Various teaching ideas are presented-some exploratory in nature, others involving direct instruction. Regardless of their nature, all of the activities arise from research on children's musical development in general and their development of notational systems in particular. The ideas and activities have been tested in multiple elementary-classroom environments and pre-service settings. The activities center on music through movement, song, various types of performances, improvisation, and composition and notational development. These activities, which encompass both small-scale classroom lessons and large-scale productions, engage children across subjects, including language, drama, and mathematics. Activities encompass both small-scale classroom lessons and large-scale productions. The book underscores the timeless quality of this pedagogy; even in our digital age, this musical environment appeals to children. The work invites readers to adapt the ideas to their own teaching settings, showing both pre-service and established teachers that they can teach music creatively to build community and to inspire all who enter there.
THIS TOO IS MUSIC C
by Rena UpitisThis Too is Music guides and motivates teachers to foster playful and motivating classroom conditions that enable elementary students to thrive as musicians in every way-as singers, improvisers, critical listeners, storytellers, dancers, performers, and composers. Told through anecdotes and illustrated with musical examples, the book explores how all of these aspects of music making are intertwined, quelling any doubts teachers may have regarding their abilities to create an environment where children can improvise, dance, compose, and notate their musical offerings. While the book acknowledges the importance of traditional approaches to teaching notation and performance, the emphasis is on the student's point of view, illustrating how young musicians can learn when their musical ideas are honored and celebrated. Various teaching ideas are presented-some exploratory in nature, others involving direct instruction. Regardless of their nature, all of the activities arise from research on children's musical development in general and their development of notational systems in particular. The ideas and activities have been tested in multiple elementary-classroom environments and pre-service settings. The activities center on music through movement, song, various types of performances, improvisation, and composition and notational development. These activities, which encompass both small-scale classroom lessons and large-scale productions, engage children across subjects, including language, drama, and mathematics. Activities encompass both small-scale classroom lessons and large-scale productions. The book underscores the timeless quality of this pedagogy; even in our digital age, this musical environment appeals to children. The work invites readers to adapt the ideas to their own teaching settings, showing both pre-service and established teachers that they can teach music creatively to build community and to inspire all who enter there.
This Woman's Work: Essays on Music
by VariousThis Woman's Work: Essays on Music is edited by Kim Gordon and Sinéad Gleeson and features contributors Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li and Zakia Sewell.Published to challenge the historic narrative of music and music writing being written by men, for men, This Woman's Work seeks to confront the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space. Women have to speak up, to shout louder to tell their story - like the auteurs and ground-breakers featured in this collection, including: Anne Enright on Laurie Anderson; Megan Jasper on her ground-breaking work with Sub Pop; Margo Jefferson on Bud Powell and Ella Fitzgerald; and Fatima Bhutto on music and dictatorship.This Woman's Work also features writing on the experimentalists, women who blended music and activism, the genre-breakers, the vocal auteurs; stories of lost homelands and friends; of propaganda and dictatorships, the women of folk and country, the racialised tropes of jazz, the music of Trap and Carriacou; of mixtapes and violin lessons.
Thomas Ades: Conversations with Tom Service
by Thomas Ades Tom ServiceThomas Adès is fêted from Los Angeles to London, from New York to Berlin, as the musician who has done more than any other living composer to connect contemporary music with wider audiences. His operas, orchestral pieces and chamber works have already stood the test of repeated performances, productions and continued critical acclaim.But this celebrated composer, conductor and pianist is notoriously secretive about his creative process, about what lies behind his compositional impulse. The poetry, technique and biography that fuel his most successful and shattering works, such as his operas Powder Her Face and The Tempest, or his orchestral works Asyla and Tevot, have remained hidden and unexplained. Until now.In conversation with Tom Service - the writer with whom he has had the closest relationship in his career - Adès opens up for the first time about how he creates his music, where it comes from, and what it means. In these provocative and challenging interviews, Adès connects his music with influences from a huge historical and cultural spectrum - from Sephardic Jewish folk music to 80s electronica, from the films of Luis Buñuel and pre-Columbian art to the soundtracks of Al-Qaeda training videos - and offers a unique insight into the crucible of his composition.