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Trauma and Resilience in Music Education: Haunted Melodies
by Juliet Hess Deborah BradleyTrauma and Resilience in Music Education: Haunted Melodies considers the effects of trauma on both teachers and students in the music class- room, exploring music as a means for working through traumatic expe- riences and the role music education plays in trauma studies. The volume acknowledges the ubiquity of trauma in our society and its long-term deleterious effects while showcasing the singular ways music can serve as a support for those who struggle. In twelve contributed essays, authors examine theoretical perspectives and personal and societal traumas, providing a foundation for thinking about their implications in music education. Topics covered include: Philosophical, psychological, sociological, empirical, and narrative perspectives of trauma and resilience. How trauma-informed education practices might provide guidelines for music educators in schools and other settings Interrogations of how music and music education may be a source of trauma Distinguishing itself from other subjects—even the other arts—music may provide clues to the recovery of traumatic memory and act as a tool for releasing emotions and calming stresses. Trauma and Resilience in Music Education witnesses music’s unique abilities to reach people of all ages and empower them to process traumatic experiences, providing a vital resource for music educators and researchers.
Trauma and Resilience in Music Education: Haunted Melodies
by Juliet Hess Deborah BradleyTrauma and Resilience in Music Education: Haunted Melodies considers the effects of trauma on both teachers and students in the music class- room, exploring music as a means for working through traumatic expe- riences and the role music education plays in trauma studies. The volume acknowledges the ubiquity of trauma in our society and its long-term deleterious effects while showcasing the singular ways music can serve as a support for those who struggle. In twelve contributed essays, authors examine theoretical perspectives and personal and societal traumas, providing a foundation for thinking about their implications in music education. Topics covered include: Philosophical, psychological, sociological, empirical, and narrative perspectives of trauma and resilience. How trauma-informed education practices might provide guidelines for music educators in schools and other settings Interrogations of how music and music education may be a source of trauma Distinguishing itself from other subjects—even the other arts—music may provide clues to the recovery of traumatic memory and act as a tool for releasing emotions and calming stresses. Trauma and Resilience in Music Education witnesses music’s unique abilities to reach people of all ages and empower them to process traumatic experiences, providing a vital resource for music educators and researchers.
Traveling Music Videos (New Approaches to Sound, Music, and Media)
by Tomáš Jirsa and Mathias Bonde KorsgaardTraveling Music Videos offers a new interdisciplinary perspective on how contemporary music videos travel across, shape, and transform various media, online platforms, art institutions, and cultural industries worldwide. With the onset of digital technologies and the proliferation of global video-sharing websites at the beginning of the 21st century, music video migrated from TV screens to turn instead to the internet, galleries, concert stages, and social media. As a result, its aesthetics, technological groundings, and politics have been radically transformed. From the kinaesthetic experience of TikTok to the recent reimaginations of maps and navigation tools through music video cartographies, from the ecofeminist voices mediated by live-stream concerts to the transmedia logic of video games and VR, from the videos' role in contemporary art galleries to their political interventions -the chapters map the ways music video is continually reconfiguring itself. The volume tracks music video's audiovisual itineraries across different geographies, maps its transmedia routes, and tackles the cultural impact that it has on our current media ecosystem.
Traveling Music Videos (New Approaches to Sound, Music, and Media)
Traveling Music Videos offers a new interdisciplinary perspective on how contemporary music videos travel across, shape, and transform various media, online platforms, art institutions, and cultural industries worldwide. With the onset of digital technologies and the proliferation of global video-sharing websites at the beginning of the 21st century, music video migrated from TV screens to turn instead to the internet, galleries, concert stages, and social media. As a result, its aesthetics, technological groundings, and politics have been radically transformed. From the kinaesthetic experience of TikTok to the recent reimaginations of maps and navigation tools through music video cartographies, from the ecofeminist voices mediated by live-stream concerts to the transmedia logic of video games and VR, from the videos' role in contemporary art galleries to their political interventions -the chapters map the ways music video is continually reconfiguring itself. The volume tracks music video's audiovisual itineraries across different geographies, maps its transmedia routes, and tackles the cultural impact that it has on our current media ecosystem.
Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace (Music / Culture)
by Deborah KapchanA group of ritual musicians and former slaves brought from sub-Saharan Africa to Morocco, the Gnawa heal those they believe to be possessed, using incense, music, and trance. But their practice is hardly of only local interest: the Gnawa have long participated in the world music market through collaborations with African-American jazz musicians and French recording artists. In this first book in English on Gnawa music and its global reach, author Deborah Kapchan explores how these collaborations transfigure racial and musical identities on both sides of the Atlantic. She also addresses how aesthetic styles associated with the sacred come to inhabit non-sacred contexts, and what new amalgams they produce. Her narrative details the fascinating intrinsic properties of trance, including details of enactment, the role of gesture and the body, and the use of the senses, and how they both construct authentic Gnawa identity and reconstruct historically determined relations of power. Traveling Spirit Masters is a captivating and elucidating demonstration of how and why trance—and indeed all sacred music—is fast becoming a transnational sensation.
Travelling: On the Path of Joni Mitchell
by null Ann PowersAn Independent Best Non-Fiction Book for 2024 Celebrated music critic Ann Powers explores the life and career of the legendary Joni Mitchell What you are about to read is not a standard account of the life and work of Joni Mitchell. Instead, it’s a tale of long journeying through a life that changed popular music: of a homesick wanderer forging ahead on routes of her invention, and of me on her trail, heading toward the ringing of her voice. One of the most celebrated artists of her generation, Joni Mitchell has inspired countless musicians and writers, while never stopping still herself. In Travelling, celebrated music critic Ann Powers seeks to understand the paradox of Mitchell – at once both elusive and inviting – through her myriad journeys. Drawing on extensive interviews with Mitchell’s peers and deep archival research, Powers takes readers to rural Canada, charts the course of Mitchell’s musical evolution, follows the winding road of Mitchell’s collaborations with other greats and explores the loves that fed her songwriting. Kaleidoscopic in scope and intimate in detail, Travelling is a fresh and fascinating addition to the Joni Mitchell corpus – and one that questions whether an artist can ever truly be known to their fans.
Treatise on Instrumentation
by Hector Berlioz Richard StraussThe most influential work of its kind ever written, appraising the musical qualities and potential of over 60 commonly used stringed, wind and percussion instruments. With 150 illustrative full-score musical examples from works by Berlioz, Mozart, Beethoven, Gluck, Weber, Wagner, and others, and numerous smaller musical examples. Complete with Berlioz' chapters on the orchestra and on conducting. Translated by Theodore Front. Foreword by Richard Strauss. Glossary.
Tregian's Ground: The Life and Sometimes Secret Adventures of Francis Tregian, Gentleman and Musician
by Anne CuneoThe significance of the Fitzwilliam Virginal Book to our musical canon is well known; the remarkable story of its copyist and compiler, Francis Tregian, less so. Born into Cornish Catholic nobility and plumb into the choppy waters of the Elizabethan Age, he must rely on his surpassing skill as a musician to survive.In this Prix des Libraires (Booksellers Prize) winning novel, Anne Cuneo deftly recreates the musician’s journey across Renaissance Europe, which sees him befriending Shakespeare, swapping partitions with William Byrd and Monteverdi, and playing in the court of Henri IV of France.The result is as gripping as it is authentic: an epic, transcontinental choreography in which Europe’s monarchs tussle with pretenders to their thrones, and ordinary people steer between allegiances to God, nation and family.Complete with links to live performances and to recordings of selected musical sources in the Tregian's Ground Discography.
Trends in World Music Analysis: New Directions in World Music Analysis
by Lawrence Beaumont ShusterThis volume brings together a group of analytical chapters exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research. These contributors, drawn from the forefront of researchers in world music analysis, seek to break down barriers and build bridges between scholarly disciplines, musical repertoires, and cultural traditions. Covering a wide range of genres, styles, and performers, the chapters bring to bear a variety of methodologies, including indigenous theoretical perspectives, Western music theory, and interdisciplinary techniques rooted in the cognitive and computational sciences. With contributors addressing music traditions from Africa, Asia, Europe, and the Americas, this volume captures the many current directions in the analysis of world music, offering a state of the fi eld and demonstrating the expansion of possibilities created by this area of research.
Trends in World Music Analysis: New Directions in World Music Analysis
by Lawrence Beaumont Shuster Somangshu Mukherji Noé DinnersteinThis volume brings together a group of analytical chapters exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research. These contributors, drawn from the forefront of researchers in world music analysis, seek to break down barriers and build bridges between scholarly disciplines, musical repertoires, and cultural traditions. Covering a wide range of genres, styles, and performers, the chapters bring to bear a variety of methodologies, including indigenous theoretical perspectives, Western music theory, and interdisciplinary techniques rooted in the cognitive and computational sciences. With contributors addressing music traditions from Africa, Asia, Europe, and the Americas, this volume captures the many current directions in the analysis of world music, offering a state of the fi eld and demonstrating the expansion of possibilities created by this area of research.
A Tribe Called Quest's People's Instinctive Travels and the Paths of Rhythm (33 1/3)
by Shawn TaylorOne of the finest hip-hop albums ever made, A Tribe Called Quest's debut record (featuring stone-cold classics like "Can I Kick It?" and "Bonita Applebum") took the idea of the boasting hip-hop male and turned it on its head. For many listeners, when this non-traditional, surprisingly feminine album was released, it was like hearing an entirely new form of music. In this book, Shawn Taylor explores the creation of the album as well as the impact it had on him at the time - a 17-year-old high-school geek who was equally into hip-hop, punk, new wave, skateboarding, and Dungeons & Dragons: all of a sudden, with this one album, the world made more sense. He has spent many years investigating this album, from the packaging to the song placement to each and every sample - Shawn Taylor knows this record like he knows his tattoos, and he's finally been able to write a fascinating and highly entertaining book about it.
A Tribe Called Quest's People's Instinctive Travels and the Paths of Rhythm (33 1/3)
by Shawn TaylorOne of the finest hip-hop albums ever made, A Tribe Called Quest's debut record (featuring stone-cold classics like "Can I Kick It?" and "Bonita Applebum") took the idea of the boasting hip-hop male and turned it on its head. For many listeners, when this non-traditional, surprisingly feminine album was released, it was like hearing an entirely new form of music. In this book, Shawn Taylor explores the creation of the album as well as the impact it had on him at the time - a 17-year-old high-school geek who was equally into hip-hop, punk, new wave, skateboarding, and Dungeons & Dragons: all of a sudden, with this one album, the world made more sense. He has spent many years investigating this album, from the packaging to the song placement to each and every sample - Shawn Taylor knows this record like he knows his tattoos, and he's finally been able to write a fascinating and highly entertaining book about it.
Triksta: Life and Death and New Orleans Rap
by Nik CohnWhat lunacy would cause a 55-year-old white male to embroil himself in the world of New Orleans rap - as ideas man, talent-spotter, lyricist, and would-be producer? Nik Cohn has loved (and hated) hip-hop since its birth and loved (and hated) New Orleans for even longer - an addiction he's never wanted to kick. But nothing prepared him for the experience of being pitched, more or less by accident, into the role of Triksta, rap impresario. A white alien in a black world, with no funding or qualifications, and not a clue what he was doing, he had to rethink himself from scratch. Surrounded by a cast that included such names as Choppa and Soulja Slim, Big Ramp and Lil T, Bass Heavy, Fifth Ward Weebie, and Shorty Brown Hustle, he entered a world of tiny backstreet studios, broken-down slums and gun turfs.Triksta is the story of a three-year odyssey to the heart of rap, and New Orleans, and self-knowledge.
The Trilogy of Two
by Juman MaloufA highly original and acclaimed fantasy novel with eccentric characters, striking illustrations and a propulsive plot"[A] spellbinder"The Daily Beast"A sweeping tale. . . gorgeous illustrations"PopSugarIdentical twins Sonja and Charlotte, twelve-year-old musical prodigies, learned to play before they learned to talk. They were born on All-Hallows-Eve and found one night by Tatty, the Tattooed Lady, in a pail on her doorstep with only a short note and a heart-shaped locket. They have been with her ever since, roaming the Outskirts with the circus company in a convoy of caravans, moving from place to place.Lately, mysterious things have begun to happen when the girls pick up their instruments. Movements, vibrations, changes in the weather. They begin to discover that they possess extraordinary powers. During one of their performances, they unintentionally levitate the entire audience—and word gets out. Soon, a troop of Enforcers from the city comes after them, and Charlotte and Sonja must embark on a perilous journey through enchanted lands in hopes of unlocking the secrets of their mysterious past.Juman Malouf, born in Lebanon, grew up in London. She has an MFA in set and costume design and has worked on a number of films including Wes Anderson's Moonrise Kingdom and The Grand Budapest Hotel. The Trilogy of Two is her first novel.
Trinity Grade 1 Theory Model Answers 2019
by Trinity College London PressTrinity Grade 1 Theory Model Answers 2019
Trinity Grade 1 Theory Past Papers 2019
by Trinity College London PressTrinity Grade 1 Theory Past Papers 2019
Trinity Grade 2 Theory Model Answers 2019
by Trinity College London PressTrinity Grade 2 Theory Model Answers 2019
Trinity Grade 2 Theory Past Papers 2019
by Trinity College London PressTrinity Grade 2 Theory Past Papers 2019
Trinity Grade 3 Theory Model Answers 2019
by Trinity College London PressTrinity Grade 3 Theory Model Answers 2019
Trinity Grade 3 Theory Past Papers 2019
by Trinity College London PressTrinity Grade 3 Theory Past Papers 2019
Trinity Grade 4 Theory Model Answers 2019
by Trinity College London PressTrinity Grade 4 Theory Model Answers 2019
Trinity Grade 4 Theory Past Papers 2019
by Trinity College London PressTrinity Grade 4 Theory Past Papers 2019
Trinity Grade 5 Theory Model Answers 2019
by Trinity College London PressTrinity Grade 5 Theory Model Answers 2019