- Table View
- List View
Literary and Cultural Representations of the Hinterlands (Literary Criticism and Cultural Theory)
This interdisciplinary collection explores the diverse relationships between the frequently ignored and inherently ambiguous hinterlands and their manifestations in literature and culture. Moving away from perspectives that emphasize the marginality of hinterlands and present them as devoid of agency and “cultural currency”, this collection assembles a series of original essays using various modes of engagement to reconceptualize hinterlands and highlight their semiotic complexity. Apart from providing a reassessment of hinterlands in terms of their geocultural significance, this book also explores hinterlands through such concepts as nostalgia, heterotopia, identity formation, habitation, and cognitive mapping, with reference to a wide geographical field. Literary and filmic revisions of familiar hinterlands, such as the Australian outback, Alberta prairie, and Arizona desert, are juxtaposed in this volume with representations of such little-known European hinterlands as Lower Silesia and Ukraine, and the complicated political dimension of First World War internment camps is investigated with regard to Kapuskasing (Ontario). Rural China and the Sussex Downs are examined here as writers’ retreats. Inner-city hinterlands in Haiti, India, Morocco, and urban New Jersey take on new meaning when contrasted with the vast hinterlands of megacities like Johannesburg and Los Angeles. The spectrum of diverse approaches to hinterlands helps to reinforce their multilayered and multivocal nature as spaces that defy clear categorization.
The Literary and Legal Genealogy of Native American Dispossession: The Marshall Trilogy Cases (Indigenous Peoples and the Law)
by George D PappasThe Literary and Legal Genealogy of Native American Dispossession offers a unique interpretation of how literary and public discourses influenced three U.S. Supreme Court Rulings written by Chief Justice John Marshall with respect to Native Americans. These cases, Johnson v. M’Intosh (1823), Cherokee Nation v. Georgia (1831) and Worcester v. Georgia (1832), collectively known as the Marshall Trilogy, have formed the legal basis for the dispossession of indigenous populations throughout the Commonwealth. The Trilogy cases are usually approached as ‘pure’ legal judgments. This book maintains, however, that it was the literary and public discourses from the early sixteenth through to the early nineteenth centuries that established a discursive tradition which, in part, transformed the American Indians from owners to ‘mere occupants’ of their land. Exploring the literary genesis of Marshall’s judgments, George Pappas draws on the work of Michel Foucault, Edward Said and Homi Bhabha, to analyse how these formative U.S. Supreme Court rulings blurred the distinction between literature and law.
The Literary and Legal Genealogy of Native American Dispossession: The Marshall Trilogy Cases (Indigenous Peoples and the Law)
by George D PappasThe Literary and Legal Genealogy of Native American Dispossession offers a unique interpretation of how literary and public discourses influenced three U.S. Supreme Court Rulings written by Chief Justice John Marshall with respect to Native Americans. These cases, Johnson v. M’Intosh (1823), Cherokee Nation v. Georgia (1831) and Worcester v. Georgia (1832), collectively known as the Marshall Trilogy, have formed the legal basis for the dispossession of indigenous populations throughout the Commonwealth. The Trilogy cases are usually approached as ‘pure’ legal judgments. This book maintains, however, that it was the literary and public discourses from the early sixteenth through to the early nineteenth centuries that established a discursive tradition which, in part, transformed the American Indians from owners to ‘mere occupants’ of their land. Exploring the literary genesis of Marshall’s judgments, George Pappas draws on the work of Michel Foucault, Edward Said and Homi Bhabha, to analyse how these formative U.S. Supreme Court rulings blurred the distinction between literature and law.
Literary Epiphany in the Novel, 1850–1950: Constellations of the Soul
by S. KimThis book studies literary epiphany as a modality of character in the British and American novel. Epiphany presents a significant alternative to traditional models of linking the eye, the mind, and subject formation, an alternative that consistently attracts the language of spirituality, even in anti-supernatural texts. This book analyzes how these epiphanies become "spiritual" and how both character and narrative shape themselves like constellations around such moments. This study begins with James Joyce, 'inventor' of literary epiphany, and Martin Heidegger, who used the ancient Greek concepts behind 'epiphaneia' to re-define the concept of Being. Kim then offers readings of novels by Susan Warner, George Eliot, Edith Wharton, Virginia Woolf, and William Faulkner, each addressing a different form of epiphany.
The Literary Exception and the Rule of Law (Law and Politics)
by Johan Van Der WaltAddressing the influential analysis of law and literature, this book offers a new perspective on their relationship. The law and literature movement that has gained global prominence in the course of last decades of the twentieth and the first decades of the twenty-first centuries has provided the research and teaching of law with a considerable body of new and valuable knowledge and understanding. Most of the knowledge and insights generated by the movement concern either a thematic overlap between legal and literary discourses – suggesting they deal with the same moral concerns – or a rhetorical, semiotic or general linguistic comparability or ‘sameness’ between them – imputing to both the same or very similar narrative structures. The Literary Exception and the Rule of Law recognises the wealth of knowledge generated by this approach to the relationship between law and literature, and acknowledges its debt to this genre of scholarship. It nevertheless also proposes, on the basis of a number of revealing phenomenological inquiries, a different approach to law and literary studies: one that emphasises the irreducible difference between law and literature. It does so with the firm believe that a regard for the very different and indeed opposite discursive trajectories of legal and literary language allows for a more profound understanding of the unique and indeed separate roles that the discourses of law and literature generally play in the sustenance of relatively stable legal cultures. This important rethinking of the relationship between law and literature will appeal to scholars and students of legal theory, jurisprudence, philosophy, politics and literary theory.
The Literary Exception and the Rule of Law (Law and Politics)
by Johan Van Der WaltAddressing the influential analysis of law and literature, this book offers a new perspective on their relationship. The law and literature movement that has gained global prominence in the course of last decades of the twentieth and the first decades of the twenty-first centuries has provided the research and teaching of law with a considerable body of new and valuable knowledge and understanding. Most of the knowledge and insights generated by the movement concern either a thematic overlap between legal and literary discourses – suggesting they deal with the same moral concerns – or a rhetorical, semiotic or general linguistic comparability or ‘sameness’ between them – imputing to both the same or very similar narrative structures. The Literary Exception and the Rule of Law recognises the wealth of knowledge generated by this approach to the relationship between law and literature, and acknowledges its debt to this genre of scholarship. It nevertheless also proposes, on the basis of a number of revealing phenomenological inquiries, a different approach to law and literary studies: one that emphasises the irreducible difference between law and literature. It does so with the firm believe that a regard for the very different and indeed opposite discursive trajectories of legal and literary language allows for a more profound understanding of the unique and indeed separate roles that the discourses of law and literature generally play in the sustenance of relatively stable legal cultures. This important rethinking of the relationship between law and literature will appeal to scholars and students of legal theory, jurisprudence, philosophy, politics and literary theory.
Literary Figures in French Drama (International Archives of the History of Ideas Archives internationales d'histoire des idées #26)
by Eric H. KadlerThe general aim of this book is to present a study of a dramatic genre which was a significant facet of French drama in the period from 1784 to 1834 and has never before been singled out or analyzed. The striking feature of the plays of this genre is that the protagonists represent French literary figures. A casual examination of a collection of late eighteenth-and early nineteenth-century plays, many of which concern literary figures, led to the initial idea for this study. Conscientious cross-checking was sub sequently done in a number of reference works and contemporary newspapers to obtain complete coverage and to draw up a list of all the plays in which French literary figures appeared as characters. From the total number of such plays, 153 have been used as the primary source of information. They were found scattered either in different collections or as separate copies in various libraries. This source has been supplemented by use of theatrical journals and almanacs giving reviews of some of the plays which were not published.
A Literary History of Greece
by Robert FlaceliereThere are several good histories of Greek literature of various shapes and sizes, but the purpose of this book is not simply to consider the literature of ancient Greece as an isolated subject, treating each of the literary modes - epic, lyric, drama, history, philosophy, and rhetoric - in terms of its own evolution. Instead, Robert Flaceliere provides a Greek history that deals with all the important works of Hellenic literature that are still of interest to contemporary readers; and he does this in chronological order with an accurate account of their historical background.Flaceliere follows the history of Greece down through the centuries as the writer records it. He describes the political atmosphere in the nation and the advances in the other arts that influenced literature. The author understands Sappho's rhapsodies; girlish love in the context of the acceptance of homosexuality in that era. He sympathizes with the unrequited passion of the penniless Archilochos. He appreciates Pindar's pacifist tendencies, Herodotus' upright insistence on truth, and Euripides' doubts about the existence of the gods. For the classical centuries, so rich in talent and genius, the author follows the successive generations systematically so as to distinguish the special features of each, what it owes to the preceding generation and how it paves the way for the next.Since this is a literary history, attention is mainly focused on the writers and their works, but by displaying these in their political, social, artistic and scientific setting, Flaceliere gives a better understanding of the production and significance of these wonderful achievements of the human spirit. Due to the wide range of material presented, "A Literary History of Greece" can be used as a reference book as well as for enjoyment reading.
A Literary History of Greece
by Robert FlaceliereThere are several good histories of Greek literature of various shapes and sizes, but the purpose of this book is not simply to consider the literature of ancient Greece as an isolated subject, treating each of the literary modes - epic, lyric, drama, history, philosophy, and rhetoric - in terms of its own evolution. Instead, Robert Flaceliere provides a Greek history that deals with all the important works of Hellenic literature that are still of interest to contemporary readers; and he does this in chronological order with an accurate account of their historical background.Flaceliere follows the history of Greece down through the centuries as the writer records it. He describes the political atmosphere in the nation and the advances in the other arts that influenced literature. The author understands Sappho's rhapsodies; girlish love in the context of the acceptance of homosexuality in that era. He sympathizes with the unrequited passion of the penniless Archilochos. He appreciates Pindar's pacifist tendencies, Herodotus' upright insistence on truth, and Euripides' doubts about the existence of the gods. For the classical centuries, so rich in talent and genius, the author follows the successive generations systematically so as to distinguish the special features of each, what it owes to the preceding generation and how it paves the way for the next.Since this is a literary history, attention is mainly focused on the writers and their works, but by displaying these in their political, social, artistic and scientific setting, Flaceliere gives a better understanding of the production and significance of these wonderful achievements of the human spirit. Due to the wide range of material presented, "A Literary History of Greece" can be used as a reference book as well as for enjoyment reading.
The Literary Imagination in Israel-Palestine: Orientalism, Poetry, and Biopolitics (Postcolonialism and Religions)
by H. CohenThis book presents a cutting-edge critical analysis of the trope of miscegenation and its biopolitical implications in contemporary Palestinian and Israeli literature, poetry, and discourse. The relationship between nationalism and demographics are examined through the narrative and poetic intrigue of intimacy between Arabs and Jews, drawing from a range of theoretical perspectives, including public sphere theory, orientalism, and critical race studies. Revisiting the controversial Brazilian writer Gilberto Freyre, who championed miscegenation in his revisionary history of Brazil, the book deploys a comparative investigation of Palestinian and Israeli writers' preoccupation with the mixed romance. Author Hella Bloom Cohen offers new interpretations of works by Mahmoud Darwish, A.B. Yehoshua, Orly Castel-Bloom, Nathalie Handal, and Rula Jebreal, among others.
The Literary Life of Pictures: A Theory of Description (UNIPA Springer Series)
by Michele CometaThis book offers a theory of ekphrasis—the literary description of an artwork—from the perspective of Visual Culture studies. A theory of ekphrasis must take into account not only the rhetorical strategies articulated in the description of artworks, but also the complex interplay that holds together the pictures that are described, the gazes that rest on them, and the dispositives that mediate them. It is therefore a matter of linking the study of the verbal rhetoric with the dynamics that are established between the author, the reader, and the visual artworks, real or fictive, as well as the performative aspects of description and the mediascapes that, from time to time, condition the gaze and the visual experience of the authors and the readers. This book proposes thus to consider both the intradiegetic aspects of description and the extradiegetic ones that condition its verbal texture. Following the rhetorics of ekphrasis throughout the Western tradition, from its origins in Philostratus, its reappraisal by Johann Joachim Winckelmann, to the twentieth-century avant-garde, this book shows how ekphrastic techniques are historically determined by the relationship between pictures, gazes, and dispositives.
The Literary Mind: The Origins of Thought and Language
by Mark TurnerWe usually consider literary thinking to be peripheral and dispensable, an activity for specialists: poets, prophets, lunatics, and babysitters. Certainly we do not think it is the basis of the mind. We think of stories and parables from Aesop's Fables or The Thousand and One Nights, for example, as exotic tales set in strange lands, with spectacular images, talking animals, and fantastic plots--wonderful entertainments, often insightful, but well removed from logic and science, and entirely foreign to the world of everyday thought. But Mark Turner argues that this common wisdom is wrong. The literary mind--the mind of stories and parables--is not peripheral but basic to thought. Story is the central principle of our experience and knowledge. Parable--the projection of story to give meaning to new encounters--is the indispensable tool of everyday reason. Literary thought makes everyday thought possible. This book makes the revolutionary claim that the basic issue for cognitive science is the nature of literary thinking. In The Literary Mind, Turner ranges from the tools of modern linguistics, to the recent work of neuroscientists such as Antonio Damasio and Gerald Edelman, to literary masterpieces by Homer, Dante, Shakespeare, and Proust, as he explains how story and projection--and their powerful combination in parable--are fundamental to everyday thought. In simple and traditional English, he reveals how we use parable to understand space and time, to grasp what it means to be located in space and time, and to conceive of ourselves, other selves, other lives, and other viewpoints. He explains the role of parable in reasoning, in categorizing, and in solving problems. He develops a powerful model of conceptual construction and, in a far-reaching final chapter, extends it to a new conception of the origin of language that contradicts proposals by such thinkers as Noam Chomsky and Steven Pinker. Turner argues that story, projection, and parable precede grammar, that language follows from these mental capacities as a consequence. Language, he concludes, is the child of the literary mind. Offering major revisions to our understanding of thought, conceptual activity, and the origin and nature of language, The Literary Mind presents a unified theory of central problems in cognitive science, linguistics, neuroscience, psychology, and philosophy. It gives new and unexpected answers to classic questions about knowledge, creativity, understanding, reason, and invention.
The Literary Mind: The Origins of Thought and Language
by Mark TurnerWe usually consider literary thinking to be peripheral and dispensable, an activity for specialists: poets, prophets, lunatics, and babysitters. Certainly we do not think it is the basis of the mind. We think of stories and parables from Aesop's Fables or The Thousand and One Nights, for example, as exotic tales set in strange lands, with spectacular images, talking animals, and fantastic plots--wonderful entertainments, often insightful, but well removed from logic and science, and entirely foreign to the world of everyday thought. But Mark Turner argues that this common wisdom is wrong. The literary mind--the mind of stories and parables--is not peripheral but basic to thought. Story is the central principle of our experience and knowledge. Parable--the projection of story to give meaning to new encounters--is the indispensable tool of everyday reason. Literary thought makes everyday thought possible. This book makes the revolutionary claim that the basic issue for cognitive science is the nature of literary thinking. In The Literary Mind, Turner ranges from the tools of modern linguistics, to the recent work of neuroscientists such as Antonio Damasio and Gerald Edelman, to literary masterpieces by Homer, Dante, Shakespeare, and Proust, as he explains how story and projection--and their powerful combination in parable--are fundamental to everyday thought. In simple and traditional English, he reveals how we use parable to understand space and time, to grasp what it means to be located in space and time, and to conceive of ourselves, other selves, other lives, and other viewpoints. He explains the role of parable in reasoning, in categorizing, and in solving problems. He develops a powerful model of conceptual construction and, in a far-reaching final chapter, extends it to a new conception of the origin of language that contradicts proposals by such thinkers as Noam Chomsky and Steven Pinker. Turner argues that story, projection, and parable precede grammar, that language follows from these mental capacities as a consequence. Language, he concludes, is the child of the literary mind. Offering major revisions to our understanding of thought, conceptual activity, and the origin and nature of language, The Literary Mind presents a unified theory of central problems in cognitive science, linguistics, neuroscience, psychology, and philosophy. It gives new and unexpected answers to classic questions about knowledge, creativity, understanding, reason, and invention.
Literary Paths to Religious Understanding: Essays on Dryden, Pope, Keats, George Eliot, Joyce, T.S. Eliot, and E.B. White
by G. AtkinsThis highly readable book represents a unique approach to the controverted matter of the relations of literature and religion, eschewing linear argument in favor of a nuanced essayistic manner that elucidates texts and issues of immediate and lasting concern.
Literary Representations of Precarious Work, 1840 to the Present (Palgrave Studies in Literature, Culture and Economics)
by Michiel Rys Bart PhilipsenLiterary Representations of Precarious Work, 1840 to the Present sheds new light on literary representations of precarious labor from 1840 until the present. With contributions by experts in American, British, French, German and Swedish culture, this book examines how literature has shaped the understanding of socio-economic precarity, a concept that is mostly used to describe living and working conditions in our contemporary neoliberal and platform economy. This volume shows that authors tried to develop new poetic tools and literary techniques to translate the experience of social regression and insecurity to readers. While some authors critically engage with normative models of work by zooming in on the physical and affective backlash of being a precarious worker, others even find inspiration in their own situations as writers trying to survive. Furthermore, this volume shows that precarity is not an exclusively contemporary phenomenon and that literature has always been a central medium to (critically) register forms of social insecurity. By retrieving parts of that archive, this volume paves the way to a historically nuanced view on contemporary regimes of precarious work.
A Literary Review
by Soren Kierkegaard Alastair HannayWhile ostensibly commenting on the work of a contemporary novelist, Kierkegaard used this review as a critique of his society and age. The influence of this short piece has been far-reaching. The apocalyptic final sections are the source for central notions in Heidegger's Being and Time. Later readers have seized on the essay as a prophetic analysis of our own time. Its concepts have been drawn into current debates on identity, addiction, and social conformity.
Literary Studies and Human Flourishing (The Humanities and Human Flourishing)
by James F. English and Heather LoveThe Humanities and Human Flourishing series publishes edited volumes that explore the role of human flourishing in the central disciplines of the humanities, and whether and how the humanities can increase human happiness. The contributors to this volume of essays investigate the question: what do literary scholars contribute to social scientific research on human happiness and flourishing? Of all humanities disciplines, none is more resistant to the program of positive psychology or the prevailing discourse of human flourishing than literary studies. The approach taken in this volume of essays is neither to gloss over that antagonism nor to launch a series of blasts against positive psychology and the happiness industry. Rather, the contributors reflect on how their literary research--work to which they are personally committed--might become part of an interdisciplinary conversation about human flourishing. The contributors' areas of research are wide ranging, covering literary aesthetics, book history, digital humanities, and reader reception, as well as the important "inter-disciplines" of gender and sexuality studies, disability studies, and black studies-fields in which issues of stigma and exclusion are paramount, and which have critiqued the discourse of human flourishing for its failure to grapple with structural inequality and human difference. Literary scholars are drawn more readily to the problematic than to the decidable, but by dwelling on the trouble spots in a field of inquiry still largely confined to the sciences, Literary Studies and Human Flourishing provides the groundwork for new and more productive forms of interdisciplinary collaboration and exchange.
Literary Studies and Human Flourishing (The Humanities and Human Flourishing)
The Humanities and Human Flourishing series publishes edited volumes that explore the role of human flourishing in the central disciplines of the humanities, and whether and how the humanities can increase human happiness. The contributors to this volume of essays investigate the question: what do literary scholars contribute to social scientific research on human happiness and flourishing? Of all humanities disciplines, none is more resistant to the program of positive psychology or the prevailing discourse of human flourishing than literary studies. The approach taken in this volume of essays is neither to gloss over that antagonism nor to launch a series of blasts against positive psychology and the happiness industry. Rather, the contributors reflect on how their literary research--work to which they are personally committed--might become part of an interdisciplinary conversation about human flourishing. The contributors' areas of research are wide ranging, covering literary aesthetics, book history, digital humanities, and reader reception, as well as the important "inter-disciplines" of gender and sexuality studies, disability studies, and black studies-fields in which issues of stigma and exclusion are paramount, and which have critiqued the discourse of human flourishing for its failure to grapple with structural inequality and human difference. Literary scholars are drawn more readily to the problematic than to the decidable, but by dwelling on the trouble spots in a field of inquiry still largely confined to the sciences, Literary Studies and Human Flourishing provides the groundwork for new and more productive forms of interdisciplinary collaboration and exchange.
Literary Studies and the Philosophy of Literature: New Interdisciplinary Directions
by Andrea Selleri Philip GaydonThis book is about the interaction between literary studies and the philosophy of literature. It features essays from internationally renowned and emerging philosophers and literary scholars, challenging readers to join them in taking seriously the notion of interdisciplinary study and forging forward in new and exciting directions of thought.It identifies that literary studies and the philosophy of literature address similar issues: What is literature? What is its value? Why do I care about characters? What is the role of the author in understanding a literary work? What is fiction as opposed to non-fiction? Yet, genuine, interdisciplinary interaction remains scarce. This collection seeks to overcome current obstacles and seek out new paths for exploration.
Literary Translation and the Making of Originals (Literatures, Cultures, Translation)
by Karen EmmerichLiterary Translation and the Making of Originals engages such issues as the politics and ethics of translation; how aesthetic categories and market forces contribute to the establishment and promotion of particular “originals”; and the role translation plays in the formation, re-formation, and deformation of national and international literary canons. By challenging the assumption that stable originals even exist, Karen Emmerich also calls into question the tropes of ideal equivalence and unavoidable loss that contribute to the low status of translation, translations, and translators in the current literary and academic marketplaces.
Literary Translation and the Making of Originals (Literatures, Cultures, Translation)
by Karen EmmerichLiterary Translation and the Making of Originals engages such issues as the politics and ethics of translation; how aesthetic categories and market forces contribute to the establishment and promotion of particular “originals”; and the role translation plays in the formation, re-formation, and deformation of national and international literary canons. By challenging the assumption that stable originals even exist, Karen Emmerich also calls into question the tropes of ideal equivalence and unavoidable loss that contribute to the low status of translation, translations, and translators in the current literary and academic marketplaces.
The Literary Travelogue: A Comparative Study with Special Relevance to Russian Literature from Fonvizin to Pushkin
by R.K. WilsonThe aim of this study is to trace the development of the literary travel memoir in Russia during the last decades of the eighteenth century and the first decades of the nineteenth. Having indicated the prove nances of this genre in Western Europe, I shall evaluate its role in Russian literary history. Because this study is not intended to be an historical survey of all significant travel works that appeared in Russia, I shall pass over such early pioneer travelers as the Abbot Daniil who visited Palestine at the beginning of the twelfth century and recorded for his countrymen detailed descriptions of the Holy places, or the merchant, Afanasij Nikitin, whose travel notes concerning a trip to India are preserved in a fifteenth century chronicle. The travel genre, which had become enormously popular in eight eenth century Western Europe,l was cleverly exploited by Fonvizin, Radishchev, and Karamzin to expound to the Russian reading public certain important notions on literary theory, on society (foreign and domestic), on themselves, and on nature. The travel genre - then as now a flexible instrument for transmitting, by means of diary-style narrative, information about distant, often exotic people and place- had been adapted by Sterne and others to themes having little relation to a conventional journey. The Russians were quick to grasp the genre's literary as well as its polemical possibilities, and influenced by Western models, they too used it to convey theoretical assertions on a variety of SUbjects.
The Literary Wittgenstein
by John Gibson Wolfgang HuemerThe Literary Wittgenstein is a stellar collection of articles relating the philosophy of Ludwig Wittgenstein (1889-1951) to core problems in the theory and philosophy of literature. Amid growing recognition that Wittgenstein's philosophy has important implications for literary studies, this book brings together twenty-one articles by the most prominent figures in the field. Eighteen of the articles are published here for the first time.The Literary Wittgenstein applies the approach of Wittgenstein to core areas of literary theory, including poetry, deconstruction, the ethical value of literature, and the nature and logic of fictional discourse. The literary dimension of Wittgenstein's own writings is also explored, such as the authorial strategy of the Tractatus, and writing and method in the Philosophical Investigations. Major literary figures discussed in the book include William Faulkner, Joseph Conrad, and Friedrich Hölderlin.By mapping out the foundations of a new approach to literature, The Literary Wittgenstein is essential reading for anyone interested in the relevance and application of Wittgenstein's thought to literary theory, aesthetics, and the philosophy of language and logic.
The Literary Wittgenstein
by John Gibson Wolfgang HuemerThe Literary Wittgenstein is a stellar collection of articles relating the philosophy of Ludwig Wittgenstein (1889-1951) to core problems in the theory and philosophy of literature. Amid growing recognition that Wittgenstein's philosophy has important implications for literary studies, this book brings together twenty-one articles by the most prominent figures in the field. Eighteen of the articles are published here for the first time.The Literary Wittgenstein applies the approach of Wittgenstein to core areas of literary theory, including poetry, deconstruction, the ethical value of literature, and the nature and logic of fictional discourse. The literary dimension of Wittgenstein's own writings is also explored, such as the authorial strategy of the Tractatus, and writing and method in the Philosophical Investigations. Major literary figures discussed in the book include William Faulkner, Joseph Conrad, and Friedrich Hölderlin.By mapping out the foundations of a new approach to literature, The Literary Wittgenstein is essential reading for anyone interested in the relevance and application of Wittgenstein's thought to literary theory, aesthetics, and the philosophy of language and logic.
Literatur als Arbeit am Menschen: Die Neupositionierung des Menschen in der Literatur des frühen 20. Jahrhunderts
by Tobias ThanischDie zunehmende Ausdifferenzierung der Humanwissenschaften stellt zu Beginn des 20. Jahrhunderts das bisherige Bild des Menschen in Frage, ohne dabei ein konsistentes Folgekonzept liefern zu können. Als Reaktion auf diese unbestimmte Positionierung des Menschen entwerfen Autoren verschiedenster Strömungen eigene Konzepte eines „neuen Menschen“, an dessen Verwirklichung sie aktiv mitarbeiten. Die vorliegende Arbeit stellt anhand dreier Textbeispiele aus verschiedenen Nationalliteraturen unterschiedliche Konzepte vor dem Hintergrund philosophischer und wissensgeschichtlicher Zusammenhänge vor. Sie liefert damit auch einen Anknüpfungspunkt an aktuelle Konzepte des Post- und Transhumanismus.