- Table View
- List View
Popper's Approach to Education: A Cornerstone of Teaching and Learning (Routledge International Studies in the Philosophy of Education)
by Stephanie ChitpinChallenging the theory of induction in teacher education, this book proposes a knowledge-building framework based on the critical rationalism of philosopher of science, Karl Popper. The Objective Knowledge Growth Framework developed in this book is designed to be an effective critical analysis framework for empowering teachers and schools to build and share professional knowledge. This book is essential reading for educational scholars, researchers, professionals, policymakers, and all those interested in exploring the application of Popperian philosophy to the field of education and re-envisioning educational practice.
Popper's Approach to Education: A Cornerstone of Teaching and Learning (Routledge International Studies in the Philosophy of Education #38)
by Stephanie ChitpinChallenging the theory of induction in teacher education, this book proposes a knowledge-building framework based on the critical rationalism of philosopher of science, Karl Popper. The Objective Knowledge Growth Framework developed in this book is designed to be an effective critical analysis framework for empowering teachers and schools to build and share professional knowledge. This book is essential reading for educational scholars, researchers, professionals, policymakers, and all those interested in exploring the application of Popperian philosophy to the field of education and re-envisioning educational practice.
Popper's Open Society After Fifty Years
by Ian Jarvie Sandra PralongPopper's Open Society After Fifty Years presents a coherent survey of the reception and influence of Karl Popper's masterpiece The Open Society and its Enemies over the fifty years since its publication in 1945, as well as applying some of its principles to the context of modern Eastern Europe.This unique volume contains papers by many of Popper's contemporaries and friends, including such luminaries as Ernst Gombrich, in his paper 'The Open Society and its Enemies: Remembering its Publication Fifty Years Ago'.
Popper's Open Society After Fifty Years
by Ian Jarvie Sandra PralongPopper's Open Society After Fifty Years presents a coherent survey of the reception and influence of Karl Popper's masterpiece The Open Society and its Enemies over the fifty years since its publication in 1945, as well as applying some of its principles to the context of modern Eastern Europe.This unique volume contains papers by many of Popper's contemporaries and friends, including such luminaries as Ernst Gombrich, in his paper 'The Open Society and its Enemies: Remembering its Publication Fifty Years Ago'.
Popper's Theory of Science: An Apologia (Continuum Studies in Philosophy)
by Carlos GarciaPopper's theory of science has been widely misunderstood and poorly represented in the literature on philosophy of science, over the last three decades. This book discusses the main issues in Popper's theory of science and, after giving a careful characterization of each issue, examines the main objections that have been raised against them and offers ways of circumventing them.  It demonstrates that Popper's theory can guide us again to a better understanding of the aim and the structure of science.
Popular Agency and Politicisation in Nineteenth-Century Europe: Beyond the Vote (Palgrave Studies in Political History)
by Diego Palacios Cerezales Oriol LujánThis book provides an entry point to the most cutting-edge lines of research on popular political mobilisation in Europe. It brings together leading scholars from Germany, France, Britain, the Netherlands and Spain. The chapters explore the connected dimensions of popular participation within different countries and across borders, covering the topics of iconoclasm, popular acclamations, street politics, associations, petitions and electoral agitation. Focusing on the role of disenfranchised citizens and women, this collection broadens the themes of traditional political historical research that has identified political participation with the right to vote and struggles for political inclusion, and brings a wide array of formal and informal political practices to the centre of nineteenth-century European life. A must-read for scholars, undergraduates, and graduate students wishing to explore multiple dimensions of the history of political engagement and politicisation.
The Popular and the Sacred in Music
by Antti-Ville KärjäMusic, as the form of art whose name derives from ancient myths, is often thought of as pure symbolic expression and associated with transcendence. Music is also a universal phenomenon and thus a profound marker of humanity. These features make music a sphere of activity where sacred and popular qualities intersect and amalgamate. In an era characterised by postsecular and postcolonial processes of religious change, re-enchantment and alternative spiritualities, the intersections of the popular and the sacred in music have become increasingly multifarious. In the book, the cultural dynamics at stake are approached by stressing the extended and multiple dimensions of the sacred and the popular, hence challenging conventional, taken-for-granted and rigid conceptualisations of both popular music and sacred music. At issue are the cultural politics of labelling music as either popular or sacred, and the disciplinary and theoretical implications of such labelling. Instead of focussing on specific genres of popular music or types of religious music, consideration centres on interrogating musical situations where a distinction between the popular and the sacred is misleading, futile and even impossible. The topic is discussed in relation to a diversity of belief systems and different repertoires of music, including classical, folk and jazz, by considering such themes as origin myths, autonomy, ingenuity and stardom, authenticity, moral ambiguity, subcultural sensibilities and political ideologies.
The Popular and the Sacred in Music
by Antti-Ville KärjäMusic, as the form of art whose name derives from ancient myths, is often thought of as pure symbolic expression and associated with transcendence. Music is also a universal phenomenon and thus a profound marker of humanity. These features make music a sphere of activity where sacred and popular qualities intersect and amalgamate. In an era characterised by postsecular and postcolonial processes of religious change, re-enchantment and alternative spiritualities, the intersections of the popular and the sacred in music have become increasingly multifarious. In the book, the cultural dynamics at stake are approached by stressing the extended and multiple dimensions of the sacred and the popular, hence challenging conventional, taken-for-granted and rigid conceptualisations of both popular music and sacred music. At issue are the cultural politics of labelling music as either popular or sacred, and the disciplinary and theoretical implications of such labelling. Instead of focussing on specific genres of popular music or types of religious music, consideration centres on interrogating musical situations where a distinction between the popular and the sacred is misleading, futile and even impossible. The topic is discussed in relation to a diversity of belief systems and different repertoires of music, including classical, folk and jazz, by considering such themes as origin myths, autonomy, ingenuity and stardom, authenticity, moral ambiguity, subcultural sensibilities and political ideologies.
Popular Cinema as Political Theory: Idealism and Realism in Epics, Noirs, and Satires
by J. NelsonThe book presents cinematic case studies in political realism versus political idealism, demonstrating methods of viewing popular cinema as political theory. The book appreciates political myth-making in popular genres as especially practical and accessible theorizing about politics.
The Popular Front and the Barcelona 1936 Popular Olympics: Playing as if the World Was Watching (Mega Event Planning)
by James StoutThis book deals with the events leading up to the 1936 Popular Olympics which would have united the Popular Front in opposition to the Berlin Olympics. It also discusses the days after the outbreak of the Spanish Civil War which began on the same day the games were due to start. Using a variety of primary and secondary sources, the book traces the biographies of several Popular Olympians who would go on to volunteer in the Spanish Civil War. The book also examines the planned events and locations for the Popular Olympics as well as the international funding that the games secured. The book argues that the events were a departure from Workers’ Sport as well as the IOC’s Olympic games and represented an important cultural manifestation of the Popular Front.
The Popular Front and the Global Circulation of Marxism through Calcutta, 1920s-1970s (Marx, Engels, and Marxisms)
by Prasanta DharThis book examines the global circulation of Marxism seen from one of its most highly charged sites: Calcutta in India. Building on but also revising existing approaches to global intellectual history, the book presents the circulation of Marxism through Calcutta as a historically-sited problem of mass mediation. Using tools from media studies, the book explores the way that Marxism was presented to the public, the technologies used, and the meanings of Marxism in twentieth-century Calcutta. Demonstrating how the Popular Front was split between the so-called 'people's group' and those whom were called 'intellectuals', the book argues that the people's group generally identified themselves as Marxists and preferred audio-visual media such as theatre, while the so-called intellectuals privileged academic rigour and print media, usually referring to themselves as Marxians. Thus, the author reveals a polyphony of Marxisms in the Popular Front. Tracing Marxism back to the Bengal Renaissance and the Swadeshi and Naxal movements, this book shows how debate around the meaning of 'Marxism' continued throughout the 1970s in Calcutta, and eventually engendered the historiographical movement that has come to be known as Subaltern Studies.
Popular Legitimism and the Monarchy in France: Mass Politics without Parties, 1830–1880 (Palgrave Studies in Modern Monarchy)
by Bernard RulofThis book explores mid-nineteenth-century French legitimism and the implications of popular support for a movement that has traditionally been portrayed as an aristocratic force intent on restoring the Old Regime. This type of monarchism has often been understood as a form of elitist patronage politics or, alternatively, identified with ultramontane Catholicism. Although historians have offered a more nuanced view in the last few decades, their work, nevertheless, has predominantly focused on legitimist leaders rather than their followers and their professed feelings of loyalty to monarchy and monarch. This book’s originality therefore is twofold: firstly as an analysis of popular rather than élite monarchism; and secondly, as a study which portrays this form of royalism as a political movement characteristic of a period which saw the emergence of mass politics, while parties were still non-existent. It not only discusses the social and cultural settings of (popular) monarchism, but also contributes to the history of political parties, citizenship and democracy.
Popular Media and Animals (The Palgrave Macmillan Animal Ethics Series)
by Claire MolloyHow do mainstream film, television, advertising, videogames and newspapers engage with topics such as vivisection, hunting, animal performance, farming, meat eating and animal control? This book explores social, economic, ethical and cultural aspects of relationships between popular media forms and key animal issues.
Popular Music and Automobiles
by Mark Duffett Beate PeterParticularly since the 1950s, cars and popular music have been constantly associated. As complementary goods and intertwined technologies, their relationship has become part of a widely shared experience-one that connects individuals and society, private worlds and public spheres. Popular Music and Automobiles aims to unpack that relationship in more detail. It explores the ways in which cars and car journeys have shaped society, as well as how we have shaped them. Including both broad synergies and specific case studies, Popular Music and Automobiles explores how attention to an ongoing relationship can reveal insights about the assertion and negotiation of identity. Using methods of enquiry that are as diverse as the topics they tackle, its contributors closely consider specific genders, genres, places and texts.
Popular Music and Automobiles
Particularly since the 1950s, cars and popular music have been constantly associated. As complementary goods and intertwined technologies, their relationship has become part of a widely shared experience-one that connects individuals and society, private worlds and public spheres. Popular Music and Automobiles aims to unpack that relationship in more detail. It explores the ways in which cars and car journeys have shaped society, as well as how we have shaped them. Including both broad synergies and specific case studies, Popular Music and Automobiles explores how attention to an ongoing relationship can reveal insights about the assertion and negotiation of identity. Using methods of enquiry that are as diverse as the topics they tackle, its contributors closely consider specific genders, genres, places and texts.
Popular Music And Society (PDF)
by Brian Longhurst Danijela BogdanovicThe third edition of Popular Music and Society is fully revised and updated, deftly exploring the study of popular music in the context of wider debates in sociology and media and cultural studies. Astute and accessible, it continues to set the agenda for research and teaching in this area. The book begins by examining the ways in which popular music is produced, before moving on to explore its structure as text and the ways in which audiences understand and use music. Packed with up-to-date examples and data on the contemporary production and consumption of popular music, the book includes overviews and critiques of theoretical approaches to this exciting area of study and outlines the most important empirical studies which have shaped the discipline.
Popular Music and the Rise of Populism in Europe (Music and Politics)
by Melanie Schiller Mario DunkelThis book focuses on the role of popular music in the rise of populism in Europe, centring on the music-related processes of sociocultural normalisation and the increasing prevalence of populist discourses in contemporary society. In its innovative combination of approaches drawing from (ethno)musicology, sociology, and political science, as well as media and cultural studies, this book develops a culture-oriented approach to populism. Based on shared research questions, an original theoretical framework and a combination of innovative methodologies that pay attention to the specific socio-historical contexts, taking into account musical material as well as processes of reception, the five chapters in this volume offer detailed analyses of the nexus of popular music and populism in Hungary, Italy, Austria, Sweden and Germany. All of these countries have seen a marked increase in populist parties and discourses over the last years, as well as significant interactions between populism and popular music. This book will be essential reading for those investigating popular music as a crucial aspect in the study of populism as a cultural phenomenon in Europe.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
Popular Music and the Rise of Populism in Europe (Music and Politics)
This book focuses on the role of popular music in the rise of populism in Europe, centring on the music-related processes of sociocultural normalisation and the increasing prevalence of populist discourses in contemporary society. In its innovative combination of approaches drawing from (ethno)musicology, sociology, and political science, as well as media and cultural studies, this book develops a culture-oriented approach to populism. Based on shared research questions, an original theoretical framework and a combination of innovative methodologies that pay attention to the specific socio-historical contexts, taking into account musical material as well as processes of reception, the five chapters in this volume offer detailed analyses of the nexus of popular music and populism in Hungary, Italy, Austria, Sweden and Germany. All of these countries have seen a marked increase in populist parties and discourses over the last years, as well as significant interactions between populism and popular music. This book will be essential reading for those investigating popular music as a crucial aspect in the study of populism as a cultural phenomenon in Europe.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
Popular Music, Critique and Manic Street Preachers
by Mathijs PetersThis book explores the ways in which popular music can criticise political, social and economic structures, through the lens of alternate rock band Manic Street Preachers. Unlike most recent work on popular music, Peters concentrates largely on lyrical content to defend the provocative claim that the Welsh band pushes the critical message shaped in their lyrics to the forefront. Their music, this suggests, along with sleeve art, body-art, video-clips, clothes, interviews and performances, serves to emphasise this critical message and the primary role played by the band’s lyrics. Blending the disciplines of popular music studies, culture studies and philosophy, Peters confronts the ideas of German philosopher and social critic Theodor W. Adorno with the entire catalogue of Manic Street Preachers, from their 1988 single ‘Suicide Alley’ to their 2018 album Resistance is Futile. Although Adorno argues that popular music is unable to resist the standardising machinery of consumption culture, Peters paradoxically uses his ideas to show that Manic Street Preachers releases shape ‘critical models’ with which to formulate social and political critique. This notion of the ‘critical model’ enables Peters to argue that the catalogue of Manic Street Preachers critically addresses a wide range of themes, from totalitarianism to Holocaust representation, postmodern temporality to Europeanism, and from Nietzsche’s ideas about self-overcoming to reflections on digimodernism and post-truth politics. The book therefore persuasively shows that Manic Street Preacher lyrics constitute an intertextual network of links between diverse cultural and political phenomena, encouraging listeners to critically reflect on the structures that shape our lives.
Popular Music in Spanish Cinema (Ashgate Popular and Folk Music Series)
by Lidia López GómezPopular Music in Spanish Cinema analyses the aesthetics and stylistic development of soundtracks from national productions, considering how political instability and cultural diversity in Spain determined the ways of making art and managing culture. As a pioneering study in this field, the chronologically structured approach of this book provides readers with a complete overview of Spanish music and connects it to the complex historical events that conditioned Spanish culture throughout the 20th century to the present day, from the Second Republic, the Spanish Civil war, and the dictatorship through to democracy. The book enables an understanding of the relationships between the recording and film production industries, the construction of collective imagination, the formulation of new stereotypes, semiotic meanings within film music and the musical exchanges between national and international cinema. This volume is an essential read for students and academics in the field of musicology, ethnomusicology and history as well as those interested in the study of diverse musical styles such as copla, zarzuela, flamenco, jazz, foxtrot, pop and rock and how they have been used in Spanish films throughout history.
Popular Music in Spanish Cinema (Ashgate Popular and Folk Music Series)
Popular Music in Spanish Cinema analyses the aesthetics and stylistic development of soundtracks from national productions, considering how political instability and cultural diversity in Spain determined the ways of making art and managing culture. As a pioneering study in this field, the chronologically structured approach of this book provides readers with a complete overview of Spanish music and connects it to the complex historical events that conditioned Spanish culture throughout the 20th century to the present day, from the Second Republic, the Spanish Civil war, and the dictatorship through to democracy. The book enables an understanding of the relationships between the recording and film production industries, the construction of collective imagination, the formulation of new stereotypes, semiotic meanings within film music and the musical exchanges between national and international cinema. This volume is an essential read for students and academics in the field of musicology, ethnomusicology and history as well as those interested in the study of diverse musical styles such as copla, zarzuela, flamenco, jazz, foxtrot, pop and rock and how they have been used in Spanish films throughout history.
Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology
by Les Gillon Professor Ewa Mazierska Tony RiggPopular Music in the Post-Digital Age explores the relationship between macro environmental factors, such as politics, economics, culture and technology, captured by terms such as 'post-digital' and 'post-internet'. It also discusses the creation, monetisation and consumption of music and what changes in the music industry can tell us about wider shifts in economy and culture. This collection of 13 case studies covers issues such as curation algorithms, blockchain, careers of mainstream and independent musicians, festivals and clubs-to inform greater understanding and better navigation of the popular music landscape within a global context.
Popular Music in the Post-Digital Age: Politics, Economy, Culture and Technology
by Les Gillon Professor Ewa Mazierska Tony RiggPopular Music in the Post-Digital Age explores the relationship between macro environmental factors, such as politics, economics, culture and technology, captured by terms such as 'post-digital' and 'post-internet'. It also discusses the creation, monetisation and consumption of music and what changes in the music industry can tell us about wider shifts in economy and culture. This collection of 13 case studies covers issues such as curation algorithms, blockchain, careers of mainstream and independent musicians, festivals and clubs-to inform greater understanding and better navigation of the popular music landscape within a global context.
Popular Perceptions of Soviet Politics in the 1920s: Disenchantment of the Dreamers
by O. VelikanovaThis is the first study of popular opinions in Soviet society in the 1920s. These voices which made the Russian revolution characterize reactions to mobilization politics: patriotic militarizing campaigns, the tenth anniversary of the revolution and state attempts to unite the nation around a new Soviet identity.
Popular Political Participation and the Democratic Imagination in Spain: From Crowd to People, 1766-1868
by Pablo Sánchez LeónThis book addresses the changing relationships among political participation, political representation, and popular mobilization in Spain from the 1766 protest in Madrid against the early Bourbon reforms until the citizen revolution of 1868 that first introduced universal suffrage and led to the ousting of the monarchy. Popular Participation and the Democratic Imagination in Spain shows that a notion of the “crowd” internally dividing the concept of “people” existed before the advent of Liberalism, allowing for the enduring subordination of popular participation to representation in politics. In its wider European and colonial American context, the study analyzes semantic changes in a range of cultural spheres, from parliamentary debate to historical narrative and aesthetics. It shows how Liberalism had trouble reproducing the legitimacy of limited suffrage and traces the evolution of an imagination on democracy that would allow for the reconfiguration of an all-encompassing image of the people eventually overcoming representative government.“Focused on the nation and identities, Spanish historiography had a pending debt with that other historical subject of modernity, the people. With this book, Pablo Sánchez León starts cancelling the debt with an innovative methodology combining conceptual history with social and political history. Brilliantly, this books also proposes a novel chronology for modern history and renewed categories of analysis. In many senses, this is an extraordinarily renovating senior work.”—José María Portillo Valdés, University of the Basque Country, Spain “This book by Pablo Sánchez León is an original and detailed study of one of the essential components of modernity, the relation between the concepts of plebe and pueblo. The author shows that plebe and people were shaped in a process of mutual differentiation and how the enduring tension between them deeply marked out the evolution of Spanish politics from the end of the Old Regime and throughout the 19th century. As the author brilliantly argues, such tension is tightly imbricated with the enduring dilemma between representation and participation underlying modern political systems. Through a historical analysis of the influence of people and plebe over Spanish, the book makes clear the degree to which the power of language contributes to shape political actors and institutional frames.”—Miguel Ángel Cabrera — Professor, University of La Laguna, Tenerife, Spain “Most accounts of Spain’s transition to modern democracy begin with the popular uprising against the French invasion in 1808, the creation of a national parliament and the promulgation of an advanced Liberal constitution in 1812. Pablo Sánchez León begins the story half a century earlier in the mass street protests in Madrid and other cities in 1766 sparked by Charles III’s sweeping reform programme. Sánchez León focuses unrepentantly on plebeian groups and crowd action – how they are described and conceived by contemporaries – as a key to understanding Spain’s precocious and troubled passage from absolutism to the promulgation of universal male suffrage in September 1868. This audacious and highly original interpretation will surely strike a chord with students of modern Spain.”—Guy Thomson, University of Warwick, UK “This is a book for exploring (from current needs) the history of political participation in Spanish society in order to rethink the very notion of modern citizenship.”—María Sierra, University of Seville, Spain “Motivated by the current crisis in political representation in parliamentary democracies, this work by Pablo Sánchez León departs from the process of construction of modern citizenship. Representation, participation and mobilization are put into play as an interactive triad whose dynamics and changing conceptualization have the key to the social, political and cultural chang