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Animal Pants
by Brian MosesFrom long johns to bloomers, Y-fronts to boxers - Animal Pants is quite simply packed with pants! There's a cat who buys her pants from a catalogue and a frog who wears pants when he's off for a jog. Not to mention a penguin with frozen pants, or the difficulties of finding undies for an octopus. With an infectious rhyming text from the brilliant Brian Moses, and wonderfully entertaining artwork by Anja Boretzki, there's a giggle guaranteed on every page.
The Animal Part: Human and Other Animals in the Poetic Imagination
by Mark PayneHow can literary imagination help us engage with the lives of other animals? The question represents one of the liveliest areas of inquiry in the humanities, and Mark Payne seeks to answer it by exploring the relationship between human beings and other animals in writings from antiquity to the present. Ranging from ancient Greek poets to modernists like Ezra Pound and William Carlos Williams, Payne considers how writers have used verse to communicate the experience of animal suffering, created analogies between human and animal societies, and imagined the kind of knowledge that would be possible if human beings could see themselves as animals see them. The Animal Part also makes substantial contributions to the emerging discourse of the posthumanities. Payne offers detailed accounts of the tenuousness of the idea of the human in ancient literature and philosophy and then goes on to argue that close reading must remain a central practice of literary study if posthumanism is to articulate its own prehistory. For it is only through fine-grained literary interpretation that we can recover the poetic thinking about animals that has always existed alongside philosophical constructions of the human. In sum, The Animal Part marks a breakthrough in animal studies and offers a significant contribution to comparative poetics.
The Animal Part: Human and Other Animals in the Poetic Imagination
by Mark PayneHow can literary imagination help us engage with the lives of other animals? The question represents one of the liveliest areas of inquiry in the humanities, and Mark Payne seeks to answer it by exploring the relationship between human beings and other animals in writings from antiquity to the present. Ranging from ancient Greek poets to modernists like Ezra Pound and William Carlos Williams, Payne considers how writers have used verse to communicate the experience of animal suffering, created analogies between human and animal societies, and imagined the kind of knowledge that would be possible if human beings could see themselves as animals see them. The Animal Part also makes substantial contributions to the emerging discourse of the posthumanities. Payne offers detailed accounts of the tenuousness of the idea of the human in ancient literature and philosophy and then goes on to argue that close reading must remain a central practice of literary study if posthumanism is to articulate its own prehistory. For it is only through fine-grained literary interpretation that we can recover the poetic thinking about animals that has always existed alongside philosophical constructions of the human. In sum, The Animal Part marks a breakthrough in animal studies and offers a significant contribution to comparative poetics.
The Animal Part: Human and Other Animals in the Poetic Imagination
by Mark PayneHow can literary imagination help us engage with the lives of other animals? The question represents one of the liveliest areas of inquiry in the humanities, and Mark Payne seeks to answer it by exploring the relationship between human beings and other animals in writings from antiquity to the present. Ranging from ancient Greek poets to modernists like Ezra Pound and William Carlos Williams, Payne considers how writers have used verse to communicate the experience of animal suffering, created analogies between human and animal societies, and imagined the kind of knowledge that would be possible if human beings could see themselves as animals see them. The Animal Part also makes substantial contributions to the emerging discourse of the posthumanities. Payne offers detailed accounts of the tenuousness of the idea of the human in ancient literature and philosophy and then goes on to argue that close reading must remain a central practice of literary study if posthumanism is to articulate its own prehistory. For it is only through fine-grained literary interpretation that we can recover the poetic thinking about animals that has always existed alongside philosophical constructions of the human. In sum, The Animal Part marks a breakthrough in animal studies and offers a significant contribution to comparative poetics.
Animals: Poetry 2014 (Wordcatcher Modern Poetry)
by Various AuthorsThis book is a compilation of work from the Year 6 pupils, (Class of 2014), at Pontyclun Primary School, Rhondda Cynon Taff, South Wales. Given the topic of 'Animals' this anthology is a feast of creative ideas featuring spiders, penguins, cats, dogs, and a host of other creatures. Enjoy the humour and inventiveness that the children bring to the subject.
Anna Letitia Barbauld and Eighteenth-Century Visionary Poetics
by Daniel P. WatkinsIn this first critical study of Anna Letitia Barbauld’s major work, Daniel P. Watkins reveals the singular purpose of Barbauld’s visionary poems: to recreate the world based on the values of liberty and justice. Watkins examines in close detail both the form and content of Barbauld’s Poems, originally published in 1773 and revised and reissued in 1792. Along with careful readings of the poems that situate the works in their broader political, historical, and philosophical contexts, Watkins explores the relevance of the introductory epigraphs and the importance of the poems’ placement throughout the volume. Centering his study on Barbauld’s effort to develop a visionary poetic stance, Watkins argues that the deliberate arrangement of the poems creates a coherent portrayal of Barbauld’s poetic, political, and social vision, a far-sighted sagacity born of her deep belief that the principles of love, sympathy, liberty, and pacifism are necessary for a secure and meaningful human reality. In tracing the contours of this effort, Watkins examines, in particular, the tension in Barbauld’s poetry between her desire to engage directly with the political realities of the world and her equally strong longing for a pastoral world of peace and prosperity. Scholars of British literature and women writers will welcome this important study of one of the eighteenth century’s foremost writers.
Anna Letitia Barbauld and Eighteenth-Century Visionary Poetics
by Daniel P. WatkinsIn this first critical study of Anna Letitia Barbauld’s major work, Daniel P. Watkins reveals the singular purpose of Barbauld’s visionary poems: to recreate the world based on the values of liberty and justice. Watkins examines in close detail both the form and content of Barbauld’s Poems, originally published in 1773 and revised and reissued in 1792. Along with careful readings of the poems that situate the works in their broader political, historical, and philosophical contexts, Watkins explores the relevance of the introductory epigraphs and the importance of the poems’ placement throughout the volume. Centering his study on Barbauld’s effort to develop a visionary poetic stance, Watkins argues that the deliberate arrangement of the poems creates a coherent portrayal of Barbauld’s poetic, political, and social vision, a far-sighted sagacity born of her deep belief that the principles of love, sympathy, liberty, and pacifism are necessary for a secure and meaningful human reality. In tracing the contours of this effort, Watkins examines, in particular, the tension in Barbauld’s poetry between her desire to engage directly with the political realities of the world and her equally strong longing for a pastoral world of peace and prosperity. Scholars of British literature and women writers will welcome this important study of one of the eighteenth century’s foremost writers.
Anna Seward and the End of the Eighteenth Century
by Claudia T. KairoffAnna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff’s excellent critical study offers fresh readings of Anna Seward’s most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward’s writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward’s poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward’s work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward’s writing within a particular literary style, Kairoff argues that this allows readers to see in Seward’s works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward’s writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward's remarkable literary achievements among the most important of the late eighteenth century.
Anna Seward and the End of the Eighteenth Century
by Claudia T. KairoffAnna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff’s excellent critical study offers fresh readings of Anna Seward’s most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward’s writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward’s poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward’s work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward’s writing within a particular literary style, Kairoff argues that this allows readers to see in Seward’s works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward’s writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward's remarkable literary achievements among the most important of the late eighteenth century.
The Annals of Chile
by Paul MuldoonThe Annals of Chile is Paul Muldoon's seventh collection of poems and contains, amongst other things, celebrations of the birth of his daughter, a plangent and frankly personal lament fo the artist Mary Farl Powers, and a long fantasy invoking the world of boys' adventure stories, over which the poet's mother presides as a benign influence.
Anne Carson: The Glass Essayist
by Elizabeth Sarah ColesThe scholar is transparent and accountable, the poet inward and errant: anyone who reads Anne Carson has to suspend many such separations of power. The first monographic study of her work to date, Anne Carson: The Glass Essayist makes the case for the acclaimed poet, classicist, and translator as a remarkable experimental scholar and reader, who rehearses scholarly methods while slipping their constraints of form and emotion. Carson's attention to sources-ancient and modern, textual or visual-is one of few constants across almost four decades of her published writing, whose uncertain claims on discipline and genre are claimed here as a certain interpretive style. The book follows Carson's readings through variations in form-from early academic prose and poem-essays to creative adaptations and works for performance-to come to grips with what Coles calls Carson's transparency: not her easiness or literalism, but a taste for the exposure of her presence, process, and intent. Carson's portraits of working perform to readers even where she fantasizes her own erasure; where chance, poetic economy, impersonation, and imitation ride the line of anonymity. Coles situates Carson in a vibrant contemporary conversation around the essay, scholar-poets, and post-critical form, where creation transacts critique, and where roles and prerogatives are reset. Reading Carson as a reader, the book argues, is the most pressing way of reading her now.
Anne Carson: The Glass Essayist
by Elizabeth Sarah ColesThe scholar is transparent and accountable, the poet inward and errant: anyone who reads Anne Carson has to suspend many such separations of power. The first monographic study of her work to date, Anne Carson: The Glass Essayist makes the case for the acclaimed poet, classicist, and translator as a remarkable experimental scholar and reader, who rehearses scholarly methods while slipping their constraints of form and emotion. Carson's attention to sources-ancient and modern, textual or visual-is one of few constants across almost four decades of her published writing, whose uncertain claims on discipline and genre are claimed here as a certain interpretive style. The book follows Carson's readings through variations in form-from early academic prose and poem-essays to creative adaptations and works for performance-to come to grips with what Coles calls Carson's transparency: not her easiness or literalism, but a taste for the exposure of her presence, process, and intent. Carson's portraits of working perform to readers even where she fantasizes her own erasure; where chance, poetic economy, impersonation, and imitation ride the line of anonymity. Coles situates Carson in a vibrant contemporary conversation around the essay, scholar-poets, and post-critical form, where creation transacts critique, and where roles and prerogatives are reset. Reading Carson as a reader, the book argues, is the most pressing way of reading her now.
Anne Carson: Ecstatic Lyre (Under Discussion)
by Joshua M WilkinsonAnne Carson’s works re-think genre in some of the most unusual and nuanced ways that few writers ever attempt, from her lyric essays, enigmatic poems, and novels in verse to further forays into video and comics and collaborative performance. Carson’s pathbreaking translations of Ancient Greek poetry and drama, as well as her scholarship on everything from Sappho to Celan, only continue to demonstrate the unique vision she has for what’s possible for a work of literature to become. Anne Carson: Ecstatic Lyre is the first book of essays dedicated to the breadth of Anne Carson’s works, individually, spanning from Eros the Bittersweet through Red Doc. With contributions from Kazim Ali, Dan Beachy-Quick, Julie Carr, Harmony Holiday, Cole Swensen, Eleni Sikelianos, and many others (including translators, poets, essayists, scholars, novelists, critics, and collaborators themselves), we learn from Carson’s greatest admirers and closest readers about the books that moved and inspired them.
Annette von Droste-Hülshoff (Routledge Revivals)
by Margaret MareFirst published in 1965, Annette von Droste-Hülshoff is the first book about the great German poetess of the early nineteenth century in English. Delicate, fey, over-sensitive, unstable, with the intellect often described as unbecomingly masculine, it is easy to see how Annette von Droste-Hülshoff was bound to flout the conventions of the conservative society she lived in and to suffer accordingly. But melancholy and despairing as many of her poems are, we are never allowed to imagine her as a weak person. Margaret Mare is careful to show us her trenchant humour, her gift of mimicry, her generosity to her friends, the resolution which made her refuse, in the middle of a dangerous illness, to treat herself ‘like a soap bubble or a soft egg’—giving us a full picture of the woman of genius who could prophesy confidently that her works would still be read a hundred years after her death. Divided into three parts the book deals with the poet’s life and background, detailed interpretations of selected poems, and, the poet’s treatment of supernatural themes, her epics and prose works, her style and use of images. This book will be an essential read for scholars and researchers of poetry, literature, German literature, European literature, and comparative literature.
Annette von Droste-Hülshoff (Routledge Revivals)
by Margaret MareFirst published in 1965, Annette von Droste-Hülshoff is the first book about the great German poetess of the early nineteenth century in English. Delicate, fey, over-sensitive, unstable, with the intellect often described as unbecomingly masculine, it is easy to see how Annette von Droste-Hülshoff was bound to flout the conventions of the conservative society she lived in and to suffer accordingly. But melancholy and despairing as many of her poems are, we are never allowed to imagine her as a weak person. Margaret Mare is careful to show us her trenchant humour, her gift of mimicry, her generosity to her friends, the resolution which made her refuse, in the middle of a dangerous illness, to treat herself ‘like a soap bubble or a soft egg’—giving us a full picture of the woman of genius who could prophesy confidently that her works would still be read a hundred years after her death. Divided into three parts the book deals with the poet’s life and background, detailed interpretations of selected poems, and, the poet’s treatment of supernatural themes, her epics and prose works, her style and use of images. This book will be an essential read for scholars and researchers of poetry, literature, German literature, European literature, and comparative literature.
Annulments (Colorado Prize for Poetry)
by Zach SavichWinner of the 2010 Colorado Prize for Poetry Published by the Center for Literary Publishing at Colorado State University
Anomaly
by Jamie McKendrickIn a period when nations are retracting within their borders, the vivid and intricate poems of Jamie McKendrick's new collection Anomaly are especially timely, and speak of a fragile legacy of openness and interconnectedness. The poems playfully twin Bologna and Bombay, the South Downs and the Camargue, the imagined and the actual. Often intensely visual, here more than ever, McKendrick's poems engage with artists as various as the Taviani brothers, Sánchez Cotán, Bhupen Khakhar and Giacometti, and are as alive to the sea-bound cityscapes of Liverpool and Venice as to the rocky landscapes of Sardinia and Slovenia.
Another America/Otra America
by Barbara KingsolverFrom a bestselling and beloved author, an intensely personal collection of poetry &“rich with political and human resonance&” (Ursula K. LeGuin)Before becoming the bestselling author we know today, Barbara Kingsolver, as a new college graduate in search of adventure, moved to the borderlands of Tucson, Arizona. What she found, she says, was &“another America.&”Interweaving past political events, from the US-backed dictatorships in South America to the government surveillance carried out in the Reagan years, Kingsolver&’s early poetry expands into a broader examination of the racism, discrimination, and immigration system she witnessed at close range. The poems coalesce in a record of her emerging adulthood, in which she confronts the hypocrisy of the national myth of America—a confrontation that would come to shape her not only as an artist, but as a citizen. With a new introduction from Kingsolver that reflects on the current border crisis, Another America is a striking portrait of a country deeply divided between those with privilege and those without, and the lives of urgent purpose that may be carved out in between.
Another Way to Split Water: A Poetry Book Society Recommendation
by Alycia PirmohamedIn Alycia Pirmohamed’s debut collection, Another Way to Split Water, a woman’s body expands and contracts across the page, fog uncoils at the fringes of a forest, and water in all its forms cascades into metaphors of longing and separation just as often as it signals inheritance, revival, and recuperation. Language unfolds into unforgettable and arresting imagery, offering a map toward self-understanding that is deeply rooted in place.These poems are a lyrical exploration of how ancestral memory reforms and transforms throughout generations, through stories told and retold, imagined and reimagined. It is a meditation on womanhood, belonging, faith, intimacy, and the natural world.‘Pirmohamed is an immensely gifted poet’ – Eduardo C. Corral'An electric, taut, and glimmering achievement’ – Aria Aber
Answering Back: Living poets reply to the poetry of the past
by Carol Ann DuffyCarol Ann Duffy has invited fifty of her peers to choose and respond to a poem from the past. With up-and-coming poets alongside more established names, and original poems alongside the new works they have inspired – Paul Muldoon, Vickie Feaver and U. A. Fanthorpe, for example, engage with classic works by Philip Larkin, Emily Dickinson and Christina Rossetti – the result is a collection of voices that speak to one another across the centuries. Teasing, subverting, arguing, echoing and – ultimately – illuminating, Answering Back is a vibrant, fascinating and timeless anthology, compiled by one of the nation’s favourite poets. ‘Intriguing . . . Entertaining and stimulating’ Good Book Guide ‘A starry game of call and answer across poetic generations’ FT Magazine
Anthem For Doomed Youth: Selected Poems And Letters (Penguin Little Black Classics #No. 50)
by Wilfred Owen'Tonight he noticed how the women's eyesPassed from him to the strong men that were whole.'The true horror of the trenches is brought to life in this selection of poetry from the front line.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Wilfred Owen (1893-1918). Owen is available in Penguin Classics in Three Poets of the First World War: Ivor Gurney, Isaac Rosenberg, Wilfred Owen.
Anthology: Poems by My Several Selves (Wordcatcher Modern Poetry)
by Ross LaneAn anthology of poetry is traditionally a collected work by various writers and, in a sense, that is exactly what this book is. We are all different people at many junctions in our lives. We are moulded and shaped by the people, places and events that leave their fingerprints and footprints on our souls, and as such we change and evolve, losing sometimes our perspective but at the same time gaining another. This is a selection of work that spans twenty-five years of my life, the visions of my younger selves and the thoughts of a reflective poet looking backwards and forwards through all the shards of all the things that touch us.
Anthology of Ancient Medival Woman's Song
by A. KlinckThis collection focuses on a woman's point of view in love poetry, and juxtaposes poems by women and poems about women to raise questions about how femininity is constructed. Although most medieval 'woman's songs' are either anonymous or male-authored lyrics in a popular style, the term can usefully be expanded to cover poetry composed by women, and poetry that is aristocratic or learned rather than popular. Poetry from ancient Greece and Rome that resonates with the medieval poems is also included here. Readers will find a range of voices, often echoing similar themes, as women rejoice or lament, praise or condemn, plead or curse, speak in jest or in earnest, to men and to each other, about love.
The Anthropocene Lyric: An Affective Geography of Poetry, Person, Place
by Tom BristowThis book takes the work of three contemporary poets John Burnside, John Kinsella and Alice Oswald to reveal how an environmental poetics of place is of significant relevance for the Anthropocene: a geological marker asking us to think radically of the human as one part of the more-than-human world.
Anthropocene Poetry: Place, Environment, and Planet (Literatures, Cultures, and the Environment)
by Yvonne ReddickAnthropocene Poetry: Place, Environment and Planet argues that the idea of the Anthropocene is inspiring new possibilities for poetry. It can also change the way we read and interpret poems. If environmental poetry was once viewed as linked to place, this book shows how poets are now grappling with environmental issues from the local to the planetary: climate change and the extinction crisis, nuclear weapons and waste, plastic pollution and the petroleum industry. This book intervenes in debates about culture and science, traditional poetic form and experimental ecopoetics, to show how poets are collaborating with environmental scientists and joining environmental activist movements to respond to this time of crisis. From the canonical work of Ted Hughes and Seamus Heaney, to award-winning poets Alice Oswald, Pascale Petit, Kei Miller, and Karen McCarthy Woolf, this book explores major figures from the past alongside acclaimed contemporary voices. It reveals Seamus Heaney’s support for conservation causes and Ted Hughes’s astonishingly forward-thinking research on climate change; it discusses how Pascale Petit has given poetry to Extinction Rebellion and how Karen McCarthy Woolf set sail with scientists to write about plastic pollution. This book deploys research on five poetry archives in the UK, USA and Ireland, and the author’s insider insights into the commissioning processes and collaborative methods that shaped important contemporary poetry publications. Anthropocene Poetry finds that environmental poetry is flourishing in the face of ecological devastation. Such poetry speaks of the anxieties and dilemmas of our age, and searches for paths towards resilience and resistance.