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Friend: Poems by Young People
by Kate ClanchyAn unforgettable collection of poems by young people, edited by the award-winning writer and teacher Kate Clanchy.I text you how much it hurts not to see you.Here are poems about love, loss, mothers, fathers, God, rain, and growing up. About all the things that poems always are about, in fact, with one crucial difference. Instead of being remembered from an adult distance, these poems were written by a diverse group of teenagers direct from their own experience. So as well as being clever, funny and moving they are also immediate – they go straight to the heart like a text from a friend. Most of these poems are by pupils from a single multicultural comprehensive school, Oxford Spires Academy. Many have already been social media sensations: Linnet Drury’s poems, for instance, have been retweeted over 100,000 times. All the poets have been paid for their poems, and a donation of 50p from the sale of this book will be made to the charity First Story to help further creative writing in schools.Friend: Poems by Young People has been edited by the award-winning poet, writer and teacher Kate Clanchy. A previous anthology of her students’ work, England: Poems from a School, was published to great acclaim in 2018.
Friend: Poems by Young People
by Kate ClanchyI text you how much it hurts not to see you. Here are poems about love, loss, mothers, fathers, God, rain and growing up. About all the things that poems are always about, in fact, with one crucial difference. Instead of being remembered from an adult distance, these poems were written by a diverse group of teenagers direct from their own experience. So as well as being clever, funny and moving, they are also immediate – they go straight to the heart like a text from a friend. Most of these poems are by pupils from a single multicultural comprehensive school, Oxford Spires Academy. Many have already been social media sensations: some students' poems, for instance, have been retweeted over 100,000 times. A donation from the sale of this book will be made to the charity Asylum Welcome.
Friendly Matches: A Play Of Two Halves!
by Allan AhlbergA superb collection of football poems covering many aspects of the game. Written in a variety of verse forms - sonnets, rhyming couplets and more. As good as previous collections!
Frissure: Prose Poems and Artworks
by Kathleen JamieFrissure is an exquisite collection of prose-poems and illustrative work exploring healing, mortality, intimacy, memory and the natural world. It is about the intimate process of looking and seeing as it passes from one person - a cancer patient - looking at herself, from being 'examined' by a surgeon, to being looked at by an artist. In each situation a transformation occurs. The gaze of the patient on her own body and its post-operative scarring is objectified by that of the surgeon assessing the success of his work. But then the creative eye of the artist takes over and what was regarded as a mark of disease and of violation takes on an extraordinary flowering, and becomes a thing of beauty.
Frolic and Detour: Poems
by Paul MuldoonFrolic and Detour is a book that is at once engaged and engaging, woven with subtle threads of history and geography that represent not only our profound interconnectedness but the fragility of those very connections. Ranging as it does from poems that take as their subject matter the Native American leaders Joseph Brant and Mangas Coloradas, through the Great War, the Irish Rising, hunting with eagles, the house wren, to the day-to-day assault of twenty-first-century America, Frolic and Detour reminds us that the sidelong glance is the sweetest, the tangential approach the most telling. It also reminds us why, in his review for the New York Times of Selected Poems 1968-2014, Dwight Garner described it as 'a compact, powerful book, filled with catharses you didn't know you needed'.
From Aardvarks to Zooxanthellae: The Definitive Lyrical Guide to Nature’s Ways
by John C. AviseHundreds of animal species provide the cast of characters for these newly composed bio-limericks, arranged into 17 chapters by taxonomic group (such as Birds, Fishes, Insects) or biological subject (such as Ecology, Genetics, and Anthropology). Sometimes multiple verses on one organism or topic provide an extended story-line across successive poems. In addition, several stylistic vignettes recur throughout the book, such as: (a) “On the Farm”, which ranges from barnyards to fish farms to oyster farms; and (b) “Let’s Play Jeopardy”, where the reader guesses an animal from poetic clues the author provides. Each little jingle can be read as a stand-alone offering a quick chuckle or biological insight. But watch out—these poetic tidbits can be as addictive as popcorn, such that some readers will feel compelled to consume each chapter and indeed the entire book at one sitting! Covering nearly every creature that any amateur or professional biologist has ever heard of, these pun-filled limericks provide humorous insight into each critter or its peculiar habits, in a sharply witty and cutely informative way.
From Lisbon to the World: Fernando Pessoas Enduring Literary Presence (The Portuguese-Speaking World)
by George MonteiroFernando Pessoa is one of the greatest poets of the 20th century. Until some years ago known in the English-speaking world only among a minority of connaisseurs, his work is finally becoming available in English translations, and more are in the process of reaching the literary public. Born in Lisbon in 1888, Pessoa was only forty-seven when he died, but he left behind a staggering number of unpublished manuscripts that are still being screened and brought to light. George Steiner heralded the day Pessoa discovered his major Portuguese heteronyms, for no country had ever seen the birth of four great poets in a single day. That was a reference to the personae Pessoa created, the famous heteronyms Alberto Caeiro, Alvaro de Campos, and Ricardo Reis, besides the man himself -- all poets in their own right with their biographies and even critical exchanges among themselves. Today well over a hundred Pessoa heteronyms are known, including, notably, the semi-heteronym Bernardo Soares, author of The Book of Disquiet, presently available in two English translations. Lately, another Pessoa is emerging -- an English writer, as well as a thinker. Indeed, having been educated in Durban, South Africa, where his stepfather was the consul of Portugal, the poet had a strong English education that shaped his life and thought. George Monteiro has been in the forefront of the uncovering of this side of Pessoa. Author, among many other works, of The Presence of Pessoa: English, American, and Southern African Literary Responses, and Fernando Pessoa and Nineteenth-Century Anglo-American Literature, in this volume Monteiro continues to explore and interpret the world of Pessoa to English-speaking readers.
From Lisbon to the World: Fernando Pessoas Enduring Literary Presence (The Portuguese-Speaking World)
by George MonteiroFernando Pessoa is one of the greatest poets of the 20th century. Until some years ago known in the English-speaking world only among a minority of connaisseurs, his work is finally becoming available in English translations, and more are in the process of reaching the literary public. Born in Lisbon in 1888, Pessoa was only forty-seven when he died, but he left behind a staggering number of unpublished manuscripts that are still being screened and brought to light. George Steiner heralded the day Pessoa discovered his major Portuguese heteronyms, for no country had ever seen the birth of four great poets in a single day. That was a reference to the personae Pessoa created, the famous heteronyms Alberto Caeiro, Alvaro de Campos, and Ricardo Reis, besides the man himself -- all poets in their own right with their biographies and even critical exchanges among themselves. Today well over a hundred Pessoa heteronyms are known, including, notably, the semi-heteronym Bernardo Soares, author of The Book of Disquiet, presently available in two English translations. Lately, another Pessoa is emerging -- an English writer, as well as a thinker. Indeed, having been educated in Durban, South Africa, where his stepfather was the consul of Portugal, the poet had a strong English education that shaped his life and thought. George Monteiro has been in the forefront of the uncovering of this side of Pessoa. Author, among many other works, of The Presence of Pessoa: English, American, and Southern African Literary Responses, and Fernando Pessoa and Nineteenth-Century Anglo-American Literature, in this volume Monteiro continues to explore and interpret the world of Pessoa to English-speaking readers.
From Many Gods to One: Divine Action in Renaissance Epic
by Tobias GregoryEpic poets of the Renaissance looked to emulate the poems of Greco-Roman antiquity, but doing so presented a dilemma: what to do about the gods? Divine intervention plays a major part in the epics of Homer and Virgil—indeed, quarrels within the family of Olympian gods are essential to the narrative structure of those poems—yet poets of the Renaissance recognized that the cantankerous Olympians could not be imitated too closely. The divine action of their classical models had to be transformed to accord with contemporary tastes and Christian belief. From Many Gods to One offers the first comparative study of poetic approaches to the problem of epic divine action. Through readings of Petrarch, Vida, Ariosto, Tasso, and Milton, Tobias Gregorydescribes the narrative and ideological consequences of the epic’s turn from pagan to Christian. Drawing on scholarship in several disciplines—religious studies, classics, history, and philosophy, as well as literature—From Many Gods to One sheds new light on two subjects of enduring importance in Renaissance studies: the precarious balance between classical literary models and Christian religious norms and the role of religion in drawing lines between allies and others.
From Many Gods to One: Divine Action in Renaissance Epic
by Tobias GregoryEpic poets of the Renaissance looked to emulate the poems of Greco-Roman antiquity, but doing so presented a dilemma: what to do about the gods? Divine intervention plays a major part in the epics of Homer and Virgil—indeed, quarrels within the family of Olympian gods are essential to the narrative structure of those poems—yet poets of the Renaissance recognized that the cantankerous Olympians could not be imitated too closely. The divine action of their classical models had to be transformed to accord with contemporary tastes and Christian belief. From Many Gods to One offers the first comparative study of poetic approaches to the problem of epic divine action. Through readings of Petrarch, Vida, Ariosto, Tasso, and Milton, Tobias Gregorydescribes the narrative and ideological consequences of the epic’s turn from pagan to Christian. Drawing on scholarship in several disciplines—religious studies, classics, history, and philosophy, as well as literature—From Many Gods to One sheds new light on two subjects of enduring importance in Renaissance studies: the precarious balance between classical literary models and Christian religious norms and the role of religion in drawing lines between allies and others.
From Many Gods to One: Divine Action in Renaissance Epic
by Tobias GregoryEpic poets of the Renaissance looked to emulate the poems of Greco-Roman antiquity, but doing so presented a dilemma: what to do about the gods? Divine intervention plays a major part in the epics of Homer and Virgil—indeed, quarrels within the family of Olympian gods are essential to the narrative structure of those poems—yet poets of the Renaissance recognized that the cantankerous Olympians could not be imitated too closely. The divine action of their classical models had to be transformed to accord with contemporary tastes and Christian belief. From Many Gods to One offers the first comparative study of poetic approaches to the problem of epic divine action. Through readings of Petrarch, Vida, Ariosto, Tasso, and Milton, Tobias Gregorydescribes the narrative and ideological consequences of the epic’s turn from pagan to Christian. Drawing on scholarship in several disciplines—religious studies, classics, history, and philosophy, as well as literature—From Many Gods to One sheds new light on two subjects of enduring importance in Renaissance studies: the precarious balance between classical literary models and Christian religious norms and the role of religion in drawing lines between allies and others.
From Many Gods to One: Divine Action in Renaissance Epic
by Tobias GregoryEpic poets of the Renaissance looked to emulate the poems of Greco-Roman antiquity, but doing so presented a dilemma: what to do about the gods? Divine intervention plays a major part in the epics of Homer and Virgil—indeed, quarrels within the family of Olympian gods are essential to the narrative structure of those poems—yet poets of the Renaissance recognized that the cantankerous Olympians could not be imitated too closely. The divine action of their classical models had to be transformed to accord with contemporary tastes and Christian belief. From Many Gods to One offers the first comparative study of poetic approaches to the problem of epic divine action. Through readings of Petrarch, Vida, Ariosto, Tasso, and Milton, Tobias Gregorydescribes the narrative and ideological consequences of the epic’s turn from pagan to Christian. Drawing on scholarship in several disciplines—religious studies, classics, history, and philosophy, as well as literature—From Many Gods to One sheds new light on two subjects of enduring importance in Renaissance studies: the precarious balance between classical literary models and Christian religious norms and the role of religion in drawing lines between allies and others.
From Narcissism to Nihilism: Self-Love and Self-Negation in Early Modern Literature (Routledge Studies in Renaissance Literature and Culture)
by Anthony ArchdeaconThis book explores how the myth of Narcissus, which is at once about self-love and self-destruction, desire and death, beauty and pain, became an ambivalent symbol of humanistic endeavour, and articulated the conflicts of early modern authorship. In early modern literature, there were expressions of humanistic self-congratulation that sometimes verged on narcissism, and at the same time expressions of self-doubt and anxiety that verged on nihilism. The themes of self-love and self-negation had a long history in western thought, and this book shows how the medieval treatments of the themes developed into something distinctive in the sixteenth century. The two themes, either individually or combined, encompass such topics as poverty, unrequited love, transgressive sexuality, sexual violence, suicidality, self-worth, authorship, religious penitence, martyrdom, courtly ambition and tyranny. Archdeacon uses over 100 texts from the sixteenth and early seventeenth centuries to show how the early modern writer existed in a culture of contrary forces pulling towards either self-affirmation or self-erasure. Writers attempted to negotiate between the polarised extremes of self-love and self-negation, realising that they are fundamental to how we respond to each other, our selves and the world.
From Narcissism to Nihilism: Self-Love and Self-Negation in Early Modern Literature (Routledge Studies in Renaissance Literature and Culture)
by Anthony ArchdeaconThis book explores how the myth of Narcissus, which is at once about self-love and self-destruction, desire and death, beauty and pain, became an ambivalent symbol of humanistic endeavour, and articulated the conflicts of early modern authorship. In early modern literature, there were expressions of humanistic self-congratulation that sometimes verged on narcissism, and at the same time expressions of self-doubt and anxiety that verged on nihilism. The themes of self-love and self-negation had a long history in western thought, and this book shows how the medieval treatments of the themes developed into something distinctive in the sixteenth century. The two themes, either individually or combined, encompass such topics as poverty, unrequited love, transgressive sexuality, sexual violence, suicidality, self-worth, authorship, religious penitence, martyrdom, courtly ambition and tyranny. Archdeacon uses over 100 texts from the sixteenth and early seventeenth centuries to show how the early modern writer existed in a culture of contrary forces pulling towards either self-affirmation or self-erasure. Writers attempted to negotiate between the polarised extremes of self-love and self-negation, realising that they are fundamental to how we respond to each other, our selves and the world.
From The Neanderthal (Cape Poetry Ser.)
by Adam ThorpeThe poems in Adam Thorpe's latest collection are concerned with the continuum between two worlds: the lived present and the felt past. With the attentive care of an archaeologist he uncovers and examines fragments - from a personal history or the historic past - and rebuilds the narrative: a fossil in Hitler's stadium, a wedding photograph, marks on the wall where an eighteenth-century priest was shot. With formal dexterity and rhythmic assurance, these versatile, subtle poems investigate the vertiginous dynamic of history - where a shard of stone stands for civilisation, where a silver of memory becomes a life re-lived. After nine years, during which time he has emerged as one of Britain's most powerful and innovative novelists, Adam Thorpe now returns - triumphantly - to poetry.
From Performance to Print in Shakespeare's England (Redefining British Theatre History)
by P. Holland S. OrgelWhat can the printed texts of plays from Shakespeare's time say about performance? How have printed plays been read and interpreted? This collection of essays considers the evidence of early modern printed plays and their histories of production and reception, examining a wide variety of cases, from early performance to the psychology of Hamlet.
From School to Salon: Reading Nineteenth-Century American Women's Poetry
by Mary LoeffelholzWith the transformation and expansion of the nineteenth-century American literary canon in the past two decades, the work of the era's American women poets has come to be widely anthologized. But scant scholarship has arisen to make full sense of it. From School to Salon responds to this glaring gap. Mary Loeffelholz presents the work of nineteenth-century women poets in the context of the history, culture, and politics of the times. She uses a series of case studies to discuss why the recovery of nineteenth-century women's poetry has been a process of anthologization without succeeding analysis. At the same time, she provides a much-needed account of the changing social contexts through which nineteenth-century American women became poets: initially by reading, reciting, writing, and publishing poetry in school, and later, by doing those same things in literary salons, institutions created by the high-culture movement of the day. Along the way, Loeffelholz provides detailed analyses of the poetry, much of which has received little or no recent critical attention. She focuses on the works of a remarkably diverse array of poets, including Lucretia Maria Davidson, Lydia Sigourney, Maria Lowell, Frances Ellen Watkins Harper, Emily Dickinson, Helen Hunt Jackson, and Annie Fields. Impeccably researched and gracefully written, From School to Salon moves the study of nineteenth-century women's poetry to a new and momentous level.
From Shakespeare to Obama: A Study in Language, Slavery and Place
by J. HartFrom Shakespeare to Obama discusses language, slavery, and place from the Portuguese enslavement of African people, through slavery in Shakespeare's plays, to President Obama's 2012 speech on "modern slavery." Balancing close reading with context, this expansive book offers new insight into questions of otherness, rhetoric, and stereotyping.
From Song to Book: The Poetics of Writing in Old French Lyric and Lyrical Narrative Poetry
by Sylvia HuotAs the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics.Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
From Song to Print: Romantic Pseudo-Songs (Nineteenth-Century Major Lives and Letters)
by T. HoagwoodFrom Song to Print is a study of the major cultural transition from oral forms of art and discourse to the commercial culture of print that happened during the Industrial Revolution. Through a discussion of ancient musical forms (classical, biblical, and early-modern poetry of song), this book explores the typographical simulation of music and oral poetry during the nineteenth century. Original and innovative, this work shows how the musical writings of Romantic poets, such as Wordsworth, Coleridge, Byron, and Keats, evoke antique cultures and ancient settings while offering a critique of their own imitative forms and the modern, commercial context in which they appear.
From Sorrow's Well: The Poetry of Hayden Carruth (Under Discussion)
by Shaun T GriffinHayden Carruth survived isolation, mental health problems, and long struggle with drink and smoke to produce a vision of modern poetry rooted in the New England tradition but entirely his own. Many feel his best poems emerged from the isolation of rural Vermont, and his poems often are concerned with rural images and metaphors reflecting the land and hardscrabble people around him. Together with his second love, jazz, Carruth’s rural experiences infuse his poems with engaging and provocative ideas even as they present sometimes stark topics. This volume collects essays and poems from such notable contributors as Donald Hall, Marilyn Hacker, Adrienne Rich, Philip Booth, Matthew Miller, and Sascha Feinstein, among many others. The book’s sections concern the kinds of writings, and the values expressed in his writings, for which Carruth was most famous, including what editor Shaun T. Griffin calls “social utility,” jazz, his impoverished rural environment, and “innovation” in poetic form.
From the Book of Giants (Phoenix Poets)
by Joshua WeinerSong for Thom Gunn There is no east or west in the wood you fear and seek, stumbling past a gate of moss and what you would not take. And what you thought you had (the Here that is no rest) you make from it an aid to form no east, no west. No east. No west. No need for given map or bell, vehicle, screen, or speed. Forget the house, forget the hill. Taking its title from a set of writings found in the Dead Sea Scrolls, From the Book of Giants retunes the signal broadcast from these ancient fragments, transmitting a new sound in the shape of a Roman drain cover, in imitations of Dante and Martial, in the voice of a cricket and the hard-boiled American photographer Weegee, in elegies both public and personal, and in poems that range from the social speech of letters to the gnomic language of riddles. Out of poetry’s “complex of complaint and praise,” Joshua Weiner discovers, in one poem, his own complicity in Empire during his son’s baseball game at the White House. In another, an embroidered parrot sings a hermetic nursery rhyme to an infant after 9/11.
From the Book of Giants (Phoenix Poets)
by Joshua WeinerSong for Thom Gunn There is no east or west in the wood you fear and seek, stumbling past a gate of moss and what you would not take. And what you thought you had (the Here that is no rest) you make from it an aid to form no east, no west. No east. No west. No need for given map or bell, vehicle, screen, or speed. Forget the house, forget the hill. Taking its title from a set of writings found in the Dead Sea Scrolls, From the Book of Giants retunes the signal broadcast from these ancient fragments, transmitting a new sound in the shape of a Roman drain cover, in imitations of Dante and Martial, in the voice of a cricket and the hard-boiled American photographer Weegee, in elegies both public and personal, and in poems that range from the social speech of letters to the gnomic language of riddles. Out of poetry’s “complex of complaint and praise,” Joshua Weiner discovers, in one poem, his own complicity in Empire during his son’s baseball game at the White House. In another, an embroidered parrot sings a hermetic nursery rhyme to an infant after 9/11.
From the Book of Giants (Phoenix Poets)
by Joshua WeinerSong for Thom Gunn There is no east or west in the wood you fear and seek, stumbling past a gate of moss and what you would not take. And what you thought you had (the Here that is no rest) you make from it an aid to form no east, no west. No east. No west. No need for given map or bell, vehicle, screen, or speed. Forget the house, forget the hill. Taking its title from a set of writings found in the Dead Sea Scrolls, From the Book of Giants retunes the signal broadcast from these ancient fragments, transmitting a new sound in the shape of a Roman drain cover, in imitations of Dante and Martial, in the voice of a cricket and the hard-boiled American photographer Weegee, in elegies both public and personal, and in poems that range from the social speech of letters to the gnomic language of riddles. Out of poetry’s “complex of complaint and praise,” Joshua Weiner discovers, in one poem, his own complicity in Empire during his son’s baseball game at the White House. In another, an embroidered parrot sings a hermetic nursery rhyme to an infant after 9/11.