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Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill
by Helen VendlerIn Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill (The A. W. Mellon Lectures in the Fine Arts #56)
by Helen VendlerModern American poets writing in the face of deathIn Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill (The A. W. Mellon Lectures in the Fine Arts #56)
by Helen VendlerModern American poets writing in the face of deathIn Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
The Last Romantics (Routledge Revivals)
by Graham HoughFirst published in 1947, The Last Romantics elucidates on the major preoccupations of the leaders of thought in late Victorian times such as the arts and their relation to religion and the social order. The aim is to trace their thoughts and feelings and study the relevance of the thoughts to the author's time. This leads author to examine some aesthetic theories of Ruskin, Rosetti, Morris, Pater and finally Yeats, and includes discussions on art and French literature. This book will be of interest to students of Romantic literature.
The Last Romantics (Routledge Revivals)
by Graham HoughFirst published in 1947, The Last Romantics elucidates on the major preoccupations of the leaders of thought in late Victorian times such as the arts and their relation to religion and the social order. The aim is to trace their thoughts and feelings and study the relevance of the thoughts to the author's time. This leads author to examine some aesthetic theories of Ruskin, Rosetti, Morris, Pater and finally Yeats, and includes discussions on art and French literature. This book will be of interest to students of Romantic literature.
The Last Trojan Hero: A Cultural History of Virgil's Aeneid
by Philip HardieThe resonant opening lines of Virgil's Aeneid rank among the most famous and consistently recited verses to have been passed down to later ages by antiquity. And after The Odyssey and the Iliad, Virgil's masterpiece is arguably the greatest classical text in the whole of Western literature. This sinuous and richly characterised epic vitally influenced th poetry of Dante, Petrarch and Milton. The doomed love of Dido and Aeneas inspired Purcell, while for T.S. Eliot Virgil's poem was 'the classic of all Europe'. The poet's stirring tale of a refugee Trojan prince, 'torn from Libyan waves' to found a new homeland in Italy, has provided much fertile material for writings on colonialism and for discourses of ethic and national identity. The Aeneid has even been viewed as a template and source of justification for British and European imperialisms and for American nation-building. In his major and much anticipated new book Philip Hardie explores the many remarkable afterlives- ancient, medieval and modern- of the Aeneid in literature, music, politics, the visual arts and film.The Last Trojan Hero, by one of Virgil's leading interpreters, put continually fresh and surprising perspectives on one of the outstanding works of civilization. Placing the Aeneid on a broad artistic and historical canvas, it shows with elegance, originality and creative insight how and in what ways this remarkably durable text continues so powerfully to capture the cultural imagination and why it still speaks to us over a gulf of centuries.
The Last Wish: English Translation of select Sindhi Stories By Dr. Vinod Asudani
by Veena ShringiThe book is a compilation of some of the selected Sindhi poems by the author into English language.
The Late Cantos of Ezra Pound: Composition, Revision, Publication (Historicizing Modernism)
by Michael KindellanDrawing extensively on archival research, The Late Cantos of Ezra Pound critically explores the textual history of Pound's late verse, namely Section: Rock-Drill (1955) and Thrones (1959). Examining unpublished letters, draft manuscripts and other prepublication material, this book addresses the composition, revision and dissemination of these difficult texts in order to shed new light on their significance to Pound's wider project, his methods and techniques, and the structures of authority-literary and political-that govern the meaning of his poetry. Illustrated by reproductions of archival documents, The Late Cantos of Ezra Pound is an innovative new study of one of the most important poets of the 20th century.
The Late Cantos of Ezra Pound: Composition, Revision, Publication (Historicizing Modernism)
by Michael KindellanDrawing extensively on archival research, The Late Cantos of Ezra Pound critically explores the textual history of Pound's late verse, namely Section: Rock-Drill (1955) and Thrones (1959). Examining unpublished letters, draft manuscripts and other prepublication material, this book addresses the composition, revision and dissemination of these difficult texts in order to shed new light on their significance to Pound's wider project, his methods and techniques, and the structures of authority-literary and political-that govern the meaning of his poetry. Illustrated by reproductions of archival documents, The Late Cantos of Ezra Pound is an innovative new study of one of the most important poets of the 20th century.
Late Fragments: Flares, My Heart Laid Bare, Prose Poems, Belgium Disrobed (The Margellos World Republic of Letters)
by Charles BaudelaireThe first English collection of the late poetry and prose fragments of literary icon Charles Baudelaire “[These] unfinished works written after 1861 . . . deliver what their titles seem to promise: a soul stripped of guises and illusions.”—Ange Mlinko, New York Review of Books "In Richard Sieburth's lucid and precise translation and commentary, Baudelaire has found at long last a proper English voice."—Alberto Manguel While not as well‑known as his other works, Charles Baudelaire’s late poems, drafts of poems, and prose fragments are texts indispensable to the history of modern poetics. This volume brings together Baudelaire’s late fragmentary writings, aphoristic in form and radical in thought, into one edited collection for the first time. Substantial introductions to each work by Richard Sieburth combine the literary context with formal analysis and reception history to give readers a comprehensive picture of the genesis of these works and their subsequent fate. Baudelaire’s turn toward fragmentary writing involved not only a conscious renunciation of his aesthetics of perfection and unity, but a desertion of the harmonies of the traditional lyric in favor of the disjunctions of prose. These are daring works, often painful to read in their misanthropy and unconventional beauty.
The Late Harold Pinter: Political Dramatist, Poet and Activist
by Basil ChiassonThis volume is the first to provide a book-length study of Pinter’s overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinter’s later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and speeches, which have previously been overshadowed by his plays, into the foreground. Intended for students, instructors, and researchers in drama and theatre, performance studies, literature, and media studies, this book celebrates Pinter’s later life and work by discerning a coherent political voice and project and by registering the complex ways that project troubles the divide between aesthetics and politics.
Late Modernism and The English Intelligencer: On the Poetics of Community (Historicizing Modernism)
by Alex LatterDespite the brevity of its run and the diminutive size of its audience, The English Intelligencer is a key publication in the history of literary modernism in the British Isles. Emerging in the mid-1960s from a dissatisfaction with the prevailing norms of 'Betjeman's England', the young writers associated with it were catalysed by the example of Donald Allen's The New American Poetry as they sought to establish a revitalised modernist poetics. Late Modernism and The English Intelligencer gives the first full account of the extraordinary history of this publication, bringing to light extensive new archival material to establish an authoritative contextualisation of its operation and its relationship with post-war British poetry. This material provides compelling new insights into the work of the Intelligencer poets themselves and, more broadly, the continued presence of an international poetic modernism as a vital force in Britain in the second half of the twentieth century.
Late Modernism and The English Intelligencer: On the Poetics of Community (Historicizing Modernism)
by Alex LatterDespite the brevity of its run and the diminutive size of its audience, The English Intelligencer is a key publication in the history of literary modernism in the British Isles. Emerging in the mid-1960s from a dissatisfaction with the prevailing norms of 'Betjeman's England', the young writers associated with it were catalysed by the example of Donald Allen's The New American Poetry as they sought to establish a revitalised modernist poetics. Late Modernism and The English Intelligencer gives the first full account of the extraordinary history of this publication, bringing to light extensive new archival material to establish an authoritative contextualisation of its operation and its relationship with post-war British poetry. This material provides compelling new insights into the work of the Intelligencer poets themselves and, more broadly, the continued presence of an international poetic modernism as a vital force in Britain in the second half of the twentieth century.
Late modernist poetics: From Pound to Prynne (Angelaki Humanities)
by Anthony MellorsThis book explores the uncanny afterlife of modernist ideals in the second half of the twentieth century. Rejecting the familiar notion that modernism dissolved during the 1930s, it argues that the fusion of rationalism and mysticism which characterises modernist poetics was sustained long after its politics had been discredited by the events of World War Two. The book’s central concern is why the aesthetic mysticism that Walter Benjamin called the faith of those ‘who made common cause with Fascism’ continued to be a guiding principle for literary elites and countercultural movements alike. New light is shed on the relationship between occultism and the Pound tradition, especially in terms of Pound’s influence on post-1945 Anglo-American poetry, and a critical theory of ‘late modernism’ is offered which shows how belated notions of cultural redemption have survived in contemporary poetry.This wide-ranging contextual study focuses on the poetry of Ezra Pound, Charles Olson, Paul Celan, and J H Prynne, and explores the development of modernist culture through its theories of phenomenology, psychoanalysis, science, ethnography, and ancient history.
The Late Poems of Meng Chiao (The Lockert Library of Poetry in Translation #44)
by Meng ChiaoLate in life, Meng Chiao (A.D. 751--814) developed an experimental poetry of virtuosic beauty, a poetry that anticipated landmark developments in the modern Western tradition by a millennium. With the T'ang Dynasty crumbling, Meng's later work employed surrealist and symbolist techniques as it turned to a deep introspection. This is truly major work-- work that may be the most radical in the Chinese tradition. And though written more than a thousand years ago, it is remarkably fresh and contemporary. But, in spite of Meng's significance, this is the first volume of his poetry to appear in English. Until the age of forty, Meng Chiao lived as a poet-recluse associated with Ch'an (Zen) poet-monks in south China. He then embarked on a rather unsuccessful career as a government official. Throughout this time, his poetry was decidedly mediocre, conventional verse inevitably undone by his penchant for the strange and surprising. After his retirement, Meng developed the innovative poetry translated in this book. His late work is singular not only for its bleak introspection and "avant-garde" methods, but also for its dimensions: in a tradition typified by the short lyric poem, this work is made up entirely of large poetic sequences.
The Late Poems of Meng Chiao (The Lockert Library of Poetry in Translation #149)
by Meng ChiaoLate in life, Meng Chiao (A.D. 751--814) developed an experimental poetry of virtuosic beauty, a poetry that anticipated landmark developments in the modern Western tradition by a millennium. With the T'ang Dynasty crumbling, Meng's later work employed surrealist and symbolist techniques as it turned to a deep introspection. This is truly major work-- work that may be the most radical in the Chinese tradition. And though written more than a thousand years ago, it is remarkably fresh and contemporary. But, in spite of Meng's significance, this is the first volume of his poetry to appear in English. Until the age of forty, Meng Chiao lived as a poet-recluse associated with Ch'an (Zen) poet-monks in south China. He then embarked on a rather unsuccessful career as a government official. Throughout this time, his poetry was decidedly mediocre, conventional verse inevitably undone by his penchant for the strange and surprising. After his retirement, Meng developed the innovative poetry translated in this book. His late work is singular not only for its bleak introspection and "avant-garde" methods, but also for its dimensions: in a tradition typified by the short lyric poem, this work is made up entirely of large poetic sequences.
The Late Poems of Meng Chiao
by Meng Chiao David HintonLate in life, Meng Chiao (A.D. 751--814) developed an experimental poetry of virtuosic beauty, a poetry that anticipated landmark developments in the modern Western tradition by a millennium. With the T'ang Dynasty crumbling, Meng's later work employed surrealist and symbolist techniques as it turned to a deep introspection. This is truly major work-- work that may be the most radical in the Chinese tradition. And though written more than a thousand years ago, it is remarkably fresh and contemporary. But, in spite of Meng's significance, this is the first volume of his poetry to appear in English. Until the age of forty, Meng Chiao lived as a poet-recluse associated with Ch'an (Zen) poet-monks in south China. He then embarked on a rather unsuccessful career as a government official. Throughout this time, his poetry was decidedly mediocre, conventional verse inevitably undone by his penchant for the strange and surprising. After his retirement, Meng developed the innovative poetry translated in this book. His late work is singular not only for its bleak introspection and "avant-garde" methods, but also for its dimensions: in a tradition typified by the short lyric poem, this work is made up entirely of large poetic sequences.
The Late Sun
by Christopher ReidThe Late Sun asserts a balance between memorialisation of the recently dead and celebration of the vitality of the living. Early in the collection is a set of poems about the poet's mother, who died in great age after a life of exotic travel, and the poet's own travels, his sense of both place and displacement, are vibrantly explored in other pieces. The city where he lives - particularly, and somewhat unusually, in a sequence titled 'Smells of London' - provides many of the themes, but the civic glades and sparkling vistas of the Mediterranean are just as important, and the book adds up to an affirmation of international perspectives at a time when civilised values are increasingly threatened.
The Late Wisconsin Spring
by John Koethe"[Koethe's] new collection is that rarity, a book of poems with a genuine philosophical dimension and an elegant but conversational poise."--The New York Times Book Review"Solemn and playful, John Koethe's poems lock themselves gradually but firmly into one's memory. His new collection offers in his own words, 'happiness, for myself and strangers.'"--John AshberyOriginally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Later Affluence of W. B. Yeats and Wallace Stevens
by E. ClarkeSurveying the later work of W.B. Yeats and Wallace Stevens, Edward Clarke unfolds their very last poems and considers the two poets' relations with western literature and tradition. This book shows how these two latecomers transform the ways in which we read earlier poets.
Later English Broadside Ballads: Volume 2
by John HollowayBroadside or 'Street' ballads not only give the flavour of English life and history more vividly than much historical evidence of more conventional kinds, but their sheer poetic quality often makes them substantial poems, light or serious, in their own right. This second volume, taking examples mainly over the years 1800-40 from the immense Madden Collection in the University Library, Cambridge, continutes the same literary emphasis, especially with a large number of pieces exploiting all the bustle, humour and variety of life in London - the colourful, crowded, rapidly-expanding metropolis of the period. Other sections concentrate on more traditional themes like crime and transportation, religion (some moving 'freemason' songs), love-making, sex and the 'sex war': or on fashion, the Royal Family and its escapades, and life in the army or navy. There is also an extensive collection of 'Napoleon' ballads, ranging from the early years through to his final re-internment in Paris. This book, illustrated with some remarkable large-scale contemporary woodcuts, should interest not only social historians and students of literature, but also all who have an ear for the verse of the people.This book was first published in 1979.
Later English Broadside Ballads: Volume 2
by John Holloway Joan BlackBroadside or 'Street' ballads not only give the flavour of English life and history more vividly than much historical evidence of more conventional kinds, but their sheer poetic quality often makes them substantial poems, light or serious, in their own right. This second volume, taking examples mainly over the years 1800-40 from the immense Madden Collection in the University Library, Cambridge, continutes the same literary emphasis, especially with a large number of pieces exploiting all the bustle, humour and variety of life in London - the colourful, crowded, rapidly-expanding metropolis of the period. Other sections concentrate on more traditional themes like crime and transportation, religion (some moving 'freemason' songs), love-making, sex and the 'sex war': or on fashion, the Royal Family and its escapades, and life in the army or navy. There is also an extensive collection of 'Napoleon' ballads, ranging from the early years through to his final re-internment in Paris. This book, illustrated with some remarkable large-scale contemporary woodcuts, should interest not only social historians and students of literature, but also all who have an ear for the verse of the people.This book was first published in 1979.
The Latest Winter
by Maggie Nelson'Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation'Olivia LaingIn this, her second anthology of poetry, Maggie Nelson experiments with poetic forms long and short as she charts intimate landscapes, including the poet's enmeshment in a beloved city-New York-before and after the events of 9/11. The poems of The Latest Winter are rich with wit, melancholy, terror, curiosity, and love.
The Latest Winter
by Maggie Nelson'Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation'Olivia LaingIn this, her second anthology of poetry, Maggie Nelson experiments with poetic forms long and short as she charts intimate landscapes, including the poet's enmeshment in a beloved city-New York-before and after the events of 9/11. The poems of The Latest Winter are rich with wit, melancholy, terror, curiosity, and love.
Latin American Digital Poetics (Palgrave Spanish and Latin American Media Studies)
by Scott Weintraub Luis Correa-DíazLatin American Digital Poetics seeks to take the pulse of emergent poetic forms whose history is entangled with the computational and its AI dreams and achievements. This study carefully and thoroughly probes the intersection between the literary, the cultural, and the scientific-technological in order to reflect on the ways that digital technology has radically reshaped and reconfigured nearly all aspects of contemporary culture. The main idea of this book, then, is simple: by way of panoramic approaches to digital poetry as well as select case studies, we seek to account for the multi-directional exchange between poetry, technology, and culture via a (primarily) pedagogical approach.