- Table View
- List View
Seamus Heaney: Poet, Critic, Translator
by J. Hall A. CrowderThis volume of twelve essays aims to comprehensively represent the abundance and variety of both Heaney's writing and scholarship on Heaney's writing. Attention is given not only to his poetry but also to his translations and his prose. The essays foreground his internationalism and the complementary international interest in his writing.
Seamus Heaney: The Making of the Poet
by M. ParkerProvides an account of Seamus Heaney's early life, and the experiences, influences and relationships - personal, literary and political - that shaped his poetic development. The book includes photographs, interviews and commentary on unpublished poems and drafts.
Seamus Heaney and American Poetry (New Directions in Irish and Irish American Literature)
by Christopher LavertyThis book examines the influence of American poetry on Seamus Heaney’s achievement by close attention to the themes, style, and resonances of his poetry at different stages of his career, including his appointments in Berkeley and Harvard. Beginning with an examination of Heaney’s education at Queen’s University, this study presents comparative close readings which explore the influence of five American poets he read during this period: Robert Frost, John Crowe Ransom, Theodore Roethke, Robert Lowell, and Elizabeth Bishop. Laverty demonstrates how Heaney returned to several of these poets in response to difficulty and to consolidate later aesthetic developments. Heaney’s ambivalent critical treatment of Sylvia Plath is investigated, as is his partial misreading of Bishop, who is understood today more sensitively than in her lifetime. This study also probes the reasons for his elision of other prominent American writers, making this the first comprehensive assessment of American influence on Heaney’s poetry.
Seamus Heaney and Society (Oxford English Monographs)
by Rosie LavanThroughout his career in poetry, Seamus Heaney maintained roles in education and was a visible presence in the print and broadcast media. Seamus Heaney and Society presents a dynamic new engagement with one of the most celebrated poets of the modern period, examining the ways in which his work as a poet was shaped by his work as a teacher, lecturer, critic, and public figure. Drawing on a range of archival material, this book revives the varied contexts within which Heaney's work was written, published, and circulated. Mindful of the different spheres which surrounded his pursuit of poetry, it assesses his achievements and status in Ireland, Britain, and the United States through close analysis of his work in newspapers, magazines, radio, and television, and manuscript drafts of key writings now held in the National Library of Ireland. Asserting the significance of the cultural, institutional, and historical worlds in which Heaney wrote and was read, Seamus Heaney and Society offers a timely reconstruction of the social lives of his work, while also exploring the ways in which he questioned and sustained the privacy and singularity of poetry. Ultimately, it considers how the enduring legacy of a great poet emerges from the working life of a contemporary writer.
Seamus Heaney and Society (Oxford English Monographs)
by Rosie LavanThroughout his career in poetry, Seamus Heaney maintained roles in education and was a visible presence in the print and broadcast media. Seamus Heaney and Society presents a dynamic new engagement with one of the most celebrated poets of the modern period, examining the ways in which his work as a poet was shaped by his work as a teacher, lecturer, critic, and public figure. Drawing on a range of archival material, this book revives the varied contexts within which Heaney's work was written, published, and circulated. Mindful of the different spheres which surrounded his pursuit of poetry, it assesses his achievements and status in Ireland, Britain, and the United States through close analysis of his work in newspapers, magazines, radio, and television, and manuscript drafts of key writings now held in the National Library of Ireland. Asserting the significance of the cultural, institutional, and historical worlds in which Heaney wrote and was read, Seamus Heaney and Society offers a timely reconstruction of the social lives of his work, while also exploring the ways in which he questioned and sustained the privacy and singularity of poetry. Ultimately, it considers how the enduring legacy of a great poet emerges from the working life of a contemporary writer.
Seamus Heaney and the Adequacy of Poetry
by John DennisonSeamus Heaney's prose poetics return repeatedly to the adequacy of poetry, its ameliorative, restorative response to the violence of public historical life. It is a curiously equivocal ideal, and as such most clearly demonstrates the intellectual origins, the humanist character, and the inherent strains of these poetics, the work of one of the world's leading poet-critics of the last thirty years. Seamus Heaney and the Adequacy of Poetry is the first study of the development of Heaney's thought and its central theme. Eschewing the tendency of Heaney critics to endorse or expand on the poet's poetics in largely adulatory terms, it draws on archival as well as print sources to trace the emerging dualistic shape, redemptive logic, and post-Christian nature of Heaney's thought, from his undergraduate formation to the expansive affirmations of his late cultural poetics. Through a meticulous and wholly new examination of Heaney's revisions to previously published prose, it reveals the logical strain of his conceptual constructions, so that it becomes acutely apparent just how appropriate that ambivalent ideal 'adequacy' is. This book takes seriously the post-Christian, frequently religious tenor of Heaney's language, explicating the character of his thought while exposing its limits: Heaney's belief in poetry's adequacy ultimately constitutes an Arnoldian substitute for—indeed, an 'afterimage' of—Christian belief. This is the deep significance of the idea of adequacy to Heaney's thought: it allows us to identify precisely the late humanist character and the limits of his troubled trust in poetry.
Seamus Heaney and the Classics: Bann Valley Muses
by Stephen Harrison Fiona Macintosh Helen EastmanSeamus Heaney, the great Irish poet, made a significant contribution to classical reception in modern poetry; though occasional essays have appeared in the past, this volume is the first to be wholly dedicated to this perspective on his work. Comprising literary criticism by scholars of both classical reception and contemporary literature in English, it includes contributions from critics who are also poets, as well as from theatre practitioners on their interpretations and productions of Heaney's versions of Greek drama; well-known names are joined by early-career contributors, and friends and collaborators of Heaney sit alongside those who admired him from afar. The papers focus on two main areas: Heaney's fascination with Greek drama and myth - shown primarily in his two Sophoclean versions, but also in his engagement in other poems with Hesiod, with Aeschylus' Agamemnon, and with myths such as that of Antaeus - and his interest in Latin poetry, primarily that of Virgil but also that of Horace; a version of an Horatian ode was famously the vehicle for Heaney's comment on the events of 11 September 2001 in 'Anything Can Happen' (District and Circle, 2006). Although a number of the contributions cover similar material, they do so from distinctively different angles: for example, Heaney's interest in Virgil is linked with the traditions of Irish poetry, his capacity as a translator, and his annotations in his own text of a standard translation, as well as being investigated in its long development over his poetic career, while his Greek dramas are considered as verbal poetry, as comments on Irish politics, and as stage-plays with concomitant issues of production and interpretation. Heaney's posthumous translation of Virgil's Aeneid VI (2016) comes in for considerable attention, and this will be the first volume to study this major work from several angles.
Seamus Heaney and the Classics: Bann Valley Muses
Seamus Heaney, the great Irish poet, made a significant contribution to classical reception in modern poetry; though occasional essays have appeared in the past, this volume is the first to be wholly dedicated to this perspective on his work. Comprising literary criticism by scholars of both classical reception and contemporary literature in English, it includes contributions from critics who are also poets, as well as from theatre practitioners on their interpretations and productions of Heaney's versions of Greek drama; well-known names are joined by early-career contributors, and friends and collaborators of Heaney sit alongside those who admired him from afar. The papers focus on two main areas: Heaney's fascination with Greek drama and myth - shown primarily in his two Sophoclean versions, but also in his engagement in other poems with Hesiod, with Aeschylus' Agamemnon, and with myths such as that of Antaeus - and his interest in Latin poetry, primarily that of Virgil but also that of Horace; a version of an Horatian ode was famously the vehicle for Heaney's comment on the events of 11 September 2001 in 'Anything Can Happen' (District and Circle, 2006). Although a number of the contributions cover similar material, they do so from distinctively different angles: for example, Heaney's interest in Virgil is linked with the traditions of Irish poetry, his capacity as a translator, and his annotations in his own text of a standard translation, as well as being investigated in its long development over his poetic career, while his Greek dramas are considered as verbal poetry, as comments on Irish politics, and as stage-plays with concomitant issues of production and interpretation. Heaney's posthumous translation of Virgil's Aeneid VI (2016) comes in for considerable attention, and this will be the first volume to study this major work from several angles.
Seamus Heaney and the Language Of Poetry
by Bernard O'DonoghueThis book scrutinizes Heaney's language in order to examine his theory of poetry and the writer's responsibility to art and politics. The author, himself a poet, works chronologically through the poetry and discusses it in light of Heaney's writings on the appropriate language of poetry. Chapters also look at Heaney's language and at the government of the tongue.
Seamus Heaney and the Language Of Poetry
by Bernard O'DonoghueThis book scrutinizes Heaney's language in order to examine his theory of poetry and the writer's responsibility to art and politics. The author, himself a poet, works chronologically through the poetry and discusses it in light of Heaney's writings on the appropriate language of poetry. Chapters also look at Heaney's language and at the government of the tongue.
Search Party
by Richard MeierRichard Meier’s first collection of poetry, Misadventure, won many admirers for its wry, wise and sharp-eyed insight into the minutiae of daily life. This, his second, Search Party, casts its net more widely – and looks at our experiences of being lost to others, as well as lost from ourselves. Many of the poems in this collection explore attempts to repair severed connections, or to forge links never properly established: from a father’s desperate search for his son missing at sea, to a child’s reaction to being denied a responsive gaze, and a footballer’s sublime (if optimistic) pass to a teammate – these poems address the nature of the distances between us. Most importantly, they also show the lengths to which we will go to ensure that these distances are closed, and that the most basic of our needs are met: to be seen, to be recognized – and ultimately, sought out and found by one another.
Searching for Seahorses: A Collection of Poetry (Wordcatcher Modern Poetry)
by Philip JohnAre you wondering what it’s all about? Are you lost in time and space? You just might be Searching for Seahorses - a collection of poems that will take you on a powerful, mystical exploration of the human condition, examining our relationship with nature and each other. In the style of the Romantic era, Philip John’s follow up to Home Truths poses further questions about the future we are handing over to the next generation along with some heart-warming poems about love, happiness, redemption, and the journey of life.
Season Songs
by Ted HughesSpring will marry you. A promise!Cuckoo brings the message: May.O new clothes! O get your house ready!Expectation keeps you starry.But at which church and on what day?In these poems Ted Hughes invites the reader to try and catch the spring (but she's elusive); to take a closer look at the March calf; to listen to the happiness of the summer grass; and to notice the 'weak-neck snowdrops' in winter. Earth is revealed in all its surprising richness and rawness, and so is humankind's own constantly changing relationship with the seasons.
The Seasons of Cullen Church
by Bernard O'DonoghueShortlisted for the 2016 T. S. Eliot Prize, this new collection of expert lyric poems from Whitbread Poetry Award winner Bernard O'Donoghue movingly animates the scenery and characters of his childhood in County Cork. The mythologies of family are here: the relative who maybe emigrated to America to be 'set upon at his arrival / for the few pounds sewn inside his coat'; the memory of 'Barty, a hopeless speller', caned so hard he dances; the big top come to the town park; the stolen apples raided from the orchard near the old school. Here too are the collective myths, the groundwater of older texts - Virgil's Aeneid, the Riddles of the Exeter Book, Dante's Purgatorio, the lives of the ancients and the gods - all of which in O'Donoghue's dexterous and discerning care reach forward from their long-ago origins to echo down our own lives.Many of these poems speak in elegy: for Connolly's Bookshop - closed down and mourned - or for lost friends; for the nostalgic places to which one cannot return, the field-corners and long roads of the deep past: 'So wistful is the recognition now / of the places that I hardly noted'.The stunning title piece, and the deft and poignant poems that make up this collection, will confirm O'Donoghue's place as one of the most approachable and agile voices in contemporary Irish and British poetry.'I'm fascinated by O'Donoghue's wry vision, his infinitely gentle manner of displacing our more predictable reactions to things as they are so that we glimpse their underlying tragedy.' Tom Paulin
Seasons Of The Heart: Haiku
by Alan SpenceThis is Spence's first book of poetry since "Glasgow Zen". In this collection he evokes the essence of the seasons with this cycle of haiku.
Seasons of Hope
by Stanislaus KennedyIn Seasons of Hope, the follow up to her bestselling Day by Day, Sister Stan offers words of wisdom to calm the mind and refocus our energies. Through verse and inspirational quotations from many enlightened figures, she offers us a chance to step away from this frantic world – to stop, to look, to think – and be open to new possibilities. Also included here are contributions on a range of subjects, such as the gift of life, compassion, meditation and the soul, from influential figures such as writer and playwright, Michael Harding, poets Theo Dorgan and Eavan Boland, and social campaigner, Ruairi McKiernan – each one offering a thought-provoking and unique perspective on our world.
The Secret Life of Poems: A Poetry Primer (Faber Poetry Ser.)
by Tom PaulinThe Secret Life of Poems is a primer which offers a poem - or on occasion an excerpt - succeeding with commentary in which rhythm, form, metre and sources are the order of the day, not ethical commentary or descriptive paraphrase. This brief engagement with forty-seven poems is intended for students and readers of poetry, and seeks to explain how poetry works by bringing into view the hidden order of specific poems.
Secret Writings of Hoshang Merchant
by Akshaya K. RathNever a shrinking violet, Hoshang Merchant came out of the closet early in his youth. A bard, a teacher, and a lover who has lived many lives, he is the quintessential gay who once cross-dressed, and yet defies categorization. In Secret Writings, he recounts his extraordinary life and splendid experiences ranging across countries and cultures. His is a story of the prejudice and neglect that are part of everyday gay life, and how he channelled his despair into creating poetry. He quotes Rumi, Ghalib, and Mir, and writes with searing honesty about his long and short love affairs, his ‘improbable’ sex life as both an initiator and a yielding partner, and his inner turmoil. Sex becomes love and love becomes poetry in his writing. Merchant yells at the moral guardians of law and culture, asks uncomfortable questions, and shocks his readers. This rare book opens a window to the myriad worlds of an avant-garde.
The Seduction of Delhi
by Abhay K.Delhi has been widely described as a dry, energy draining place, even a hermaphrodite…the authors attempts in the book to prove otherwise. At first glance, his short, epigrammatic poems might appear just flaccid snapshots or single-boned vignettes of an outsider in a mad and sprawling metropolis known these days for its infamous gang rapes. But a closer look reveals how the poet steps back to withdraw his self into a cocoon, to gain an artistic poise and to empower each and every item, object, relic, monument and figure - a distinct voice and color. Lal Quila, Jantar Mantar, a flower girl, an auto rickshaw, Connaught Place, a house maid, Rahim, Jamun tree, Ghalib or Dara Shikoh walk with their first person personas in the lanes of Delhi conjuring a memorable recital, a jam that defines the essence of this legendary city…'Seduction of Delhi' is an artistic triumph in many ways…”
Seeing Double: Baudelaire's Modernity
by Françoise MeltzerThe poet Charles Baudelaire (1821–1867) has been labeled the very icon of modernity, the scribe of the modern city, and an observer of an emerging capitalist culture. Seeing Double reconsiders this iconic literary figure and his fraught relationship with the nineteenth-century world by examining the way in which he viewed the increasing dominance of modern life. In doing so, it revises some of our most common assumptions about the unresolved tensions that emerged in Baudelaire’s writing during a time of political and social upheaval. Françoise Meltzer argues that Baudelaire did not simply describe the contradictions of modernity; instead, his work embodied and recorded them, leaving them unresolved and often less than comprehensible. Baudelaire’s penchant for looking simultaneously backward to an idealized past and forward to an anxious future, while suspending the tension between them, is part of what Meltzer calls his “double vision”—a way of seeing that produces encounters that are doomed to fail, poems that can’t advance, and communications that always seem to falter. In looking again at the poet and his work, Seeing Double helps to us to understand the prodigious transformations at stake in the writing of modern life.
Seeing Double: Baudelaire's Modernity
by Françoise MeltzerThe poet Charles Baudelaire (1821–1867) has been labeled the very icon of modernity, the scribe of the modern city, and an observer of an emerging capitalist culture. Seeing Double reconsiders this iconic literary figure and his fraught relationship with the nineteenth-century world by examining the way in which he viewed the increasing dominance of modern life. In doing so, it revises some of our most common assumptions about the unresolved tensions that emerged in Baudelaire’s writing during a time of political and social upheaval. Françoise Meltzer argues that Baudelaire did not simply describe the contradictions of modernity; instead, his work embodied and recorded them, leaving them unresolved and often less than comprehensible. Baudelaire’s penchant for looking simultaneously backward to an idealized past and forward to an anxious future, while suspending the tension between them, is part of what Meltzer calls his “double vision”—a way of seeing that produces encounters that are doomed to fail, poems that can’t advance, and communications that always seem to falter. In looking again at the poet and his work, Seeing Double helps to us to understand the prodigious transformations at stake in the writing of modern life.
Seeing Double: Baudelaire's Modernity
by Françoise MeltzerThe poet Charles Baudelaire (1821–1867) has been labeled the very icon of modernity, the scribe of the modern city, and an observer of an emerging capitalist culture. Seeing Double reconsiders this iconic literary figure and his fraught relationship with the nineteenth-century world by examining the way in which he viewed the increasing dominance of modern life. In doing so, it revises some of our most common assumptions about the unresolved tensions that emerged in Baudelaire’s writing during a time of political and social upheaval. Françoise Meltzer argues that Baudelaire did not simply describe the contradictions of modernity; instead, his work embodied and recorded them, leaving them unresolved and often less than comprehensible. Baudelaire’s penchant for looking simultaneously backward to an idealized past and forward to an anxious future, while suspending the tension between them, is part of what Meltzer calls his “double vision”—a way of seeing that produces encounters that are doomed to fail, poems that can’t advance, and communications that always seem to falter. In looking again at the poet and his work, Seeing Double helps to us to understand the prodigious transformations at stake in the writing of modern life.
Seeing Double: Baudelaire's Modernity
by Françoise MeltzerThe poet Charles Baudelaire (1821–1867) has been labeled the very icon of modernity, the scribe of the modern city, and an observer of an emerging capitalist culture. Seeing Double reconsiders this iconic literary figure and his fraught relationship with the nineteenth-century world by examining the way in which he viewed the increasing dominance of modern life. In doing so, it revises some of our most common assumptions about the unresolved tensions that emerged in Baudelaire’s writing during a time of political and social upheaval. Françoise Meltzer argues that Baudelaire did not simply describe the contradictions of modernity; instead, his work embodied and recorded them, leaving them unresolved and often less than comprehensible. Baudelaire’s penchant for looking simultaneously backward to an idealized past and forward to an anxious future, while suspending the tension between them, is part of what Meltzer calls his “double vision”—a way of seeing that produces encounters that are doomed to fail, poems that can’t advance, and communications that always seem to falter. In looking again at the poet and his work, Seeing Double helps to us to understand the prodigious transformations at stake in the writing of modern life.
Seeing Stars: Poems
by Simon ArmitageSimon Armitage's new collection is by turns a voice and a chorus: a hyper-vivid array of dramatic monologues, allegories, parables and tall tales. Here comes everybody: Snoobie and Carla, Lippincott, Wittmann, Yoshioka, Bambuck, Dr Amsterdam, Preminger. The man whose wife drapes a border-curtain across the middle of the marital home; the English astronaut with a terrestrial outlook on life; an orgiastic cast of unreconstructed pie-worshipers at a Northern sculpture farm; the soap-opera supremacists at their zoo-wedding; the driver who picks up hitchhikers as he hurtles towards a head-on collision with Thatcherism; a Christian cheese-shop proprietor in the wrong part of town; the black bear with a dark secret, the woman who curates giant snowballs in the chest freezer. Celebrities and nobodies, all come to the ball.I am a sperm whale. I carry up to 2.5 tonnes of an oil-likebalm in my huge, coffin shaped head. I have a brain thesize of a basketball, and on that basis alone am entitled tomy opinions. I am a sperm whale. When I breathe in, the fluid in my head cools to a dense wax and I nosedive into the depths. My song, available on audiocassette and compact disc is a comfort to divorcees, astrologists and those who have 'pitched the quavering canvas tent of their thoughts on the rim of the dark crater'.- from 'The Christening'The storyteller who steps in and out of this human tapestry changes, trickster-style, from poem to poem, but retains some identifying traits: the melancholy of the less deceived, crossed with an undercover idealism. And he shares with many of his characters a star-gazing capacity for belief, or for being 'genuine in his disbelief'.Language is on the loose in these poems, which cut and run across the parterre of poetic decorum with their cartoon-strip energies and air of misrule. Armitage creates world after world, peculiar yet always particular, where the only certainty is the unexpected.