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Coleridge's Ancient Mariner (Nineteenth-Century Major Lives and Letters)
by J. C. MaysThis is the first book-length study to read the "Ancient Mariner" as "poetry," in Coleridge's own particular sense of the word. Coleridge's complicated relationship with the "Mariner" as an experimental poem lies in its origin as a joint project with Wordsworth. J. C. C. Mays traces the changes in the several versions published in Coleridge's lifetime and shows how Wordsworth's troubled reaction to the poem influenced its subsequent interpretation. This is also the first book to situate the "Mariner" in the context of the entirety of Coleridge's prose and verse, now available in the Bollingen Collected edition and Notebooks; that is, not only in relation to other poems like "The Ballad of the Dark Ladiè" and "Alice du Clós," but also to ideas in his literary criticism (especially Biographia Literaria), philosophy, and theology. Using a combination of close reading and broad historical considerations, reception theory, and book history, Mays surveys the poem's continuing life in illustrated editions and educational textbooks; its passage through the vicissitudes of New Criticism and critical theory; and, in a final chapter, its surprising affinities with some experimental poems of the present time.
Coleridge's Dejection Ode (Nineteenth-Century Major Lives and Letters)
by J.C.C. MaysColeridge's Dejection Ode completes J.C.C. Mays’ analysis of Coleridge’s poetry, following Coleridge’s Ancient Mariner (Palgrave 2016) and Coleridge’s Experimental Poetics (Palgrave 2013). "Dejection: An Ode" stands alone in Coleridge's oeuvre: written at a time of personal crisis, it reaches far back and deeply into his thinking in an attempt to find a poematic solution to ideas and problems he had mulled over for a long time. Mays reveals how the poem also marks the opening of the second half of Coleridge's career as both poet and thinker. In three central chapters Mays examines the new style that evolved in the process of writing the Ode: the technical means of metrics, rhyme and grammar; language and allusion; and symbol and structure. He recounts the complex, sometimes controversial critical history of the Ode, and suggests an editorial solution to the problem created by the Letter to Sara Hutchinson; re-evaluates the position of Wordsworth in the poem apropos the political statement it makes; clarifies the distinction between the views on Imagination expressed and those contained in Biographia Literaria; and traces the links of the concept "dejection" as it underpins Coleridge's late poems.
Coleridge’s Experimental Poetics (Nineteenth-Century Major Lives and Letters)
by J. MaysColeridge has been perceived as the youthful author of a few brilliant poems. This study argues that his poetry is actually a continuous process of experimentation and provides a new perspective on both familiar and unfamiliar poems, as well as the relation between Coleridge's poetry and philosophical thinking.
Coleridge's Metaphors of Being (PDF)
by Edward KesslerIn an original and provocative demonstration that Coleridge's later poetry took on a powerful metaphysical conception, Edward Kessler emphasizes Coleridge's struggle with language as a means of both expressing and creating Being. While many of Coleridge's late poems are generally viewed as fragments that constitute an aesthetic failure, Professor Kessler contends that what at first may appear to reflect Coleridge's inability to finish a poem can otherwise be seen as a deliberate rejection of what the poet came to see as a confining form.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Coleridge's Political Poetics: Radicalism and Whig Verse 1794 - 1802
by Jacob LloydThis book considers Samuel Taylor Coleridge’s engagement with ‘Whig poetry’: a tradition of verse from the eighteenth century which celebrated the political and constitutional arrangements of Britain as guaranteeing liberty. It argues that, during the 1790s, Coleridge was able to articulate radical ideas under the cover of widely accepted principles through his references to this poetry. He positioned his poetry within a mainstream discourse, even as he favoured radical social change. Jacob Lloyd argues that the poets Mark Akenside, William Lisle Bowles, and William Cowper each provided Coleridge with a kind of Whig poetics to which he responded. When these references are understood, much of Coleridge’s work which seems purely personal or imaginative gains a political dimension. In addition, Lloyd reassess Coleridge’s relationship with Thomas Percy’s Reliques of Ancient English Poetry, to provide an original, political reading of ‘The Rime of the Ancyent Marinere’. This book revises our understanding of the political and poetic development of a major poet and, in doing so, provides a new model for the origins of British Romanticism more broadly
Coleridge’s Political Thought: Property, Morality and the Limits of Traditional Discourse (pdf)
by John Morrow Jennifer Doudna
Coleridge’s Sublime Later Prose and Recent Theory: Kristeva, Adorno, Rancière
by Murray J. EvansThis book explores the sublime in Samuel Taylor Coleridge’s later major prose in relation to more recent theories of the sublime. Building on the author’s previous monograph Sublime Coleridge: The Opus Maximum, this study focuses on sublime theory and discourse in Coleridge’s other major prose texts of the 1820s: Confessions of an Inquiring Spirit (wr. 1824), Aids to Reflection (1825), and On the Constitution of the Church and State (1829). This book thus ponders the constellations of aesthetics, literature, religion, and politics in the sublime theory and practice of this central Romantic author and three of his important successors: Julia Kristeva, Theodor Adorno, and Jacques Rancière.
Coleridge's Writings: On Politics and Society (Coleridge's Writings)
by Samuel Taylor ColeridgeThis collection of Coleridge's political and social writings includes the second "Lay Sermon" of 1817 and "In the Constitution of Church and State", printed with only slight abridgements. It also has groups of briefer extracts tracing major steps in the development of Coleridge's mature thought.
Coleridge's Writings: On the Sublime (Coleridge's Writings)
by David VallinsThis new volume demonstrates the extent and diversity of Coleridge's writings on the sublime. It highlights the development of his aesthetic of transcendence from an initial emphasis on the infinite progressiveness of humanity, through a fascination with landscape as half-revealing the infinite forces underlying it, and with literature as producing a similar feeling of the inexpressible, to an increasing emphasis on contemplating the ineffable nature of God, as well as the transcendent power of Reason or spiritual insight.
Coleshill
by Fiona SampsonDeep in limestone country, at the corner of Wiltshire, Oxfordshire and Gloucestershire, lies the village of Coleshill.This haunting new collection from Fiona Sampson is a portrait of place, both real and imaginary; a dreamscape with its roots deep in the local soil.The poems hum with an evocative music of their own: there are hymns of the orchards, verses for walkers, songs for bees. These are slices of life and states of mind; poems of grief, fears and maledictions, but also of renewal, resurrections and the promise of spring.Coleshill emerges as a “parish of sun / and shade”; its darkness and light perfectly balanced. From the T.S. Eliot and Forward Prize shortlisted poet comes a deep, interrogative collection of astonishing clarity and power.
The Collected Letters of Robinson Jeffers, with Selected Letters of Una Jeffers: Volume Two, 1931–1939
by Una JeffersThe 1930s marked a turning point for the world. Scientific and technological revolutions, economic and social upheavals, and the outbreak of war changed the course of history. The 1930s also marked a turning point for Robinson Jeffers, both in his career as a poet and in his private life. The letters collected in this second volume of annotated correspondence document Jeffers' rising fame as a poet, his controversial response to the turmoil of his time, his struggles as a writer, the growth and maturation of his twin sons, and the network of friends and acquaintances that surrounded him. The letters also provide an intimate portrait of Jeffers' relationship to his wife Una—including a full account of the 1938 crisis at Mabel Dodge Luhan's home in Taos, New Mexico that nearly destroyed their marriage.
The Collected Letters of Sir George and Lady Beaumont to the Wordsworth Family, 1803–1829: with a Study of the Creative Exchange between Wordsworth and Beaumont (Romantic Reconfigurations: Studies in Literature and Culture 1780-1850 #14)
Sir George Beaumont is a key figure in the history of British art. As well as being a respected amateur landscape painter, he was a prominent patron, a collector, and co-founder of the National Gallery. William Wordsworth described Beaumont’s friendship as one of the chief blessings of his life, and this edition reveals that the two men became collaborators as well as companions. In addition to documenting unique perspectives on social, political, and cultural events of the early nineteenth century (providing new contexts for reading Wordsworth’s mature poetry), the letters collected here chart the progress of an increasingly intimate inter-familial relationship. The picture that emerges is of a coterie that – in influence, creativity, and affection – rivals Wordsworth’s more famous exchange with Coleridge at Nether Stowey in the 1790s. The edition includes an extended study of how Wordsworth and Beaumont helped shape one another’s work, tracing processes of mutual artistic development that involved not only a meeting of aristocratic refinement and rural simplicity, of a socialite and a lover of retirement, of a painter and a poet, but also an aesthetic rapprochement between neoclassical and romantic values, between the impulse to idealize and the desire to particularize.
The Collected Letters of William Morris, Volume I: 1848-1880
by William Morris Norman KelvinThe life of William Morris (1834-1896) is revealed in significant new detail by his complete surviving correspondence, brought together here for the first time and including many previously unpublished letters. This collection not only bears witness to Morris's day-to-day activities and friendships, but also reflects his keen response to landscape and architecture, his sense of social responsibility, and his interest in the techniques of the applied arts. Volume I covers Morris's student days at Oxford and marriage to Jane Burden; the first twenty years of Morris and Co.; his success as a poet with the publication of The Earthly Paradise; his two trips to Iceland; the moves to Kelmscott Manor and Kelmscott House; and the start of his socialist career.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Collected Love Poems
by Brian PattenOf all the poets writing today, Brian Patten is perhaps the most accessible and popular. Now his love poems, old and new, are collected together in his single volume.
The Collected Lyric Poems of Luís de Camões
by Luís De Camões Landeg WhiteLuís de Camões is world famous as the author of the great Renaissance epic The Lusíads, but his large and equally great body of lyric poetry is still almost completely unknown outside his native Portugal. In The Collected Lyric Poems of Luís de Camões, the award-winning translator of The Lusíads gives English readers the first comprehensive collection of Camões's sonnets, songs, elegies, hymns, odes, eclogues, and other poems--more than 280 lyrics altogether, all rendered in engaging verse. Camões (1524-1580) was the first great European artist to cross into the Southern Hemisphere, and his poetry bears the marks of nearly two decades spent in north and east Africa, the Persian Gulf, India, and Macau. From an elegy set in Morocco, to a hymn written at Cape Guardafui on the northern tip of Somalia, to the first modern European love poems for a non-European woman, these lyrics reflect Camões's encounters with radically unfamiliar peoples and places. Translator Landeg White has arranged the poems to follow the order of Camões's travels, making the book read like a journey. The work of one of the first European cosmopolitans, these poems demonstrate that Camões would deserve his place among the great poets even if he had never written his epic.
Collected Poems
by Allan Ahlberg Charlotte VoakeAllan Ahlberg's five poetry books, written over a period of twenty-five years – Please Mrs Butler, Heard it in the Playground, Friendly Matches, The Mighty Slide and The Mysteries of Zigomar – have delighted generations of children and received many accolades and prizes. Allan has sifted through them and chosen a collection to delight and entrance a new generation of readers and their parents. Here are all the trials and tribulations of childhood, embracing school, quarrels, friendships, football and storytelling from a much-loved author and poet.Charlotte Voake's black-and-white illustrations enchance the charm of this handsome and definitive collection.
Collected Poems
by Kingsley Amis'One of the very best of our poets' Anthony PowellKingsley Amis wrote poems throughout his life, turning his acerbic, bracing perceptiveness on the same subjects that fill his novels: lust, lost love, drink, money, God (seen as indifferent or malign), and old age. Collected Poems, arranged chronologically, shows the full range of his sparkling verse, by turns scabrous and melancholy, satirical and playful.'Scathingly funny ... bawdy and tragic, unflinching and unapologetic, culpable and morally acute ... Amis's poems rush headlong into the messiness of life' New Criterion'A contender for the title of the most accomplished and least self-satisfied poet of his generation' Clive James
Collected Poems
by Paul AusterThe figure of the young American poet living in Paris is familiar from Paul Auster's celebrated novels; here that character is realised in Auster's own stunningly accomplished verse. His penetrating and charged poetry resembles little else in recent American literature. This collection of his poems, translations, and composition notes from early in his career furnish yet further evidence of his literary mastery. Taut, densely lyrical and everywhere informed by a powerful and subtle music, this selection begins with the compact verse fragments of Spokes (written when Auster was in his early twenties) and Unearth, continues on through the more ample meditations of Wall Writing, Disappearances, Effigies, Fragments From the Cold, Facing the Music, and White Spaces, then moves further back in time to include Auster's revealing translations of many of the French poets who influenced his own writing - including Paul Eluard, André Breton, Tristan Tzara, Philippe Soupault, Robert Desnos and René Char - as well as the provocative and previously unpublished 'Notes From A Composition Book' (1967). An introduction by Norman Finkelstein connects biographical elements to a consideration of the work, and takes in Auster's early literary and philosophical influences. For those interested in Paul Auster's novels - the now-classic New York Trilogy or The Brooklyn Follies - this book is an invaluable opportunity to witness his early development.Powerful, sometimes haunting, cool, precise and limpid, this view from the past to the present will appeal to those unfamiliar with this aspect of Auster's work, as well as those already acquainted with his poetry. Readers will agree that Auster's grasp on language and the world around him is not only questioning, but mysterious and very human, perceptive, and deeply compelling
Collected Poems (Macmillan Collector's Library #13)
by W B YeatsDesigned to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.All are present in this volume, which reproduces the 1933 edition of W. B. Yeats's Collected Poems and also contains an illuminating introduction by author and academic Dr Robert Mighall.As well as being one of the major literary figures of the twentieth century and the recipient of the 1923 Nobel Prize for Literature, William Butler Yeats (1865-1939) is the greatest lyric poet that Ireland has produced. His early work includes the beguiling 'When You are Old', 'The Cloths of Heaven' and 'The Lake Isle of Innisfree' but, unusually for a poet, Yeats's later works, including 'Parnell's Funeral', surpass even those of his youth.
Collected Poems
by William Blake W. B YeatsWilliam Blake is a poet without parallel, who remains a source of wisdom and inspiration to countless individuals throughout the world. This selection was commissioned in 1905 by the firm of George Routledge from W.B. Yeats, who had previously been one of the pioneer editors of Blake's prophetic books. Yeats, one of the few poets whose work could be compared with that of Blake, prepared a unique selection of his poetic and prose writings. There is no better way to encounter the work of one poetic genius than as it is presented by another, and Yeats understood Blake in a way few others did.
Collected Poems
by William Blake W. B YeatsWilliam Blake is a poet without parallel, who remains a source of wisdom and inspiration to countless individuals throughout the world. This selection was commissioned in 1905 by the firm of George Routledge from W.B. Yeats, who had previously been one of the pioneer editors of Blake's prophetic books. Yeats, one of the few poets whose work could be compared with that of Blake, prepared a unique selection of his poetic and prose writings. There is no better way to encounter the work of one poetic genius than as it is presented by another, and Yeats understood Blake in a way few others did.
Collected Poems: 1952–2006
by Alan BrownjohnThis third edition of Alan Brownjohn's Collected Poems was first published by the Enitharmon Press in 2006. It adds over 140 poems to the second, which appeared in 1988. This volume comprises all of the work that Brownjohn wishes to retain from his twelve individual collections published between 1954 and 2004; it also incorporates a number of newer uncollected poems.Wide-ranging in theme and displaying an impressive mastery of form, this body of writing firmly establishes Alan Brownjohn's achievement as central to the English poetry of the last half-century.'Wonderfully rich and well-produced... Brownjohn is a marvellously skilful comedian... he is a social poet in the sense that if people in the future want to know what many lives were like in the second half of the 20th century, they should read Alan Brownjohn - observant, troubled, humane, scrupulous, wry, funny.' Anthony Thwaite, Guardian
Collected Poems
by Gillian ClarkeThe Welsh publishing house Gwasg Gomer published Gillian Clarke's first full collection of poems, The Sundial, in 1978. In the twenty years since then the poet has become one of the best-loved and most widely read writers of Wales, well-known for her readings, for her radio work and her workshops. 'Gillian Clarke's poems ring with lucidity and power[...] her work is both personal and archetypal, built out of language as concrete as it is musical,' the Times Literary Supplement said. She combines traditional skills with an original voice and outlook, and with a history which includes the unwritten stories of Welsh women. Her Selected Poems has proven one of the most popular volumes of modern Welsh poetry, having gone through seven printings in a dozen years. 'Her language has a quality both casual and intense, mundane and visionary,' the Listener said of Letter from a Far Country. 'There is no gaudiness in her poetry; instead, the reader is aware of a generosity of spirit which allows the poems' subjects their own unbullied reality.' Gillian Clarke is a severe critic of her own poems. Collected Poems includes all that she wishes to preserve of her work to date.