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A Commentary on Ovid, Remedia Amoris: Edited with Introduction and Commentary
by Victoria RimellThe Ovidian Renaissance seems to have left the Remedia Amoris behind. The poem has remained marginal, read either as a reversal of the Ars Amatoria's teaching that brings the world of Ovidian elegy to a banal end, or as an over-determined supplement to the Ars which ironically fails in its ostensible aim of 'curing' the dissatisfied lover. While recent work has explored how the poem functions not just as a palinode to, but also as a continuation of, the Ars, the critical status quo continues to present it as a minor appendage rather than as an important chapter in Ovid's project as a poet of desire. Victoria Rimell's commentary resets critical perspectives by reading the Remedia as distinctive and original, and as a pivotal text within Ovid's oeuvre as a whole. In her immersive, creatively interpretative guide to the poem, the Remedia emerges as an intricate work that interacts with medical texts, works on rhetoric, law, magic and ritual, philosophical thinking about self-discipline, the irrational, consolation and therapy for the soul, as well as with Greco-Roman satire, lyric, epigram, and traditions of didactic and erotodidactic verse. The poem, Rimell argues, is a key node in Ovid's development of a poetics of paradox, reversibility, and auto-immunity.
A Commentary on Virgil's Eclogues
by Andrea CucchiarelliVirgil's Eclogues are a fundamental text of Western literature that served as a model for the nascent poetry of the Augustan and later of the Imperial Age. Inspired by the bucolic poetry of Theocritus, the work uses the apparent simplicity of rural settings to explore complex elements of poetic, literary, philosophical, and even figurative culture, and to express the drama of civil war and expropriations. In this commentary, accompanied by a detailed introduction, Andrea Cucchiarelli analyses the Eclogues in depth, establishing comparisons with both Greek and Roman poetic models, with philosophical texts, and with significant later texts from the Roman poetic tradition. The commentary is the first to offer a systematic account of the poem in its historical context, between the end of the Republic and the Age of Augustus: particular attention is also paid to the language of the figurative arts, which for Roman readers constituted an important complement to literary knowledge of myths and stories. The volume offers the reader a reliable and concise interpretation of the text, which is systematically lemmatized and annotated throughout; each eclogue is additionally accompanied by an introductory overview and a detailed bibliography to direct further reading.
A Commentary on Wordsworth's Prelude: Books I-V (RLE: Wordsworth and Coleridge)
by Ted Holt John GilroyFirst published in 1983, this books aims to guide Wordsworth students through his difficult masterpiece by reading it in continuous sequence and making its sense emerge. The special value of this commentary is that it explains the structure of The Prelude by encouraging study of the poem as a continuous whole rather than selectively looking at individual sections — an approach that has typified modern criticism of the work. This depends upon a close attention to the careful arrangement of the verse paragraphs, all of which make an indispensable contribution to the overall thought pattern, thus leading to a fuller appreciation and understanding of the poem.
A Commentary on Wordsworth's Prelude: Books I-V (RLE: Wordsworth and Coleridge)
by Ted Holt John GilroyFirst published in 1983, this books aims to guide Wordsworth students through his difficult masterpiece by reading it in continuous sequence and making its sense emerge. The special value of this commentary is that it explains the structure of The Prelude by encouraging study of the poem as a continuous whole rather than selectively looking at individual sections — an approach that has typified modern criticism of the work. This depends upon a close attention to the careful arrangement of the verse paragraphs, all of which make an indispensable contribution to the overall thought pattern, thus leading to a fuller appreciation and understanding of the poem.
Communicating Pain: Exploring Suffering through Language, Literature and Creative Writing (Routledge Advances in the Medical Humanities)
by Stephanie Potocka de MontalkCombining critical research with memoir, essay, poetry and creative biography, this insightful volume sensitively explores the lived experience of chronic pain. Confronting the language of pain and the paradox of writing about personal pain, Communicating Pain is a personal response to the avoidance, dismissal and isolation experienced by the author after developing intractable pelvic pain in 2003. The volume focuses on pain's infamous resistance to verbal expression, the sense of exile experienced by sufferers and the under-recognised distinction between acute and chronic pain. In doing so, it creates a platform upon which scholarly, imaginative and emotional quotients round out pain as the sum of physical actualities, mental challenges and psychosocial interactions. Additionally, this work creates a dialogue between medicine and literature. Considering the works of writers such as Harriet Martineau, Alphonse Daudet and Aleksander Wat, it enables a multi-genre narrative heightened by poetry, fictional storytelling and life-writing. Coupled with academic rigour, this insightful monograph constitutes a persuasive and unique exploration of pain and the communication of suffering. It will appeal to students and researchers interested in fields such as Medical Humanities, Autobiography Studies and Sociology of Health and Illness.
Communicating Pain: Exploring Suffering through Language, Literature and Creative Writing (Routledge Advances in the Medical Humanities)
by Stephanie Potocka de MontalkCombining critical research with memoir, essay, poetry and creative biography, this insightful volume sensitively explores the lived experience of chronic pain. Confronting the language of pain and the paradox of writing about personal pain, Communicating Pain is a personal response to the avoidance, dismissal and isolation experienced by the author after developing intractable pelvic pain in 2003. The volume focuses on pain's infamous resistance to verbal expression, the sense of exile experienced by sufferers and the under-recognised distinction between acute and chronic pain. In doing so, it creates a platform upon which scholarly, imaginative and emotional quotients round out pain as the sum of physical actualities, mental challenges and psychosocial interactions. Additionally, this work creates a dialogue between medicine and literature. Considering the works of writers such as Harriet Martineau, Alphonse Daudet and Aleksander Wat, it enables a multi-genre narrative heightened by poetry, fictional storytelling and life-writing. Coupled with academic rigour, this insightful monograph constitutes a persuasive and unique exploration of pain and the communication of suffering. It will appeal to students and researchers interested in fields such as Medical Humanities, Autobiography Studies and Sociology of Health and Illness.
Communism and Poetry: Writing Against Capital (Modern and Contemporary Poetry and Poetics)
by Ruth Jennison Julian MurphetCommunism and Poetry: Writing Against Capital addresses the relationship between an upsurge in collective political practice around the world since 2000, and the crystallization of newly engaged forms of poetry. Considering an array of perspectives—poets, poet-critics, activists and theorists—these essays shed new light on the active interface between emancipatory political thought and poetic production and explore how poetry and the new communism are creating mutually innovative forms of thought and activity, supercharging the utopian imagination. Drawing inspiration from past connections between communism and poetry, and theorizing new directions over the years ahead, the volume models a much-needed critical solidarity with creative strategies in the present conjuncture to activate movements of resistance, on the streets and in verse.
A Companion to Contemporary British and Irish Poetry, 1960 - 2015 (Blackwell Companions to Literature and Culture)
by Wolfgang Gortschacher David MalcolmA comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.
A Companion to Contemporary British and Irish Poetry, 1960 - 2015 (Blackwell Companions to Literature and Culture)
by Wolfgang Görtschacher David MalcolmA comprehensive and scholarly review of contemporary British and Irish Poetry With contributions from noted scholars in the field, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a collection of writings from a diverse group of experts. They explore the richness of individual poets, genres, forms, techniques, traditions, concerns, and institutions that comprise these two distinct but interrelated national poetries. Part of the acclaimed Blackwell Companion to Literature and Culture series, this book contains a comprehensive survey of the most important contemporary Irish and British poetry. The contributors provide new perspectives and positions on the topic. This important book: Explores the institutions, histories, and receptions of contemporary Irish and British poetry Contains contributions from leading scholars of British and Irish poetry Includes an analysis of the most prominent Irish and British poets Puts contemporary Irish and British poetry in context Written for students and academics of contemporary poetry, A Companion to Contemporary British and Irish Poetry, 1960-2015 offers a comprehensive review of contemporary poetry from a wide range of diverse contributors.
A Companion to Eighteenth-Century Poetry (Blackwell Companions to Literature and Culture #36)
by Christine GerrardThis broad-ranging Companion offers readers a thorough grounding in both the background and the substance of eighteenth-century poetry in all its rich variety. Provides an up-to-date and wide-ranging guide to eighteenth-century poetry Reflects the dramatic transformation which has taken place in the study of eighteenth-century poetry over the past two decades Opens with a section on contexts, discussing poetry’s relationships with patriotism, politics, science, and the visual arts, for example Discusses poetry by male and female poets from all walks of life Includes numerous close readings of individual poems, ranging from Pope’s The Rape of the Lock to Mary Collier’s The Woman’s Labour Includes more provocative contributions on subjects such as rural poetry and the self-taught tradition, British poetry 'beyond the borders', the constructions of femininity, women as writers and women as readers. Designed to be used alongside David Fairer and Christine Gerrard’s Eighteenth-Century Poetry: An Annotated Anthology, 3rd edition (Wiley Blackwell, 2014)
A Companion to Eighteenth-Century Poetry (Blackwell Companions to Literature and Culture)
by Christine GerrardThis broad-ranging Companion offers readers a thorough grounding in both the background and the substance of eighteenth-century poetry in all its rich variety. Provides an up-to-date and wide-ranging guide to eighteenth-century poetry Reflects the dramatic transformation which has taken place in the study of eighteenth-century poetry over the past two decades Opens with a section on contexts, discussing poetry’s relationships with patriotism, politics, science, and the visual arts, for example Discusses poetry by male and female poets from all walks of life Includes numerous close readings of individual poems, ranging from Pope’s The Rape of the Lock to Mary Collier’s The Woman’s Labour Includes more provocative contributions on subjects such as rural poetry and the self-taught tradition, British poetry 'beyond the borders', the constructions of femininity, women as writers and women as readers. Designed to be used alongside David Fairer and Christine Gerrard’s Eighteenth-Century Poetry: An Annotated Anthology, 3rd edition (Wiley Blackwell, 2014)
A Companion to Poetic Genre (Blackwell Companions to Literature and Culture #171)
by Erik MartinyA Companion to Poetic Genre brings together over 40 contributions from leading academics to provide critical overviews of poetic genres and their modern adaptations. Covers a large range of poetic cultural traditions from Britain, Ireland, North America, Japan and the Caribbea Summarises many genres from their earliest origins to their most recent renderings The only full-length critical collection to deal with modern adaptations of poetic genres Contributors include Bernard O’Donoghue, Stephen Burt, Jahan Ramazani, and many other notable scholars of poetry and poetics
A Companion to Poetic Genre (Blackwell Companions to Literature and Culture #160)
by Erik MartinyA Companion to Poetic Genre brings together over 40 contributions from leading academics to provide critical overviews of poetic genres and their modern adaptations. Covers a large range of poetic cultural traditions from Britain, Ireland, North America, Japan and the Caribbea Summarises many genres from their earliest origins to their most recent renderings The only full-length critical collection to deal with modern adaptations of poetic genres Contributors include Bernard O’Donoghue, Stephen Burt, Jahan Ramazani, and many other notable scholars of poetry and poetics
A Companion to T. S. Eliot (Blackwell Companions to Literature and Culture #168)
by David E. ChinitzReflecting the surge of critical interest in Eliot renewed in recent years, A Companion to T.S. Eliot introduces the 'new' Eliot to readers and educators by examining the full body of his works and career. Leading scholars in the field provide a fresh and fully comprehensive collection of contextual and critical essays on his life and achievement. It compiles the most comprehensive and up-to-date treatment available of Eliot's work and career It explores the powerful forces that shaped Eliot as a writer and thinker, analyzing his body of work and assessing his oeuvre in a variety of contexts: historical, cultural, social, and philosophical It charts the surge in critical interest in T.S. Eliot since the early 1990s It provides an illuminating insight into a poet, writer, and critic who continues to define the literary landscape of the last century
A Companion to T. S. Eliot (Blackwell Companions to Literature and Culture #167)
by David E. ChinitzReflecting the surge of critical interest in Eliot renewed in recent years, A Companion to T.S. Eliot introduces the 'new' Eliot to readers and educators by examining the full body of his works and career. Leading scholars in the field provide a fresh and fully comprehensive collection of contextual and critical essays on his life and achievement. It compiles the most comprehensive and up-to-date treatment available of Eliot's work and career It explores the powerful forces that shaped Eliot as a writer and thinker, analyzing his body of work and assessing his oeuvre in a variety of contexts: historical, cultural, social, and philosophical It charts the surge in critical interest in T.S. Eliot since the early 1990s It provides an illuminating insight into a poet, writer, and critic who continues to define the literary landscape of the last century
Comparative Economic Systems: Market and State in Economic Systems
by Richard L. CarsonComparative Economic Systems is published in three editions, one for each major part. This is Part II and covers Socialist Alternatives, looking at the Hungarian Economy, the structure and trends of the Chinese economy, the Yugoslav workers self-management, planning, agriculture and foreign trade
Comparative Economic Systems: Market and State in Economic Systems (Comparative Economic Systems Ser. #Vol. I)
by Richard L. CarsonComparative Economic Systems is published in three editions, one for each major part. This is Part II and covers Socialist Alternatives, looking at the Hungarian Economy, the structure and trends of the Chinese economy, the Yugoslav workers self-management, planning, agriculture and foreign trade
The Complete Collected Poems: The Complete Collected Poems
by Dr Maya AngelouMaya Angelou's poetry - lyrical and dramatic, exuberant and playful - speaks of love, longings, partings; of Saturday night partying and the smells and sounds of Southern cities; of freedom and shattered dreams. Of her poetry, Kirkus Reviews has written, 'It is just as much a part of her autobiography as I Know Why the Caged Bird Sings, Gather Together in My Name, Singin' and Swingin' and Gettin' Merry Like Christmas, and The Heart of a Woman'.
A Complete Concordance to Shakespeare
by John BartlettA complete concordance or verbal index to words, phrases and passages in the dramatic works of Shakespeare. There is also a supplementary concordance to the poems. This is an essential reference work for all students and readers of Shakespeare.
The Complete Elegies of Sextus Propertius
by Propertius Vincent KatzThe Roman poet Propertius is best known as the writer who perfected the Latin love elegy, a technical as much as a psychological and cultural feat. Propertius has been admired for both his metrical genius and the modernity of his narrative flow. Many of the poems here pay tribute to Cynthia, Propertius's romantic obsession, but the scope of these 107 elegies is broad. Propertius's poetry offers a fascinating look into life in the Augustan age, addressing social, political, and historical subjects. A contemporary of Virgil and Horace, Propertius has influenced scores of poets--from Ovid to Housman to Pound. His poetry appears here for the first time in a dual-language edition with the translations facing the original Latin. Rendered into English by a poet who is also one of the nation's pre-eminent Propertius experts, the volume brings Propertius's difficult mix of vernacular and high literary allusion into contemporary language. Cynthia was the first. She caught me with her eyes, a foolwho had never before been touched by desires.Love cast down my look of constant pride,and he pressed on my head with his feet,until he taught me to despise chaste girls,perversely, and to live without plan.Already, it's been a whole year that the frenzy hasn't stopped,when, for all that, the gods are against me. ?
The Complete English Poems (The\everyman Library)
by John DonneNo poet has been more wilfully contradictory than John Donne, whose works forge unforgettable connections between extremes of passion and mental energy. From satire to tender elegy, from sacred devotion to lust, he conveys an astonishing range of emotions and poetic moods. Constant in his work, however, is an intensity of feeling and expression and complexity of argument that is as evident in religious meditations such as 'Good Friday 1613. Riding Westward' as it is in secular love poems such as 'The Sun Rising' or 'The Flea'. 'The intricacy and subtlety of his imagination are the length and depth of the furrow made by his passion,' wrote Yeats, pinpointing the unique genius of a poet who combined ardour and intellect in equal measure.
The Complete English Poems
by George Herbert John TobinGeorge Herbert combined the intellectual and the spiritual, the humble and the divine, to create some of the most moving devotional poetry in the English language. His deceptively simple verse uses the ingenious arguments typical of seventeenth-century 'metaphysical' poets, and unusual imagery drawn from musical structures, the natural world and domestic activity to explore a mosaic of Biblical themes. From the wit and wordplay of 'The Pulley' and the formal experimentation of 'Easter Wings' and 'Paradise', to the intense, highly personal relationship between man and God portrayed in 'The Collar' and 'Redemption', the works collected here show the transcendental power of divine love.
The Complete Nonsense and Other Verse
by Edward Lear Vivien Noakes'Nonsense is the breath of my nostrils', wrote Edward Lear (1812-88), and this collection demonstrates the wonderfully varied ways in which he pursued his philosophy of life. He created an extraordinary world filled with bizarre creatures - from the Dong with a luminous nose to the Pobble who has no toes - who misbehave with joyful abandon. Here can be found such exuberant and timeless verse as 'The Owl and the Pussy-cat', 'The Quangle Wangle's Hat' and numerous comic limericks, along with stories, letters, alphabets and recipes, all accompanied throughout with his fantastical line drawings. Gently pointing out human follies and the absurdities of the conventional Victorian society in which he lived, Lear's nonsense has enchanted children and adults alike for generations.