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EU foreign and security policy in Bosnia: The politics of coherence and effectiveness (Europe in Change)

This book represents the first ever comprehensive study of the EU’s foreign and security policy in Bosnia. Drawing on a wealth of fresh empirical material, it demonstrates that institutions are a key variable in explaining levels of common foreign security policy (CFSP) coherence and effectiveness over time. In doing so, it also sheds new light on the role that intergovernmental, bureaucratic and local political contestation have played in the formulation and implementation of a European foreign policy. The study concludes that the EU’s involvement in Bosnia has not only had a significant impact on this Balkan country in its path from stabilisation to integration, but has also transformed the EU, its foreign and security policy and shaped the development of the EU’s international identity along the way. The book will be of great interest to researchers and students of EU politics, International Relations and Bosnian politics.

Eugene Onegin: A Novel in Verse: Commentary (Vol. 2)

When Vladimir Nabokov first published his controversial translation of Pushkin’s Eugene Onegin in 1964, the great majority of the edition was taken up by Nabokov’s witty and detailed commentary. Presented here in its own volume, the commentary is a unique and exhaustive scholarly masterwork by one of the twentieth century’s greatest writers—a work that Nabokov biographer Brian Boyd calls “the most detailed commentary ever made on” Onegin and “indispensable to all serious students of Pushkin’s masterpiece.”In his commentary, Nabokov seeks to illuminate every possible nuance of this nineteenth-century classic. He explains obscurities, traces literary influences, relates Onegin to Pushkin’s other work, and in a characteristically entertaining manner dwells on a host of interesting details relevant to the poem and the Russia it depicts. Nabokov also provides translations of lines and stanzas deleted by the censor or by Pushkin himself, variants from Pushkin’s notebooks, fragments of a continuation called “Onegin’s Journey,” the unfinished and unpublished “Chapter Ten,” other continuations, and an index.A work of astonishing erudition and passion, Nabokov’s commentary is a landmark in the history of literary scholarship and in the understanding and appreciation of the greatest work of Russia’s national poet.

Eugene Onegin: A Novel in Verse: Text (Vol. 1) (Princeton Classics Series #36)

When Vladimir Nabokov's translation of Pushkin’s masterpiece Eugene Onegin was first published in 1964, it ignited a storm of controversy that famously resulted in the demise of Nabokov’s friendship with critic Edmund Wilson. While Wilson derided it as a disappointment in the New York Review of Books, other critics hailed the translation and accompanying commentary as Nabokov’s highest achievement. Nabokov himself strove to render a literal translation that captured "the exact contextual meaning of the original," arguing that, "only this is true translation." Nabokov’s Eugene Onegin remains the most famous and frequently cited English-language version of the most celebrated poem in Russian literature, a translation that reflects a lifelong admiration of Pushkin on the part of one of the twentieth century’s most brilliant writers. Now with a new foreword by Nabokov biographer Brian Boyd, this edition brings a classic work of enduring literary interest to a new generation of readers.

Eugene Onegin: A Novel in Verse: Text (Vol. 1)

When Vladimir Nabokov's translation of Pushkin’s masterpiece Eugene Onegin was first published in 1964, it ignited a storm of controversy that famously resulted in the demise of Nabokov’s friendship with critic Edmund Wilson. While Wilson derided it as a disappointment in the New York Review of Books, other critics hailed the translation and accompanying commentary as Nabokov’s highest achievement. Nabokov himself strove to render a literal translation that captured "the exact contextual meaning of the original," arguing that, "only this is true translation." Nabokov’s Eugene Onegin remains the most famous and frequently cited English-language version of the most celebrated poem in Russian literature, a translation that reflects a lifelong admiration of Pushkin on the part of one of the twentieth century’s most brilliant writers. Now with a new foreword by Nabokov biographer Brian Boyd, this edition brings a classic work of enduring literary interest to a new generation of readers.

Eugene Onegin: A Novel In Verse (Bollingen Ser. #No. Lxxii)

This novel in verse, said to be the parent of all Russian novels, is a tragic story of innocence, love and friendship. Eugene Onegin, an aristocrat, much like Pushkin and his peers in his attitude and habits, is bored. He visits the countryside where the young and passionate Tatyana falls in love with him. In a touching letter she confesses her love but is cruelly rejected. Years later, it is Onegin's turn to be rejected by Tatyana.

Eugene Onegin: A Novel in Verse (Bollingen Ser. #No. Lxxii)

Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s Russia, Pushkin's verse novel follows the fates of three men and three women. Engaging, full of suspense, and varied in tone, it contains a large cast of characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. Eugene Onegin was Pushkin's own favourite work, and this new translation by Stanley Mitchell conveys the literal sense and the poetic music of the original.

Eugenio Montale's Poetry: A Dream in Reason's Presence

Glauco Cambon draws on twenty-five years of commitment to Montale's poetry and prose for this extended critical analysis.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Europa

Europa, Sean O’Brien’s ninth collection of poems, is a timely and necessary book. Europe is not a place we can choose to leave: it is also a shared heritage and an age-old state of being, a place where our common dreams, visions and nightmares recur and mutate. In placing our present crises in the context of an imaginative past, O’Brien show how our futures will be determined by what we choose to understand of our own European identity – as well as what we remember and forget of our shared history. Europa is a magisterial, grave and lyric work from one of the finest poets of the age: it shows not just a Europe haunted by disaster and the threat of apocalypse, but an England where the shadows lengthen and multiply even in its most familiar and domestic corners. Europa, the poet reminds us, shapes the fate of everyone in these islands – even those of us who insist that they live elsewhere.

European Churches and Chinese Temples as Neuro-Theatrical Sites (Cognition, Poetics, and the Arts)

Compares monumental designs and performance spaces of Christian, Buddhist, and related sanctuaries, exploring how brain networks, animal-human emotions, and cultural ideals are reflected historically and affected today as "inner theatre" elements. Integrating research across the humanities and sciences, this book explores how traditional designs of outer theatrical spaces left cultural imprints for the inner staging of Self and Other consciousness, which each of us performs daily based on how we think others view us. But believers also perform in a cosmic theatre. Ancestral spirits and gods (or God) watch and interact with them in awe-inspiring spaces, grooming affects toward in-group identification and sacrifice, or out-group rivalry and scapegoating. In a study of over 80 buildings – shown by 40 images in the book, plus thousands of photos and videos online – Pizzato demonstrates how they reflect meta-theatrical projections from prior generations. They also affect the embodied, embedded, enacted, and extended (4E) cognition of current visitors, who bring performance frameworks of belief, hope, and doubt to the sacred site. This involves neuro-social, inner/outer theatre networks with patriarchal, maternal, and trickster paradigms. European Churches and Chinese Temples as Neuro-Theatrical Sites investigates performative material cultures, creating dialogs between theatre, philosophy, history, and various (cognitive, affective, social, biological) sciences. It applies them to the architecture of religious buildings: from Catholic, Orthodox, and Protestant in Europe, plus key sites in Jerusalem and prior “pagan” temples, to Buddhist, Daoist, Confucian, and imperial in China. It thus reveals individualist/collectivist, focal/holistic, analytical/dialectical, and melodramatic/tragicomic trajectories, with cathartic poetics for the future.

European Churches and Chinese Temples as Neuro-Theatrical Sites (Cognition, Poetics, and the Arts)

Compares monumental designs and performance spaces of Christian, Buddhist, and related sanctuaries, exploring how brain networks, animal-human emotions, and cultural ideals are reflected historically and affected today as "inner theatre" elements. Integrating research across the humanities and sciences, this book explores how traditional designs of outer theatrical spaces left cultural imprints for the inner staging of Self and Other consciousness, which each of us performs daily based on how we think others view us. But believers also perform in a cosmic theatre. Ancestral spirits and gods (or God) watch and interact with them in awe-inspiring spaces, grooming affects toward in-group identification and sacrifice, or out-group rivalry and scapegoating. In a study of over 80 buildings – shown by 40 images in the book, plus thousands of photos and videos online – Pizzato demonstrates how they reflect meta-theatrical projections from prior generations. They also affect the embodied, embedded, enacted, and extended (4E) cognition of current visitors, who bring performance frameworks of belief, hope, and doubt to the sacred site. This involves neuro-social, inner/outer theatre networks with patriarchal, maternal, and trickster paradigms. European Churches and Chinese Temples as Neuro-Theatrical Sites investigates performative material cultures, creating dialogs between theatre, philosophy, history, and various (cognitive, affective, social, biological) sciences. It applies them to the architecture of religious buildings: from Catholic, Orthodox, and Protestant in Europe, plus key sites in Jerusalem and prior “pagan” temples, to Buddhist, Daoist, Confucian, and imperial in China. It thus reveals individualist/collectivist, focal/holistic, analytical/dialectical, and melodramatic/tragicomic trajectories, with cathartic poetics for the future.

European Erotic Romance: Philhellene Protestantism, renaissance translation and English literary politics (The Manchester Spenser)

European Erotic Romance examines the Renaissance publication and translation of the ancient Greek erotic romances, and English adaptations of the genre by Sir Philip Sidney, Shakespeare and Lady Mary Sidney Wroth. Providing fresh insight into the development of the novel, this study identifies the politicisation of erotic romance by the European philhellene (lovers of all things Greek) Protestant movement. To English translators and authors, the complex plots, well developed moralised characters (particularly female) and rhetorical styles of the ancient novels signify political and social reform. Generous quotation and translations ensure that European Erotic Romance is accessible to a broad spectrum of readers. Its organisation lends itself to use as a course text. It is suitable for use by senior undergraduates and specialists in Renaissance literature, translation, rhetoric and history.

Evangeline

The Eve of St Agnes (Penguin Little Black Classics #No. 13)

'Hoodwink'd in faery fancy...'This volume contains a selection of Keats's greatest verse - including his gothic story in verse, 'The Eve of St Agnes', and the mysterious 'Lamia' - exploring themes of love, enchantment, myth and magic.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.John Keats (1795-1821). Keats's works available in Penguin Classics are Selected Poems, So Bright and Delicate: Love Letters and Poems of John Keats to Fanny Brawne, The Complete Poems and Selected Letters.

Even As We Speak: Criticism

Effervescent, energetic and eclectic, this is one of the late Twentieth Century's finest minds (and bellies) on show. Even As We Speak is a compelling collection of essays in which Clive James focusses on Australian poetry; on television today; on the rise and fall of various icons; on the question of the culpability of the ordinary German in the holocaust; and there is a compellingly provocative and much-talked about piece on the death of Diana.

The Event of Style in Literature

The Event of Style in Literature brings discussions about the question of style up-to-date by schematising the principal issues relating to the topic through a critical overview of the canon of style studies. It reads the work of Jacques Derrida, Maurice Blanchot, and Hans-Georg Gadamer as groundbreaking and 'eventful' interventions.

Every Little Sound (Pavilion Poetry)

Shortlisted for the 2016 Forward Prize for Best First Collection and the 2016 T S Eliot Prize for Best Collection. Drawing from neuroscience on the idea of 'internal gain', an internal volume control which helps us amplify and focus on quiet sounds in times of threat, danger or intense concentration, Ruby Robinson's brilliant debut introduces a poet whose work is governed by a scrupulous attention to the detail of the contemporary world. Moving and original, her poems invite us to listen carefully, and use ideas of hearing and listening to explore the legacies of trauma. The book celebrates the separateness and connectedness of human experience in relationships, and our capacity to harm and love.

Every Little Sound (Pavilion Poetry)

Shortlisted for the 2016 Forward Prize for Best First Collection and the 2016 T S Eliot Prize for Best Collection. Drawing from neuroscience on the idea of 'internal gain', an internal volume control which helps us amplify and focus on quiet sounds in times of threat, danger or intense concentration, Ruby Robinson's brilliant debut introduces a poet whose work is governed by a scrupulous attention to the detail of the contemporary world. Moving and original, her poems invite us to listen carefully, and use ideas of hearing and listening to explore the legacies of trauma. The book celebrates the separateness and connectedness of human experience in relationships, and our capacity to harm and love.

Everybody Is a Poem: Midlife in Rhymes

For the multitaskers, the overreactors, the silent screamers and the quiet lovers Everybody Is a Poem: Midlife in Rhymes is Jan Brierton's second collection. Inspired by Jan's popular podcast these 52 poems delve into the darkest and brightest moments of our day, month or year. Combining rhyme and illustration, Jan puts simple words to those deepest of feelings. She riffs on menopause, midlife, the mental load, friendships, relationships, loss and self-acceptance. Plain-speaking and completely relatable, each poem is served with Jan's signature combination of humour, wit and poignancy. This is poetry for everybody.

Everyday Sonnets: Poems on the Art of Life (Wordcatcher Modern Poetry)

In his second collection of poems, Paul Evans takes the traditional poetic form of the Sonnet to express his thoughts and feelings on the things which fill his day; from the minutiae and the mundane to meaning, purpose, and faith. These poems are both accessible and thought-provoking.

Everything All at Once

An achingly beautiful collection of poems about one week in a secondary school where everything happens all at once. Zooming in across our cast of characters, we share moments that span everything from hoping to make it to the end of the week, facing it, fitting in, finding friends and falling out, to loving lessons, losing it, and worrying, wearing it well and worshipping from afar. In Everything All At Once, Steven Camden's poems speak to the kaleidoscope of teen experience and life at secondary school.'All together. Same place.Same walls. Same space.Every emotion under the sunFaith lost. Victories won.It doesn't stop. Until the bell. Now it's heavenNow it's hell.Who knows?Not meI just wrote what I can seeSo what's it about? Here's my responseIt's about everythingAll at once.'

Everything is Going to be All Right: Poems for When You Really Need Them

From grief to toothache, heartbreak to homesickness, the power of finding solace in the words of another cannot be overstated.Whether it was written 300 years ago or in our present day, poetry provides a comforting light in the dark. Words may not always provide solutions, but they can at the very least offer us a sense of hope, and the reassurance that we are not alone in our experiences and in our feelings.The Poetry First Aid Kit is a ready-made toolkit that offers you a light in the dark, no matter what you are feeling. Comprising poems from literary classics to new, cutting edge voices writing about the world today, this extraordinary collection proves that we are never alone in the suffering we endure, and in the human spirit's capacity to overcome.Whether you are well-versed in poetry or sceptical to the power it holds, we hope that this collection will surprise you, entertain, and ultimately offer comfort through those difficult days.Featuring poems from: Kae Tempest, Hollie McNish, Raymond Antrobus, Salena Godden, Theresa Lola, Maya Angelou, Emily Dickinson and many, many more.

Everywoman Her Own Theology: On the Poetry of Alicia Suskin Ostriker (Under Discussion)

Alicia Ostriker’s artistic and intellectual productions as a poet, critic, and essayist over the past 50 years are protean and have been profoundly influential to generations of readers, writers, and critics. In all her writings, both the feminist and the human engage fiercely with the material and metaphysical world. Ostriker is a poet concerned with questions of social justice, equality, religion, and how to live in a world marked by both beauty and tragedy. Everywoman Her Own Theology: On the Poetry of Alicia Suskin Ostriker engages Ostriker’s poetry from throughout her career, including her first volume Songs, her award-winning collection The Imaginary Lover, and her more recent work in the collections No Heaven, the volcano sequence, The Old Woman, the Tulip, and the Dog, and Waiting for the Light. Like her literary criticism and essays, Ostriker’s poetry explores themes of feminism, Jewish life, family, and social justice. With insightful essays—some newly written for this collection—poets and literary critics including Toi Derricotte, Daisy Fried, Cynthia Hogue, Tony Hoagland, and Eleanor Wilner illuminate and open new pathways for critical engagement with Alicia Ostriker’s lifetime of poetic work.

Evidentiality in Sa'dī's Poetry and Prose: A Corpus Stylistic Study (Iranian Studies)

This study is the first to introduce evidentiality to the stylistic analysis of literary works, specifically that of the great Persian writer Sa'dī, focusing on how he used linguistic means to illustrate a real or ideational world. The authors begin by introducing the concept of evidentiality; its definition, its coding in Persian, the rationale behind evidentiality analysis, and semantic-pragmatic functions of evidentiality. The book highlights how evidentiality can be accounted for as a stylistic device to reveal the validity of a narration, as well as the author’s commitment and contribution to it. Three of Sa'dī’s major works are analyzed – Būstān, Golestān and Sonnets – using Krippendoff's frequency approach. It is argued that Sa'dī deployed an array of evidentials in his work, from direct visual evidentials in Golestān and Sonnets to heard and quoted evidentials in Būstān. To illustrate this, the book includes translations of Sa'dī’s poetry and prose. In addition, the authors consider historical and contemporary manifestations of the Persian narrative style, as well as exploring the cultural concerns of the Persian speech community. The book will appeal to general linguists, practitioners of pragmatics and stylistics, literary critics, and those interested in contrastive analysis of literature and cultural studies.

Evidentiality in Sa'dī's Poetry and Prose: A Corpus Stylistic Study (Iranian Studies)

This study is the first to introduce evidentiality to the stylistic analysis of literary works, specifically that of the great Persian writer Sa'dī, focusing on how he used linguistic means to illustrate a real or ideational world. The authors begin by introducing the concept of evidentiality; its definition, its coding in Persian, the rationale behind evidentiality analysis, and semantic-pragmatic functions of evidentiality. The book highlights how evidentiality can be accounted for as a stylistic device to reveal the validity of a narration, as well as the author’s commitment and contribution to it. Three of Sa'dī’s major works are analyzed – Būstān, Golestān and Sonnets – using Krippendoff's frequency approach. It is argued that Sa'dī deployed an array of evidentials in his work, from direct visual evidentials in Golestān and Sonnets to heard and quoted evidentials in Būstān. To illustrate this, the book includes translations of Sa'dī’s poetry and prose. In addition, the authors consider historical and contemporary manifestations of the Persian narrative style, as well as exploring the cultural concerns of the Persian speech community. The book will appeal to general linguists, practitioners of pragmatics and stylistics, literary critics, and those interested in contrastive analysis of literature and cultural studies.

Evolution: New Statesman's best books of the year, 2018

Finalist for the Lambda Literary Award, 2019New Statesman's best books of the year, 2018This new book of poems and essays by Eileen Myles finds our game-changing writer keying lines in the euphoric style that the New York Times has called 'one of the essential voices in American poetry.'Following the critically claimed Afterglow (a dog memoir) and I Must Be Living Twice, their career-spanning selected poems, Evolution is Myles' first all-new poetry collection since 2011's Snowflake/different streets. These new poems upend genre in a vernacular that enacts, like nothing else, the way we speak (inside and out today). From walking around Marfa and New York City with an orange pit bull to Eileen's transcendent acceptance speech as President, Evolution lifts a can of Diet Coke as an End-of-the-World toast to embodiment, irreverence and risk.