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False Fables and Exemplary Truth: Poetics and Reception of Medieval Mode (The New Middle Ages)
by E. AllenThis study charts relationships between moral claims and audience response in medieval exemplary works by such poets as Chaucer, Gower, Robert Henryson, and several anonymous scribes. In late medieval England, exemplary works make one of the strongest possible claims for the social value of poetic fiction. Studying this debate reveals a set of local literary histories, based on both canonical and non-canonical texts, that complicate received notions of the didactic Middle Ages, the sophisticated Renaissance, and the fallow fifteenth century in between.
Family System (Colorado Prize for Poetry)
by Jack ChristianWinner of the 2012 Colorado Prize for Poetry, selected by Elizabeth Willis "Family System is one of the most specific and clarifying books of poetry I’ve ever read. It is filled with choices—made, to be made, not made—handled with a poetic understanding that what seems arbitrary will be inevitable when said with the right words while singing the right songs. This is a stand-out first book, introducing a first-rate original talent, doing powerful work, making quintessentially lyrical choices. Don’t miss this book.” —Dara Wier “It seems that Jack Christian’s brain is able to produce tiny lucid creatures, have them run and sprinkle over a map of an unknown world with joy, speed and delight. Even stranger, he’s somehow the spiritual offspring of very different ancestors: Pascal’s Esprit de Geometrie and Scandinavian mythology. ‘I was eulogizing a squirrel in a shoebox.’ Brilliant.” —Tomaž Šalamun
Family Values
by Wendy CopeFrom a motorway service area to her ambivalent relationship with religion, Wendy Cope covers a wide range of experience in her new collection. Her mordant humour and formal ingenuity are in evidence, even as she remembers the wounds of a damaging childhood; and in poems about love and the inevitable problems of aging she achieves an intriguing blend of sadness and joy. Two very different sets of commissioned poems round off a remarkable volume, whose opening poem sounds clearly the profound note of compassion which underlies the whole.
Far District
by Ishion HutchinsonFar District, the transporting debut from the author of House of Lords and Commons, is structured as the spiritual journey of a poet-speaker caught between two cultures. As childhood memory is grafted to the world of imagination - shaped by books, art, music and travel - the two come together to develop a new vision of what 'home' might offer.'Far District is a classic, which is to say a rare and exemplary first book. This book is striking for the way Ishion Hutchinson's gorgeously textured language - shanty-zinc, asthmatic whirl, poincianas - stretches over far-reaching narratives of landscape and culture. With an ear "tuned to the blue above and below" he captures the physical rhythms of his native Jamaica as well as the broader, metaphysical rhythms of distance and displacement, "of [travelling] the narrow bridge separating" past and present.' PEN/Joyce Osterweil Award for Poetry'At once biography and autobiography, generous with its thinking and observations . . . the poems are urgent, authentic, deeply felt, and beautifully shaped. It is rare to find such achievement in a first collection, where an author writes from a place of humility in the face of literary tradition. His work possesses high artistic merit; his love of world literature suffuses his lines and spurs his ambition. This collection is a true work of alchemy.' Whiting Awards
Far Field
by Jim CarruthFar Field is the third and final book in The Auchensale Trilogy, a series of poetry cycles capturing the changing rural landscape of the West of Scotland. Following on from its predecessors Black Cart and Bale Fire, the book consists of three cycles bound together by footers.A number of poems in the early part of the book are in response to paintings by the Glasgow Boys particularly those painted during their time spent in agricultural communities. Many of the poems are highly personal with a number about family members. These include a series of elegies for his late father. It also focuses on the present day looking to the challenges ahead for the family farm and that passing baton to the next generation.
Farm Animals: Farm Animals (Rhyme and Find)
by M A PalmerRhyme and Find board books offer a unique combination of big bold photographs and fun read aloud rhyming text, plus a spot and find panel on each page, perfect for adults and children to share and enjoy. A picture activity at the back brings an extra visual treat!
Farmer Llama
by Donna DavidA laugh-out-loud funny, rhyming picture book created by Donna David and Fred Blunt. Starring the irresistible Farmer Llama!Alarm-a-Llama bolts awake and bashes his poor head.Pyjama-Llama rubs his eyes and climbs out of his bed.Banana-Llama grabs some food. He's ready for the day!Farmer-Llama starts his truck and heads out to collect hay.Join the loveable, accident-prone Farmer Llama for a hilarious farmyard adventure. Complete with pesky cows who just won't get out of Farmer Llama's way . . .With bright, bold artwork and a brilliantly funny story, this is the perfect read-aloud treat. With a simple phonics-based text, just right for developing early reading skills.
Farmers Cross
by Bernard O'DonoghueThe book brings together subtle and moving meditations on exile and belonging, travel and home, and honours many friends and loved ones along the way. In a series of poems that frequently recall the south-west Ireland of the author's childhood, Farmers Cross shows the author writing at his visionary and lyrical best.
Fascinating Facts to Blow Your Curious Mind: An awesome collection of the wildest trivia about everything on Earth … and beyond!
by MJC MatthewDid you know that the reason you can never find the end of a rainbow is because they are actually full circles? Or that our fingers shrivel up when they get wet because our bodies are adapting to give us a better grip in the water?Fascinating Facts to Blow Your Curious Mind features unlikely and hilarious trivia on everything from history and animals to the ocean and space, as well as a special section on little-known knowledge which one day just might save your life.Inside, you can also find answers to such key questions as:Are we all related?What is more dangerous, a koala or a crocodile?Did the Pope cause the Black Death?Why was 'New York' once known as 'New Orange'?Should you use spiderwebs as a bandage?How much bamboo would it take to cover the Taj Mahal?
Fashion and Popular Print in Early Modern England: Depicting Dress in Black-Letter Ballads
by Clare BackhouseFashion featured in black-letter broadside ballads over a hundred years before fashion magazines appeared in England. In the seventeenth century, these single-sheet prints contained rhyming song texts and woodcut pictures, accessible to almost everyone in the country. Dress was a popular subject for ballads, as well as being a commodity with close material and cultural connections to them.This book analyses how the distinctive words and images of these ballads made meaning, both in relation to each other on the ballad sheet and in response to contemporary national events, sumptuary legislation, religious practice, economic theory, the visual arts and literature. In this context, Clare Backhouse argues, seventeenth-century ballads increasingly celebrated the proliferation of print and fashionable dress, envisioning new roles for men and women in terms of fashion consumption and its importance to national prosperity. The book demonstrates how the hitherto overlooked but extensive source material that these ballads offer can enrich the histories of dress, art and culture in early modern England.
Fashioning Authorship in the Long Eighteenth Century: Stylish Books of Poetic Genius (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)
by Gerald EganThis book examines a singular cultural formation of the long eighteenth century, the poetic genius who was also a lady or gentleman of fashion. It applies an innovative mix of approaches — book history, Enlightenment and twentieth-century philosophy, visual studies, and material analyses of fashions in books and in dress — to specific editions of Alexander Pope, Mary Robinson and Lord Byron. In its material analyses of these books, this study looks closely at bindings, letterforms, engravings, newspaper advertisements, correspondence, and other ephemera. In its theoretical approaches, it takes up the interventions of Locke and Kant in connection with the visual theories of Richardson, Hogarth, and Reynolds. These investigations point ultimately to a profound connection between Enlightenment formulations of subjectivity, genius, and fashion, a link that is relevant to the construction of celebrity in our own cultural moment.
Fast by the Horns: The hotly anticipated second novel from the prizewinning author of An Olive Grove in Ends
by Moses McKenzieFrom the Hawthornden Prize-winning author of An Olive Grove in Ends, a powerful story of broken dreams and divided loyaltiesBristol, 1980. In the tight-knit neighbourhood of St. Pauls, 14-year-old Jabari is proud of his position as the only son of revered community leader Ras Levi. Raised in a world of sus laws and council neglect, Jabari finds hope in his Rastafari faith, which offers the comforting vision that one day he and his fellow believers will repatriate to the motherland, where they will at last be free from oppression and prejudice.But in St Pauls a local firebrand activist has been arrested, and violence soon overflows, pulling both father and son into its maelstrom. As Jabari rages against the iniquity, a chance encounter with a young Black child gifts him an opportunity for justice - or is it revenge?Praise for An Olive Grove in Ends:'Tough yet tender' Observer - 10 Best Debut Novelists of 2022''Luminous' Cherie Jones'Moses' talent is off the scale' Donal Ryan'Remarkable' Nathan Harris'Consummately crafted' Patrick McCabe
Fasti: Large Print (The\loeb Classical Library #No. 253)
by Ovid Anthony Boyle Roger WoodardWritten after he had been banished to the Black Sea city of Tomis by Emperor Augustus, the Fasti is Ovid's last major poetic work. Both a calendar of daily rituals and a witty sequence of stories recounted in a variety of styles, it weaves together tales of gods and citizens together to explore Rome's history, religious beliefs and traditions. It may also be read as a subtle but powerful political manifesto which derides Augustus' attempts to control his subjects by imposing his own mythology upon them: after celebrating the emperor as a Jupiter-on-earth, for example, Ovid deliberately juxtaposes a story showing the king of the gods as a savage rapist. Endlessly playful, this is also a work of integrity and courage, and a superb climax to the life of one of Rome's greatest writers.
Father Chaucer: Generating Authority in The Canterbury Tales (Oxford Studies in Medieval Literature and Culture)
by Samantha Katz SealThe monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. When Geoffrey Chaucer is named the 'Father of English poetry', an inherent assumption about paternity is transmitted. Chaucer's 'fatherhood' is presented as a means of poetic legitimization, a stable mode of authority that connects the medieval author with all the successive generations of English writers. This book argues, however, that for Chaucer himself, paternity was a far more fraught ambition, one capable of devastating male identity as surely as it could enshrine it. Moving away from anachronistic assumptions about reproduction and authority, this book argues that Chaucer profoundly struggled with his own desire to create something that would last past his own death. For Chaucer also believed that men were the humble, mortal playthings of an all too distant God. Medieval Christianity taught that the earth was but a temporary, sorrowful abode for corrupted men, and that the fall from grace was reborn within each generation of Adam's sons. Chaucer knew that God had set sharp limits upon man's ability to create with certainty, and to determine his own posterity. Yet, what could be more human than the longing to wrest some small authority from one's own mortal flesh? This book argues that this essential intellectual, ethical, and religious crisis lies at the very heart of Chaucer's Canterbury Tales. Within this masterpiece of English literature, Chaucer boldly confronts the impossibility of his own aching wish to see his offspring, biological and poetic, last beyond his own death, to claim the authority simultaneously promised and denied by the very act of creation.
Father Chaucer: Generating Authority in The Canterbury Tales (Oxford Studies in Medieval Literature and Culture)
by Samantha Katz SealThe monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. When Geoffrey Chaucer is named the 'Father of English poetry', an inherent assumption about paternity is transmitted. Chaucer's 'fatherhood' is presented as a means of poetic legitimization, a stable mode of authority that connects the medieval author with all the successive generations of English writers. This book argues, however, that for Chaucer himself, paternity was a far more fraught ambition, one capable of devastating male identity as surely as it could enshrine it. Moving away from anachronistic assumptions about reproduction and authority, this book argues that Chaucer profoundly struggled with his own desire to create something that would last past his own death. For Chaucer also believed that men were the humble, mortal playthings of an all too distant God. Medieval Christianity taught that the earth was but a temporary, sorrowful abode for corrupted men, and that the fall from grace was reborn within each generation of Adam's sons. Chaucer knew that God had set sharp limits upon man's ability to create with certainty, and to determine his own posterity. Yet, what could be more human than the longing to wrest some small authority from one's own mortal flesh? This book argues that this essential intellectual, ethical, and religious crisis lies at the very heart of Chaucer's Canterbury Tales. Within this masterpiece of English literature, Chaucer boldly confronts the impossibility of his own aching wish to see his offspring, biological and poetic, last beyond his own death, to claim the authority simultaneously promised and denied by the very act of creation.
Father Christmas Heard a Parp
by Olaf FalafelThe side-splitting festive follow-up to Old MacDonald Heard a Parp, from hilarious picture book superstar, Olaf Falafel.
Faulkner's Media Romance
by Julian MurphetThis book treats William Faulkner's major fiction--from Flags in the Dust through to Absalom, Absalom!--to a searching reappraisal under the spotlight of a media-historical inquiry. It proposes that Faulkner's inveterate attraction to the paradigms of romance was disciplined and masked by the recurrent use of metaphorical figures borrowed from the new media ecology. Faulkner dressed up his romance materials in the technological garb of radio, gramophony, photography, and cinema, along with the transportational networks of road and air that were being installed in the 1920s. His modernism emerges from a fraght but productive interplay between his anachronistic predilection for chivalric chichés and his extraordinarily knowledgeable interest in the most up-to-date media institutions and forms. Rather than see Faulkner as a divided author, who worked for money in the magazines and studios while producing his serious fiction in despite of their symbolic economies, this study demonstrates how profoundly his mature art was shot through with the figures and dynamics of the materials he publicly repudiated. The result is a richer and more nuanced understanding of the dialectics of his art.
Faulkner's Media Romance
by Julian MurphetThis book treats William Faulkner's major fiction--from Flags in the Dust through to Absalom, Absalom!--to a searching reappraisal under the spotlight of a media-historical inquiry. It proposes that Faulkner's inveterate attraction to the paradigms of romance was disciplined and masked by the recurrent use of metaphorical figures borrowed from the new media ecology. Faulkner dressed up his romance materials in the technological garb of radio, gramophony, photography, and cinema, along with the transportational networks of road and air that were being installed in the 1920s. His modernism emerges from a fraght but productive interplay between his anachronistic predilection for chivalric chichés and his extraordinarily knowledgeable interest in the most up-to-date media institutions and forms. Rather than see Faulkner as a divided author, who worked for money in the magazines and studios while producing his serious fiction in despite of their symbolic economies, this study demonstrates how profoundly his mature art was shot through with the figures and dynamics of the materials he publicly repudiated. The result is a richer and more nuanced understanding of the dialectics of his art.
Faust I & II, Volume 2: Goethe’s Collected Works
by Johann Wolfgang Von Goethe Stuart Atkins David E. WellberyOne of the great classics of European literature, Faust is Goethe's most complex and profound work. To tell the dramatic and tragic story of one man’s pact with the Devil in exchange for knowledge and power, Goethe drew from an immense variety of cultural and historical material, and a wealth of poetic and theatrical traditions. What results is a tour de force illustrating Goethe’s own moral and artistic development, and a symbolic, cautionary tale of Western humanity striving restlessly and ruthlessly for progress.Capturing the sense, poetic variety, and tonal range of the German original in present-day English, Stuart Atkins’s translation presents the formal and rhythmic dexterity of Faust in all its richness and beauty, without recourse to archaisms or interpretive elaborations.Featuring a new introduction by David Wellbery, this Princeton Classics edition of Faust is the definitive English version of a timeless masterpiece.
Faust I & II, Volume 2: Goethe’s Collected Works
by Johann Wolfgang Von Goethe Stuart Atkins David E. WellberyOne of the great classics of European literature, Faust is Goethe's most complex and profound work. To tell the dramatic and tragic story of one man’s pact with the Devil in exchange for knowledge and power, Goethe drew from an immense variety of cultural and historical material, and a wealth of poetic and theatrical traditions. What results is a tour de force illustrating Goethe’s own moral and artistic development, and a symbolic, cautionary tale of Western humanity striving restlessly and ruthlessly for progress.Capturing the sense, poetic variety, and tonal range of the German original in present-day English, Stuart Atkins’s translation presents the formal and rhythmic dexterity of Faust in all its richness and beauty, without recourse to archaisms or interpretive elaborations.Featuring a new introduction by David Wellbery, this Princeton Classics edition of Faust is the definitive English version of a timeless masterpiece.
Favourite Poems
by Frances EvansFrom verse of the past to modern classics, this anthology of poetry has words for every occasion: about youth and age, nature, musings on life and death, wisdom, nonsense, romance and much besides. Each work has been specially chosen to complement the collection.
Favourite Poems of the Sea: Poems To Celebrate Britain's Maritime Heritage
by National Trust BooksA wonderful anthology of poetry celebrating the British coastline and life above and below the deep blue sea. Verses from our best-loved authors – such as WB Yeats, RL Stevenson and Rudyard Kipling – are accompanied by beautiful illustrations of idyllic days at sea, haunted shipwrecks and tempestuous storms. Sea shanties and siren's songs sit alongside the classic song from The Tempest and Coleridge's 'The Rime of the Ancient Mariner' in this beautiful anthology of the mystical world beneath the waves.
Fear of Description (Penguin Poets Ser.)
by Daniel PoppickThese poems tell the story of a generation in crisis: at odds with its own ideals, precariously (or just un-) employed, and absolutely terrified of seeing itself in the planet's future. Is our contemporary moment pure tragedy, or a dark joke? Can it be both?Ranging between elegiac lyrics and autobiographical accounts of a group of poets moving from Iowa to Brooklyn in the years just before and after the 2016 election, Fear of Description reinvigorates the prose poem, exploring the slippery terrain between grief and friendship, artifice and technology, writing and ritual, hauntings and obsessions - searching for joy in art but instead finding it in pitch darkness.As the narrative cuts back and forth in time and circles around itself, the stories which begin to emerge in this remarkable book - of dead dogs speaking through Ouija boards, lives cut short, and youthful brilliance - explore at once the struggle to find one's place in the world, and the fear of being trapped once there.