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Immortal Memories: A Compilation Of Toasts To The Immortal Memory Of Robert Burns As Delivered At Burns Suppers Around
by John CairneyThe Immortal Memory remains the centrepiece of the traditional Burns Supper and although that rite might be seen by some to have had its day, the "Immortal Memory" itself still retains its importance and prestige to Burns lovers all over the world. It is an honour to be invited to present this toast and it is to honour this status and to further respect its subject that Dr Cairney's third book on Burns is devoted to his "Immortal Memory". The extraordinary thing is that the contributors, while dealing with the same man, all appear to see him so differently, but what they all still have in common is a love and admiration for the man and his work. This is the factor that makes Burns unique, that he has the same appeal for so many different kinds of people.
Immortal Memory: Burns and the Scottish People
by Christopher WhatleyRobert Burns was by far and away the most iconic figure in nineteenth-century Scotland. Multiple editions of his works poured incessantly from the presses. Unprecedentedly large crowds gathered to commemorate him at huge festivals and at the unveiling of memorials. His work was at the heart of the palpable rise of Scottish-ness that swept Scotland from the 1840s through to the First World War, including demands for Home Rule. If Walter Scott imagined Scotland, Burns shaped it. He gave ordinary Scots in what had been one of the most socially uneven societies in Europe a sense of self-worth and dignity, and underpinned demands for political and social justice. In this major new book, Christopher Whatley describes the several contests there were to 'own' - and mould - Burns, from Tories through Radicals to middle-class urban improvers. But the Kirk condemned Burns as the Antichrist, deplored the Burns cult ('Burnomania') - a slur on a nation that prided itself on its strict Presbyterian inheritance. The result is a fascinating picture of the role Burns played after his death in shaping multiple facets of Scottish society.
The Important Things in Life: (but not necessarily in the right order!) (Wordcatcher Modern Poetry)
by Julie CroadThis is a poetry book for people who don't like poetry! Within these pages you'll find an eclectic mix of poetry styles, mostly humorous, about ordinary, everyday experiences that affect us all. Some of the poems are serious, and others don't rhyme. Poetry for me isn't about slavish adherence to rules, but expression of thought and shared experiences. I think everyone can write poetry - if you've lived you have stories to share. I hope you'll find some smiles, and maybe some pauses for thought, from reading my poems.
Improvement and Romance: Constructing the Myth of the Highlands (Language, Discourse, Society)
by Peter WomackAn attempt to trace the origins of the romantic image of the Highlands, by examining the economic, military and ideological circumstances of the region's subjugation by the British state. It combines literary criticism and cultural history to produce a case study of the making of the myth.
In a Dark Wood: What Dante Taught Me About Grief, Healing, And The Mysteries Of Love
by Joseph LuzziA story of love and grief. ‘I became a widower and a father on the same day’ says Joseph Luzzi. His book tells how Dante’s ‘The Divine Comedy’ helped him to endure his grief, raise their infant daughter, and rediscover love.
In a Prominent Bar in Secaucus: New and Selected Poems, 1955–2007 (Johns Hopkins: Poetry and Fiction)
by X. J. KennedyFor more than half a century, readers and listeners have taken special pleasure in the poetry of X. J. Kennedy. In a Prominent Bar in Secaucus is an ample gathering of his best work: memorable songs, startling lyrics, poems that tell poignant stories, character studies that vie with those of Edwin Arlington Robinson. A master of verbal music, Kennedy has long been praised for his wit and humor; as this collection reveals, many of his poems also reach surprising depths and heights. Donald Hall comments, "many of Kennedy's poems are wit itself. His wit is his way of understanding. No one else writing is capable of the effects in which Kennedy specializes."This book skims the cream from several slim volumes and six past collections including the prize-winning Nude Descending a Staircase, Cross Ties, and The Lords of Misrule. It restores to print over fifty poems unavailable for decades and adds more than two dozen new poems collected for the first time. Kennedy has long occupied a unique place in American poetry; In a Prominent Bar in Secaucus now offers the first comprehensive collection to span his entire career.
In a Time of Distance: And Other Poems
by Alexander McCall Smith‘In a Time of Distance’, the poem from which the collection take its title, was written at the start of the global pandemic which struck at the start of 2020, here the author reminds us of what is important in life and to focus on love, friendship and family. And it is this approach to life that makes this collection a captivating celebration of love and friendship, of Scotland and people, of animals and books. Looking at the world through the lens of this writer, it is a better, more humane place. Throughout the collection there are moments of swoop and soar, descriptions that will make you laugh and realign your view. The author reminds us to look at the world differently, to stop once in while and look up at the sky.
In Defence of T. S. Eliot
by Craig RaineHis pieces, on the literary world and some of its most fascinating figures and classics, bear his hallmark of vitality and distinctive approach. Raine’s knowledge of the span of literary theory (and anecdote) and the incisiveness of his thinking uncover as far more contradictory and complex in their successes writers customarily held in reverence. The essays range from a powerful piece on the KGB’s literary archive to thoughts about tragedy in Kipling’s life, from Auden, Nabokov and Beckett to the state of health of Samuel Johnson’s testicles. This book celebrates the diversity of the world of books and Raine is a supremely entertaining and thought-provoking guide. ‘Raine pounces on writers lacking his own high degree of linguistic resolution and independence. The citizenly impulse behind these arresting critical interventions is usually commendable. One gets the impression of a man simmering in long silence, coming reluctantly to the boil because someone has to speak up’ Geoff Dyer, Guardian
In Doctor No's Garden (Cape Poetry Ser.)
by Henry ShukmanWith this assured and powerful first collection, Henry Shukman springs fully-formed into the poetry world, having already won a raft of prizes for individual poems. His sensibility is unique, engaging and immediate; we are drawn into the worlds of these poems by his accurate eye, his sensual line and the warmth of his communion with the scene he describes. Ranging across the globe, from Mexico to Japan, from the States to Southern England, these poems can be lyrical and deeply affecting, wryly funny or wildly imaginative. From a lonely mother attempting to learn the piano to a ski-jump that never ends, from a redemptive encounter with horses on a cold day to a miraculous bowl of chicken soup, these poems display a vibrancy and variety rarely seen in contemporary poetry. But Shukman's great strength is in the domestic: the complexities of love, and the rites of passage of childhood and parenthood, are re-entered with candor, grace and originality. In Doctor No's Garden is an affectionate, refreshing debut, striking in its imagery and insight, remarkable for its lightness of touch and emotional weight.
In Flanders Fields
by Brian BusbyFew people alive today had direct experience of the First World War, and yet it seems embedded in the collective consciousness of the combatant nations as a warning to future generations of the futility of military conflict. Our awareness of the terror, loneliness and desperate hope endured by the men who fought this war we owe to the quality of the art that came out of it, not least the poetry. Despite the passage of time, its ability to move and inspire us remains undimmed, as this superb new compilation richly demonstrates.Selected from the work of soldiers killed in action - starting with Rupert Brooke in 1915 and ending with the tragic loss of Wilfred Owen seven days before the Armistice - the poems capture a broad range of emotions, contemplations and states of mind, ranging from anthems about the brutality of war to wistful evocations of home and loved ones left behind.This collection showcases some of the best poetry to emerge from the conflict and stands as a worthy memorial to the collective talent and sacrifice of those who gave their lives.
In Flanders Fields: Scottish Poetry and Prose of the First World War
by Trevor RoyleThis anthology is the first ever acknowledgement of Scotland's unique contribution to the literature of the First World War. Here are gathered together well-known writers like John Buchan, Eric Linklater, Hugh MacDiarmid and Compton Mackenzie, as well as poets like Joseph Lee and Roderick Watson Kerr, who found their true voices fighting in a war to end wars. There is also a substantial contribution from women writers in the work of Violet Jacob, Naomi Mitchison and Mary Symon.
In Hora Mortis / Under the Iron of the Moon: Poems (The Lockert Library of Poetry in Translation #162)
by Thomas BernhardHaunting and darkly humorous poems by the internationally acclaimed Austrian novelist, playwright, and memoirist Thomas Bernhard (1931–1989) has been compared to Kafka and Beckett, and critics have ranked his novels among the masterpieces of the twentieth century. But in fact he began his career in the 1950s as a poet, publishing three books of well-received verse before turning to fiction. In Hora Mortis / Under the Iron of the Moon is the first book of his expressionist-like poetry to be published in English. Bringing together Bernhard's second and third books of poetry, the collection's short, untitled lyrics reveal his early explorations of themes that would continue to preoccupy him in his novels, plays, and other writings—especially his intense ambivalence toward the land and people of Austria and their then-recent Nazi past. As the translator James Reidel writes in his preface, "Bernhard found Austrian soil . . . to be like a hair shirt and a blanket. It is a killing ground but with a postcard setting." In poems that both subvert and pay homage to such influences as Georg Trakl, Bernhard begins to develop his characteristic dark humor while exploring themes of nature, death, meaninglessness, and faith.
In Hora Mortis / Under the Iron of the Moon: Poems
by Thomas Bernhard James ReidelInternationally acclaimed Austrian novelist, playwright, and memoirist Thomas Bernhard (1931-1989) has been compared to Kafka and Beckett, and critics have ranked his novels among the masterpieces of the twentieth century. But in fact he began his career in the 1950s as a poet, publishing three books of well-received verse before turning to fiction. In Hora Mortis / Under the Iron of the Moon is the first book of his expressionist-like poetry to be published in English. Bringing together Bernhard's second and third books of poetry, the collection's short, untitled lyrics reveal his early explorations of themes that would continue to preoccupy him in his novels, plays, and other writings--especially his intense ambivalence toward the land and people of Austria and their then-recent Nazi past. As the translator James Reidel writes in his preface, "Bernhard found Austrian soil . . . to be like a hair shirt and a blanket. It is a killing ground but with a postcard setting." In poems that both subvert and pay homage to such influences as Georg Trakl, Bernhard begins to develop his characteristic dark humor while exploring themes of nature, death, meaninglessness, and faith.
In Late Light: Poems (Johns Hopkins: Poetry and Fiction)
by Brian SwannThere is a clearing by a certain stonewhere images flow and are worth stopping for. I have stayed there almost all day in silenceuntil night remembered what belonged to it and its shadows started to take back its own.I’ve found it hard to walk away as starlight infused daisies and the stone itself beganto feel like a star so, although what I have done with my life may not be much, for a whileit seemed to be in line.The poems of In Late Light situate objects and experiences (both large and small, concrete and abstract) within Brian Swann’s perspective of the natural world. Sixty-two poems presented in four sections explore his life—from early days to the present—evoking friends and family on two continents. His sharp, bright imagery affirms the unique beauty of our world and explores its invisible mysteries.
In Late Light: Poems (Johns Hopkins: Poetry and Fiction)
by Brian SwannThere is a clearing by a certain stonewhere images flow and are worth stopping for. I have stayed there almost all day in silenceuntil night remembered what belonged to it and its shadows started to take back its own.I’ve found it hard to walk away as starlight infused daisies and the stone itself beganto feel like a star so, although what I have done with my life may not be much, for a whileit seemed to be in line.The poems of In Late Light situate objects and experiences (both large and small, concrete and abstract) within Brian Swann’s perspective of the natural world. Sixty-two poems presented in four sections explore his life—from early days to the present—evoking friends and family on two continents. His sharp, bright imagery affirms the unique beauty of our world and explores its invisible mysteries.
In Love with Hell: Drink in the Lives and Work of Eleven Writers
by William Palmer'Sympathetic and wonderfully perceptive . . . a heartbreaking read'NICK COHEN, Critic'Wise, witty and empathetic . . . outstanding'JIM CRACE'A fascinating treatment of the age-old problem of writers and drink which displays the same subtle qualities as William Palmer's own undervalued novels'D. J. TAYLOR'A vastly absorbing and entertaining study of this ever-interesting subject'ANDREW DAVIES, screenwriter and novelist'In Love with Hell is a fascinating and beautifully written account of the lives of eleven British and American authors whose addiction to alcohol may have been a necessary adjunct to their writing but ruined their lives. Palmer's succinct biographies contain fine descriptions of the writers, their work and the times they lived in; and there are convincing insights into what led so many authors to take to drink.'PIERS PAUL READWhy do some writers destroy themselves by drinking alcohol? Before our health-conscious age it would be true to say that many writers drank what we now regard as excessive amounts. Graham Greene, for instance, drank on a daily basis quantities of spirits and wine and beer most doctors would consider as being dangerous to his health. But he was rarely out of control and lived with his considerable wits intact to the age of eighty-six. W. H. Auden drank the most of a bottle of spirits a day, but also worked hard and steadily every day until his death. Even T. S. Eliot, for all his pontifical demeanour, was extremely fond of gin and was once observed completely drunk on a London Tube station by a startled friend. These were not writers who are generally regarded as alcoholics. 'Alcoholic' is, in any case, a slippery word, as exemplified by Dylan Thomas's definition of an alcoholic as 'someone you dislike who drinks as much as you.' The word is still controversial and often misunderstood and misapplied. What acclaimed novelist and poet William Palmer's book is interested in is the effect that heavy drinking had on writers, how they lived with it and were sometimes destroyed by it, and how they described the whole private and social world of the drinker in their work.He looks at Patrick Hamilton ('the feverish magic that alcohol can work'); Jean Rhys ('As soon as I sober up I start again'); Charles Jackson ('Delirium is a disease of the night'); Malcolm Lowry ('I love hell. I can't wait to go back there'); Dylan Thomas ('A womb with a view'); John Cheever ('The singing of the bottles in the pantry'); Flann O'Brien ('A pint of plain is your only man'); Anthony Burgess ('Writing is an agony mitigated by drink'); Kingsley Amis ('Beer makes you drunk'); Richard Yates ('The road to Revolutionary Road'); and Elizabeth Bishop ('The writer's writer's writer').
In The Mud: Red Ditty Book 10 (Read Write Inc Series (PDF))
by Gill Munton Tim Archbold Ruth MiskinThe Red Ditty Books offer children practice in reading short decodable passages that form an important bridge between reading single words and whole sentences. They reinforce the Read Write Inc. Phonics Set 1 sounds. Each book contains three fun and humorous ditties with linked reading activities to develop accuracy, fluency and comprehension. They also prepare children for reading the longer Storybooks and Non-fiction books. Activities at the start of the books help children to practise the sounds and words they will encounter in the book. Questions to talk about at the end of the story provide an extra opportunity for developing childrens comprehension. The books are part of the Read Write Inc. Phonics programme, developed by Ruth Miskin. The programme is designed to create fluent readers, confident speakers and willing writers. It includes Handbooks, Sounds Cards, Word Cards, Storybooks, Non-fiction, Writing books and an Online resource. Read Write Inc. is fully supported by comprehensive professional development from Ruth Miskin Training.
In My Sky at Twilight: Poems of Eternal Love
by Gaby MorganThis swooningly gorgeous collection of poems celebrates love in all its guises from silent admiration through heart-stopping passion to tearful resignation. Whether you are star-crossed lovers, kindred spirits or smitten by the boy next door these exquisite verses speak of the universal experiences of the heart and prove that love transcends time itself. from In My Sky At Twilight In my sky at twilight you are like a cloud And your form and colour are the way I love them. You are mine, mine, woman with sweet lips And in your life my infinite dreams live. Pablo Neruda
In Praise of Krishna: Songs from the Bengali
by Edward C. Dimock Denise LevertovArising out of a devotional and enthusiastic religious movement that swept across most of northern and eastern India in the period from the fourteenth through the seventeenth centuries, the powerful and moving lyrics collected and elegantly translated here depict the love of Radha for the god Krishna—a love whose intensity and range of emotions trace the course of all true love between man and woman and between man and God. Intermingling physical and metaphysical imagery, the spiritual yearning for the divine is articulated in the passionate language of intense sensual desire for an irresistible but ultimately unpossessable lover, thus touching a resonant chord in our humanity.
In Springtime (Wesleyan Poetry Series)
by Sarah BlakeIn Sarah Blake's epic poem of survival, we follow a nameless main character lost in the woods. There, they discover the world anew, negotiating their place among the trees and the rain and the animals. Something brought them to the woods that nearly killed them, and they're not sure they want to live through this experience either. But the world surprises them again and again with beauty and intrigue. They come to meet a pregnant horse, a curious mouse, and a dead bird, who is set on haunting them all. Blake examines what makes us human when removed from the human world, what identity means where it is a useless thing, and how loss shapes us. In a stunning setting and with ominous dreams, In Springtime will take you into a magical world without using any magic at all—just the strangeness of the woods. Includes a stunning art feature by Nicky Arscott.7.If only the night held one dream instead of many.In the next dream you dig up the bird.In the next dream you dig in the same place and find a gun. You've shot someone. You weren't supposed to return to this place where you hid the gun.You're an idiot in your dream.In the next dream the horse returns. The horse startles you awake. But you are still asleep. Dreams are some wicked things.In the next dream you are in a desert. That's different.You forget what grass is. What it smells like. What the shadows of trees look like across your legs.You laugh your head off at the sight of a cactus.In the next dream you can see the spirit of the bird that will haunt you for weeks. Her tongue makes you think all of her words will come out garbled.Then you remember all she does is sing.
In the Flesh
by Adam O'RiordanAdam O'Riordan's remarkable first collection traces the hidden paths from past to present, from the lost to the living, seeking familiarity in a world of 'false trails and disappearing acts'. Here relatives, friends and other absences are coaxed into life and urgently pressed on the reader as they surface, in the flesh.Journeys begin with indelible detail and open into new and astonishing landscapes of the head and the heart. Whether in graceful elegies for the dead or the charged lyrics of love and desire, poems cross space as well as time, from the 'blackened lung' of Victorian Manchester and the fateful events of the 1913 Derby, to enter a modern era of satellites and late night searches for lost lovers. At the heart of the collection lies the sonnet sequence 'Home', a slant look at the lives of William and Dorothy Wordsworth, intersected by more recent, sometimes unsettling, personal portraits.Clear-eyed and sensuous, these are poems linked by a strong sense of place and presence, longing and loss; of history captured in an irrevocable moment. In the Flesh is a startling debut from one of our finest young British poets.
In the Forest of Faded Wisdom: 104 Poems by Gendun Chopel, a Bilingual Edition (Buddhism and Modernity)
by Gendun ChopelIn a culture where poetry is considered the highest form of human language, Gendun Chopel is revered as Tibet’s greatest modern poet. Born in 1903 as British troops were preparing to invade his homeland, Gendun Chopel was identified at any early age as the incarnation of a famous lama and became a Buddhist monk, excelling in the debating courtyards of the great monasteries of Tibet. At the age of thirty-one, he gave up his monk’s vows and set off for India, where he would wander, often alone and impoverished, for over a decade. Returning to Tibet, he was arrested by the government of the young Dalai Lama on trumped-up charges of treason, emerging from prison three years later a broken man. He died in 1951 as troops of the People’s Liberation Army marched into Lhasa. Throughout his life, from his childhood to his time in prison, Gendun Chopel wrote poetry that conveyed the events of his remarkable life. In the Forest of Faded Wisdom is the first comprehensive collection of his oeuvre in any language, assembling poems in both the original Tibetan and in English translation. A master of many forms of Tibetan verse, Gendun Chopel composed heartfelt hymns to the Buddha, pithy instructions for the practice of the dharma, stirring tributes to the Tibetan warrior-kings, cynical reflections on the ways of the world, and laments of a wanderer, forgotten in a foreign land. These poems exhibit the technical skill—wordplay, puns, the ability to evoke moods of pathos and irony—for which Gendun Chopel was known and reveal the poet to be a consummate craftsman, skilled in both Tibetan and Indian poetics. With a directness and force often at odds with the conventions of belles lettres, this is a poetry that is at once elegant and earthy. In the Forest of Faded Wisdom is a remarkable introduction to Tibet’s sophisticated poetic tradition and its most intriguing twentieth-century writer.
In the Forest of Faded Wisdom: 104 Poems by Gendun Chopel, a Bilingual Edition (Buddhism and Modernity)
by Gendun ChopelIn a culture where poetry is considered the highest form of human language, Gendun Chopel is revered as Tibet’s greatest modern poet. Born in 1903 as British troops were preparing to invade his homeland, Gendun Chopel was identified at any early age as the incarnation of a famous lama and became a Buddhist monk, excelling in the debating courtyards of the great monasteries of Tibet. At the age of thirty-one, he gave up his monk’s vows and set off for India, where he would wander, often alone and impoverished, for over a decade. Returning to Tibet, he was arrested by the government of the young Dalai Lama on trumped-up charges of treason, emerging from prison three years later a broken man. He died in 1951 as troops of the People’s Liberation Army marched into Lhasa. Throughout his life, from his childhood to his time in prison, Gendun Chopel wrote poetry that conveyed the events of his remarkable life. In the Forest of Faded Wisdom is the first comprehensive collection of his oeuvre in any language, assembling poems in both the original Tibetan and in English translation. A master of many forms of Tibetan verse, Gendun Chopel composed heartfelt hymns to the Buddha, pithy instructions for the practice of the dharma, stirring tributes to the Tibetan warrior-kings, cynical reflections on the ways of the world, and laments of a wanderer, forgotten in a foreign land. These poems exhibit the technical skill—wordplay, puns, the ability to evoke moods of pathos and irony—for which Gendun Chopel was known and reveal the poet to be a consummate craftsman, skilled in both Tibetan and Indian poetics. With a directness and force often at odds with the conventions of belles lettres, this is a poetry that is at once elegant and earthy. In the Forest of Faded Wisdom is a remarkable introduction to Tibet’s sophisticated poetic tradition and its most intriguing twentieth-century writer.