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Lonesome Words: The Vocal Poetics of the Old English Lament and the African-American Blues Song (The New Middle Ages)
by M. McGeachyThe tenth-century Old English lament and twentieth-century blues song each speak the language of a distinct poetic tradition, yet the voices are remarkably similar in their emotive expression of loneliness. This innovative study juxtaposes the texts of each corpus to explore the features that characterize their vocal poetics
The Long and Winding Road from Blake to the Beatles (Nineteenth-Century Major Lives and Letters)
by M. SchneiderThis book traces the musical and cultural achievements of this contemporary musical phenomenon to its origin in the Romantic revolution of the 1790's in England when traditional concepts of literature, politics, education and social relationships were challenged as they were in the 1960's.
Long Life: Essays and Other Writings
by Mary Oliver"The gift of Oliver's poetry is that she communicates the beauty she finds in the world and makes it unforgettable" (Miami Herald). This has never been truer than in Long Life, a luminous collection of seventeen essays and ten poems."Poets must read and study, but also they must learn to tilt and whisper, shout, or dance, each in his or her own way, or we might just as well copy the old books. But, no, that would never do, for always the new self swimming around in the old world feels itself uniquely verbal. And that is just the point: how the world, moist and bountiful, calls to each of us to make a new and serious response. That's the big question, the one the world throws at you every morning. 'Here you are, alive. Would you like to make a comment?' This book is my comment."--from the ForewordWith consummate craftsmanship, Mary Oliver, winner of the Pulitzer Prize and the National Book Award, has created a volume sure to add to her reputation as "one of our very best poets" (New York Times Book Review).
Long Live the Queen: A Blue In The Face Novel (Magnificent Tales of Misadventure)
by Gerry Swallow Valerio FabbrettiFor Elspeth Pule, life is dull and lonely in the real world, where she misses her good friends, Humpty Dumpty, Bo Peep, and Rodney, a giant talking wheel of cheese. So when she gets a surprise visit and a desperate plea for help from Georgie Porgie and Gene the blabbermouth stick, Elspeth agrees immediately. After holding her breath until she is blue in the face, Elspeth opens her eyes and finds herself back in a land where storybook characters are real. Here she learns that a horrible witch named Mary Mary Quite Contrary has kidnapped King William the Umpteenth's wife and taken her into a dark forest. To free her, Elspeth and her ragtag crew will have to pay the witch's ransom . . . or else. Can Elspeth use her bravery, smarts, and just a little bit of ill temper to thwart the evil witch and rescue her friend? Told with a hilarious irreverent voice, this rambunctious tale is perfect for fans of Lemony Snicket and Pseudonymous Bosch.
The Long Public Life of a Short Private Poem: Reading and Remembering Thomas Wyatt (Square One: First-Order Questions in the Humanities)
by Peter MurphyThomas Wyatt didn't publish "They Flee from Me." It was written in a notebook, maybe abroad, maybe even in prison. Today it is in every poetry anthology. How did it survive? That is the story Peter Murphy tells—in vivid and compelling detail—of the accidents of fate that kept a great poem alive across 500 turbulent years. Wyatt's poem becomes an occasion to ask and answer numerous questions about literature, culture, and history. Itself about the passage of time, it allows us to consider why anyone would write such a thing in the first place, and why anyone would care to read or remember the person who wrote it. From the deadly, fascinating circles of Henry VIII's court to the contemporary classroom, The Long Public Life of a Short Private Poem also introduces us to a series of worlds. We meet antiquaries, editors, publishers, anthologizers, and critics whose own life stories beckon. And we learn how the poem came to be considered, after many centuries of neglect, a model of the "best" English has to offer and an ideal object of literary study. The result is an exploration of literature in the fine grain of the everyday and its needs: in the classroom, in society, and in the life of nations.
Long Shadow: Emily Dickinson's Tragic Poetry
by Clark GriffithClark Griffith seeks to demonstrate that, if we come to terms with her true intellectual position, we find that Emily Dickinson is a tragic poet. He studies her special connection with the Age of Emerson, her dependence upon irony, her change in attitude from detachment to tragic involvement.Originally published in 1964.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Long Take: Shortlisted for the Man Booker Prize
by Robin RobertsonShortlisted for the Man Booker Prize, winner of the Goldsmiths Prize and winner of The Roehampton Poetry Prize. 'A beautiful, vigorous and achingly melancholy hymn to the common man that is as unexpected as it is daring' John Banville, GuardianA noir narrative written with the intensity and power of poetry, The Long Take is one of the most remarkable – and unclassifiable – books of recent years. Walker is a D-Day veteran with post-traumatic stress disorder; he can’t return home to rural Nova Scotia, and looks instead to the city for freedom, anonymity and repair. As he moves from New York to Los Angeles and San Francisco we witness a crucial period of fracture in American history, one that also allowed noir to flourish. The Dream had gone sour but – as those dark, classic movies made clear – the country needed outsiders to study and dramatise its new anxieties. While Walker tries to piece his life together, America is beginning to come apart: deeply paranoid, doubting its own certainties, riven by social and racial division, spiralling corruption and the collapse of the inner cities. The Long Take is about a good man, brutalised by war, haunted by violence and apparently doomed to return to it – yet resolved to find kindness again, in the world and in himself. Robin Robertson's The Long Take is a work of thrilling originality.
Long Way Down: ‘A masterpiece.’ Angie Thomas (Newbery Honor Ser.)
by Jason ReynoldsSHORTLISTED for the CILIP Carnegie Medal, WINNER of the UKLA'A masterpiece from beginning to end.' Angie Thomas, author of The Hate U GiveAND THEN THERE WERE SHOTSEverybodyran,ducked, hid, tuckedthemselves tight. Pressed our lips to thepavement and prayedthe boom, followed by the buzz of a bullet,didn't meet us.After Will's brother is shot in a gang crime, he knows the next steps. Don't cry. Don't snitch. Get revenge. So he gets in the lift with Shawn's gun, determined to follow The Rules. Only when the lift door opens, Buck walks in, Will's friend who died years ago. And Dani, who was shot years before that. As more people from his past arrive, Will has to ask himself if he really knows what he's doing.This haunting, lyrical, powerful verse novel will blow you away.'A heartrending and convincing blank verse narrative.' Sunday Times, BOOKS OF THE YEAR'Astonishing.' Kirkus Reviews'A tour de force.' Publishers Weekly'Will attract teenagers who don't consider themselves 'readers'.' The Inis Reading Guide
The Long Weekend
by Rita Ann HigginsFrom saints' days to Halloween and the many other celebrations on the Irish calendar, this collection of poetry from Rita Ann Higgins sets a tone for all seasons. Featuring bank holiday poems as heard on RTÉ Radio, such as 'Lúnasa' and 'Coming Out of Winter', and others like 'My Mother Loved Me in Red', 'The Púca', 'Visiting My Father at Christmas' and 'All Souls' Day', The Long Weekend leaves no question that Rita Ann Higgins is the people's poet. 'The people's poet. She's magic. She's a one-off.' Brendan O'Connor 'A haunting, beautiful collection of poems that commands attention and bears witness to life's struggle. This collection confirms Higgins as one of our greatest poets.' Elaine Feeney 'A work of immense thoughtfulness.'Susannah Dickey
Look We Have Coming to Dover!
by Daljit NagraLook We Have Coming to Dover! is the most acclaimed debut collection of poetry published in recent years, as well as one of the most relevant and accessible. Nagra, whose own parents came to England from the Punjab in the 1950s, draws on both English and Indian-English traditions to tell stories of alienation, assimilation, aspiration and love, from a stowaway's first footprint on Dover Beach to the disenchantment of subsequent generations.
Looking Good, Mary
by Mary Robinson"Looking Good, Mary" is something my parrot used to say to me and when I was feeling low it gave me a real lift. This book of poems started as a collection of memoirs that I wrote for my children. It is a mixture of things that happen in everyday life - funny and sometimes sad. I am still amused as I read these as every one of them is a true story from my life.
The Lookout Man (Phoenix Poets)
by Stuart DischellVivid poems full of drama and action by award-winning poet Stuart Dischell. Sometimes elegiac, sometimes deadly comic, and always transformative, The Lookout Man embodies the energy, spirit, and craft that we have come to depend upon in Stuart Dischell’s poetry. Inhabiting a mix of lyric structures, these poems are set in diverse locales from the middle of the ocean to the summit of Mont Blanc, from the backyards of America to the streets of international cities. There is a hesitant, almost encroaching wisdom in The Lookout Man, as Dischell allows his edgy vision and singular perspectives to co-exist with the music of his poems. In lines that close the book and typify Dischell’s work, he writes, “I will ask the dogwoods to remind me // What it means to live along the edges of the woods, / To be promiscuous but bear white flowers.”
The Lookout Man (Phoenix Poets)
by Stuart DischellVivid poems full of drama and action by award-winning poet Stuart Dischell. Sometimes elegiac, sometimes deadly comic, and always transformative, The Lookout Man embodies the energy, spirit, and craft that we have come to depend upon in Stuart Dischell’s poetry. Inhabiting a mix of lyric structures, these poems are set in diverse locales from the middle of the ocean to the summit of Mont Blanc, from the backyards of America to the streets of international cities. There is a hesitant, almost encroaching wisdom in The Lookout Man, as Dischell allows his edgy vision and singular perspectives to co-exist with the music of his poems. In lines that close the book and typify Dischell’s work, he writes, “I will ask the dogwoods to remind me // What it means to live along the edges of the woods, / To be promiscuous but bear white flowers.”
The Loom of Time
by KalidasaKalidasa is the major poet and dramatist of classical Sanskrit literature - a many-sided talent of extraordinary scope and exquisite language. His great poem, Meghadutam (The Cloud Messenger), tells of a divine being, punished for failing in his sacred duties with a years' separation from his beloved. A work of subtle emotional nuances, it is a haunting depiction of longing and separation. The play Sakuntala describes the troubled love between a Lady of Nature and King Duhsanta. This beautiful blend of romance and comedy, transports its audience into an enchanted world in which mortals mingle with gods. And Kalidasa's poem Rtusamharam (The Gathering of the Seasons) is an exuberant observation of the sheer variety of the natural world, as it teems with the energies of the great god Siva.
Loop of Jade
by Sarah Howe*WINNER OF THE T. S. ELIOT PRIZE 2015**WINNER OF THE SUNDAY TIMES / PETERS FRASER + DUNLOP YOUNG WRITER OF THE YEAR AWARD 2015**SHORTLISTED FOR THE FORWARD PRIZE FOR BEST FIRST COLLECTION 2015*There is a Chinese proverb that says: ‘It is more profitable to raise geese than daughters.’ But geese, like daughters, know the obligation to return home. In her exquisite first collection, Sarah Howe explores a dual heritage, journeying back to Hong Kong in search of her roots.With extraordinary range and power, the poems build into a meditation on hybridity, intermarriage and love – what meaning we find in the world, in art, and in each other. Crossing the bounds of time, race and language, this is an enthralling exploration of self and place, of migration and inheritance, and introduces an unmistakable new voice in British poetry.
Lorca After Life
by Noel ValisA reflection on Federico García Lorca’s life, his haunting death, and the fame that reinvigorated the marvelous in the modern world “A galaxy of critical insights into the cultural shock waves circling and crisscrossing Lorca’s execution and his unknown resting place, there is not a single book on Lorca like this one.”—Andrés Zamora, Vanderbilt University There is something fundamentally unfinished about the life and work of Federico García Lorca (1898–1936), and not simply because his life ended abruptly. Noël Valis reveals how this quality gives shape to the ways in which he has been continuously re-imagined since his death. Lorca’s execution at the start of the Spanish Civil War was not only horrific but transformative, setting in motion many of the poet’s afterlives. He is intimately tied to both an individual and a collective identity, as the people’s poet, a gay icon, and fabled member of a dead poets’ society. The specter of his violent death continues to haunt everything connected to Lorca, fueling the desire to fill in the gaps in the poet’s biography.
Lorca: Gypsy Ballads (Aris & Phillips Hispanic Classics)
by Robert G. HavardLorca's famous Gypsy Ballads were composed in the 1920s, when his poetic style was evolving from the traditional towards the surrealist. The combination of the ballad's perennial narrative format with startling and allusive imagery has intrigued readers ever since. Dr Havard argues that the fatalism and tribalism of the gypsy settings relate to Lorca's own subjective dilemma and sexual anxieties, and that they ultimately make a deeply personal statement. The translations are broadly into free verse which aims to preserve the directness and the rhythm of the Spanish original so that the force of the poems may be appreciated by English readers. 162p
Lord Byron: Everyman's Poetry (Everyman's Poetry #Vol. 22)
by Lord George ByronA selection of poetry by Lord Byron, a poet considered amongst the most treasured and influential in English literature.The poet George Gordon Byron, commonly known as Lord Byron, was a leading figure of the Romantic movement in England and one of the most influential writers of verse in English literature. Whilst his poetry was considered scandalous and shocking by Victorian society, it has now reclaimed its rightful place in the canon of definitive English verse. However, the excesses and vicissitudes of Byron himself continue to provoke disbelief and awe in even the most hardened readers. In this selection of poetry, readers are given a taste for the astonishing variety in Byron's work. From drama to introspection, risqué sexual comedy to social commentary, this Everyman edition collates verse for seasoned readers of poetry as well as newcomers to the genre.
Lord Byron
by Paul MuldoonIn this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes: Thus mellowed to that tender lightWhich heaven to gaudy day denies.-- She Walks in Beauty
Lord Byron: Selected Writings (21st-Century Oxford Authors)
This volume in the 21st Century Oxford Authors series offers readers a generous selection of the poetry upon which Byron's fame depended and his reputation now rests. It presents the poems in the chronological order in which they were published, working in almost every case from their first appearances in print. The Selected Writings include the entirety of Byron's two best-known works, Childe Harold's Pilgrimage and Don Juan, but the decision to work book-by-book means that they are presented not as unified works but as evolving serial publications, interspersed with other works published between installments or sequels. Alongside these two major works, wider representation is given to Byron's lyric poetry than has been typical in modern editions. Furthermore, in keeping with the 21st Century Oxford Authors series, the works are reproduced in something close to their original printed forms. Prioritizing the event of publication over that of composition, this volume offers a version of Byron close to how he would have been known to his original public. With extensive annotations, it emphasizes the social processes by which literary works come to exist in the world, particularly their publication and reception histories. The result is a fresh view of Byron's literary achievement and an impetus to further reading in the works of this extraordinary creative figure.
Lord Rochester: Everyman's Poetry
by Paddy LyonsThe archetypal Restoration rake, Rochester wrote poems of love, debauchery, erotic obsession and impotence full of honesty and raw power.
Losers Dream On (Phoenix Poets)
by Mark HallidayWe are all losing all the time. Four titanic forces—time, mortality, forgetting, and confusion—win victories over us each day. We all “know” this yet we keep dreaming of beautiful fulfillments, shapely culminations, devotions nobly sustained—in family life, in romance, in work, in citizenship. What obsesses Halliday in Losers Dream On is how to recognize reality without relinquishing the pleasure and creativity and courage of our dreaming. Halliday’s poetry exploits the vast array of dictions, idioms, rhetorical maneuvers, and tones available to real-life speakers (including speakers talking to themselves). Often Halliday gives a poem to a speaker who is distressed, angry, confused, defensive, self-excusing, or driven by yearning, so that the poem may dramatize the speaker’s state of mind while also implying the poet’s ironic perspective on the speaker. Meanwhile, a few other poems (for instance “A Gender Theory” and “Thin White Shirts” and “First Wife” and “You Lament”) try to push beyond irony into earnestness and wholehearted declaration. The tension between irony and belief is the engine of Halliday’s poetry.
Losers Dream On (Phoenix Poets)
by Mark HallidayWe are all losing all the time. Four titanic forces—time, mortality, forgetting, and confusion—win victories over us each day. We all “know” this yet we keep dreaming of beautiful fulfillments, shapely culminations, devotions nobly sustained—in family life, in romance, in work, in citizenship. What obsesses Halliday in Losers Dream On is how to recognize reality without relinquishing the pleasure and creativity and courage of our dreaming. Halliday’s poetry exploits the vast array of dictions, idioms, rhetorical maneuvers, and tones available to real-life speakers (including speakers talking to themselves). Often Halliday gives a poem to a speaker who is distressed, angry, confused, defensive, self-excusing, or driven by yearning, so that the poem may dramatize the speaker’s state of mind while also implying the poet’s ironic perspective on the speaker. Meanwhile, a few other poems (for instance “A Gender Theory” and “Thin White Shirts” and “First Wife” and “You Lament”) try to push beyond irony into earnestness and wholehearted declaration. The tension between irony and belief is the engine of Halliday’s poetry.
Losers Dream On (Phoenix Poets)
by Mark HallidayWe are all losing all the time. Four titanic forces—time, mortality, forgetting, and confusion—win victories over us each day. We all “know” this yet we keep dreaming of beautiful fulfillments, shapely culminations, devotions nobly sustained—in family life, in romance, in work, in citizenship. What obsesses Halliday in Losers Dream On is how to recognize reality without relinquishing the pleasure and creativity and courage of our dreaming. Halliday’s poetry exploits the vast array of dictions, idioms, rhetorical maneuvers, and tones available to real-life speakers (including speakers talking to themselves). Often Halliday gives a poem to a speaker who is distressed, angry, confused, defensive, self-excusing, or driven by yearning, so that the poem may dramatize the speaker’s state of mind while also implying the poet’s ironic perspective on the speaker. Meanwhile, a few other poems (for instance “A Gender Theory” and “Thin White Shirts” and “First Wife” and “You Lament”) try to push beyond irony into earnestness and wholehearted declaration. The tension between irony and belief is the engine of Halliday’s poetry.
Losers Dream On (Phoenix Poets)
by Mark HallidayWe are all losing all the time. Four titanic forces—time, mortality, forgetting, and confusion—win victories over us each day. We all “know” this yet we keep dreaming of beautiful fulfillments, shapely culminations, devotions nobly sustained—in family life, in romance, in work, in citizenship. What obsesses Halliday in Losers Dream On is how to recognize reality without relinquishing the pleasure and creativity and courage of our dreaming. Halliday’s poetry exploits the vast array of dictions, idioms, rhetorical maneuvers, and tones available to real-life speakers (including speakers talking to themselves). Often Halliday gives a poem to a speaker who is distressed, angry, confused, defensive, self-excusing, or driven by yearning, so that the poem may dramatize the speaker’s state of mind while also implying the poet’s ironic perspective on the speaker. Meanwhile, a few other poems (for instance “A Gender Theory” and “Thin White Shirts” and “First Wife” and “You Lament”) try to push beyond irony into earnestness and wholehearted declaration. The tension between irony and belief is the engine of Halliday’s poetry.