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Lord Byron: Selected Writings (21st-Century Oxford Authors)
This volume in the 21st Century Oxford Authors series offers readers a generous selection of the poetry upon which Byron's fame depended and his reputation now rests. It presents the poems in the chronological order in which they were published, working in almost every case from their first appearances in print. The Selected Writings include the entirety of Byron's two best-known works, Childe Harold's Pilgrimage and Don Juan, but the decision to work book-by-book means that they are presented not as unified works but as evolving serial publications, interspersed with other works published between installments or sequels. Alongside these two major works, wider representation is given to Byron's lyric poetry than has been typical in modern editions. Furthermore, in keeping with the 21st Century Oxford Authors series, the works are reproduced in something close to their original printed forms. Prioritizing the event of publication over that of composition, this volume offers a version of Byron close to how he would have been known to his original public. With extensive annotations, it emphasizes the social processes by which literary works come to exist in the world, particularly their publication and reception histories. The result is a fresh view of Byron's literary achievement and an impetus to further reading in the works of this extraordinary creative figure.
Lord Rochester: Everyman's Poetry
by Paddy LyonsThe archetypal Restoration rake, Rochester wrote poems of love, debauchery, erotic obsession and impotence full of honesty and raw power.
Losers Dream On (Phoenix Poets)
by Mark HallidayWe are all losing all the time. Four titanic forces—time, mortality, forgetting, and confusion—win victories over us each day. We all “know” this yet we keep dreaming of beautiful fulfillments, shapely culminations, devotions nobly sustained—in family life, in romance, in work, in citizenship. What obsesses Halliday in Losers Dream On is how to recognize reality without relinquishing the pleasure and creativity and courage of our dreaming. Halliday’s poetry exploits the vast array of dictions, idioms, rhetorical maneuvers, and tones available to real-life speakers (including speakers talking to themselves). Often Halliday gives a poem to a speaker who is distressed, angry, confused, defensive, self-excusing, or driven by yearning, so that the poem may dramatize the speaker’s state of mind while also implying the poet’s ironic perspective on the speaker. Meanwhile, a few other poems (for instance “A Gender Theory” and “Thin White Shirts” and “First Wife” and “You Lament”) try to push beyond irony into earnestness and wholehearted declaration. The tension between irony and belief is the engine of Halliday’s poetry.
Losers Dream On (Phoenix Poets)
by Mark HallidayWe are all losing all the time. Four titanic forces—time, mortality, forgetting, and confusion—win victories over us each day. We all “know” this yet we keep dreaming of beautiful fulfillments, shapely culminations, devotions nobly sustained—in family life, in romance, in work, in citizenship. What obsesses Halliday in Losers Dream On is how to recognize reality without relinquishing the pleasure and creativity and courage of our dreaming. Halliday’s poetry exploits the vast array of dictions, idioms, rhetorical maneuvers, and tones available to real-life speakers (including speakers talking to themselves). Often Halliday gives a poem to a speaker who is distressed, angry, confused, defensive, self-excusing, or driven by yearning, so that the poem may dramatize the speaker’s state of mind while also implying the poet’s ironic perspective on the speaker. Meanwhile, a few other poems (for instance “A Gender Theory” and “Thin White Shirts” and “First Wife” and “You Lament”) try to push beyond irony into earnestness and wholehearted declaration. The tension between irony and belief is the engine of Halliday’s poetry.
Losers Dream On (Phoenix Poets)
by Mark HallidayWe are all losing all the time. Four titanic forces—time, mortality, forgetting, and confusion—win victories over us each day. We all “know” this yet we keep dreaming of beautiful fulfillments, shapely culminations, devotions nobly sustained—in family life, in romance, in work, in citizenship. What obsesses Halliday in Losers Dream On is how to recognize reality without relinquishing the pleasure and creativity and courage of our dreaming. Halliday’s poetry exploits the vast array of dictions, idioms, rhetorical maneuvers, and tones available to real-life speakers (including speakers talking to themselves). Often Halliday gives a poem to a speaker who is distressed, angry, confused, defensive, self-excusing, or driven by yearning, so that the poem may dramatize the speaker’s state of mind while also implying the poet’s ironic perspective on the speaker. Meanwhile, a few other poems (for instance “A Gender Theory” and “Thin White Shirts” and “First Wife” and “You Lament”) try to push beyond irony into earnestness and wholehearted declaration. The tension between irony and belief is the engine of Halliday’s poetry.
Losers Dream On (Phoenix Poets)
by Mark HallidayWe are all losing all the time. Four titanic forces—time, mortality, forgetting, and confusion—win victories over us each day. We all “know” this yet we keep dreaming of beautiful fulfillments, shapely culminations, devotions nobly sustained—in family life, in romance, in work, in citizenship. What obsesses Halliday in Losers Dream On is how to recognize reality without relinquishing the pleasure and creativity and courage of our dreaming. Halliday’s poetry exploits the vast array of dictions, idioms, rhetorical maneuvers, and tones available to real-life speakers (including speakers talking to themselves). Often Halliday gives a poem to a speaker who is distressed, angry, confused, defensive, self-excusing, or driven by yearning, so that the poem may dramatize the speaker’s state of mind while also implying the poet’s ironic perspective on the speaker. Meanwhile, a few other poems (for instance “A Gender Theory” and “Thin White Shirts” and “First Wife” and “You Lament”) try to push beyond irony into earnestness and wholehearted declaration. The tension between irony and belief is the engine of Halliday’s poetry.
Loss
by David HarsentThe city never sleeps. Silence would weaken it. When all else fails it talks to itself: seamless thrum of machinery: dark undertone. It is 00:00 and the full of the night yet to come.A haunting twenty-part sequence that captures the rich psychological depth of a mind at night, filmic in quality. Each poem should be read in numerical order and consists of an unrhymed sonnet, followed by a 60-line column, sealed with a rhymed quatrain. Between the sections, a fragmentary account of a series of white nights endured by the male protagonist unfolds. They speak of a world outside seen from inside (a window vigil) and tell of a recurring dream that takes place in a white landscape.We learn of the man's life, his childhood, a doomed love-affair, and an apprehension of death, but also of the savagely troubled world in which we live (mention of the Holocaust, of Bataclan, of Aleppo, of ISIS, of failed religion, of rough sleepers). Harsent tests and teases the balance between 'control' and 'wildness', demonstrating his breathtaking formal skill, an arresting use of white space, and conveying psychological turmoil all the more powerfully in this masterful fragmentary epic.
The Lost Chronicle: 2004-2009
by PolarbearPolarbear is one of the most influential poets of his generation. The work collected here is the work that made his name. These poems have racked up hundreds of thousands of views online, lodging themselves in the hearts and minds of readers and audiences alike. His particular gift is for the many kinds of music a line can contain. He marries the intricate, compulsive, rhyming strategies of rap with the schanachie's gift for telling a story and the saxophonist's flair for bending the possibilities of sound.
The Lost Chronicle: 2004-2009
by PolarbearPolarbear is one of the most influential poets of his generation. The work collected here is the work that made his name. These poems have racked up hundreds of thousands of views online, lodging themselves in the hearts and minds of readers and audiences alike. His particular gift is for the many kinds of music a line can contain. He marries the intricate, compulsive, rhyming strategies of rap with the schanachie's gift for telling a story and the saxophonist's flair for bending the possibilities of sound.
Lost Magic: The Very Best Of Brian Moses
by Brian MosesA beautiful hardback collection of the very best poems by Brian Moses. Includes 'Walking with My Iguana' 'The Lost Angels', 'Aliens Stole My Underpants', 'Behind the Staffroom Door', 'Lost Magic', 'The Sssnake Hotel', 'A Feather from an Angel', 'Cakes in the Staffroom' and many, many more.
Lost Plays in Shakespeare's England (Early Modern Literature in History)
by Matthew Steggle David McInnisLost Plays in Shakespeare's England examines assumptions about what a lost play is and how it can be talked about; how lost plays can be reconstructed, particularly when they use narratives already familiar to playgoers; and how lost plays can force us to reassess extant plays, particularly through ideas of repertory studies.
Lottie Potter Wants an Otter
by Jeanne WillisA feel-good, rhyming picture book, packed full of outrageously funny otters from multi-award-winning author, Jeanne Willis, with hilarious illustrations by Leonie Lord.
Louisa Stuart Costello: A Nineteenth-Century Writing Life (Nineteenth-Century Major Lives and Letters)
by Clare Broome SaundersLouisa Stuart Costello (1799-1870) was a critically acclaimed poet, novelist, travel writer, historian, and artist. Here, Broom Saunders provides a wealth of extracts from her diverse writings, a rich source of information about the pioneering career of a professional woman writer, and insight into a nineteenth-century writing life.
Love
by Professor Carol Ann Duffy DBEOne of the English language’s best-loved living poets arrays before us here, in chronological order, her favourites among her poems on the theme of love, drawing on work written over four decades, and she adds to her selection one new poem. It makes for a sequence that is sensual, stimulating, irresistible.
Love and its Critics: From the Song of Songs to Shakespeare and Milton’s Eden
by Michael Bryson Arpi MovsesianThis book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.
Love and its Critics: From the Song of Songs to Shakespeare and Milton’s Eden (PDF)
by Michael Bryson Arpi MovsesianThis book is a history of love and the challenge love offers to the laws and customs of its times and places, as told through poetry from the Song of Songs to John Milton’s Paradise Lost. It is also an account of the critical reception afforded to such literature, and the ways in which criticism has attempted to stifle this challenge. Bryson and Movsesian argue that the poetry they explore celebrates and reinvents the love the troubadour poets of the eleventh and twelfth centuries called fin’amor: love as an end in itself, mutual and freely chosen even in the face of social, religious, or political retribution. Neither eros nor agape, neither exclusively of the body, nor solely of the spirit, this love is a middle path. Alongside this tradition has grown a critical movement that employs a 'hermeneutics of suspicion', in Paul Ricoeur’s phrase, to claim that passionate love poetry is not what it seems, and should be properly understood as worship of God, subordination to Empire, or an entanglement with the structures of language itself – in short, the very things it resists. The book engages with some of the seminal literature of the Western canon, including the Bible, the poetry of Ovid, and works by English authors such as William Shakespeare and John Donne, and with criticism that stretches from the earliest readings of the Song of Songs to contemporary academic literature. Lively and enjoyable in its style, it attempts to restore a sense of pleasure to the reading of poetry, and to puncture critical insistence that literature must be outwitted. It will be of value to professional, graduate, and advanced undergraduate scholars of literature, and to the educated general reader interested in treatments of love in poetry throughout history.
Love and Other Poems
by Alex Dimitrov'It fizzes like a just-opened bottle of soda. It sprints like the Beatles running through a train station. It talks a mile a minute like a person swept away in the druggy lunacy of a serious crush... There have been moments when, for me, its effervescence has failed to rhyme with the despondency of these days. But far more often, Love and Other Poems has felt like a long-awaited remedy' New York TimesLove and Other Poems is full of praise for the world we live in. Taking time as an overarching structure - specifically, the twelve months of the year - Alex Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is 'our best invention'. Dimitrov never resists joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.
Love and Poetry in the Middle East: Love and Literature from Antiquity to the Present
by Atef AlshaerLove has been an important trope in the literature of the region we now call the Middle East, from ancient times to modern. This book analyses love poetry in various ancient and contemporary languages of the Middle East, including Akkadian, ancient Egyptian, Classical and Modern Standard Arabic, Persian, Hebrew, Turkish and Kurdish, including literary materials that have been discovered and highlighted for the first time. Together, the chapters reflect and explore the discursive evolution of the theme of love, and the sensibilities, styles and techniques used to convey it. They chart the way in which poems in ancient poetry give way to complex and varied reflections of human sentiments in the medieval languages and on to the modern period which in turn reflects the complexities and nuances of present times. Offering a snapshot of the diverse literary languages and their relationship to the theme of love, the book will be of interest to scholars of Near and Middle Eastern Literature and Culture.
Love and Poetry in the Middle East: Love and Literature from Antiquity to the Present
Love has been an important trope in the literature of the region we now call the Middle East, from ancient times to modern. This book analyses love poetry in various ancient and contemporary languages of the Middle East, including Akkadian, ancient Egyptian, Classical and Modern Standard Arabic, Persian, Hebrew, Turkish and Kurdish, including literary materials that have been discovered and highlighted for the first time. Together, the chapters reflect and explore the discursive evolution of the theme of love, and the sensibilities, styles and techniques used to convey it. They chart the way in which poems in ancient poetry give way to complex and varied reflections of human sentiments in the medieval languages and on to the modern period which in turn reflects the complexities and nuances of present times. Offering a snapshot of the diverse literary languages and their relationship to the theme of love, the book will be of interest to scholars of Near and Middle Eastern Literature and Culture.
Love And Zen In The Outer Hebrides
by Kevin MacNeilThis collection marks the arrival of a major new talent in Scottish poetry. Kevin MacNeil's voice and vision, while rooted in the Hebridean islands, is open to a wide range of cultures, not only those of Scotland – from Gaeldom to urban Scotland – but to the wider European and American mind and, through his interest in Zen Buddhism, to Japanese and Chinese culture. With astonishing freshness and versatility, MacNeil's poetry creates powerful connections and new combinations -he has wit as well as feeling, a powerful sense of the past and the local while being resolutely turned towards the future and the cross-cultural.
The Love Book: Classic and Contemporary Poems, Letters and Prose on the Wonderful (But Troublesome) Theme of Love
by Allie EsiriAn exquisite collection of the very best writing on love. THE LOVE BOOK presents a new anthology of writing on all aspects of the most important emotion on earth. There’s true love, unrequited love, erotic love, platonic love, thwarted love, comic love, mourned love and just about every other type of love, explored here in poetry, prose, letters and lyrics from the greatest writers in the English language. In one fabulously comprehensive volume, Allie Esiri brings together texts ancient and modern, from William Shakespeare to Sharon Olds, Catullus to Carol Ann Duffy, the bible to Bob Dylan; she offers us sonnets for wooing, lamentations for loss and perfect passages for weddings. Full of classics and all-time favourites, THE LOVE BOOK also includes lesser-known marvels, such as Mozart’s love notes, Sappho’s lesbian odes and a letter from Napoleon.Forget corny greeting cards and chocolate box cliché, this is the literature of love at its finest. Beautifully presented and helpfully divided into themed sections, it’s an indispensable collection for anyone who’s ever had a heart.
Love in a Life
by Sir Andrew MotionLove in a Life, Andrew Motion's sixth volume of poetry, marks a conspicuous development in the work of the founder of the modern Narrative School. Directness and a new colloquialism are wedded to Motion's distinctive obliquities in a volume where the idea of marriage governs the architecture of each poem and the book as a whole. The stories of two marriages gradually emerge, like chapters in a narrative, and are themselves bound to more public material, so that each lends profound resonances to the other.
Love Lessons: Selected Poems of Alda Merini (Facing Pages)
by Alda MeriniAlda Merini is one of Italy's most important, and most beloved, living poets. She has won many of the major national literary prizes and has twice been nominated for the Nobel Prize--by the French Academy in 1996 and by Italian PEN in 2001. In Love Lessons, the distinguished American poet Susan Stewart brings us the largest and most comprehensive selection of Merini's poetry to appear in English. Complete with the original Italian on facing pages, a critical introduction, and explanatory notes, this collection gathers lyrics, meditations, and aphorisms that span fifty years, from Merini's first books of the 1950s to an unpublished poem from 2001. These accessible and moving poems reflect the experiences of a writer who, after beginning her career at the center of Italian Modernist circles when she was a teenager, went silent in her twenties, spending much of the next two decades in mental hospitals, only to reemerge in the 1970s to a full renewal of her gifts, an outpouring of new work, and great renown. Whether she is working in the briefest, most incisive lyric mode or the complex time schemes of longer meditations, Merini's deep knowledge of classical and Christian myth gives her work a universal, philosophical resonance, revealing what is at heart her tragic sense of life. At the same time, her ironic wit, delight in nature, and affection for her native Milan underlie even her most harrowing poems of suffering. In Stewart's skillful translations readers will discover a true sibyl of the twentieth and twenty-first centuries.
Love Lessons: Selected Poems of Alda Merini
by Alda Merini Susan StewartAlda Merini is one of Italy's most important, and most beloved, living poets. She has won many of the major national literary prizes and has twice been nominated for the Nobel Prize--by the French Academy in 1996 and by Italian PEN in 2001. In Love Lessons, the distinguished American poet Susan Stewart brings us the largest and most comprehensive selection of Merini's poetry to appear in English. Complete with the original Italian on facing pages, a critical introduction, and explanatory notes, this collection gathers lyrics, meditations, and aphorisms that span fifty years, from Merini's first books of the 1950s to an unpublished poem from 2001. These accessible and moving poems reflect the experiences of a writer who, after beginning her career at the center of Italian Modernist circles when she was a teenager, went silent in her twenties, spending much of the next two decades in mental hospitals, only to reemerge in the 1970s to a full renewal of her gifts, an outpouring of new work, and great renown. Whether she is working in the briefest, most incisive lyric mode or the complex time schemes of longer meditations, Merini's deep knowledge of classical and Christian myth gives her work a universal, philosophical resonance, revealing what is at heart her tragic sense of life. At the same time, her ironic wit, delight in nature, and affection for her native Milan underlie even her most harrowing poems of suffering. In Stewart's skillful translations readers will discover a true sibyl of the twentieth and twenty-first centuries.
A Love Letter from a Stray Moon (Penguin Specials)
by Jay GriffithsI am Frida but also I am not Frida. I am her paintings and the nature of her love. I am her shadow. I am many women, I answer to many names, any who knows grief. I am all the phases of the moon, I am all her qualities. I am El Duende, I am the light of the psyche, writing from my soul, speaking to the psyche of humanity, the psyche which is shaped like the wings of a butterfly or a moth; fly closer, fly nearer to me. A Love Letter from a Stray Moon is a fictionalised portrait of the intense and prolific life of Frida Kahlo. In beautifully lyrical language, Jay Griffiths explores the artist's childhood polio, her devastating accident and her turbulent relationship with Diego Rivera, painting a vivid and unique picture of passion, grief and transcendence.Set against the backdrop of revolutionary Mexico, A Love Letter from a Stray Moon is partly a poetic depiction of a woman in flight from the hollowness of childlessness, the burning of betrayal and the constraints of physical pain. It is also a celebration of rebellion - from Frida's own politics to the present-day Zapatistas - and a hymn to the revolutionary fire at the heart of art.'A wonderful book. It's like a dress that Kahlo invented for herself and wore' John Berger'A rich and extraordinary vision. Jay Griffiths is a fearless adventurer with words and images. I salute her courage and the splendour of this vision' Philip Pullman'An extraordinarily beautiful and sustained prose poem, a call for engagement with the world, and a powerful and astonishing feat of literary and retroactive telepathy. It is a book about possession, in many forms, each of which is sparked by a particular urgency: to comprehend, to celebrate and to endure' Niall Griffiths'Frida Kahlo's life and work were indivisible, and with a power worthy of her subject Jay Griffiths has found a way of writing Kahlo's broken, prolific life. Through Griffiths we hear the voice of Frida Kahlo herself, as if she were speaking directly to us. I devoured this wonderfully perceptive and sensitive book' Marie Darrieussecq'A stunning allegory about love, art and revolution. She makes every word, every scene, in this passionate narrative count. It's brilliant work' Barry Lopez'Vivid as a bloom in the jungle, visionary as a flight over a desert, a love song to life on earth' Joan London'A love letter to human originality' Melanie Challenger'I found in Griffiths's writing a crafted freedom that feels made from the mist of dreams and a very real emerging dawn. Imagine being held in the open hand of moonlight and carried through a dream into day. This is what it is like to read A Love Letter from a Stray Moon. It is a book for men to read on women and for women to read on men. I am transported and transformed; I feel lucky to have read it and it leaves me in awe' Lemn SissayJay Griffiths is the author of Pip Pip: A Sideways Look at Time and Wild: An Elemental Journey. She is the winner of the inaugural Orion Book Award and of the Barnes & Noble DiscoverAward for the best new non-fiction writer to be published in the USA. She has also been shortlisted for the Orwell Prize and a World Book Day award.