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The Pervigilium Veneris: A New Critical Text, Translation and Commentary (Latin Texts)
by William M. BartonThis study provides a critical edition of the Pervigilium Veneris with a Latin text, translation and commentary. This late-antique poem, the 'Vigil of Venus', is of unknown date and authorship. It exists in four heavily corrupted manuscripts, including the Codex Salmasianus, as part of a collection of later Latin poetry compiled around the 6th Century AD. Considerable attention has been paid to the piece since its first edition in the 16th century, largely on account of its singularity, mysterious origins and enigmatic final stanza, in which the poet suddenly bursts into the piece lamenting his 'lost muse'. Despite this scholarly interest, much work remained to be done in order to arrive at a more solid text of the poem and a more complete understanding of its meaning. This new edition, with detailed commentary notes and a full introduction to the historical and literary contexts of the poem, furthers our knowledge by offering new perspectives and analysis, incorporating existing scholarship and reviving ideas that had previously been set aside.
Pessimism is for Lightweights: 13 Pieces of Courage and Resistance (Rough Trade Edition)
by Salena GoddenA collection of 13 pieces of courage and resistance, this is work inspired by protests and rallies. Poems written for the women’s march, for women’s empowerment and amplification, poems that salute people fighting for justice, poems on sexism and racism, class discrimination, period poverty and homelessness, immigration and identity. This work reminds us that Courage is a Muscle, it also contains a letter from the spirit of Hope herself, because as the title suggests, Pessimism is for Lightweights.
Pessimism is for Lightweights: 30 Pieces of Hope and Resistance (Rough Trade Books)
by Salena GoddenOne of the very first publications to come off the Rough Trade Books press, Pessimism is for Lightweights began life as thirteen pieces of courage and resistance from the pen of the one and only Salena Godden. These are poems written for the Women's March, poems that salute peaceful protest, poems on sexism and racism, class discrimination, poverty and homelessness, immigration and identity. This new edition expands the collection to full book length and shows Godden at her inimitable best—deft technique and powerful emotional heft, with additional new poems reflecting on our fast- changing world with her trademark humour and resilience. This is a book full of light, courage and most of all hope..
Pessoa: An Experimental Life (Monografías A Ser. #320)
by Richard Zenith'A completely superb and magisterial life of Fernando Pessoa. Finally, this extraordinary poet gets the great biography he deserves. Unsurpassable' William Boyd'Definitive and sublime. Zenith has written the only kind of biography truly permissible, an account of a life that plucks at the very borders and burdens of the notion of a self' New York TimesFor many thousands of readers Fernando Pessoa's The Book of Disquiet is almost a way of life. Ironic, haunting and melancholy, this completely unclassifiable work is the masterpiece of one of the twentieth century's most enigmatic writers.Richard Zenith's Pessoa at last allows us to understand this extraordinary figure. Some eighty-five years after his premature death in Lisbon, where he left over 25,000 manuscript sheets in a wooden trunk, Fernando Pessoa (1888-1935) can now be celebrated as one of the great modern poets. Setting the story of his life against the nationalistic currents of European history, Zenith charts the heights of Pessoa's explosive imagination and literary genius. Much of Pessoa's charm and strangeness came from his writing under a variety of names that he used not only to conceal his identity but also to write in wildly varied styles with different imagined personalities. Zenith traces the back stories of virtually all of these invented others, called 'heteronyms', demonstrating how they were projections, spin-offs or metamorphoses of Pessoa himself. Zenith's monumental work confirms the power of Pessoa's words to speak prophetically to the disconnectedness of modern life. It is also a wonderful book about Lisbon, the city which Pessoa reinvented and through which his different selves wandered.'Finally! A brilliant biography that places Pessoa where he should have always belonged, with true giants' André Aciman, author of Call Me By Your Name
Peter Brook and the Mahabharata: Critical Perspectives (Routledge Revivals)
by David WilliamsFirst published in 1991, Peter Brook and the Mahabharata is a collection of essays which contextualizes the production of Peter Brook’s The Mahabharata. Written by both scholars and collaborators on Brook’s production, these essays seek not only to discuss such issues as the politics of theatre interculturalism, but to describe the nature of the working process, and detail the technical problems engendered by touring a production of this size and complexity. Furnished with a new preface by the editor, the book continues to be crucial research work devoted to unravelling the mesmerising as well as the polarising enigma known as Peter Brook’s The Mahabharata. Thoroughly heterogenous and controversially irreverent, this book will be of interest to students of theatre, performance art, literature, South Asian studies and media studies.
Peter Brook and the Mahabharata: Critical Perspectives (Routledge Revivals)
by David WilliamsFirst published in 1991, Peter Brook and the Mahabharata is a collection of essays which contextualizes the production of Peter Brook’s The Mahabharata. Written by both scholars and collaborators on Brook’s production, these essays seek not only to discuss such issues as the politics of theatre interculturalism, but to describe the nature of the working process, and detail the technical problems engendered by touring a production of this size and complexity. Furnished with a new preface by the editor, the book continues to be crucial research work devoted to unravelling the mesmerising as well as the polarising enigma known as Peter Brook’s The Mahabharata. Thoroughly heterogenous and controversially irreverent, this book will be of interest to students of theatre, performance art, literature, South Asian studies and media studies.
Peter Rabbit I Love You Little One
by Beatrix PotterThe perfect gift for little bundles of joy from our favourite furry friend, Peter Rabbit."Welcome to the world, my tiny one. Our days together have just begun." A new addition to the family is an exciting celebration - and Peter Rabbit thinks so too! Join him as he welcomes little ones everywhere in this lyrical rhyming text, accompanied by contemporary design and beautiful illustrations that capture the whimsical, charming nature of Beatrix Potter's original drawings.Older siblings will enjoy marking this precious moment and the many memories to come with this sweet book. This book is a heart-warming and affirming ode to the special bond shared between families. Both new and old fans will love this gorgeous tribute that encapsulates the elation felt when a family expands.Explore the LOVE series:Peter Rabbit I Love You GrandmaPeter Rabbit I Love You GrandpaPeter Rabbit I Love You MummyPeter Rabbit I Love You DaddyPeter Rabbit I Love You
Petrarca (Sammlung Metzler)
by Gerhart HoffmeisterDer lateinische Moralist und italienische Liebeslyriker Petrarca ist eine der faszinierendsten und einflussreichsten Gestalten der Weltliteratur. Gerhard Hoffmeister interpretiert Petrarcas Lebensstationen als Paradigma einer humanistischen Lebensführung und liefert eine Einführung in sein Werk.
Petrarch in English (Ams Studies In The Renaissance Ser. #No. 18)
by Thomas RocheFranceso Petrarch (1304-1374), creator of the sonnet form, remained for more than three hundred years the most influential poet in Europe, his works more widely read than even those of Dante. This collection contains English language versions of his poems from across six centuries, in a wide variety of translations and reinterpretations. Spanning the Trionfi series and the Canzoniere - Petrarch's empassioned sonnet-sequence concerning his beloved Laura - it also includes great English poems influenced by Petrarch. From Chaucer's early adaptation of a Petrarchan sonnet in Troilus and Criseyde to the sixteenth century translations by the Earl of Surrey, Byron's mocking consideration of the Canzoniere in Don Juan and Ezra Pound's parody Silet, all provide a unique insight into the significance of the founder of the European lyric tradition.
Petrarch in Romantic England
by E. ZuccatoThe Petrarchan revival in Romantic England was a unique phenomenon which involved an impressive number of scholars, translators and poets. This book analyses the way Petrarch was read and re-written by Romantic figures. The result is a history of the Romantic-era sonnet and a new lens for understanding English Romantic poetry.
Petrarchism at Work: Contextual Economies in the Age of Shakespeare
by William J. KennedyThe Italian scholar and poet Francesco Petrarch (1304–1374) is best remembered today for vibrant and impassioned love poetry that helped to establish Italian as a literary language. Petrarch inspired later Renaissance writers, who produced an extraordinary body of work regarded today as perhaps the high-water mark of poetic productivity in the European West. These "Petrarchan" poets were self-consciously aware of themselves as poets—as craftsmen, revisers, and professionals. As William J. Kennedy shows in Petrarchism at Work, this commitment to professionalism and the mastery of poetic craft is essential to understanding Petrarch’s legacy.Petrarchism at Work contributes to recent scholarship that explores relationships between poetics and economic history in early-modern European literature. Kennedy traces the development of a Renaissance aesthetics from one based upon Platonic intuition and visionary furor to one grounded in Aristotelian craftsmanship and technique. Their polarities harbor economic consequences, the first privileging the poet’s divinely endowed talent, rewarded by the autocratic largess of patrons, the other emphasizing the poet’s acquired skill and hard work. Petrarch was the first to exploit the tensions between these polarities, followed by his poetic successors. These include Gaspara Stampa in the emergent salon society of Venice, Michelangelo Buonarroti in the "gift" economy of Medici Florence and papal Rome, Pierre de Ronsard and the poets of his Pléiade brigade in the fluctuant Valois court, and William Shakespeare and his contemporaries in the commercial world of Elizabethan and early Stuart London. As Kennedy shows, the poetic practices of revision and redaction by Petrarch and his successors exemplify the transition from a premodern economy of patronage to an early modern economy dominated by unstable market forces.
Phenomenology and the Late Twentieth-Century American Long Poem (Modern and Contemporary Poetry and Poetics)
by Matthew CarberyPhenomenology and the Late Twentieth-Century American Long Poem reads major figures including Charles Olson, Lyn Hejinian, Nathaniel Mackey, Susan Howe and Rachel Blau DuPlessis within a new approach to the long poem tradition. Through a series of contextualised close readings, it explores the ways in which American poets developed their poetic forms by engaging with a variety of European phenomenologists, including Hannah Arendt, Maurice Merleau-Ponty, Martin Heidegger, Emmanuel Levinas and Jacques Derrida. Consolidating recent materials on the role of Continental Philosophy in American poetics, this book explores the theoretical and historical contexts in which avant-garde poets have developed radically new methods of making poems long. Matthew Carbery offers a timely commentary on a number of major works of American poetry whilst providing ground-breaking research into the wider philosophical context of late twentieth-century poetic experimentation.
Philip Larkin: The Poet's Plight
by J. BoothJames Booth reads Philip Larkin's mature poetry in terms of his ambiguous self-image as lonely, anti-social outsider, plighted to his art, and as nine-to-five librarian, sharing the common plight of humanity. Booth's focus is on Larkin's artistry with words, the 'verbal devices' through which this purest of lyric poets celebrates 'the experience. The beauty.' Featuring discussion for the first time of two recently discovered poems by Larkin, this original and exciting new study will be of interest to all students, scholars and enthusiasts of Larkin.
Philip Larkin: Subversive Writer
by Stephen CooperOverturning many of the established perspectives on Larkin's poetry and prose, Cooper's book presents new evidence from a range of previously unpublished sources, and is the first full-length critical work to analyse Larkin's early fiction, as well as advancing new readings of The Less Deceived', The Whitsun Weddings' and High Windows'. Critics have tended to label Larkin's poetry as sexist, racist and reactionary. However, this volume demonstrates that Larkin's artistic impulse throughout his career was to challenge orthodox models of social and sexual politics. Focusing on the Brunette Coleman novellas and the unfinished novels, a structural blueprint is identified as prefiguring the later poems' commentary on sexual and social conduct. Further unpublished material includes correspondence, workbook drafts, dream records, and a playscript, depicting, alternately, hostility to wartime heroics, revulsion from capitalism, unease with traditional gender roles and an interest in psychoanalysis. This study makes available to scholars paintings by Larkin's friend, James Sutton, which illuminate the writer's concern with social oppression, especially the predicament of women in the 1940s. This is a fresh and revealing study on Larkin's artistic subversion; stylistic and thematic, it reveals the underlying themes of Larkin's entire oeuvre.
Philip Larkin: Subversive Writer
by Stephen CooperOverturning many of the established perspectives on Larkin's poetry and prose, Cooper's book presents new evidence from a range of previously unpublished sources, and is the first full-length critical work to analyse Larkin's early fiction, as well as advancing new readings of The Less Deceived', The Whitsun Weddings' and High Windows'. Critics have tended to label Larkin's poetry as sexist, racist and reactionary. However, this volume demonstrates that Larkin's artistic impulse throughout his career was to challenge orthodox models of social and sexual politics. Focusing on the Brunette Coleman novellas and the unfinished novels, a structural blueprint is identified as prefiguring the later poems' commentary on sexual and social conduct. Further unpublished material includes correspondence, workbook drafts, dream records, and a playscript, depicting, alternately, hostility to wartime heroics, revulsion from capitalism, unease with traditional gender roles and an interest in psychoanalysis. This study makes available to scholars paintings by Larkin's friend, James Sutton, which illuminate the writer's concern with social oppression, especially the predicament of women in the 1940s. This is a fresh and revealing study on Larkin's artistic subversion; stylistic and thematic, it reveals the underlying themes of Larkin's entire oeuvre.
Philip Larkin (Readers' Guides to Essential Criticism)
by Robert EvansPhilip Larkin is widely regarded as one of the greatest English poets of the twentieth century. As such, there is a vast amount of literary criticism surrounding his work. This Readers' Guide provides a comprehensive and accessible overview of the key reactions to Larkin’s poetry. Using a chronological structure, Robert C. Evans charts critical responses to Larkin’s work from his arrival on the British literary scene in the 1950s to the decades after his death. This includes analyses of critical material from around the world, making this an excellent guide for all students of Larkin.
Philip Larkin: Letters To Monica (Faber Poetry Ser.)
by Philip LarkinPhilip Larkin met Monica Jones at University College Leicester in autumn 1946, when they were both twenty-four; he was the newly-appointed assistant librarian and she was an English lecturer. In 1950 Larkin moved to Belfast, and thence to Hull, while Monica remained in Leicester, becoming by turns his correspondent, lover and closest confidante, in a relationship which lasted over forty years until the poet's death in 1985.This remarkable unpublished correspondence only came to light after Monica Jones's death in 2001, and consists of nearly two thousand letters, postcards and telegrams, which chronicle - day by day, sometimes hour by hour - every aspect of Larkin's life and the convolutions of their relationship.
Philip Larkin: The Poems (Analysing Texts)
by Nicholas MarshControversy rages around Larkin's character and life. This book takes a fresh look at his poems through close analysis, discussion of Larkin's major concerns and demonstrating how to approach these enigmatic works. It provides background information including an account of his life, discussion of cultural context and major critical views
Philip Larkin: A Writer's Life
by Sir Andrew MotionPhilip Larkin: A Writer's Life won the Whitbread Award for Biography in 1993 and was championed as 'an exemplary biography of its kind' (The Times). With a new introduction written by the author, this edition offers an engrossing portrait of one of the twentieth century's most popular, and most private, poets. 'There will be other lives of Larkin, but Motion's, like Forster's of Dickens, will always have a special place.' John Carey, Sunday Times'Larkin lived a quietly noble and exemplary version of the writer's life; Motion - affectionate but undeceived about the man's frailties, a diligent researcher and a deft reader of poetry - has written an equally exemplary 'Life' of him.' Peter Conrad, Observer'Honest but not prurient, critical but also compassionate, Motion's book could not be bettered.' Alan Bennett, London Review of Books
Philip Larkin (The Critics Debate)
by Stephen ReganFollowing the recent publication of Philip Larkin's Collected Poems, this study draws on a previously unavailable range of work extending from 1938 to 1983. In the course of its survey, the book exposes the limitations of narrowly thematic and formalist criticism, but it treats with equal scepticism the fashionable tendency to regard Larkin as a 'symbolist' poet. In his appraisal Stephen Regan argues strongly for the importance of reading the poems historically and contextually. The emphasis here is on the post-war cultural milieu of Larkin's work and its complex engagement with questions of individual freedom and social commitment.
Philip Larkin: Five Studies
by M. RoweExploring the complex relationship between aesthetic experience and personal identity in Larkin's work, this book gives close and original readings of three major poems ('Here', 'Livings' and 'Aubade'), and two neglected but important themes (Larkin and the supernatural, Larkin and Flaubert).
Philip Larkin and His Audiences
by G. SteinbergPhilip Larkin, one of England's greatest and most popular twentieth-century poets, is nonetheless widely regarded as a misanthropic, provincial recluse. This volume re-examines that critical view and argues that Larkin's poetry, far from demonstrating his misanthropy, highlights his profound awareness of and concern for readers.
