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The Poetics of Migration in Contemporary Irish Poetry
by Ailbhe McDaidThis book offers fresh critical interpretation of two of the central tenets of Irish culture – migration and memory. From its starting point with the ‘New Irish’ generation of poets in the United States during the 1980s and concluding with the technological innovations of 21st-century poetry, this study spans continents, generations, genders and sexualities to reconsider the role of memory and of migration in the work of a range of contemporary Irish poets. Combining sensitive close readings and textual analysis with thorough theoretical application, it sets out the formal, thematic, socio-cultural and literary contexts of migration as an essential aspect of Irish literature. This book is essential reading for literary critics, academics, cultural commentators and students with an interest in contemporary poetry, Irish studies, diaspora studies and memory studies.
The Poetics of Migration in Contemporary Irish Poetry
by Ailbhe McDaidThis book offers fresh critical interpretation of two of the central tenets of Irish culture – migration and memory. From its starting point with the ‘New Irish’ generation of poets in the United States during the 1980s and concluding with the technological innovations of 21st-century poetry, this study spans continents, generations, genders and sexualities to reconsider the role of memory and of migration in the work of a range of contemporary Irish poets. Combining sensitive close readings and textual analysis with thorough theoretical application, it sets out the formal, thematic, socio-cultural and literary contexts of migration as an essential aspect of Irish literature. This book is essential reading for literary critics, academics, cultural commentators and students with an interest in contemporary poetry, Irish studies, diaspora studies and memory studies.
The Poetics Of Mind: Figurative Thought, Language, And Understanding (PDF)
by Raymond W. GibbsIn this bold new work, Ray Gibbs demonstrates that human cognition is deeply poetic and that figurative imagination constitutes the way we understand ourselves and the world in which we live. The traditional view of the mind holds that thought and language are inherently literal and that poetic language is a special human ability requiring different cognitive and linguistic skills than employed in ordinary language. This view has imposed serious limitations on the scholarly study of mental life and on everyday folk conceptions of human experience. Poetics of Mind overturns the traditional perspective by showing how figurative aspects of language reveal the poetic structure of mind. Ideas and research from psychology, linguistics, philosophy, anthropology, and literary theory are used to establish important links between the poetic structure of thought and everyday use of language. Particular use is made of the extensive research that has accumulated in experimental psycholinguistics and cognitive linguistics over the past 15 years. Poetics of Mind evaluates current philosophical, linguistic, and literary theories of figurative language, using tools provided by psycholinguistic and cognitive psychology research. It relates the empirical work on figurative language understanding to broader issues concerning the nature of everyday thought and reasoning. As such, it will be of crucial interest to students and researchers in psychology, cognitive science, and linguistics.
A Poetics of Minds and Madness: Fiction, Cognition and Interpretation
by XINRAN YANGThis monograph aims to explore the mind-narrative nexus by conducting a cognitive narratological study on the mad minds in fictional narratives. Set on the interface of narrative and cognitive science (cognitive linguistics, cognitive psychology and cognitive neuropsychology), it adopts an indirect empirical approach to the fictional representation of madness. The American writer Ken Kesey’s novel One Flew Over the Cuckoo’s Nest is chosen as the primary text of investigation, whereas due consideration is also given to other madness narratives when necessary. This book not only demonstrates the value of reading and rereading literary classics in the modern era, but also sheds light on the studies of cognitive narratology, cognitive poetics, madness narratives and literature in general.
The Poetics of Noise from Dada to Punk
by John MelilloBy reinterpreting 20th-century poetry as a listening to and writing through noise, The Poetics of Noise from Dada to Punk constructs a literary history of noise through poetic sound and performance. This book traces how poets figure noise in the disfiguration of poetic voice. Materializing in the threshold between the heard and the unheard, noise emerges in the differentiation and otherness of sound. It arises in the folding of an “outside” into the “inside” of poetic performance both on and off the page. Through a series of case studies ranging from verse by ear-witnesses to the First World War, Dadaist provocations, jazz modernist song and poetry, early New York City punk rock, contemporary sound poetry, and noise music, The Poetics of Noise from Dada to Punk describes productive failures of communication that theorize listening against the grain of sound's sense.
The Poetics of Noise from Dada to Punk
by John MelilloBy reinterpreting 20th-century poetry as a listening to and writing through noise, The Poetics of Noise from Dada to Punk constructs a literary history of noise through poetic sound and performance. This book traces how poets figure noise in the disfiguration of poetic voice. Materializing in the threshold between the heard and the unheard, noise emerges in the differentiation and otherness of sound. It arises in the folding of an “outside” into the “inside” of poetic performance both on and off the page. Through a series of case studies ranging from verse by ear-witnesses to the First World War, Dadaist provocations, jazz modernist song and poetry, early New York City punk rock, contemporary sound poetry, and noise music, The Poetics of Noise from Dada to Punk describes productive failures of communication that theorize listening against the grain of sound's sense.
The Poetics of Novels: Fiction and its Execution
by M. AxelrodThe Poetics of Novels deals with the fundamentals of novel-writing and the execution of such, and though it engages specific notions of literary and cultural theory, it privileges the architectonics of the texts themselves as it crosses boundaries of both time and culture. Novels include: Austen's Northanger Abbey , Beckett's Company , Brontë's Wuthering Heights , Cervantes' Don Quixote , Flaubert's Madame Bovary , Hamsun's Hunger , Hardy's Tess of the D'Urbervilles , Lispector's Hour of the Star and Smart's By Grand Central Station I Sat Down and Wept .
The Poetics of Palliation: Romantic Literary Therapy, 1790–1850 (Romantic Reconfigurations: Studies in Literature and Culture 1780-1850 #8)
by Brittany PladekCan literature heal? The Poetics of Palliation argues that our answers to this question have origins in the Romantic period. In the past twenty years, health humanists and scholars of literature and medicine have drawn on Romantic ideas to argue that literature cures by making sufferers whole again. But this model oversimplifies how Romantic writers thought literature addressed suffering. Poetics documents how writers like William Wordsworth and Mary Shelley explored palliative forms of literary medicine: therapies that stressed literature’s manifold relationship to pain and its power to sustain, comfort, and challenge even when cure was not possible. The book charts how Romantic writers developed these palliative poetics in conversation with their medical milieu. British medical ethics was first codified during the Romantic period. Its major writers, John Gregory and Thomas Percival, endorsed a palliative mandate to compensate for doctors’ limited curative powers. Similarly, Romantic writers sought palliative approaches when their work failed to achieve starker curative goals. The startling diversity of their results illustrates how palliation offers a more comprehensive metric for literary therapy than the curative traditions we have inherited from Romanticism.
Poetics of Prose: Literary Essays from Lermontov to Calvino
by Mark AxelrodThis creative yet scholarly book discusses prose's important relationship to close literary analysis, showing how such an approach can be beneficial for readers, scholars, and writers alike. Bringing together a literary history that consists of writers such as Lermontov, Chekhov, Camus, and Calvino, Mark Axelrod masterfully interweaves discussions of structure, context, genre, plot, and other key elements often applied to poetry but seldom applied to various forms of prose in order to offer bold and surprisingly fresh claims about the writer's purpose. By peeling back these layers of technique and style, this book opens up discussions to better understand and appreciate great dramatists, writers, and poets throughout time by returning back to the core elements that originally comprised their writing crafts.
A Poetics of Relation: Caribbean Women Writing at the Millennium
by O. FerlyA Poetics of Relation fosters a dialogue across islands and languages between established and lesser-known authors, bringing together archipelagic and diasporic voices from the Francophone and Hispanic Antilles. In this pan-diasporic study, Ferly shows that a comparative analysis of female narratives is often most pertinent across linguistic zones.
The Poetics of Repetition in English and Chinese Lyric Poetry
by Cecile Chu-chin SunFor more than half a century, Chinese-Western comparative literature has been recognized as a formal academic discipline, but critics and scholars in the field have done little to develop a viable, common basis for comparison between these disparate literatures. In this pioneering book, Cecile Chu-chin Sun establishes repetition as the ideal perspective from which to compare the poetry and poetics from these two traditions. Sun contends that repetition is at the heart of all that defines the lyric as a unique art form and, by closely examining its use in Chinese and Western poetry, she demonstrates howone can identify important points of convergence and divergence. Through a representative sampling of poems from both traditions, she illustrates how the irreducible generic nature of the lyric transcends linguistic and cultural barriers but also reveals the fundamental distinctions between the traditions. Most crucially, she dissects the two radically different conceptualizations of reality—mimesis and xing—that serve as underlying principles for the poetic practices of each tradition. Skillfully integrating theory and practice, The Poetics of Repetition in English and Chinese Lyric Poetryprovides a much-needed model for future study of Chinese and English poetry as well as lucid, succinct interpretations of individual poems.
The Poetics of Repetition in English and Chinese Lyric Poetry
by Cecile Chu-chin SunFor more than half a century, Chinese-Western comparative literature has been recognized as a formal academic discipline, but critics and scholars in the field have done little to develop a viable, common basis for comparison between these disparate literatures. In this pioneering book, Cecile Chu-chin Sun establishes repetition as the ideal perspective from which to compare the poetry and poetics from these two traditions. Sun contends that repetition is at the heart of all that defines the lyric as a unique art form and, by closely examining its use in Chinese and Western poetry, she demonstrates howone can identify important points of convergence and divergence. Through a representative sampling of poems from both traditions, she illustrates how the irreducible generic nature of the lyric transcends linguistic and cultural barriers but also reveals the fundamental distinctions between the traditions. Most crucially, she dissects the two radically different conceptualizations of reality—mimesis and xing—that serve as underlying principles for the poetic practices of each tradition. Skillfully integrating theory and practice, The Poetics of Repetition in English and Chinese Lyric Poetryprovides a much-needed model for future study of Chinese and English poetry as well as lucid, succinct interpretations of individual poems.
The Poetics of Space and Place in Scottish Literature (Geocriticism and Spatial Literary Studies)
by Julian Wolfreys Monika SzubaThis book addresses the poetics of space and place in Scottish literature. Focusing chiefly on twentieth- and twenty-first century texts, with acknowledgement of historical and philosophical contexts, the essays address representation, narrative form, the work of the poetic, perception and experience. Major genres and forms are discussed, and authors as diverse as George Mackay Brown, Kathleen Jamie, Ken McLeod and Kei Miller are presented through theoretically informed, historically contextualized close readings. Additionally considering the role of dialect and region in the poetry and fiction of modern Scotland, the volume argues for an appreciation of the cultural diversity of Scottish writers while highlighting the overarching presence of a connection between self and world, subject and place within Scottish literature.
The Poetics of the American Suburbs (Modern and Contemporary Poetry and Poetics)
by Jo GillThe first scholarly study of the rich body of poetry that emerged from the post-war American suburbs, Gill evaluates the work of forty poets, including Anne Sexton, Langston Hughes, and John Updike. Combining textual analysis and archival research, this book offers a new perspective on the field of twentieth-century American literature.
The Poetics of the Antarctic: A Study in Nineteenth-Century American Cultural Perceptions
by William E. LenzThe thesis of this book is that the 19th-century interest in the Antarctic functions for modern scholars as an important index to American self-discovery and self-definition from the 1830s onward. According to the author, American hopes for confirming identity came to be focused on an unlikely goal, the discovery of the illusive Antarctic continent. By examining in detail one literary product of the U.S. Exploring Expedition (1838-1842) to Antarctica, James Croxall Palmer's epic poem Thulia: A Tale of the Antarctic (1843), and its revision, The Antarctic Mariner's Song (1868), and by locating these works within their cultural context, Lenz reveals the significance and changing meaning of exploration to emerging American concepts of nationhood. The volume also considers the tradition of American sea fiction in the works of such writers as James Fenimore Cooper, Edgar Allan Poe, and Herman Melville, arguing that for these writers the Antarctic was a locus of symbolic meaning while for Palmer it was a process of individual and collective perception. The 1868 version of the Palmer poem is attached here as an appendix. A useful bibliography follows that appendix.
The Poetics of the Antarctic: A Study in Nineteenth-Century American Cultural Perceptions (Studies In Nineteenth-century American Literature #Vol. 5)
by William E. LenzThe thesis of this book is that the 19th-century interest in the Antarctic functions for modern scholars as an important index to American self-discovery and self-definition from the 1830s onward. According to the author, American hopes for confirming identity came to be focused on an unlikely goal, the discovery of the illusive Antarctic continent. By examining in detail one literary product of the U.S. Exploring Expedition (1838-1842) to Antarctica, James Croxall Palmer's epic poem Thulia: A Tale of the Antarctic (1843), and its revision, The Antarctic Mariner's Song (1868), and by locating these works within their cultural context, Lenz reveals the significance and changing meaning of exploration to emerging American concepts of nationhood. The volume also considers the tradition of American sea fiction in the works of such writers as James Fenimore Cooper, Edgar Allan Poe, and Herman Melville, arguing that for these writers the Antarctic was a locus of symbolic meaning while for Palmer it was a process of individual and collective perception. The 1868 version of the Palmer poem is attached here as an appendix. A useful bibliography follows that appendix.
Poetics of the Body: Edna St. Vincent Millay, Elizabeth Bishop, Marilyn Chin, and Marilyn Hacker
by C. CucinellaPoetics of the Body examines representations of the body in the work of four important twentieth-century poets: Edna St. Vincent Millay, Elizabeth Bishop, Marilyn Chin, and Marilyn Hacker. Drawing on both past and present discussions regarding the place of the body in relation to Western philosophy, gender, sexuality, desire, creative production, and narrative, this study reveals how the poetic bodies in the poetry of these women negotiate the intersecting ideologies that attempt to regulate the body, its characteristics, and its behaviors. Ultimately, this dynamic book considers what it means to possess a body.
The Poetics of the Obscene in Premodern Arabic Poetry: Ibn al-?ajj?j and Sukhf (Literatures and Cultures of the Islamic World)
by S. AntoonThe book is the first study of the 10th century Iraqi poet Ibn al-Hajjaj who popularized a new genre of obscene and scatological parody (sukhf) and is considered the most obscene poet in Arabic literature. Antoon traces the genealogy of this fascinating genre in and examines its rise by placing it in its sociopolitical context.
The Poetics of Utopia: Shadows of Futurity in Yeats and Auden
by Stewart ColeFocusing on the work of two of the 20th-century's most politically engaged poets - W. B. Yeats and W. H. Auden - this book unpacks how they directly confront the concept of “utopia,” how they engage with utopia as a literary genre, and how their work conceives of poetry as a utopian artform capable of uniquely embodying our social aspirations.Despite consistently projecting visions of more ideal futures through both its subject matter and its form, poetry is not often counted among the annals of utopian literature. Through an examination of these two great writers' poems, essays, reviews, and other writings, with a focus on many of their best-known poems, this book highlights both the pervasive presence of a utopian impulse in their work and the importance of their contributions to discussions of utopia's meaning and relevance in both their own politically fraught era and ours.
The Poetics of Utopia: Shadows of Futurity in Yeats and Auden
by Stewart ColeFocusing on the work of two of the 20th-century's most politically engaged poets - W. B. Yeats and W. H. Auden - this book unpacks how they directly confront the concept of “utopia,” how they engage with utopia as a literary genre, and how their work conceives of poetry as a utopian artform capable of uniquely embodying our social aspirations.Despite consistently projecting visions of more ideal futures through both its subject matter and its form, poetry is not often counted among the annals of utopian literature. Through an examination of these two great writers' poems, essays, reviews, and other writings, with a focus on many of their best-known poems, this book highlights both the pervasive presence of a utopian impulse in their work and the importance of their contributions to discussions of utopia's meaning and relevance in both their own politically fraught era and ours.
The Poetics of Waste: Queer Excess in Stein, Ashbery, Schuyler, and Goldsmith (Modern and Contemporary Poetry and Poetics)
by C. SchmidtModernist debates about waste - both aesthetic and economic - often express biases against gender and sexual errancy. The Poetics of Waste looks at writers and artists who resist this ideology and respond by developing an excessive poetics.
Poetische Prosa: Beiträge zur modernen Poetik von Charles Baudelaire bis Georg Trakl
by Cornelia OrtliebCharles Baudelaire initiierte mit seinen Prosagedichten eine eigene Gattung Literatur, die zu einem Paradigma der Moderne wurde und sich in keinen überlieferten Literaturkanon fügen lässt. Eine Gattung, die von höchster stilistischer Varietät ist: De Quinceys Variationen in Prosa gehören ihr an, die rhetorische Emphase Nietzsches, doch ebenso die enigmatische Bildlichkeit Mallarmés und Trakls. Die Prosa erhebt denselben Anspruch auf stilistische Höhe wie vordem die Lyrik, dennoch schreibt die Gattungstheorie den strikten Gegensatz von »Poesie« und »Prosa« fort: das Prosagedicht als Mischform und Grenzfall der Theorie stellt also das System der Klassifikation poetischer Texte gleich mehrfach in Frage. Die kritische Lektüre und die Diskussion ihrer Verfahren nach Kategorien wie Rhythmus, Stil, Figur und Inszenierung zeigt die paradigmatischen Merkmale moderner Prosadichtung in der Überwindung der Aporien der Gattungstheorie auf.
Poetische Zeugnisse: Gedichte aus dem Frauen-Konzentrationslager Ravensbrück 1939-1945 (Ergebnisse der Frauenforschung)
by Constanze JaiserDie Arbeit stellt einen Beitrag zur Erforschung der sogenannten Literatur des Holocaust dar. Die an Motiven wie an der poetischen Form ansetzende Untersuchung einer Vielzahl bislang unbekannter Gedichte kommt zu dem Ergebnis, dass die Texte nur in ihrer Einheit von Form und Inhalt und dabei vor allem in ihrem Zeugnischarakter verstanden werden können.
Poetry: The Ultimate Guide (Interface Ser.)
by R. BradfordRichard Bradford's new introduction to poetry begins with and answers the slippery question, 'what is poetry?'. The book provides a compact history of English poetry from the 16th century to the present day and surveys the major critical and theoretical approaches to verse. It tackles the important issues of gender, race and nationality and concludes with a lengthy account of how to recognise good poetry. This engaging and readable book is accessible to all readers, from those who simply enjoy poetry through university first years to graduate students. Poetry: The Ultimate Guide provides the technical and critical tools you need to approach and evaluate poetry, and to articulate your own views.
Poetry: The Ultimate Guide (Interface Ser.)
by Richard BradfordRichard Bradford's new introduction to poetry begins with and answers the slippery question, 'what is poetry?'. The book provides a compact history of English poetry from the 16th century to the present day and surveys the major critical and theoretical approaches to verse. It tackles the important issues of gender, race and nationality and concludes with a lengthy account of how to recognise good poetry. This engaging and readable book is accessible to all readers, from those who simply enjoy poetry through university first years to graduate students. Poetry: The Ultimate Guide provides the technical and critical tools you need to approach and evaluate poetry, and to articulate your own views.