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Vertical Readings in Dante’s Comedy: Volume 2 (PDF)
by George Corbett Heather WebbVertical Readings in Dante’s Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection – to be issued in three volumes – offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante. The volume has its origin in a series of thirty-three public lectures held in Trinity College, the University of Cambridge (2012-2016) which can be accessed at the Cambridge Vertical Readings in Dante’s Comedy website.
Vertigo & Ghost
by Fiona Benson**WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2019****WINNER OF THE ROEHAMPTON PRIZE FOR BEST POETRY COLLECTION 2019****SHORTLISTED FOR THE 2019 T. S. ELIOT PRIZE**Violence hangs over this book like an electric storm. Beginning with a poem about the teenage dawning of sexuality, Vertigo & Ghost pitches quickly into a long sequence of graphic, stunning pieces about Zeus as a serial rapist, for whom woman are prey and sex is weaponised. These are frank, brilliant, devastating poems of vulnerability and rage, and as Zeus is confronted with aggressions both personal and historical, his house comes crumbling down. A disturbing contemporary world is exposed, in which violent acts against women continue to be perpetrated on a daily – hourly – basis. The book shifts, in its second half, to an intimate and lyrical document of depression and family life. It sounds out the complex and ambivalent terrain of early motherhood – its anxieties and claustrophobias as well as its gifts of tenderness and love – reclaiming the sanctuary of domestic private life, and the right to raise children in peace and safety. Vertigo & Ghost is an important, necessary book, hugely impressive in its range and risk, and dramatic in its currency: a collection that speaks out with clarity, grace and bravery against the abuse of power.
The Very Best Hug
by Smriti HallsHave you ever wondered who gives the very BEST hug? The kind that feels just right?Get ready to join us on a mission to find the PERFECT hug. From bear hugs to koala cuddles, hippo huddles to walrus wiggles, penguin pecks to porcupine prickles, there are a LOT of hugs to choose from. But sometimes, the very best hug is the one that comes from the people you love most.Full of chaotic animal cuddles, this irresistible story from award-winning author Smriti Halls is perfect for sharing and reading aloud. Warning: You may want to hug this book!
The Very Best of Paul Cookson: Let No One Steal Your Dreams and Other Poems
by Paul CooksonThe Very Best of Paul Cookson brings together twenty-five years of poetry. It includes his favourite poems and his most thoughtful, uplifting and memorable poems. Includes Let No One Steal Your Dreams, Father's Hands, May You Always, Invisible Magicians, This is Our School and many more.
Vexations (Phoenix Poets)
by Annelyse GelmanA mother and daughter journey together through a strange speculative world in this experimental book-length poem. Annelyse Gelman’s book-length poem Vexations is a surreal, glitchy meditation on empathy, ecology, and precarity. Throughout the book winds a narrative about a mother and daughter as they move through a world of social and economic collapse in search of a post-capitalist safe haven. All the while, they also navigate a condition that affects the daughter’s empathic abilities, making her vulnerable to emotional contagion. Vexations is titled and structured after Erik Satie’s composition of the same name, a piece that requires patience, endurance, and concentration from both its audience and its players. Similarly, Gelman’s Vexations employs repetition and variation to engage the reader’s attention. Hers is an ambient poetry, drawing on the aesthetic qualities of drone music and sampling voices and sounds to create a lush literary backdrop filled with pulsing psychedelic detail.
Vexations (Phoenix Poets)
by Annelyse GelmanA mother and daughter journey together through a strange speculative world in this experimental book-length poem. Annelyse Gelman’s book-length poem Vexations is a surreal, glitchy meditation on empathy, ecology, and precarity. Throughout the book winds a narrative about a mother and daughter as they move through a world of social and economic collapse in search of a post-capitalist safe haven. All the while, they also navigate a condition that affects the daughter’s empathic abilities, making her vulnerable to emotional contagion. Vexations is titled and structured after Erik Satie’s composition of the same name, a piece that requires patience, endurance, and concentration from both its audience and its players. Similarly, Gelman’s Vexations employs repetition and variation to engage the reader’s attention. Hers is an ambient poetry, drawing on the aesthetic qualities of drone music and sampling voices and sounds to create a lush literary backdrop filled with pulsing psychedelic detail.
Victims of a Map: A Bilingual Anthology of Arabic Poetry (Adonis, Mahmud Darwish, Samih al-Qasim)
by Adonis Mahmud Darwish Samih al-QasimMahmud Darwish, Samih al-Qasim and Adonis are amongst the leading poets in the Arab world today.Victims of a Map presents some of their finest work in translation, alongside the original Arabic, including thirteen poems by Darwish never before published – in English or Arabic – and a long work by Adonis written during the 1982 siege of Beirut, also published here for the first time.
Victorian Celebrity Culture and Tennyson's Circle
by C. Boyce P. Finnerty A. MillimTennyson experienced at first hand the all-pervasive nature of celebrity culture. It caused him to retreat from the eyes of the world. This book delineates Tennyson's reluctant celebrity and its effects on his writings, on his coterie of famous and notable friends and on the ever-expanding, media-led circle of Tennyson's admirers.
Victorian Keats: Manliness, Sexuality and Desire
by J. NajarianThis book explores the sexual implications of reading Keats. Keats was lambasted by critics throughout the nineteenth century for his sensuousness and his 'effeminacy'. The Victorians simultaneously identified with, imitated, and distrusted the 'unmanly' poet. Writers, among them Alfred Lord Tennyson, Matthew Arnold, Gerard Manley Hopkins, John Addington Symonds, Walter Pater, and Wilfred Owen came to terms with Keats's work by creating out of the 'effeminate' poet a sexual and literary ally.
Victorian Poetry (Oxford Handbooks Ser.)
by Matthew Bevis Sir James Dingemans'I am inclined to think that we want new forms . . . as well as thoughts', confessed Elizabeth Barrett to Robert Browning in 1845. The Oxford Handbook of Victorian Poetry provides a closely-read appreciation of the vibrancy and variety of Victorian poetic forms, and attends to poems as both shaped and shaping forces. The volume is divided into four main sections. The first section on 'Form' looks at a few central innovations and engagements—'Rhythm', 'Beat', 'Address', 'Rhyme', 'Diction', 'Syntax', and 'Story'. The second section, 'Literary Landscapes', examines the traditions and writers (from classical times to the present day) that influence and take their bearings from Victorian poets. The third section provides 'Readings' of twenty-three poets by concentrating on particular poems or collections of poems, offering focused, nuanced engagements with the pleasures and challenges offered by particular styles of thinking and writing. The final section, 'The Place of Poetry', conceives and explores 'place' in a range of ways in order to situate Victorian poetry within broader contexts and discussions: the places in which poems were encountered; the poetic representation and embodiment of various sites and spaces; the location of the 'Victorian' alongside other territories and nationalities; and debates about the place - and displacement - of poetry in Victorian society. This Handbook is designed to be not only an essential resource for those interested in Victorian poetry and poetics, but also a landmark publication—provocative, seminal volume that will offer a lasting contribution to future studies in the area.
Victorian Poetry and Modern Life: The Unpoetical Age (Palgrave Studies in Nineteenth-Century Writing and Culture)
by Natasha MooreFaced with the chaos and banality of modern, everyday life, a number of Victorian poets sought innovative ways of writing about the unpoetic present in their verse. Their varied efforts are recognisably akin, not least in their development of mixed verse-forms that fused novel and epic to create something equal to the miscellaneousness of the age.
Victorian Poetry in Context (Texts and Contexts)
by Rosie MilesVictorian Poetry in Context offers a lively and accessible introduction to the diverse range of poetry written in the Victorian period. Considering such issues as reform and protest, gender, science and belief this book sets out the social and cultural contexts for the poetry of a fast-changing era. Sections on Victorian poetics, form and Victorian voices introduce the key literary contexts of poetry's production, and poetic innovations of the period such as the dramatic monologue are highlighted . At the heart of the book is a focus on the importance of attentive close reading, with original readings offered of well-known texts alongside those that have recently received renewed attention within scholarship. The book also offers an overview of critical approaches to several key texts and discussion of how Victorian poetry has remained influential in the twentieth and twenty-first centuries. Introducing texts, contexts and criticism, this is a lively and up-to-date resource for anyone studying Victorian poetry.
Victorian Poetry in Context (Texts and Contexts)
by Rosie MilesVictorian Poetry in Context offers a lively and accessible introduction to the diverse range of poetry written in the Victorian period. Considering such issues as reform and protest, gender, science and belief this book sets out the social and cultural contexts for the poetry of a fast-changing era. Sections on Victorian poetics, form and Victorian voices introduce the key literary contexts of poetry's production, and poetic innovations of the period such as the dramatic monologue are highlighted . At the heart of the book is a focus on the importance of attentive close reading, with original readings offered of well-known texts alongside those that have recently received renewed attention within scholarship. The book also offers an overview of critical approaches to several key texts and discussion of how Victorian poetry has remained influential in the twentieth and twenty-first centuries. Introducing texts, contexts and criticism, this is a lively and up-to-date resource for anyone studying Victorian poetry.
Victorian Sappho
by Yopie PrinsWhat is Sappho, except a name? Although the Greek archaic lyrics attributed to Sappho of Lesbos survive only in fragments, she has been invoked for many centuries as the original woman poet, singing at the origins of a Western lyric tradition. Victorian Sappho traces the emergence of this idealized feminine figure through reconstructions of the Sapphic fragments in late-nineteenth-century England. Yopie Prins argues that the Victorian period is a critical turning point in the history of Sappho's reception; what we now call "Sappho" is in many ways an artifact of Victorian poetics. Prins reads the Sapphic fragments in Greek alongside various English translations and imitations, considering a wide range of Victorian poets--male and female, famous and forgotten--who signed their poetry in the name of Sappho. By "declining" the name in each chapter, the book presents a theoretical argument about the Sapphic signature, as well as a historical account of its implications in Victorian England. Prins explores the relations between classical philology and Victorian poetics, the tropes of lesbian writing, the aesthetics of meter, and nineteenth-century personifications of the "Poetess." as current scholarship on Sappho and her afterlife. Offering a history and theory of lyric as a gendered literary form, the book is an exciting and original contribution to Victorian studies, classical studies, comparative literature, and women's studies.
Victorian Sappho
by Yopie PrinsWhat is Sappho, except a name? Although the Greek archaic lyrics attributed to Sappho of Lesbos survive only in fragments, she has been invoked for many centuries as the original woman poet, singing at the origins of a Western lyric tradition. Victorian Sappho traces the emergence of this idealized feminine figure through reconstructions of the Sapphic fragments in late-nineteenth-century England. Yopie Prins argues that the Victorian period is a critical turning point in the history of Sappho's reception; what we now call "Sappho" is in many ways an artifact of Victorian poetics. Prins reads the Sapphic fragments in Greek alongside various English translations and imitations, considering a wide range of Victorian poets--male and female, famous and forgotten--who signed their poetry in the name of Sappho. By "declining" the name in each chapter, the book presents a theoretical argument about the Sapphic signature, as well as a historical account of its implications in Victorian England. Prins explores the relations between classical philology and Victorian poetics, the tropes of lesbian writing, the aesthetics of meter, and nineteenth-century personifications of the "Poetess." as current scholarship on Sappho and her afterlife. Offering a history and theory of lyric as a gendered literary form, the book is an exciting and original contribution to Victorian studies, classical studies, comparative literature, and women's studies.
Victorian Shakespeare: Volume 2: Literature and Culture
by Gail Marshall Adrian PooleWhat did the Victorians think of Shakespeare? The twelve essays gathered here offer some answers, through close examination of works by leading nineteenth-century novelists, poets and critics including Dickens, Trollope, Eliot, Tennyson, Browning and Ruskin. Shakespeare provided the Victorians with ways of thinking about the authority of the past, about the emergence of a new mass culture, about the relations between artistic and industrial production, about the nature of creativity, about racial and sexual difference, and about individual and national identity.
Victorian Soul-Talk: Poetry, Democracy, and the Body Politic
by Julia F. SavilleThis book explores the decades between the Reform Acts of 1832 and 1884 when British poets such as Elizabeth Barrett Browning, Arthur Hugh Clough, Robert Browning, and Algernon Charles Swinburne, along with their transatlantic contemporary Walt Whitman, defended the civil rights of disenfranchised souls as Western nations slowly evolved toward modern democracies with shared transnational connections. For in the decades before the new science of psychology transformed the soul into the psyche, poets claimed the spiritual well-being of the body politic as their special moral responsibility. Exploiting the rich aesthetic potential of language, they created poetry with striking sensory appeal to make their readers experience the complex effects of political decisions on public spirit. Within contexts such as Risorgimento Italy, Civil War America, and Second Empire France, these poets spoke from their souls to the souls of their readers to reveal insights that eluded the prosaic forms of fiction, essay, and journalism.
Victorian Soul-Talk: Poetry, Democracy, and the Body Politic (PDF)
by Julia F. SavilleThis book explores the decades between the Reform Acts of 1832 and 1884 when British poets such as Elizabeth Barrett Browning, Arthur Hugh Clough, Robert Browning, and Algernon Charles Swinburne, along with their transatlantic contemporary Walt Whitman, defended the civil rights of disenfranchised souls as Western nations slowly evolved toward modern democracies with shared transnational connections. For in the decades before the new science of psychology transformed the soul into the psyche, poets claimed the spiritual well-being of the body politic as their special moral responsibility. Exploiting the rich aesthetic potential of language, they created poetry with striking sensory appeal to make their readers experience the complex effects of political decisions on public spirit. Within contexts such as Risorgimento Italy, Civil War America, and Second Empire France, these poets spoke from their souls to the souls of their readers to reveal insights that eluded the prosaic forms of fiction, essay, and journalism.
Victorian Verse: The Poetics of Everyday Life
by Lee Behlman Olivia Loksing MoyVictorian Verse: The Poetics of Everyday Life casts new light on nineteenth-century poetry by examining the period through its popular verse forms and their surrounding social and media landscape. The volume offers insight into two central concepts of both the Victorian era and our own—status and taste—and how cultural hierarchies then and now were and are constructed and broken. By recovering the lost diversity of Victorian verse, the book maps the breadth of Victorian writing and reading practices, illustrating how these seemingly minor verse genres actually possessed crucial social functions for Victorians, particularly in education, leisure practices, the cultural production of class, and the formation of individual and communal identities. The essays consider how “major” Victorian poets, such as the Pre-Raphaelites, were also committed to writing and reading “minor” verse, further troubling the clear-cut notions of canonicity by examining the contradictions of value.
The Victorian Verse-Novel: Aspiring to Life
by Stefanie MarkovitsThe Victorian Verse-Novel: Aspiring to Life considers the rise of a hybrid generic form, the verse-novel, in the second half of the nineteenth century. Such poems combined epic length with novelistic plots in the attempt to capture not a heroic past but the quotidian present. Victorian verse-novels also tended to be rough-mixed, their narrative sections interspersed with shorter, lyrical verses in varied measures. In flouting the rules of contemporary genre theory, which saw poetry as the purview of the eternal and ideal and relegated the everyday to the domain of novelistic prose, verse-novels proved well suited to upsetting other hierarchies, as well, including those of gender and class. The genre's radical energies often emerge from the competition between lyric and narrative drives, between the desire for transcendence and the quest to find meaning in what happens next; the unusual marriage plots that structure such poems prove crucibles of these rival forces. Generic tensions also yield complex attitudes towards time and space: the book's first half considers the temporality of love, while its second looks at generic geography through the engagement of novels in verse with Europe and the form's transatlantic travels. Both well-known verse-novels (Elizabeth Barrett Browning's Aurora Leigh, Arthur Hugh Clough's Amours de Voyage, Coventry Patmore's The Angel in the House) and lesser-known examples are read closely alongside a few nearly related works (Tennyson's Idylls of the King, Robert Browning's The Ring and the Book). An Afterword traces the verse-novel's substantial influence on the modernist novel.
Victorian Women Poets: An Annotated Anthology
by Virginia BlainThere has been a huge revival of interest in Victorian women's poetry in the last ten years, and it has led to a major reconfiguration of the English poetic landscape of the nineteenth century. This title offers a key selection of poems by 13 Victorian women poets from Christina Rosetti and Felicia Hemans to the witty, iconoclastic May Kendall. The book starts with a substantial general Introduction which places the work of the poets into a context both historical (that of the poems' production) and modern (that of their past and present reception). Each poet's work is introduced by an expansive headnote which tells the story of her life and writing career. The poems all have full explanatory notes to help readers unfamiliar with the period. A Bibliography lists general sources as well as useful further readings. Written in an engaging and accessible manner, the extensive annotations throughout Victorian Women Poets ensure that this fascinating poetry is enjoyable for undergraduate and non-specialist readers.
Victorian Women Poets: An Annotated Anthology
by Virginia BlainThere has been a huge revival of interest in Victorian women's poetry in the last ten years, and it has led to a major reconfiguration of the English poetic landscape of the nineteenth century. This title offers a key selection of poems by 13 Victorian women poets from Christina Rosetti and Felicia Hemans to the witty, iconoclastic May Kendall. The book starts with a substantial general Introduction which places the work of the poets into a context both historical (that of the poems' production) and modern (that of their past and present reception). Each poet's work is introduced by an expansive headnote which tells the story of her life and writing career. The poems all have full explanatory notes to help readers unfamiliar with the period. A Bibliography lists general sources as well as useful further readings. Written in an engaging and accessible manner, the extensive annotations throughout Victorian Women Poets ensure that this fascinating poetry is enjoyable for undergraduate and non-specialist readers.
Victorian Writers and the Stage: The Plays of Dickens, Browning, Collins and Tennyson (Palgrave Studies in Nineteenth-Century Writing and Culture)
by R. PearsonThis book examines the dramatic work of Dickens, Browning, Collins, and Tennyson, their interaction with the theatrical world, and their attempts to develop their reputations as playwrights. These major Victorian writers each authored several professional plays, but why has their achievement been overlooked?
