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Wild: Poems
by Ben OkriPoems of living and loving from Booker Prize-winning author Ben Okri.Freedom is the most precious commodity in the world. In this powerful collection, the celebrated novelist, essayist, dramatist and poet, Ben Okri, explores the beauty contained in each one of us – the freedom of our spirit, the child within. He recalls the death of his father, the sacrifices of his mother, the hidden river of Edinburgh, falling in love.He writes about Virgil and Mozambique, about ringing the bell for freedom, the dreams of Calliope and the full moon. He enters the fifth circle, sings of the roses of spring, and aligns the pyramids to the magic stars. This is a rich, joyful, exciting collection for everyone who loves Ben Okri's vibrant style, and a perfect introduction to new readers of his poetry.'Ben Okri is that rare thing, a literary and social visionary, a writer for whom all three – literature, culture and vision – are profoundly interwoven' Ali Smith'A work of beauty, grace and uncommon power' Marlon James on The Freedom Artist
A Wild Adventure
by Tom PowTom Pow's beautiful, powerful poems examine the remarkable life of Thomas Watling. Watling was born in Dumfries in September 1762 and raised by a long-suffering maiden aunt. Convicted of forging Bank of Scotland one-guinea notes he was sentenced to fourteen years in the recently founded colony of Botany Bay in Australia. The first professional artist to arrive in the colony, Watling was seconded to its Surgeon General (and amateur naturalist) John White. His pioneer paintings of birds, animals and the landscape became some of the principal records of the earliest days of Australia. He was eventually pardoned, on 5 April 1797, and left Australia, eventually returning home to Dumfries. He died there, most likely in 1814.
Wild East
by Ashley Hickson-LovenceThe soaring debut YA verse-novel by Ashley Hickson-Lovence, perfect for fans of Jason Reynolds, Manjeet Mann, and Dean Atta.Pen in one hand, on my wrist, a ticking clockI've got to make this work, just need a little luck...When fourteen-year-old Ronny’s life is struck by tragedy, his mum decides it’s finally time they move out of London.In his new city, as a Black teenager in a mostly white school, Ronny feels like a complete outsider and struggles to balance keeping his head down with his ambition of becoming a rapper.But when a local poet comes into class, Ronny discovers a world he’s never considered before. Rap is like spoken word, bars equal poetry – and maybe the combination of both could be the key to achieving his dreams?Praise for Wild East:This empowering verse novel announces the arrival of an exciting new talent in YA fiction – Waterstones.comA powerful story of resilience, friendship, discovery and growth - Jeffrey Boakye, author of Kofi and the Rap Battle SummerAn amazing tale of self-reflection, acceptance, and achieving your greatest aspirations - screenrant.comWelcomes all types of readers...Hickson-Lovence has crafted a superb piece - DD Armstrong, author of Ugly Dogs Don't Cry
Wild Embers: Poems of rebellion, fire and beauty
by Nikita Gill'You cannot burn awayWhat has always been aflame'WILD EMBERS explores the fire that lies within every soul, weaving words around ideas of feeling at home in your own skin, allowing yourself to heal and learning to embrace your uniqueness with love from the universe. Featuring rewritten fairytale heroines, goddess wisdom and poetry that burns with revolution, this collection is an explosion of femininity, empowerment and personal growth.
The Wild Fox of Yemen
by Threa AlmontaserWinner of the Walt Whitman Award of the Academy of American Poets.The Yemeni American poet Threa Almontaser’s incendiary debut asks how mistranslation can be a form of self-knowledge and survival. A love letter to the country and people of Yemen, a portrait of young Muslim womanhood in New York after 9/11, and an extraordinarily composed examination of what it means to carry in the body the echoes of what came before, Almontaser sneaks artifacts to and from worlds, repurposing language and adapting to the space between cultures. Speakers move with the force of what cannot be contained by the limits of the American imagination; instead, they invest in troublemaking and trickery, navigate imperial violence across multiple accents and anthems, and apply gang signs in henna, utilizing any means necessary to form a semblance of home. Fearlessly riding the tension between carnality and tenderness in the unruly human spirit, The Wild Fox of Yemen is one of the most original and bold debuts in recent years.
The Wild Track: adopting, mothering, belonging
by Margaret Reynolds'Exquisite... a deeply insightful memoir which charts our fundamental longings for place and identity, and ultimately our yearnings for love.' Helena KennedyHow to find an outlet for a love that demands expression? Single, in her mid-forties and having experienced a sudden early menopause, the realisation comes to Peggy quietly, and clearly, she decides to adopt a child. But the preparation is arduous and the scrutiny intense. There are questions about past lives, about capability and expectations.Asking big questions about identity and belonging, as well as about what makes a mother - and a home - this is a beautiful meditation on how the legacies of childhood might be overcome by a mother's determination to love.'A remarkable book...wise and arresting' Sarah Winman
Wild Women of a Certain Age
by Magi GibsonFrom social and political issues to found poems, Gibson’s fresh, evocative (and sometimes provocative) writing is both modern and timeless. These poems spring from taxis, supermarkets and long car drives through the wind and rain. They spring from fantasies, daydreams, nightmares, from love and hate, but, above all, they exalt and enhance everyday experiences.
Wild Words: A Collection Of Words From Around The World That Describe Happenings In Nature
by Kate HodgesThe book showcases 75 beautiful words evocative of the wild, from all around the world, that describe natural happenings in nature. It includes words that describe weather, or a feeling you have when in nature as well as sensory words that explain the smell or sound of a place.
Wilder (Pavilion Poetry)
by Jemma BorgShortlisted for the T.S. Eliot Prize 2022. Third Prize winner of the Laurel Prize 2022.What is still wild in us – and is it recoverable? The poems in Wilder, Jemma Borg’s second collection, are acts of excavation into the deeper and more elusive aspects of our mental and physical lives. Whether revisiting Dante’s forest of the suicides, experiencing the saturation of new motherhood or engaging in a boundary-dissolving encounter with a psychedelic cactus, these meticulous and sensuous poems demonstrate a restless intelligence, seeking out what we are losing and inviting us to ‘break ourselves each against the beauty of the other’. They call on us to remember ourselves as the animals we are, in connection with the complex web of life in what Mary Midgley called an ‘extended sympathy’, and to consider wildness as a process of becoming, reforming and growth. We do not live in a time when we can afford denial. Instead, by being willing to enter despair, might we find what Gary Snyder described as ‘the real world to which we belong’ and recover the means to save what we are destroying?
Wilder (Pavilion Poetry)
by Jemma BorgShortlisted for the T.S. Eliot Prize 2022. Third Prize winner of the Laurel Prize 2022.What is still wild in us – and is it recoverable? The poems in Wilder, Jemma Borg’s second collection, are acts of excavation into the deeper and more elusive aspects of our mental and physical lives. Whether revisiting Dante’s forest of the suicides, experiencing the saturation of new motherhood or engaging in a boundary-dissolving encounter with a psychedelic cactus, these meticulous and sensuous poems demonstrate a restless intelligence, seeking out what we are losing and inviting us to ‘break ourselves each against the beauty of the other’. They call on us to remember ourselves as the animals we are, in connection with the complex web of life in what Mary Midgley called an ‘extended sympathy’, and to consider wildness as a process of becoming, reforming and growth. We do not live in a time when we can afford denial. Instead, by being willing to enter despair, might we find what Gary Snyder described as ‘the real world to which we belong’ and recover the means to save what we are destroying?
The Wildest Cowboy
by Garth JenningsWay out in the West there's a town they call FearAnd only the roughest and toughest live here . . .When cheerful salesman, Bingo B Brown, rolls his wagon full of Wild West goodies into town, he's met with a stony silence. This is clearly no place for novelty bow ties and elastic lassos. Not even Bingo's dancing dog can raise a smile! But this town is not just joyless, it's dangerous. And as Bingo soon discovers, the people of the town are not just scary, they're also scared. It isn't long before Bingo and his dog discover why, as they come face to face with the Wildest Cowboy in the West! Saddle up for a spectacular ride with a wildly talented pairing: film director and author, Garth Jennings and star illustrator, Sara Ogilvie. The Wildest Cowboy is a funny and uplifting adventure story in which fun wins out over fear. Featuring a dramatic train chase, rattlesnake socks and a dancing dog.
The Wildness Pleases (Routledge Revivals): The Origins of Romanticism
by Christopher ThackerFirst published in 1983. This book charts the growth of Romanticism from the initial reactions to the authoritarian classicism of Louis XIV, through the ‘codification’ of the Sublime by Burke in the 1750s, to the fascination with mystery, fear and violence which dominated the writing of the late eighteenth century. The origins of the movement are found in the writings of Rousseau and admiration for the ‘noble savage’, the development of the landscape garden, discoveries in the South Seas, new approaches to ‘primitive’ poetry and enthusiasm for gothic art and literature. These attitudes are contrasted with the more classical views of writers like Samuel Johnson.
The Wildness Pleases (Routledge Revivals): The Origins of Romanticism
by Christopher ThackerFirst published in 1983. This book charts the growth of Romanticism from the initial reactions to the authoritarian classicism of Louis XIV, through the ‘codification’ of the Sublime by Burke in the 1750s, to the fascination with mystery, fear and violence which dominated the writing of the late eighteenth century. The origins of the movement are found in the writings of Rousseau and admiration for the ‘noble savage’, the development of the landscape garden, discoveries in the South Seas, new approaches to ‘primitive’ poetry and enthusiasm for gothic art and literature. These attitudes are contrasted with the more classical views of writers like Samuel Johnson.
Wilfred Owen
by Guy CuthbertsonOne of Britain’s best-known and most loved poets, Wilfred Owen (1893–1918) was killed at age 25 on one of the last days of the First World War, having acted heroically as soldier and officer despite his famous misgivings about the war's rationale and conduct. He left behind a body of poetry that sensitively captured the pity, rage, valor, and futility of the conflict.In this new biography Guy Cuthbertson provides a fresh account of Owen's life and formative influences: the lower-middle-class childhood that he tried to escape; the places he lived in, from Birkenhead to Bordeaux; his class anxieties and his religious doubts; his sexuality and friendships; his close relationship with his mother and his childlike personality. Cuthbertson chronicles a great poet's growth to poetic maturity, illuminates the social strata of the extraordinary Edwardian era, and adds rich context to how Owen's enduring verse can be understood.
Wilfred Owen: A New Biography (Writers And Their Work Ser. #No. 246)
by Dominic HibberdThe definitive biography of the war poet - 'Dominic Hibberd has probably done more more than any other individual to illuminate Owen's life and work. His new Life is a triumph ... it is difficult to believe it will ever be superseded' Mark Bostridge, The Independent on SundayWhen Wilfred Owen died in 1918 aged 25, only five of his poems had been published. Yet he became one of the most popular poets of the 20th century. For decades his public image was controlled by family and friends, especially his brother Harold who was terrified anyone might think Wilfred was gay. In recent years much new material has become available. This book, based on over thirty years of wide-ranging research, brings new information to almost every part of Owen's life. Owen emerges as a complex, fascinating and often endearing character with an intense delight in being alive.
Wilfred Owen - Selected Poems and Letters
by Wilfred Owen Helen CrossOne of a series designed to provide a new, accessible approach to the works of great poets and playwrights. Each text includes general notes on the text; discussion of themes, issues and context; and suggestions for further reading.
Wilhelm Tell (German Literary Classics in Translation)
by Friedrich von SchillerWhen Schiller completed Wilhelm Tell as a "New Year's Gift for 1805" he foretold that it would cause a stir. He was right. In the midst of Great Power politics a play which drew substance from one of the fourteenth-century liberation movements proved both attractive and inflammatory. Since then the work as become immensely popular. This new English translation by William F. Mainland brings out the essential tragi-comic nature of Wilhelm Tell but also emphasizes its impressive formal unity. Schiller based his play on chronicles of the Swiss liberation movement, in which Wilhelm Tell played a major role. Since Tell's existence has never been proven, Schiller, a historian by profession, felt he had to devise a figure who would bring the uncertainties and contradictions of the various Swiss chronicles into focus. Respected for his courage and skill with a bow, for his peaceable nature and his integrity, Schiller's archer—while always ready to aid his fellows—habitually seeks solitude. In the midst of political turmoil Wilhelm Tell is the nonpolitical man of action. Keenly interested in the problematic interplay of history and legend, Schiller turned it to be dramatic advantage. He constructed his play to illustrate the greatest possible development of the character traits suggested for Tell by the chronicles. The result of Schiller's supreme achievement in historical drama.
Wilhelm Tell (German Literary Classics in Translation)
by Friedrich von SchillerWhen Schiller completed Wilhelm Tell as a "New Year's Gift for 1805" he foretold that it would cause a stir. He was right. In the midst of Great Power politics a play which drew substance from one of the fourteenth-century liberation movements proved both attractive and inflammatory. Since then the work as become immensely popular. This new English translation by William F. Mainland brings out the essential tragi-comic nature of Wilhelm Tell but also emphasizes its impressive formal unity. Schiller based his play on chronicles of the Swiss liberation movement, in which Wilhelm Tell played a major role. Since Tell's existence has never been proven, Schiller, a historian by profession, felt he had to devise a figure who would bring the uncertainties and contradictions of the various Swiss chronicles into focus. Respected for his courage and skill with a bow, for his peaceable nature and his integrity, Schiller's archer—while always ready to aid his fellows—habitually seeks solitude. In the midst of political turmoil Wilhelm Tell is the nonpolitical man of action. Keenly interested in the problematic interplay of history and legend, Schiller turned it to be dramatic advantage. He constructed his play to illustrate the greatest possible development of the character traits suggested for Tell by the chronicles. The result of Schiller's supreme achievement in historical drama.
Wilhelm Tell (German Literary Classics in Translation)
by Friedrich von SchillerWhen Schiller completed Wilhelm Tell as a "New Year's Gift for 1805" he foretold that it would cause a stir. He was right. In the midst of Great Power politics a play which drew substance from one of the fourteenth-century liberation movements proved both attractive and inflammatory. Since then the work as become immensely popular. This new English translation by William F. Mainland brings out the essential tragi-comic nature of Wilhelm Tell but also emphasizes its impressive formal unity. Schiller based his play on chronicles of the Swiss liberation movement, in which Wilhelm Tell played a major role. Since Tell's existence has never been proven, Schiller, a historian by profession, felt he had to devise a figure who would bring the uncertainties and contradictions of the various Swiss chronicles into focus. Respected for his courage and skill with a bow, for his peaceable nature and his integrity, Schiller's archer—while always ready to aid his fellows—habitually seeks solitude. In the midst of political turmoil Wilhelm Tell is the nonpolitical man of action. Keenly interested in the problematic interplay of history and legend, Schiller turned it to be dramatic advantage. He constructed his play to illustrate the greatest possible development of the character traits suggested for Tell by the chronicles. The result of Schiller's supreme achievement in historical drama.
Wilhelm Tell (German Literary Classics in Translation)
by Friedrich von SchillerWhen Schiller completed Wilhelm Tell as a "New Year's Gift for 1805" he foretold that it would cause a stir. He was right. In the midst of Great Power politics a play which drew substance from one of the fourteenth-century liberation movements proved both attractive and inflammatory. Since then the work as become immensely popular. This new English translation by William F. Mainland brings out the essential tragi-comic nature of Wilhelm Tell but also emphasizes its impressive formal unity. Schiller based his play on chronicles of the Swiss liberation movement, in which Wilhelm Tell played a major role. Since Tell's existence has never been proven, Schiller, a historian by profession, felt he had to devise a figure who would bring the uncertainties and contradictions of the various Swiss chronicles into focus. Respected for his courage and skill with a bow, for his peaceable nature and his integrity, Schiller's archer—while always ready to aid his fellows—habitually seeks solitude. In the midst of political turmoil Wilhelm Tell is the nonpolitical man of action. Keenly interested in the problematic interplay of history and legend, Schiller turned it to be dramatic advantage. He constructed his play to illustrate the greatest possible development of the character traits suggested for Tell by the chronicles. The result of Schiller's supreme achievement in historical drama.
Will I Ever Pee Alone Again?: And other happy, heart-warming poems for mums
by Emma ConwayThere's a pyjama-clad woman from Brum,She's a mostly-happy (sometimes-snappy) mum,She's written some verse- it's a little perverse -and she hopes you find it side-splitting-ly fun!In her first book, happy-go-lucky YouTuber and Instagrammer Emma Conway explores motherhood in all its glory through the medium of hilarious and uplifting poetry. A mum to two young humans aged 7 and 9, she revisits the days of no sleep, potty training and toddler tantrums; dives deep into first days of school, sibling bickering and watching your babies grow into little people; and writes frankly about life after having kids, embracing the mum bod and giving zero sods. Written with huge amounts of warmth and love, and just the right amount of piss-takery, this is the reassuring hug-in-a-book you and all the mums in your life need.
Willehalm: Text Und Übersetzung (De Gruyter Texte Ser. #108)
by Wolfram EschenbachWolfram von Eschenbach (fl. c. 1195-1225), best known as the author of Parzival, based Willehalm, his epic poem of military prowess and courtly love, on the style and subject matter of an Old French "chanson de geste." In it he tells of the love of Willehalm for Giburc, a Saracen woman converted to Christianity, and its consequences. Seeking revenge for the insult to their faith, her relatives initiate a religious war but are finally routed. Wolfram's description of the two battles of Alischanz, with their massive slaughter and loss of heroes, and of the exploits of Willehalm and the quasicomic Rennewart, well displays the violence and courtliness of the medieval knightly ideal. Wolfram flavors his brutal account, however, with tender scenes between the lovers, asides to his audience, sympathetic cameos of his characters--especially the women--and, most unusually for his time, a surprising tolerance for 'pagans'.
William Blake: A Literary Life (Literary Lives)
by J. BeerThis volume on Blake follows the writer's life and combines biography and critical analysis. Covering Blake's early career, his major works and his work as a visual artist, this new study will be a must for all Blake scholars and enthusiasts. Recent discoveries concerning Blake's forebears and their religion make this new study additionally timely.
William Blake: Everyman's Poetry (Everyman's Poetry)
by William BlakeThe full range of Blakes Romantic poetry-joyful and sorrowful, childlike and complex-illustrating his original and prophetic vision.
William Blake
by James FentonIn this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.Tyger Tyger, burning bright,In the forests of the night:What immortal hand or eye,Could frame thy fearful symmetry?-- The Tyger