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William Shakespeare
by J. BrownWritten for performance, Shakespeare's plays are very different texts from any intended for a reader with book in hand and they require a different kind of attention. John Russell Brown's latest book attempts a description of Shakespeare's distinctive practice as a writer for the stage and, in doing so, suggests ways of responding to the plays which bring them alive in the mind as if in performance. It is a book for use, to quicken both eye and ear while reading the texts and to enliven almost any critical debate.
William Shakespeare and John Donne: Stages of the soul in early modern English poetry (The Manchester Spenser)
by Angelika ZirkerThis study analyses concepts and representations of the soul in the poetry of William Shakespeare and John Donne. It shows how the soul becomes a linking element between the genres of poetry and drama, and how poetry becomes dramatic whenever the soul is at its focus. This double movement can be observed in Shakespeare’s The Rape of Lucrece and Donne’s Holy Sonnets: in these texts, the connection between interiority and performance, psychology and religious self-care can be found, which is central to the understanding of early modern drama and its characteristic development of the soliloquy. The study thus offers a new reading of the poems by Shakespeare and Donne by analysing them, in different ways, as staged dialogues within the soul. It contributes to research on the soliloquy as much as on concepts of inwardness during the early modern period. The book is aimed at readers studying early modern literature and culture.
William Shakespeare and John Donne: Stages of the soul in early modern English poetry (The Manchester Spenser)
by Angelika ZirkerThis study analyses concepts and representations of the soul in the poetry of William Shakespeare and John Donne. It shows how the soul becomes a linking element between the genres of poetry and drama, and how poetry becomes dramatic whenever the soul is at its focus. This double movement can be observed in Shakespeare’s The Rape of Lucrece and Donne’s Holy Sonnets: in these texts, the connection between interiority and performance, psychology and religious self-care can be found, which is central to the understanding of early modern drama and its characteristic development of the soliloquy. The study thus offers a new reading of the poems by Shakespeare and Donne by analysing them, in different ways, as staged dialogues within the soul. It contributes to research on the soliloquy as much as on concepts of inwardness during the early modern period. The book is aimed at readers studying early modern literature and culture.
William Wordsworth: Interviews and Recollections (Interviews and Recollections)
by H. OrelWilliam Wordsworth: Interviews and Recollections collects and reprints, on a generous scale, selections from the texts of both immediately recorded opinions and characterizations that were written down in later years. Represented in this anthology are 22 of Wordsworth's most important contemporaries. With the exception of Shelley, they all knew Wordsworth personally. It was difficult, and perhaps impossible, for any of them to write neutrally or objectively about the impression that Wordsworth made on them. Their comments make for lively reading.
William Wordsworth: The Poetry of Grandeur and of Tenderness (RLE: Wordsworth and Coleridge)
by David B. PirieFirst published in 1982. In this study of Wordsworth’s major poetry, the author explores the conflict between the poet’s celebration of an impersonal earth and his concern for the most intensely personal relationships. The opening chapter concentrates on Wordsworth’s struggle to describe the natural world and the extraordinary claims he makes for the natural landscape — which are shown to derive not from vague mysticism but precisely articulated common sense. The close readings of Michael, The Idiot Boy, Tintern Abbey and The Ruined Cottage, and poems as passages on solitaries are supported by generous quotations and discussion of other critical views.
William Wordsworth: The Poetry of Grandeur and of Tenderness (RLE: Wordsworth and Coleridge)
by David B. PirieFirst published in 1982. In this study of Wordsworth’s major poetry, the author explores the conflict between the poet’s celebration of an impersonal earth and his concern for the most intensely personal relationships. The opening chapter concentrates on Wordsworth’s struggle to describe the natural world and the extraordinary claims he makes for the natural landscape — which are shown to derive not from vague mysticism but precisely articulated common sense. The close readings of Michael, The Idiot Boy, Tintern Abbey and The Ruined Cottage, and poems as passages on solitaries are supported by generous quotations and discussion of other critical views.
William Wordsworth: A Literary Life (Literary Lives)
by John WilliamsIn William Wordsworth, John Williams provides a detailed account of Wordsworth's evolution as a poet. This includes his earliest known writing while a pupil at Hawkshead Grammar School, and his later poetry, often virtually ignored by critics. Wordsworth's ambivalent attitude towards seeking out a public readership beyond his immediate circle of friends and admirers is a central concern of the book. This involves an assessment of the poet's shifting sense of his political allegiances alongside the pressures of personal relationships and circumstances.
William Wordsworth
by William WordsworthIn this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to the most important poets in our literature.Earth has not anything to show more fair:Dull would he be of soul who could pass by A sight so touching in its majesty . . .-- Composed Upon Westminster Bridge,September 3, 1802
William Wordsworth: Everyman's Poetry (Everyman's Poetry)
by William WordsworthA revolutionary voice in English verse, and a much loved and celebrated lyric poet.
William Wordsworth and Modern Travel: Railways, Motorcars and the Lake District, 1830-1940 (Romantic Reconfigurations: Studies in Literature and Culture 1780-1850 #12)
by Saeko YoshikawaThis book explores Wordsworth’s extraordinary influence on the tourist landscapes of the Lake District throughout the age of railways, motorcars and the First World War. It reveals how Wordsworth’s response to railways was not a straightforward matter of opposition and protest; his ideas were taken up by both advocates and opponents of railways, and through their controversies had a surprising impact on the earliest motorists as they sought a language to describe the liberty and independence of their new mode of transport. Once the age of motoring was underway, the outbreak of the First World War encouraged British people to connect Wordsworth’s patriotic passion with his wish to protect the Lake District as a national heritage – a transition that would have momentous effects in the interwar period, when popular motoring paradoxically brought a vogue for open-air activities and a renewal of romantic pedestrianism. With the arrival of global tourism, preservation of the cultural landscape of the Lake District became an urgent national and international concern. This book explores how patterns of tourist behaviour and environmental awareness changed in the century of popular tourism, examining how Wordsworth’s vision and language shaped modern ideas of travel, self-reliance, landscape and environment, cultural heritage, preservation and accessibility.
William Wordsworth's Poetry: William Wordsworth's Poetry (Reader's Guides)
by Daniel RobinsonDaniel Robinson provides a comprehensive guide to studying Wordsworth at undergraduate level.
The Wind Dog
by Tom PaulinThe 'wind dog' is a broken rainbow, but, in the title poem of Tom Paulin's sixth collection, it provides this most agile of poets with a perfect bridge into childhood and its 'lingo-jingo of beginnings'. The poem is a gloriously singing meditation on the life of the ear - 'the only true reader' - and the meaning and music of both words and pre-verbal sounds are a recurring theme in this rich, cogent and prosodically adventurous volume.
Windfall: Irish Nature Poems to Inspire and Connect
by Jane ClarkeWhat does Ireland's nature poetry say about us as a people? How does it speak to us of our past, our inheritance, the values to which we aspire? What clues lie within its language that connect us to our deeper selves and our place within our communities and environments?As varied as our plants, animals and habitats, Windfall: Irish Nature Poems to Inspire and Connect presents a portrait of an ever-changing vista. Jane Carkill's captivating original illustrations of Ireland's rich and diverse natural world add to the sense of enchantment and wonder.Each poem pays attention to nature while also reflecting on the loves and losses of our everyday lives. Award-winning poet Jane Clarke's selection includes some of our best-known poets, from Seamus Heaney, Eavan Boland, Michael Longley, Paula Meehan, Nuala Ní Dhomhnail, Eilean Ní Chuilleanáin and Paul Muldoon.There are poems here to make us laugh and cry, to help us celebrate and grieve; poems to put words on what can seem inexpressible as we connect to the other living beings with which we share this island.
Windharp: Poems of Ireland since 1916
by Niall MacMonagleWindharp: Niall MacMonagle's essential anthology of the last century of Irish poetryThe Easter Rising of 1916 was a foundational moment of the independent Irish state; but while that insurrection continues to divide opinion, there is no disagreement as to the majesty of Yeats's 'Easter 1916', or about the excellence of the Irish poetic tradition over the past century. Windharp is an anthology that follows the twists and turns of Irish history, culture and society through the work of its remarkable standing army of poets. Edited by Niall MacMonagle, Ireland's most trusted poetry commentator,Windharp is an accessible and inspiring journey through a century of Irish life.'A landmark book' Clive James, TLS Books of the Year'Glorious' Irish Examiner'Beautifully produced ... an appealing and appetite-whetting introduction to a century's poetry' Irish Times'Beautifully judged ... poised perfectly between the canon and the tradition, with a generous inclusiveness' Eavan Boland, Irish Times'A perfect selection. One of the best anthologies of Irish poetry ever produced.' Donal Ryan
Windows and Doors: A Poet Reads Literary Theory (Poets On Poetry)
by Natasha SajeWindows and Doors is a poetry handbook that places poststructuralist and postmodern ways of thinking alongside formalist modes, making explicit points of overlap and tension that are usually tacit. Each of Natasha Sajé’s nine essays addresses a topic of central concern to readers and writers of poetry while also making an argument about poetic language and ideology. Foundational topics—diction, syntax, rhythm, surprise, figurative language, narrative, genre, book design, and performance—are explained through the lenses of theory, history, and philosophy and illuminated through vibrant examples from the works of numerous contemporary American poets.
Wing
by Matthew FrancisMatthew Francis's latest collection celebrates the richness of nature and of our responses to it. The pleasures of summer are emblazoned in the colourful wings and evocative names of butterflies, while a nocturnal encounter with an earwig becomes a joyous incantation to the 'witchy-beetle, forkin-robin' of dialect. His love of history, embodied in his acclaimed Mandeville and The Mabinogi, gives rise to a sequence based on Robert Hooke's microscopic observations. There are tributes to the poets Basho, Dafydd ap Gwilym and W. S. Graham, to fireworks, apple varieties, and hot toddies. And, in a moving elegy for a friend killed in a parachute accident, Francis shows us a vertiginous vision of a world where even the dead 'sleep on the wing'.
Wingman and Skittles (Modern Plays)
by Richard MarshDad wasn't angry. As I started to cry.He hugged me. He calmed me. And he taught me to lie.Wingman is a new father-son comedy from Fringe-First winner Richard Marsh. Mum's dead. Annoyingly, dad's not. After twenty years apart, can father and son say goodbye to mum without saying hello to each other? This achingly funny story reminds us that no matter how bad life is, family can make it worse. Wingman received its world premiere at the Pleasance Dome, Edinburgh, on 30 July 2014, directed by Justin Audibert, before transferring to the Soho Theatre Upstairs from 2 - 20 September and then touring.The play is published alongside Richard Marsh's Skittles, which premiered at the Edinburgh Festival Fringe in 2011 and then featured on Radio 4 as Richard Marsh: Love and Sweets, winning Best Scripted Comedy at the BBC Audio Drama Awards.'For verse with heart and verve, see Richard Marsh's dazzling love-gone-wrong show Skittles' Telegraph'Richard Marsh's Skittles came at high velocity, whizzing through the various stages of a romantic entanglement that began when two colleagues shared 'a noncommittal Skittle' during a work break, progressing quickly to proposal and marriage . . . Funny and wise.' Guardian
Wingman and Skittles (Modern Plays)
by Richard MarshDad wasn't angry. As I started to cry.He hugged me. He calmed me. And he taught me to lie.Wingman is a new father-son comedy from Fringe-First winner Richard Marsh. Mum's dead. Annoyingly, dad's not. After twenty years apart, can father and son say goodbye to mum without saying hello to each other? This achingly funny story reminds us that no matter how bad life is, family can make it worse. Wingman received its world premiere at the Pleasance Dome, Edinburgh, on 30 July 2014, directed by Justin Audibert, before transferring to the Soho Theatre Upstairs from 2 - 20 September and then touring.The play is published alongside Richard Marsh's Skittles, which premiered at the Edinburgh Festival Fringe in 2011 and then featured on Radio 4 as Richard Marsh: Love and Sweets, winning Best Scripted Comedy at the BBC Audio Drama Awards.'For verse with heart and verve, see Richard Marsh's dazzling love-gone-wrong show Skittles' Telegraph'Richard Marsh's Skittles came at high velocity, whizzing through the various stages of a romantic entanglement that began when two colleagues shared 'a noncommittal Skittle' during a work break, progressing quickly to proposal and marriage . . . Funny and wise.' Guardian
Winnie-the-Pooh and Me: A brand new Winnie-the-Pooh adventure in rhyme, featuring A.A Milne's and E.H Shepard's beloved characters
by Jeanne WillisWinnie-the-Pooh and Me is a rhyming picture-book adventure featuring the best-loved characters from the Hundred Acre Wood.Someone has come along to join Winnie-the-Pooh and Christopher Robin on their adventure, but who could it be? It can't be Kanga and Roo – they're sailing a boat – and it can't be Owl, because he's at home. Could it be Heffalumps who want to eat Pooh's beloved honey? Or perhaps Pooh and Christopher Robin are accompanied by a pair of friends who are never far away on a sunny day.With gentle rhyming verse by bestselling author Jeanne Willis, inspired by A. A. Milne's classic poem 'Us Two' from Now We Are Six, and charming illustrations by Mark Burgess, in the style of E. H. Shepard, this authorised sequel is the perfect gift for anyone who loves the enchanting world of Winnie-the-Pooh and friends.
Winnie-the-Pooh at the Palace: A brand new Winnie-the-Pooh adventure in rhyme, featuring A.A Milne's and E.H Shepard's beloved characters
by Jeanne WillisWinnie-the-Pooh at the Palace is a rhyming picture-book adventure featuring some of the best-loved characters from the Hundred Acre Wood.On a day out to Buckingham Palace, Winnie-the-Pooh and his friends play in the snowy gardens, have a thrilling ride on a sledge, and Pooh gets stuck in a snow drift! Then, a surprising discovery leads to an invitation to have tea with the King!With gentle rhyming verse by bestselling author Jeanne Willis, inspired by A. A. Milne's classic poem 'Buckingham Palace', and charming illustrations by Mark Burgess, in the style of E. H. Shepard, this authorised sequel is the perfect gift for anyone who loves the enchanting world of Winnie-the-Pooh and his best friends, Christopher Robin and Piglet.Discover more rhyming adventures in Winnie-the-Pooh and Me.
Winning Words: Inspiring Poems for Everyday Life
by William SieghartFaster, higher, stronger: winning words are those that inspire you on to Olympian goals. From falling in love to overcoming adversity, celebrating a new born or learning to live with dignity: here is a book to inspire and to thrill through life's most magical moments. From William Shakespeare to Carol Ann Duffy, our most popular and best loved poets and poems are gathered in one essential collection, alongside many lesser known treasures that are waiting to be discovered. These are poems that help you to see the miraculous in the commonplace and turn the everyday into the exceptional - to discover, in Kipling's words, that yours is the Earth and everything that's in it.
The Winnowing Fan: Verse-Essays in Creative Criticism (Beyond Criticism)
by Christopher NorrisThis path-breaking book explores different ways in which writing about poetry can deepen and extend our critical engagement by deploying creatively the manifold resources of poetic language and form. Through a series of verse-essays, reflective monologues, and inventive variations on topics in literary theory The Winnowing Fan makes a strong case for revising received ideas about the scope and limits of criticism.Norris's poems traverse the full range of European poetic history from Homer's Odyssey, through the work of French symbolists such as Mallarmé, to modern writers such as Yeats, Benjamin, Heaney, Larkin, and Barthes. There are also verse-essays and shorter pieces on philosophers from Hume and Leibniz to Heidegger, Althusser, Derrida, de Man, Rorty, Deleuze, Badiou, and Agamben. In each case Norris seeks to free criticism from conventional academic forms and return it to an active mutual engagement with the practice of literature itself.
The Winnowing Fan: Verse-Essays in Creative Criticism (Beyond Criticism)
by Christopher NorrisThis path-breaking book explores different ways in which writing about poetry can deepen and extend our critical engagement by deploying creatively the manifold resources of poetic language and form. Through a series of verse-essays, reflective monologues, and inventive variations on topics in literary theory The Winnowing Fan makes a strong case for revising received ideas about the scope and limits of criticism.Norris's poems traverse the full range of European poetic history from Homer's Odyssey, through the work of French symbolists such as Mallarmé, to modern writers such as Yeats, Benjamin, Heaney, Larkin, and Barthes. There are also verse-essays and shorter pieces on philosophers from Hume and Leibniz to Heidegger, Althusser, Derrida, de Man, Rorty, Deleuze, Badiou, and Agamben. In each case Norris seeks to free criticism from conventional academic forms and return it to an active mutual engagement with the practice of literature itself.
Winter Jasmine
by Salim Khalil HaddadLife and death, conflict and oppression, nature, love, and faith.The poems of Salim Khalil Haddad resonate with deep, universal themes and are based on real events and poignant personal experience. At the heart of his rich poetry lies Haddad's strong Christian religion. Moving and uplifting, this fine new collection is a joy to read, particularly for readers of faith.
The Winter of the World: Poems of the Great War
by Dominic HibberdThis new anthology brings together 270 poems and is the most complete and authoritative ever compiled. Arranged by year rather than by poet, it is the first to reveal how poetry developed between 1914 and 1918, and afterwards from 1919 - 1930. The poetry that came out of the First World War exposed, for the first time in history, the real horror of war. The result is an extraordinary record of passionate feelings and appalling experiences, written by men and women from widely different backgrounds, of unique and enduring importance.All the major poets are generously represented, Owen, Brooke, Sassoon, Blunden, Gurney, Graves and Rosenberg, but here too are many unfamiliar yet remarkable poems from the less familiar, Joseph Leftwich, F S Flint, 'Touchstone'; female poets: Edith Sitwell; Vera Brittain, Eleanor Farjeon; and writers not always associated with WWI poetry, Thomas Hardy, Rudyard Kipling and Ezra Pound.Accompanying notes to the poems, historical events and the poets give precise, relevant information and suggest links to other poems, so the book as a whole forms a fascinating, moving narrative.Praise for Poetry of the Great War: An Anthology:'This splendid anthology...immaculately crafted...wide and authorative...[is] recommended unhesitatingly to both a popular and academic readership. Choice, USAPraise for Wilfred Owen: A New Biography:'Rich, compelling, formidably researched.' John Carey, Sunday Times