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Poetic Images, Presence, and the Theater of Kenotic Rituals (Routledge Advances in Theatre & Performance Studies)
by Eniko SepsiThis book explores the interrelation of contemporary French theatre and poetry. Using the pictorial turn in the various branches of art and science, its observable features, and the theoretical framework of the conceptual metaphor, this study seeks to gather together the divergent manners in which French poetry and theatre address this turn. Poetry in space and theatricality of poetry are studied alongside theatre, especially to the performative aspect of the originally theological concept of "kenosis". In doing so the author attempts to make use of the theological concept of kenosis, of central importance in Novarina’s oeuvre, for theatrical and dramatological purposes. Within poetic rituals, kenotic rituals are also examined in the book in a few theatrical practices – János Pilinszky and Robert Wilson, Jerzy Grotowski and Eugenio Barba – facilitating a better understanding of Novarina’s works. Accompanied by new English translations in the appendices, this is the first English language monograph related to the French essayist, dramaturg and director Valère Novarina’s theatre, and will be of great interest to students and scholars in theatre and literature studies.
Poetic Relations: Intimacy and Faith in the English Reformation
by Constance M. FureyWhat is the relationship between our isolated and our social selves, between aloneness and interconnection? Constance M. Furey probes this question through a suggestive literary tradition: early Protestant poems in which a single speaker describes a solitary search for God. As Furey demonstrates, John Donne, George Herbert, Anne Bradstreet, and others describe inner lives that are surprisingly crowded, teeming with human as well as divine companions. The same early modern writers who bequeathed to us the modern distinction between self and society reveal here a different way of thinking about selfhood altogether. For them, she argues, the self is neither alone nor universally connected, but is forever interactive and dynamically constituted by specific relationships. By means of an analysis equally attentive to theological ideas, social conventions, and poetic form, Furey reveals how poets who understand introspection as a relational act, and poetry itself as a form ideally suited to crafting a relational self, offer us new ways of thinking about selfhood today—and a resource for reimagining both secular and religious ways of being in the world.
Poetic Relations: Intimacy and Faith in the English Reformation
by Constance M. FureyWhat is the relationship between our isolated and our social selves, between aloneness and interconnection? Constance M. Furey probes this question through a suggestive literary tradition: early Protestant poems in which a single speaker describes a solitary search for God. As Furey demonstrates, John Donne, George Herbert, Anne Bradstreet, and others describe inner lives that are surprisingly crowded, teeming with human as well as divine companions. The same early modern writers who bequeathed to us the modern distinction between self and society reveal here a different way of thinking about selfhood altogether. For them, she argues, the self is neither alone nor universally connected, but is forever interactive and dynamically constituted by specific relationships. By means of an analysis equally attentive to theological ideas, social conventions, and poetic form, Furey reveals how poets who understand introspection as a relational act, and poetry itself as a form ideally suited to crafting a relational self, offer us new ways of thinking about selfhood today—and a resource for reimagining both secular and religious ways of being in the world.
Poetic Relations: Intimacy and Faith in the English Reformation
by Constance M. FureyWhat is the relationship between our isolated and our social selves, between aloneness and interconnection? Constance M. Furey probes this question through a suggestive literary tradition: early Protestant poems in which a single speaker describes a solitary search for God. As Furey demonstrates, John Donne, George Herbert, Anne Bradstreet, and others describe inner lives that are surprisingly crowded, teeming with human as well as divine companions. The same early modern writers who bequeathed to us the modern distinction between self and society reveal here a different way of thinking about selfhood altogether. For them, she argues, the self is neither alone nor universally connected, but is forever interactive and dynamically constituted by specific relationships. By means of an analysis equally attentive to theological ideas, social conventions, and poetic form, Furey reveals how poets who understand introspection as a relational act, and poetry itself as a form ideally suited to crafting a relational self, offer us new ways of thinking about selfhood today—and a resource for reimagining both secular and religious ways of being in the world.
Poetic Relations: Intimacy and Faith in the English Reformation
by Constance M. FureyWhat is the relationship between our isolated and our social selves, between aloneness and interconnection? Constance M. Furey probes this question through a suggestive literary tradition: early Protestant poems in which a single speaker describes a solitary search for God. As Furey demonstrates, John Donne, George Herbert, Anne Bradstreet, and others describe inner lives that are surprisingly crowded, teeming with human as well as divine companions. The same early modern writers who bequeathed to us the modern distinction between self and society reveal here a different way of thinking about selfhood altogether. For them, she argues, the self is neither alone nor universally connected, but is forever interactive and dynamically constituted by specific relationships. By means of an analysis equally attentive to theological ideas, social conventions, and poetic form, Furey reveals how poets who understand introspection as a relational act, and poetry itself as a form ideally suited to crafting a relational self, offer us new ways of thinking about selfhood today—and a resource for reimagining both secular and religious ways of being in the world.
Poetic Revelations: Word Made Flesh Made Word: The Power of the Word III (The Power of the Word)
by Mark S. Burrows Jean Ward Ma 322 Gorzata GrzegorzewskaThis book explores the much debated relation of language and bodily experience (i.e. the 'flesh'), considering in particular how poetry functions as revelatory discourse and thus relates to the formal horizon of theological inquiry. The central thematic focus is around a 'phenomenology of the flesh' as that which connects us with the world, being the site of perception and feeling, joy and suffering, and of life itself in all its vulnerability. The voices represented in this collection reflect interdisciplinary methods of interpretation and broadly ecumenical sensibilities, focusing attention on such matters as the revelatory nature of language in general and poetic language in particular, the function of poetry in society, the question of Incarnation and its relation to language and the poetic arts, the kenosis of the Word, and human embodiment in relation to the word 'enfleshed' in poetry.
Poetic Revelations: Word Made Flesh Made Word: The Power of the Word III (The Power of the Word)
by Mark S. Burrows Jean Ward Małgorzata GrzegorzewskaThis book explores the much debated relation of language and bodily experience (i.e. the 'flesh'), considering in particular how poetry functions as revelatory discourse and thus relates to the formal horizon of theological inquiry. The central thematic focus is around a 'phenomenology of the flesh' as that which connects us with the world, being the site of perception and feeling, joy and suffering, and of life itself in all its vulnerability. The voices represented in this collection reflect interdisciplinary methods of interpretation and broadly ecumenical sensibilities, focusing attention on such matters as the revelatory nature of language in general and poetic language in particular, the function of poetry in society, the question of Incarnation and its relation to language and the poetic arts, the kenosis of the Word, and human embodiment in relation to the word 'enfleshed' in poetry.
Poetic Trespass: Writing between Hebrew and Arabic in Israel/Palestine
by Lital LevyA Palestinian-Israeli poet declares a new state whose language, "Homelandic," is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a "language plague" that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. In Poetic Trespass, Lital Levy brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, she presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, Poetic Trespass traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, Levy finds writers who have boldly crossed over this divide to create literature in the language of their "other," as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, Levy introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, Poetic Trespass will change the way we understand literature and culture in the shadow of the Israeli-Palestinian conflict.
Poetics and Politics of Iran’s National Epic, the Sh?hn?meh (Literatures and Cultures of the Islamic World)
by M. OmidsalarThis book considers some of the Western interpretations of The Shahnameh - Iran's national epic, and argues that these interpretations are not only methodologically flawed, but are also more revealing of Western concerns and anxieties about Iran than they are about the Shahnameh.
The Poetics of Ancient and Classical Arabic Literature: Orientology (Culture and Civilization in the Middle East)
by Esad DurakovicThrough analysing ancient and classical Arabic literature, including the Qur'an, from within the Arabic literary tradition, this book provides an original interpretation of poetics, and of other important aspects of Arab culture. Ancient Arabic literature is a realm of poetry; prose literary forms emerged rather late, and even then remained in the shadow of poetic creative efforts. Traditionally, this literature has been viewed through a philologist’s lens and has often been represented as ‘materialistic’ in the sense that its poetry lacked imagination. As a result, Arabic poetry was often evaluated negatively in relation to other poetic traditions. The Poetics of Ancient and Classical Arabic Literature argues that old Arabic literature is remarkably coherent in poetical terms and has its own individuality, and that claims of its materialism arise from a failure to grasp the poetic principles of the Arabic tradition. Analysing the Qur’an, which is known for confronting the poetry of the time, this book reveals that "post Qur’anic" literature came to be defined against it. Thus, the constitution and interpretation of Arabic literature imposed itself as a particular exegesis of the sacred Text. Disputing traditional interpretations by arguing that Arabic literature can only be assessed from within, and not through comparison with other literary traditions, this book is of interest to students and scholars of Islamic Studies, Arabic Studies and Literary Studies.
The Poetics of Ancient and Classical Arabic Literature: Orientology (Culture and Civilization in the Middle East)
by Esad DurakovicThrough analysing ancient and classical Arabic literature, including the Qur'an, from within the Arabic literary tradition, this book provides an original interpretation of poetics, and of other important aspects of Arab culture. Ancient Arabic literature is a realm of poetry; prose literary forms emerged rather late, and even then remained in the shadow of poetic creative efforts. Traditionally, this literature has been viewed through a philologist’s lens and has often been represented as ‘materialistic’ in the sense that its poetry lacked imagination. As a result, Arabic poetry was often evaluated negatively in relation to other poetic traditions. The Poetics of Ancient and Classical Arabic Literature argues that old Arabic literature is remarkably coherent in poetical terms and has its own individuality, and that claims of its materialism arise from a failure to grasp the poetic principles of the Arabic tradition. Analysing the Qur’an, which is known for confronting the poetry of the time, this book reveals that "post Qur’anic" literature came to be defined against it. Thus, the constitution and interpretation of Arabic literature imposed itself as a particular exegesis of the sacred Text. Disputing traditional interpretations by arguing that Arabic literature can only be assessed from within, and not through comparison with other literary traditions, this book is of interest to students and scholars of Islamic Studies, Arabic Studies and Literary Studies.
The Poetics of Arabian Sūqs: A Hermeneutic Reading of the Development of Arabian Sūqs from the Pre-Islamic Era to Present (Routledge Research in Architecture)
by Jasmine ShahinThis book investigates the history of Arabian sūqs from their pre-Islamic beginnings to the present. Collecting evidence from archaeological ruins, Islamic towns, modern cities, Arabic poetry, philosophical debates, political conflicts, puppet shows and the insights of modern-day market-goers, the book presents new and unforeseen interpretations of the Arabian sūq’s meaning and its transformation through time and place. The finding that such meaning is tied to ancient trade rituals, where temple and market presented a holistic socio-urban unit, re-questions some instrumental assumptions regarding the value of sūq-ness in Arabia’s everyday practices. Such a finding, which locates the fadaā/tareeq duality as a central theme in Arabia’s socio-urban discourse, emphasizes the importance of lived experiences and poetics as key sources for understanding socio-urban phenomena.
The Poetics of Arabian Sūqs: A Hermeneutic Reading of the Development of Arabian Sūqs from the Pre-Islamic Era to Present (Routledge Research in Architecture)
by Jasmine ShahinThis book investigates the history of Arabian sūqs from their pre-Islamic beginnings to the present. Collecting evidence from archaeological ruins, Islamic towns, modern cities, Arabic poetry, philosophical debates, political conflicts, puppet shows and the insights of modern-day market-goers, the book presents new and unforeseen interpretations of the Arabian sūq’s meaning and its transformation through time and place. The finding that such meaning is tied to ancient trade rituals, where temple and market presented a holistic socio-urban unit, re-questions some instrumental assumptions regarding the value of sūq-ness in Arabia’s everyday practices. Such a finding, which locates the fadaā/tareeq duality as a central theme in Arabia’s socio-urban discourse, emphasizes the importance of lived experiences and poetics as key sources for understanding socio-urban phenomena.
A Poetics of Church: Reading and Writing Sacred Spaces of Poetic Dwelling
by Jennifer ReekThis innovative book aims to create a ‘poetics of Church’ and a ‘religious imaginary’ as alternatives to more institutional and conventional ways of thinking and of being ‘Church’. Structured as a spiritual and literary journey, the work moves from models of the institutional Catholic Church into more radical and ambiguous textual spaces, which the author creates by bringing together an unorthodox group of thinkers referred to as ‘poet-companions’: the 16th-century founder of the Society of Jesus, Ignatius of Loyola, the French thinkers Gaston Bachelard and Hélène Cixous, the French poet Yves Bonnefoy, and the English playwright Dennis Potter. Inspired especially by the reading and writing practices of Cixous, the author attempts to exemplify Cixous’ notion of écriture féminine—‘feminine writing’—that suggests new ways of seeing and relating. The project’s uniting of Ignatian spirituality with postmodern thinking and its concern with creating new theological, literary and spiritual spaces for women both coincide and contrast with Pope Francis’s pastoral and reformist tendencies, which have neglected to adequately address the marginalisation of women in the Church. As Francis has called for ‘a theology of women’, of which there are, of course, many to draw from, this volume will be a timely contribution with a unique interdisciplinary approach.
A Poetics of Church: Reading and Writing Sacred Spaces of Poetic Dwelling
by Jennifer ReekThis innovative book aims to create a ‘poetics of Church’ and a ‘religious imaginary’ as alternatives to more institutional and conventional ways of thinking and of being ‘Church’. Structured as a spiritual and literary journey, the work moves from models of the institutional Catholic Church into more radical and ambiguous textual spaces, which the author creates by bringing together an unorthodox group of thinkers referred to as ‘poet-companions’: the 16th-century founder of the Society of Jesus, Ignatius of Loyola, the French thinkers Gaston Bachelard and Hélène Cixous, the French poet Yves Bonnefoy, and the English playwright Dennis Potter. Inspired especially by the reading and writing practices of Cixous, the author attempts to exemplify Cixous’ notion of écriture féminine—‘feminine writing’—that suggests new ways of seeing and relating. The project’s uniting of Ignatian spirituality with postmodern thinking and its concern with creating new theological, literary and spiritual spaces for women both coincide and contrast with Pope Francis’s pastoral and reformist tendencies, which have neglected to adequately address the marginalisation of women in the Church. As Francis has called for ‘a theology of women’, of which there are, of course, many to draw from, this volume will be a timely contribution with a unique interdisciplinary approach.
Poetics of Critique: The Interdisciplinarity of Textuality
by Andrew W. HassTitle first published in 2003. Poetics of Critique breaks new ground in its pursuit of a formal and critical language of interdisciplinarity. The "founding" disciplines within the humanities - theology, philosophy, and literature - are brought together here in a shared space, but one that reconstitutes the very nature of each and any discipline. Readings alternate between discursive analysis and imaginative revisioning; texts alternate between those of the critical thinker (Kant, Nietzsche, Gadamer) and those of the novelist, the poet, and the playwright (Bulgakov, Goethe, Kundera, Sophocles). In this movement between traditions, a fusion, at once organic and dynamic, takes place: theologian, philosopher and artist become one, and a pure interdisciplinarity begins to emerge into view. Andrew Hass draws us into a new critical-poetic sensibility, by which we may explore the ultimate questions of human existence and divine reality with new vigor and sustain, or indeed revitalize, our deep passion for the fundamental question of truth.
Poetics of Critique: The Interdisciplinarity of Textuality
by Andrew W. HassTitle first published in 2003. Poetics of Critique breaks new ground in its pursuit of a formal and critical language of interdisciplinarity. The "founding" disciplines within the humanities - theology, philosophy, and literature - are brought together here in a shared space, but one that reconstitutes the very nature of each and any discipline. Readings alternate between discursive analysis and imaginative revisioning; texts alternate between those of the critical thinker (Kant, Nietzsche, Gadamer) and those of the novelist, the poet, and the playwright (Bulgakov, Goethe, Kundera, Sophocles). In this movement between traditions, a fusion, at once organic and dynamic, takes place: theologian, philosopher and artist become one, and a pure interdisciplinarity begins to emerge into view. Andrew Hass draws us into a new critical-poetic sensibility, by which we may explore the ultimate questions of human existence and divine reality with new vigor and sustain, or indeed revitalize, our deep passion for the fundamental question of truth.
The Poetics of Evil: Toward an Aesthetic Theodicy
by Philip TallonWhat role does art play in unravelling the theological problem of evil? What can aesthetics show us about God's goodness in a world of iniquity? Philip Tallon constructs an aesthetic theodicy through a fascinating examination of Christian aesthetics, ranging from the writings of Augustine to contemporary philosophy. Tallon offers a new framework for theodicy that allows the substantial inclusion of aesthetics, building on the work of Eleonore Stump. He then examines the concept of cosmic harmony, the predominant aesthetic motif within medieval theodicy, and shows how Augustine develops this theme by interweaving his metaphysical, moral, and aesthetic views of reality. Tallon then examines other aesthetic themes within theodicy, with special attention to tragedy, a motif that has become increasingly integrated into theodicy in the nineteenth and twentieth centuries. He shows where tragedy falls short as a sufficient theme for theodicy, but also demonstrates how it complements Augustine's theme of cosmic harmony. Finally, Tallon considers the horror of evil, an aesthetic theme that has often been used as an attack on the existence of God, but which has recently been used to understand how theodicy should be formulated to respond to the worst evils. By digging more deeply into the darker side of aesthetics, The Poetics of Evil offers a deeper perception of tragedy and malevolence, but also a richer understanding of the Christian response to the problem of evil.
A Poetics of Jesus: The Search for Christ Through Writing in the Nineteenth Century (Routledge Revivals)
by Jeffrey F. KeussThis title was first published in 2002: A Poetics of Jesus explores the act of writing within and between the boundaries of 19th century biblical criticism and fiction. Reflecting on the work of Christian poetics after Augustine to Baur, Feuerbach, Friedrich Strauss and Victorian novelists of the eighteenth and nineteenth century, this book breaks new ground in juxtaposing the evoked image of Christ arising from Victorian biblical criticism against the image of Christ within fiction, letting both these images and the words that figured them interact. This book offers a highly accessible introduction to 19th century literature and theology through comparisons made to contemporary post-modern theorists. Demonstrating how literature can inform theology without itself becoming 'theology', this book constitutes an important contribution to the literature/theology debate and a much needed contribution to contemporary Christology through its introduction to the literature and the writers central to the beginnings of the historical quest for Jesus.
A Poetics of Jesus: The Search for Christ Through Writing in the Nineteenth Century (Routledge Revivals)
by Jeffrey F. KeussThis title was first published in 2002: A Poetics of Jesus explores the act of writing within and between the boundaries of 19th century biblical criticism and fiction. Reflecting on the work of Christian poetics after Augustine to Baur, Feuerbach, Friedrich Strauss and Victorian novelists of the eighteenth and nineteenth century, this book breaks new ground in juxtaposing the evoked image of Christ arising from Victorian biblical criticism against the image of Christ within fiction, letting both these images and the words that figured them interact. This book offers a highly accessible introduction to 19th century literature and theology through comparisons made to contemporary post-modern theorists. Demonstrating how literature can inform theology without itself becoming 'theology', this book constitutes an important contribution to the literature/theology debate and a much needed contribution to contemporary Christology through its introduction to the literature and the writers central to the beginnings of the historical quest for Jesus.
Poetics of Opposition in Contemporary Spain: Politics and the Work of Urban Culture (Hispanic Urban Studies)
by Jonathan SnyderPairing cultural analysis in urban contexts with interdisciplinary approaches to political culture, this book argues that recent cultural production in Spain grapples with the conditions and possibilities for social transformation in dialogue with the ongoing crisis, neoliberal governance, and political culture in Spain's democratic history.
The Poetics of the Sensible (Explorations in Philosophy and Theology)
by Stanislas BretonIn the first English language translation of this classic late 20th-century text within French Catholic thought, Poetics of the Sensible brings together insights from Neoplatonism and phenomenology with a distinctive and innovative approach. Taking a stance within the generative conception of human language represented by continental thinkers such as Humboldt and Herder and powerfully articulated today by Charles Taylor, Stanislas Breton expands the sense of the “poetic”-the constructive meaning-bearing capacity that is a core characteristic of humanity-to include the body and its senses phenomenologically intertwined with the world. Defying Heidegger's prohibition on the question of God alongside contemporary thinkers such as Jean-Luc Marion, Jean-Louis Chrétien and Emmanuel Falque, he boldly writes of God, of the angel, of the icon, and of prayer in a refusal to bracket his religious faith. Against a Neoplatonic backdrop, Breton promotes the dense material dimensions of embodied signification as paradoxically harbouring meaning that is greater than that of conceptual abstraction alone. Illuminating Breton's poetic and allusive discourse, Poetics of the Sensible showcases his unique voice in French philosophy, phenomenology and the philosophy of religion and is essential reading for scholars and students alike.
The Poetics of the Sensible (Explorations in Philosophy and Theology)
by Stanislas BretonIn the first English language translation of this classic late 20th-century text within French Catholic thought, Poetics of the Sensible brings together insights from Neoplatonism and phenomenology with a distinctive and innovative approach. Taking a stance within the generative conception of human language represented by continental thinkers such as Humboldt and Herder and powerfully articulated today by Charles Taylor, Stanislas Breton expands the sense of the “poetic”-the constructive meaning-bearing capacity that is a core characteristic of humanity-to include the body and its senses phenomenologically intertwined with the world. Defying Heidegger's prohibition on the question of God alongside contemporary thinkers such as Jean-Luc Marion, Jean-Louis Chrétien and Emmanuel Falque, he boldly writes of God, of the angel, of the icon, and of prayer in a refusal to bracket his religious faith. Against a Neoplatonic backdrop, Breton promotes the dense material dimensions of embodied signification as paradoxically harbouring meaning that is greater than that of conceptual abstraction alone. Illuminating Breton's poetic and allusive discourse, Poetics of the Sensible showcases his unique voice in French philosophy, phenomenology and the philosophy of religion and is essential reading for scholars and students alike.
The Poetry and Career of Li Po: 701-762 (Ethical and Religious Classics of East and West #8)
by Arthur WaleyWhen this was originally published in 1950 this was the fullest biography of one of China’s greatest poets that had ever appeared in any language. It tells the story of the poet’s life against the background of contemporary history and, in doing so, gives a brilliant picture of Chinese life in the eighth century A.D. – during a period of the Tang Dynasty, fertile in great poets, such as Wang Wei, Tu Fu and Mêng Haojan.
The Poetry and Career of Li Po: 701-762 (Ethical and Religious Classics of East and West #8)
by Arthur WaleyWhen this was originally published in 1950 this was the fullest biography of one of China’s greatest poets that had ever appeared in any language. It tells the story of the poet’s life against the background of contemporary history and, in doing so, gives a brilliant picture of Chinese life in the eighth century A.D. – during a period of the Tang Dynasty, fertile in great poets, such as Wang Wei, Tu Fu and Mêng Haojan.