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Writing Religion: The Making of Turkish Alevi Islam (AAR Reflection and Theory in the Study of Religion)

In the late 1980s, the Alevis, at that time thought to be largely assimilated into the secular Turkish mainstream, began to assert their difference as they never had before. The question of Alevism's origins and its relation to Islam and to Turkish culture became a highly contested issue. According to the dominant understanding, Alevism is part of the Islamic tradition, although located on its margins. It is further assumed that Alevism is intrinsically related to Anatolian and Turkish culture, carrying an ancient Turkish heritage, leading back into pre-Islamic Central Asian Turkish pasts. Dressler argues that this knowledge about the Alevis-their demarcation as "heterodox" but Muslim and their status as carriers of Turkish culture-is in fact of rather recent origins. It was formulated within the complex historical dynamics of the late Ottoman Empire and the first years of the Turkish Republic in the context of Turkish nation-building and its goal of ethno-religious homogeneity.

Writing Religion Aarrtsr C: The Making Of Turkish Alevi Islam

Writing Resistance and the Question of Gender: Charlotte Delbo, Noor Inayat Khan, and Germaine Tillion

This book presents the first comparative study of the works of Charlotte Delbo, Noor Inayat Khan, and Germaine Tillion in relation to their vigorous struggles against Nazi aggression during World War II and the Holocaust. It illuminates ways in which their early lives conditioned both their political engagements during wartime and their extraordinary literary creations empowered by what Lara R. Curtis refers to as modes of ‘writing resistance.’ With skillful recourse to a remarkable variety of genres, they offer compelling autobiographical reflections, vivid chronicles of wartime atrocities, eyewitness accounts of victims, and acute perspectives on the political implications of major events. Their sensitive reflections of gendered subjectivity authenticate the myriad voices and visions they capture. In sum, this book highlights the lives and works of three courageous women who were ceaselessly committed to a noble cause during the Holocaust and World War II.

Writing the Gospels: Composition and Memory

A fresh and original account of how the Gospels were written, given what we know of the compositional techniques of the time, and stressing the importance of memory.

Writing the Gospels: A Dialogue with Francis Watson (The Library of New Testament Studies)

In this book prominent biblical scholars engage with Francis Watson's most striking arguments on the creation of the gospels. Their contributions focus in particular on his argument for a fourfold gospel rather than four separate gospels, his argument against Q but for an early sayings collection, and on the larger landscape of Jesus studies, gospel reception and interpretationThe contributors ask whether, and in what ways, Watson's reorientation of gospel studies is successful, and explore its implications for research. Leading scholars including Jens Schröter, Margaret Mitchell, Richard Bauckham and many others provide a close critical and creative engagement with Watson's work. More than merely a critical review of Watson's writing, this book carries forward his work with fresh treatments and provides an essential volume for students and scholars seeking to understand the landscape of gospel studies and to explore new directions within it.

Writing the Gospels: A Dialogue with Francis Watson (The Library of New Testament Studies)

In this book prominent biblical scholars engage with Francis Watson's most striking arguments on the creation of the gospels. Their contributions focus in particular on his argument for a fourfold gospel rather than four separate gospels, his argument against Q but for an early sayings collection, and on the larger landscape of Jesus studies, gospel reception and interpretationThe contributors ask whether, and in what ways, Watson's reorientation of gospel studies is successful, and explore its implications for research. Leading scholars including Jens Schröter, Margaret Mitchell, Richard Bauckham and many others provide a close critical and creative engagement with Watson's work. More than merely a critical review of Watson's writing, this book carries forward his work with fresh treatments and provides an essential volume for students and scholars seeking to understand the landscape of gospel studies and to explore new directions within it.

Writing the History of Israel (The Library of Hebrew Bible/Old Testament Studies)

No biblical historian is included in the standard dictionaries of historians. Banks' study examines the boundaries as well as the links that exists between history writing in biblical studies and the practice of history in university departments of history. She argues that while the influence of the profession of writing history is apparent, there are countervailing forces as well. The presupposition that the Bible is a book of history conditions the outcome of historical research in biblical studies. Banks argues that Julius Wellhausen's history of Israel set in motion the general tendency toward ever greater congruence between historiography in biblical studies and in academic departments of history; that the initial tension caused by Wellhausen's work produced a reaction which effectively stalled the movement toward accommodation between secular, academic history and biblical studies; and that a new generation of scholars applying the methods used by secular historians has revived and continued the tendency to promote the practice of secular, academic historiography in biblical studies. Banks applies her method to Wellhausen, Martin Noth, John Bright, and Thomas Thompson.

Writing the Rapture: Prophecy Fiction in Evangelical America

For the past twenty years, evangelical prophecy novels have been a powerful presence on American bestseller lists. Emerging from a growing conservative culture industry, the genre dramatizes events that many believers expect to occur at the end of the age - the rapture of the saved, the rise of the Antichrist, and the fearful tribulation faced by those who are "left behind." Seeking the forces that drove the unexpected success of the Left Behind novels, Crawford Gribben traces the gradual development of the prophecy fiction genre from its eclectic roots among early twentieth-century fundamentalists. The first rapture novels came onto the scene at the high water mark of Protestant America. From there, the genre would both witness the defeat of conservative Protestantism and participate in its eventual reconstruction and return, providing for the renaissance of the evangelical imagination that would culminate in the Left Behind novels. Yet, as Gribben shows, the rapture genre, while vividly expressing some prototypically American themes, also serves to greatly complicate the idea of American modernity-assaulting some of its most cherished tenets. Gribben concludes with a look at "post-Left Behind" rapture fiction, noting some works that were written specifically to counter the claims of the best-selling series. Along the way, he gives attention not just to literary fictions, but to rapture films and apocalyptic themes in Christian music. Writing the Rapture is an indispensable guide to this flourishing yet little understood body of literature.

Writing the Rapture: Prophecy Fiction in Evangelical America

For the past twenty years, evangelical prophecy novels have been a powerful presence on American bestseller lists. Emerging from a growing conservative culture industry, the genre dramatizes events that many believers expect to occur at the end of the age - the rapture of the saved, the rise of the Antichrist, and the fearful tribulation faced by those who are "left behind." Seeking the forces that drove the unexpected success of the Left Behind novels, Crawford Gribben traces the gradual development of the prophecy fiction genre from its eclectic roots among early twentieth-century fundamentalists. The first rapture novels came onto the scene at the high water mark of Protestant America. From there, the genre would both witness the defeat of conservative Protestantism and participate in its eventual reconstruction and return, providing for the renaissance of the evangelical imagination that would culminate in the Left Behind novels. Yet, as Gribben shows, the rapture genre, while vividly expressing some prototypically American themes, also serves to greatly complicate the idea of American modernity-assaulting some of its most cherished tenets. Gribben concludes with a look at "post-Left Behind" rapture fiction, noting some works that were written specifically to counter the claims of the best-selling series. Along the way, he gives attention not just to literary fictions, but to rapture films and apocalyptic themes in Christian music. Writing the Rapture is an indispensable guide to this flourishing yet little understood body of literature.

Writing the Reformation: Acts and Monuments and the Jacobean History Play (Routledge Revivals)

This title was first published in 2002. This work invests the post-Shakespearean history plays of the Jacobean era - including among others Shakespeare's "Henry VIII" (1613), Dekker's "The Whore of Babylon" (1606), and Heywood's "If You Know Not Me, You Know Nobody" (1604-5)-with new significance by recognizing the role they played in popularizing and re-appropriating Foxe's "Book of Martyrs", one of the most formative and culturally significant Reformation texts. This study presents the historical stage as a site of a continuing Reformation debate over the nature of political authority, the validity of conscience and the challenge to social and gender hierarchies implicit in Protestant doctrine. Relating each play to contemporary political events, the book demonstrates the role of the Jacobean stage in promoting reformation and informing with providential meaning the events unfolding outside the theatre.

Writing the Reformation: Acts and Monuments and the Jacobean History Play (Routledge Revivals)

This title was first published in 2002. This work invests the post-Shakespearean history plays of the Jacobean era - including among others Shakespeare's "Henry VIII" (1613), Dekker's "The Whore of Babylon" (1606), and Heywood's "If You Know Not Me, You Know Nobody" (1604-5)-with new significance by recognizing the role they played in popularizing and re-appropriating Foxe's "Book of Martyrs", one of the most formative and culturally significant Reformation texts. This study presents the historical stage as a site of a continuing Reformation debate over the nature of political authority, the validity of conscience and the challenge to social and gender hierarchies implicit in Protestant doctrine. Relating each play to contemporary political events, the book demonstrates the role of the Jacobean stage in promoting reformation and informing with providential meaning the events unfolding outside the theatre.

Writing the Wrongs: Women of the Old Testament among Biblical Commentators from Philo through the Reformation (Oxford Studies in Historical Theology)

Phyllis Trible's Texts of Terror is a landmark among those studying women of the Bible. Focusing on stories of the maltreatment of women, Trible paved the way for subsequent feminist exegetes who have been very critical of such stories in the Bible, and who see Christianity as an unredeemably patriarchal religion. It is commonly said that these Old Testament stories of rape, murder, torture, and abandonment passed without comment until recent times. Here, Thompson traces and analyzes various Christian interpretations of these bible stories of women. In drawing attention to views other than Texts of Terror, Thompson speaks to Christians who are battling over how the Bible ought to be read today.

Writing Theology Well 2nd Edition: A Rhetoric for Theological and Biblical Writers

A working guide for students conducting theological writing and research on theology and biblical studies courses, this book integrates the disciplines of writing, rhetoric, and theology, to provide a standard text for the teaching and mentoring of writing across the theological curriculum.As a theological rhetoric, it also encourages excellence in theological writing in the public domain by helping to equip students for their wider vocations as writers, preachers, and communicators in a variety of ministerial and professional contexts. This 2nd Edition includes new chapters on 'Writing Theology in a New Language', which explores the linguistic and cultural challenges of writing theology well in a non-native language, and 'Writing and Learning Theology in an Electronic Age', addressed to distance learning students learning to write theology well from online courses, and dealing with the technologies necessary to do so.

Writing Theology Well 2nd Edition: A Rhetoric for Theological and Biblical Writers

A working guide for students conducting theological writing and research on theology and biblical studies courses, this book integrates the disciplines of writing, rhetoric, and theology, to provide a standard text for the teaching and mentoring of writing across the theological curriculum.As a theological rhetoric, it also encourages excellence in theological writing in the public domain by helping to equip students for their wider vocations as writers, preachers, and communicators in a variety of ministerial and professional contexts. This 2nd Edition includes new chapters on 'Writing Theology in a New Language', which explores the linguistic and cultural challenges of writing theology well in a non-native language, and 'Writing and Learning Theology in an Electronic Age', addressed to distance learning students learning to write theology well from online courses, and dealing with the technologies necessary to do so.

Writing With Scripture: Scripturalized Narrative in the Gospel of Mark (The Library of New Testament Studies #670)

Nathanael Vette proposes that the Gospel of Mark, like other narrative works in the Second Temple period, uses the Jewish scriptures as a model to compose episodes and tell a new story. Vette compares Mark's use of scripture with roughly contemporary works like Pseudo-Philo, the Genesis Apocryphon, 1 Maccabees, Judith, and the Testament of Abraham; diverse texts which, combined, support the existence of shared compositional techniques. This volume identifies five scripturalized narratives in the Gospel: Jesus' forty-day sojourn in the wilderness and call of the disciples; the feeding of the multitudes; the execution of John the Baptist; and the Crucifixion of Jesus. This fresh understanding of how the Jewish scriptures were used to compose new narratives across diverse genres in the Second Temple period holds important lessons for how scholars read the Gospel of Mark. Instead of treating scriptural allusions and echoes as keys which unlock the hidden meaning of the Gospel, Vette argues that Mark often uses the Jewish scriptures simply for their ability to tell a story.

Writing With Scripture: Scripturalized Narrative in the Gospel of Mark (The Library of New Testament Studies #670)

Nathanael Vette proposes that the Gospel of Mark, like other narrative works in the Second Temple period, uses the Jewish scriptures as a model to compose episodes and tell a new story. Vette compares Mark's use of scripture with roughly contemporary works like Pseudo-Philo, the Genesis Apocryphon, 1 Maccabees, Judith, and the Testament of Abraham; diverse texts which, combined, support the existence of shared compositional techniques. This volume identifies five scripturalized narratives in the Gospel: Jesus' forty-day sojourn in the wilderness and call of the disciples; the feeding of the multitudes; the execution of John the Baptist; and the Crucifixion of Jesus. This fresh understanding of how the Jewish scriptures were used to compose new narratives across diverse genres in the Second Temple period holds important lessons for how scholars read the Gospel of Mark. Instead of treating scriptural allusions and echoes as keys which unlock the hidden meaning of the Gospel, Vette argues that Mark often uses the Jewish scriptures simply for their ability to tell a story.

Writings from the Zen Masters

These are unique stories of timeless wisdom and understanding from the Zen Masters. With rich and fascinating tales of swords, tigers, tea, flowers and dogs, the writings of the Masters challenge every perception - and seek to bring all readers closer to enlightenment.Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.

The Writings of Hammurabi: The First Complete Law Code

The book is an article extracted from the source book "Sacred Books and Early Literature of the East: Babylonia and Assyria" of the author and contains 282 codes of law.

The Writings of Luke and the Jewish Roots of the Christian Way: An Examination of the Aims of the First Christian Historian in the Light of Ancient Politics, Ethnography, and Historiography (The Library of New Testament Studies #599)

J. Andrew Cowan challenges the popular theory that Luke sought to boost the cultural status of the early Christian movement by emphasising its Jewish roots – associating the new church with an ancient and therefore respected heritage. Cowan instead argues that Luke draws upon the traditions of the Old Testament and its supporting texts as a reassurance to Christians, promising that Jesus' life, his works and the church that follow legitimately provide fulfilment of God's salvific plan.Cowan's argument compares Luke's writings to two near-contemporaries, Dionysius of Halicarnassus and T. Flavius Josephus, both of whom emphasized the ancient heritage of a people with cultural or political aims in view, exploring how the writings of Luke do not reflect the same cultural values or pursue the same ends. Challenging assumptions on Luke's supposed attempts to assuage political concerns, capitalize on antiquity, and present Christianity as an inner-Jewish sect, Cowan counters with arguments for Luke being critical of over-valuing tradition and defining the Jewish people as resistant to God and His messages. Cowan concludes with the argument that the apostle does not strive for legitimisation of the new church by previous cultural standards, but instead provides theological reassurance to Christians that God's plan has been fulfilled, with implications for broader debate.

The Writings of Luke and the Jewish Roots of the Christian Way: An Examination of the Aims of the First Christian Historian in the Light of Ancient Politics, Ethnography, and Historiography (The Library of New Testament Studies)

J. Andrew Cowan challenges the popular theory that Luke sought to boost the cultural status of the early Christian movement by emphasising its Jewish roots – associating the new church with an ancient and therefore respected heritage. Cowan instead argues that Luke draws upon the traditions of the Old Testament and its supporting texts as a reassurance to Christians, promising that Jesus' life, his works and the church that follow legitimately provide fulfilment of God's salvific plan.Cowan's argument compares Luke's writings to two near-contemporaries, Dionysius of Halicarnassus and T. Flavius Josephus, both of whom emphasized the ancient heritage of a people with cultural or political aims in view, exploring how the writings of Luke do not reflect the same cultural values or pursue the same ends. Challenging assumptions on Luke's supposed attempts to assuage political concerns, capitalize on antiquity, and present Christianity as an inner-Jewish sect, Cowan counters with arguments for Luke being critical of over-valuing tradition and defining the Jewish people as resistant to God and His messages. Cowan concludes with the argument that the apostle does not strive for legitimisation of the new church by previous cultural standards, but instead provides theological reassurance to Christians that God's plan has been fulfilled, with implications for broader debate.

The Writings of the Apostolic Fathers

The Writings of the Apostolic Fathers refer to a group of miscellaneous Christian writings produced in the first and second centuries. The authors of these writings were considered by seventeenth century scholars to be the next generation of Apostles and as a result were named The Apostolic Fathers. Perceived by many scholars to be the most important collection of post-New Testament writings, a number of these texts were in fact considered for the Canon of the New Testament but later rejected. Their obvious significance stems from the fact that they are the first Christian writings produced outside the New Testament Canon and as such contain an essential insight into the development of the early Christian Church and Christian thinking. Much Christian Doctrine came, not from the New Testament, but from the writings produced by the early church and in particular the writings of the Apostolic Fathers. Therefore, these texts are crucial to an understanding of the shaping of Christian thought and Christian doctrine. This volume will provide readers with an overview of each of the eleven texts, together with a general introduction. Communicating the best recent scholarship to a broad audience, each chapter offers a treatment of the most controversial aspects of each text and discusses the theology of each of the writings in order to orient readers to the development of Christian thinking in the second century. Each article ends with a carefully chosen select bibliography to enable further reading.

Written To Serve: The Use of Scripture in 1 Peter (The Library of New Testament Studies #547)

The use of Scripture in 1 Peter has been subject to much extensive analysis in the last thirty years. In Written to Serve Benjamin Sargent offers an up to date and comprehensive analysis of how 1 Pet 1.10-12 offers a 'hermeneutic,' providing an insight into how Scripture is interpreted in the letter. Sargent also argues that the relation of 1.10-12 has been misunderstood. Rather than offering a Christological hermeneutic with a focus on the suffering and glories of Christ, Sargent asserts that the primary importance of 1.10-12 is its orientation of the prophetic witness towards the eschatological community as an act of service. Similarly, rather than offering a theological narrative of continuity between Israel and Christian communities, 1.10-12 may be seen to suggest a narrative of profound discontinuity in which the community in the present is elevated above God's people of the past.

The Wrong Messiah: The Real Story of Jesus of Nazareth

He came from the wrong social class, the wrong place and the wrong profession. He ate with the wrong people, championed the wrong causes and attracted the wrong kind of supporters. He even spoke with the wrong accent. In fact everything about Jesus of Nazareth was wrong. How could this odd-job man be God's Messiah?To the authorities he was a dangerous rebel; to the pious he was scandalously unorthodox. Even his family thought he was mad. But somehow this builder from 'up north' - this outrageous, unorthodox, rebellious teacher and miracle worker - changed the world.In this illuminating new biography, Nick Page strips away centuries of misrepresentation and myth to reveal the real personality portrayed in the gospels. Drawing on a wealth of historical and archaeological research, the result is a startling and vivid new portrait of Yeshua ben Yosef - Jesus of Nazareth.Challenging and thought-provoking, THE WRONG MESSIAH will change the way you view Jesus: the man who in so many ways seemed utterly wrong, but who history has proved triumphantly to be right.

Wrongly Accused: Wrongly Accused Down To The Wire (SWAT: Top Cops #1)

A DESPERATE FATHER

Wuhan

A multi-stranded historical epic set in China in 1937, when Wuhan stood alone against a whirlwind of war and violence.'Fletcher impresses in this searing debut... Fletcher makes all his characters realistic, even if they only appear briefly, and excels at portraying the horrors of war and the moral challenges it poses. Fans of J.G. Ballard's Empire of the Sun will be riveted' Publishers Weekly, Starred Review 1937. CHINA IS AT WAR.Soldiers of the Empire of Japan sweep through the country, killing and displacing the millions who stand in their way. As vast swathes of the country fall to the invaders, Wuhan, an industrial city in the centre of China, is appointed wartime capital. While the rest of the world looks the other way, the citizens of Wuhan stand alone against a whirlwind of violence – transforming militarily, educationally, medically and culturally.Their heroic efforts halted the Japanese.Weaving together a multitude of narratives, Wuhan is a historical fiction epic that pulls no punches: the heart-in-mouth tale of a peasant family forced onto a thousand-mile refugee death-march; the story of Lao She – China's greatest writer – leaving his family in a war zone to assist with the propaganda effort in Wuhan; the hellish battlefields of the Sino-Japanese war; the approaching global conflict seen through a host of colourful characters – from Chiang Kai-Shek, China's nationalist leader, to Peter Fleming, a British journalist based in Wuhan and the prototype for his younger brother Ian Fleming's James Bond.