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Cress (The Lunar Chronicles #3)

by Marissa Meyer

Cress is the third book in the bestselling Lunar Chronicles series, following Cinder and Scarlet. Incarcerated in a satellite, an expert hacker and out to save the world - Cress isn't your usual damsel in distress. CRESS grew-up as a prisoner. With only netscreens for company she's forced to do the bidding of the evil Queen Levana. Now that means tracking down Cinder and her handsome accomplice Emperor Kai. But little does Levana know that those she seeks, and the man she loves, are plotting her downfall . . .As paths cross and the price of freedom rises, happily ever after has never seemed further away for Cress, Scarlet and Cinder. This is not the fairy tale you remember. But it's one you won't forget. 'Fairy tales are becoming all the rage, with the TV shows Once Upon a Time and Grimm spinning them through a modern filter. . . Meyer's debut novel Cinder, though, combines a classic folk tale with hints of The Terminator and Star Wars' USAToday.com [praise for CINDER] About the author: Marissa Meyer's first two books in the Lunar Chronicles, Cinder and Scarlet, debuted on the New York Times bestseller list. Marissa lives in Tacoma, Washington, with her husband and their three cats. Visit her at www.marissameyer.com and facebook.com/lunarchroniclesAlso Available:CinderScarletCressAnd don't miss: Winter

Creta the Winged Terror: Early Reader Creta The Winged Terror (ebook) Beast Quest: Early Reader Creta The (Beast Quest Early Reader #4)

by Adam Blade

Evil Wizard Malvel has conjured up Creta, a terrifying monster that can unleash thousands of vicious insects from its body! Can Tom defeat Creta before the Beast destroys the whole kingdom?Beast Quest Early Readers are perfect for children learning to read and for families to enjoy together, with text vetted by a literacy expert and bright new colour illustrations.Also available: Beast Quest Early Reader 3: Arax the Soul Stealer!

Creta the Winged Terror: Special 5 (Beast Quest #5)

by Adam Blade

Evil Wizard Malvel has conjured up Creta, a terrifying creature that can unleash thousands of vicious insects from its colossal body!? Tom must find a way to defeat Creta before the Beast destroys both him and Avantia...

Cretan Teat

by Brian Aldiss

A ribald tale from Britain’s best-love Science Fiction writer.Available for the first time in eBook.

The Cricket on the Hearth

by Charles Dickens

John Peerybingle, a carrier, lives with his young wife Dot, their baby boy and their nanny Tilly Slowboy. A cricket chirps on the hearth and acts as a guardian angel to the family. One day a mysterious elderly stranger comes to visit and takes up lodging at Peerybingle's house for a few days.

Crimes of Cupidity: The sizzling romance from the bestselling author of The Plated Prisoner series (Heart Hassle #3)

by Raven Kennedy

Is falling in love multiple times really such a crime?This cupid says no.Emelle used to be just a stupid cupid helping others fall in love (or not) and living a loveless life.Everything changed when she went to the fae realm and was no longer invisible. Her sole goal was to find love for herself, and she did. With four fae men.Too bad she found trouble too.She's somehow become an accidental spy for the kingdom's rebels, and there's a war brewing in the realm.All this cupid really wants to do is spread a bit of love . . . but she'll have to spread a bit of fight first.Good thing there's nothing a cupid will fight harder for than love.Crimes of Cupidity is Book Three in the fun, addictive and sexy Heart Hassle seriesGild, Glint and Gleam, Sunday Times bestsellers, April 2023

The Crimson Campaign: Book 2 in The Powder Mage Trilogy (Powder Mage trilogy #2)

by Brian McClellan

'Just plain awesome . . . Innovative magic, quick-paced plot, interesting world. I had a blast' Brandon Sanderson on Promise of BloodField Marshal Tamas's invasion of Kez has ended in disaster. Stranded behind enemy lines and hounded by the enemy's finest, Tamas must lead his remaining men on a reckless retreat through northern Kez to safety.In Adro, Inspector Adamat wants only to rescue his wife. To do so, he must hunt down and confront the enigmatic Lord Vetus - but the truth he learns is far darker than he could have imagined.The god Kremsimir wants the head of Tamas's son, Taniel - the man who shot him in the eye. With Tamas and his powder mages presumed dead, only Taniel can lead the charge against the vengeful god and his invading army.Praise for the series: 'Gunpowder and magic. An explosive combination' Peter Brett'Brings a welcome breath of gunpowder-tinged air to epic fantasy' Anthony Ryan'Tense action, memorable characters, rising stakes . . . Brian McClellan is the real thing' Brent WeeksThe Powder Mage trilogy:Promise of BloodThe Crimson CampaignThe Autumn Republic The Gods of Blood and Powder series:Sins of EmpireWrath of Empire

The Crimson Crown

by Heather Walter

Mirror, mirror on the wall, who’s the most wicked of them all? Snow White’s dark queen tells her side of the story in this queer, witchy reimagining of the classic fairy tale from the author of Malice.Legends tell of a witch who became a queen – the heartless villain in the story of Snow White. But now the wicked queen is stepping out of Snow White’s shadow to become the heroine of her own legend.Her “once upon a time” began when she was just Ayleth, a young witch living in the forest with her coven, practicing their magic in secret and hiding from the White King’s brutal war against witchcraft.Ayleth, however, faces a war of her own. Her magical gifts have yet to reveal themselves, and as the threat of the Royal Huntsmen intensifies, she fears she will never become the witch her coven needs.To prove herself, she sets out on a perilous quest that sends her to the White Palace, a decadent world of drama and deceit. There, she encounters an unlikely figure from her past, Jacquetta – the witch who once held Ayleth’s heart – but then betrayed her.As events at the palace escalate, Ayleth finds herself caught in the web of the White King, whose dark charisma is as dangerous as the sinister force that seems to be haunting the palace. With the threat of discovery looming, Ayleth and Jacquetta must set aside the wounds of their past and work together to survive.But to do this, Ayleth must find the strength to transform into someone she never imagined she could be.A powerful witch, the very wickedest of them all.

The Crimson Crown (The Seven Realms Series #4)

by Cinda Williams Chima

The stunning final book in the critically acclaimed Seven Realms epic fantasy series from Cinda Williams Chima

Crimson Death (Anita Blake, Vampire Hunter, Novels #25)

by Laurell K. Hamilton

In Crimson Death, the twenty-fifth Anita Blake, Vampire Hunter, adventure by Sunday Times and New York Times bestselling author Laurell K. Hamilton, Anita is tested like never before in a showdown that will delight readers of Charlaine Harris and Anne Rice. 'Hamilton is still thrilling fans...with her amazing multifaceted characters and intricate multilayered world, a mix of erotic romance, crime-drama, and paranormal/fantasy fiction' Library JournalSome say love is a great motivator, but hatred gets the job done, too.My name is Anita Blake. I'm a vampire hunter and necromancer, and I'm about to learn that evil is in the eye of the beholder...I've never seen Damian, my vampire servant, so vulnerable. He's being bombarded with violent nightmares and blood sweats, but now is the time I need him most. The ruthless vampire who created him might be losing control, allowing rogue vampires to run wild and break one of their kind's few strict taboos.I'm joining forces with my friend Edward to stop the carnage, and Damian will be at our side, even if it means travelling to a place that couldn't be less welcoming to a vampire, an assassin and a necromancer. Ireland.

The Crimson Moth (The Crimson Moth #1)

by null Kristen Ciccarelli

Enemies-to-lovers doesn't get more high stakes than a witch and a witch hunter falling in love in bestselling author Kristen Ciccarelli's latest romantic fantasy. On the night Rune’s life changed forever, blood ran in the streets. Now, in the aftermath of a devastating revolution, witches have been diminished from powerful rulers to outcasts ruthlessly hunted due to their waning magic, and Rune must hide what she is. Spending her days pretending to be nothing more than a vapid young socialite, Rune spends her nights as the Crimson Moth, a witch vigilante who rescues her kind from being purged. When a rescue goes wrong, she decides to throw the witch hunters off her scent and gain the intel she desperately needs by courting the handsome Gideon Sharpe – a notorious and unforgiving witch hunter loyal to the revolution – who she can't help but find herself falling for. Gideon loathes the decadence and superficiality Rune represents, but when he learns the Crimson Moth has been using Rune’s merchant ships to smuggle renegade witches out of the republic, he inserts himself into her social circles by pretending to court her right back. He soon realizes that beneath her beauty and shallow façade, is someone fiercely intelligent and tender who feels like his perfect match. Except, what if she’s the very villain he’s been hunting? Kristen Ciccarelli’s The Crimson Moth is the thrilling start to a romantic fantasy duology where the only thing more treacherous than being a witch…is falling in love. Spice 🥵: 🌶️ Tropes ✨: Witch x Witch Hunter 👩👨 Enemies to Lovers ❤️‍🔥 Heroine Vigilante 🥷 Outlawed Magic 🪄❌ Brother’s Best Friend 👩‍❤️‍👨 High Stakes ⚠️ Slow Burn Romance 🔥❤️ Forbidden Desires 🚫❤️ Epic Tension 🥵 Published in the US as Heartless Hunter

Crimson Planet

by Patricia Fanthorpe Lionel Fanthorpe John E. Muller

Mars is our nearest neighbour in the solar system, with the exception of our own satellite Luna. It will be considerably easier to hit the moon of course, but what will we find when we get there? Plenty to interest the scientist, the mining engineer, and the cosmologist. But the Biologist will find only fossilised traces of Lunar life, if he finds anything at all. On Mars the story will be vastly different. We know that there is vegetation there. We still argue about those enigmatic canals. Are they optical illusion or...? What if...? What if an intelligent civilisation cut those great water courses? What if that civilisation still exists? Is man the only intelligence in God's great Universe? How will earth's envoys react when they first encounter non-human intellect for the first time? Will the aliens be friendly, or...?

Crimson Reign (Blood Heir Trilogy #3)

by Amélie Wen Zhao

For fans of Children of Blood and Bone and Six of Crows comes the thrilling conclusion to the Blood Heir trilogy. A princess with a dark secret must ally with a con man to liberate her empire from a reign of terror in this epic fantasy reminiscent of the Anastasia story.

The Crippled Angel: Book Three Of The Crucible Trilogy (The Crucible Trilogy #3)

by Sara Douglass

The third book of The Crucible, the exciting historical fantasy series from the author of the popular Axis Trilogy.

The Crippled God: The Malazan Book of the Fallen 10 (The Malazan Book Of The Fallen #10)

by Steven Erikson

The final, apocalyptic chapter in one of the most original, exciting and acclaimed fantasy series of our timeThe Bonehunters are marching to Kolanse, and to an unknown fate. Tormented and exhausted, they are an army on the brink of mutiny. But Adjunct Tavore will not relent. If she can hold her forces together, if the fragile alliances she has forged can survive and if it is within her power, one final act remains. For Tavore Paran means to challenge the gods.Ranged against Tavore and her allies are formidable foes. The Fokrul Assail are drawing upon a terrible power; their desire is to cleanse the world - to eradicate every civilization, to annihilate every human - in order to begin anew. The Elder Gods, too, are seeking to return. And to do so, they will shatter the chains that bind a force of utter devastation and release her from her eternal prison. It seems that, once more, there will be dragons in the world.And in Kurald Galain, where the once-lost city of Kharkanas has been found, thousands have gathered upon the First Shore. Commanded by Yedan Derryg, they await the coming of the Tiste Liosan. Are they truly ready to die in the name of an empty city and a queen with no subjects?In every world there comes a time when choice is no longer an option - a moment when the soul is laid bare and there is nowhere left to turn. And when this last hard truth is faced, when compassion is a virtue on its knees, what is there left to do? Now that time is come - now is the moment to proclaim your defiance and make a stand...And so begins the final cataclysmic chapter in Steven Erikson's extraordinary, genre-defining 'Malazan Book of the Fallen'.

Crisis Nation

by Don Pendleton

When American military personnel are found beheaded in the swamps of Puerto Rico, Mack Bolan boards a plane and lands in a political revolution. As the streets of San Juan turn bloody, he suspects someone outside the country is running the show and the gangs behind the military slaughter are simple pawns in a much more complex game.

Critical Role: The Mighty Nein - The Nine Eyes of Lucien

by Madeleine Roux

Delve into the mind of Critical Role's most charming villain in this original novel that chronicles Lucien's early life and his fateful meeting with the Mighty Nein.Lucien has always been able to spin a bad situation to his advantage. From his childhood on the dangerous streets of Shadycreek Run to his years living off the grid and learning blood magic from the Claret Orders, the charismatic blood hunter will find a way to get the upper hand. When Lucien is on a job in the frozen wastelands of Eiselcross with his fellow mercenaries, a rough-and-tumble crew called the Tombtakers, fate leads him to a mysterious journal in the ruins of an ancient city. The book speaks of the Somnovem, nine beings who can grant Lucien power beyond imagining-if he is able to find them and free them from captivity. Intrigued by this opportunity, Lucien pores over the journal-but the more he reads, the stranger things become. The nine whisper to him in dreams and waking visions. Time slips away, along with Lucien's grasp on reality. And tattoos of red eyes begin appearing on his skin. . . . With the ability to reshape the world within his grasp, Lucien ignores all warning signs. He has always bent fortune to his will, and nothing-not even death-will stop him now. Written by New York Times bestselling author Madeleine Roux, Critical Role: The Mighty Nein-The Nine Eyes of Lucien explores the meteoric rise and fall of one of Critical Role's most notorious and tragic figures.

Critical Role: Vox Machina – Kith & Kin (Critical Role Ser. #1)

by Cast of Critical Role Marieke Nijkamp

Explore the past of Critical Role's daring half-elf twins, Vex'ahlia and Vax'ildan, in this original prequel novel to their adventures with Vox Machina.Vex and Vax have always been outsiders. A harsh childhood in the elite elven city of Syngorn quickly taught them not to rely on others. Now, freed from the expectations of their exacting father and the scornful eyes of Syngorn's elves, the cunning hunter and the conning thief have made their own way in the world of Exandria. The twins have traveled far and experienced great hardship. But with the help of Vex's quick wit and Vax's quicker dagger, they've always kept ahead of trouble. Now, unknown perils await them in the bustling city of Westruun, where the twins become entangled in a web spun by the thieves' guild known to many as the Clasp. Trapped by a hasty deal, Vex and Vax (along with Vex's faithful bear companion, Trinket) set out into the wilds to fulfill their debt to the infamous crime syndicate. As the situation grows more complicated than they ever could have imagined, for the first time Vex and Vax find themselves on opposite sides of a conflict that threatens the home they have carried with each other for years.Written by #1 New York Times bestselling author Marieke Nijkamp, Critical Role: Vox Machina-Kith & Kin follows a brand-new adventure that delves into the twin's unexplored history, and returns to some of the iconic moments that forged Vox Machina's most unbreakable bond.

Critical Threshold: Daedalus Mission 2 (Daedalus Mission #Bk. 2)

by Brian Stableford

They call them the "rat-catchers." They're the crew of the spaceship Daedalus, which an economically destitute Earth has dispatched on a mission to re-establish contact with its far-flung, long-lost colonies in space. Alex Alexander, the ship's biologist, together with his staff, must help solve the mysteries of human and alien ecosystems that he encounters light-years from home.Dendra is a stable world, covered by a huge, unchanging forest-except that nothing living can really be free of change. The planet has no seasons, but its animal life still undergoes life-cycles involving birth, maturation, metamorphosis, and death. The Earth colony sent to tame the world has failed, at least in the terms expected of it, and seems beyond redemption; but the crew of the Daedalus still has to find out exactly why and how the program has gone wrong. Provided, of course, that they can survive the investigation itself!

Critique of Fantasy, Vol. 1: Between a Crypt and a Datemark

by Laurence A. Rickels

Critique of Fantasy, Vol. 1: Between a Crypt and a Datemark addresses both the style or genre of fantasy and the mental faculty, long the hot property of philosophical ethics. Freud passed it along in his 1907 essay on the poetics of daydreaming when he addressed omnipotent wish fantasy as the source and resource of the aspirations and resolutions of art, which, however, the artwork can never look back at or acknowledge. By grounding his genre in the one fantasy that is true, the Gospel, J.R.R. Tolkien obviated and made obvious the ethical mandate of fantasy’s restraining order. With George Lucas’s Star Wars we entered the borderlands of the fantasy and science fiction genres, a zone resulting from and staggering a contest, which Tolkien inaugurated in the 1930s. The history of this contested borderland marks changes that arose in expectation of what the new media held in store, changes realized (but outside the box of what had been projected) upon the arrival of the unanticipated digital relation, which at last seemed to award the fantasy genre the contest prize. Freud’s notion of the Zeitmarke (datemark), the indelible impress of the present moment that triggered the daydream that denies it, already introduced the import of fantasy's historicization. Science fiction won a second prize that keeps it in the running. No longer bound to projecting the future, the former calling which in light of digitization it flunked, science fiction becomes allegorical and reading in the ruins of its failed predictions illuminates all the date marks and crypts hiding out in the borderlands it traverses with fantasy. To motivate the import of an evolving science fiction genre, Critique of Fantasy makes Gotthard Günther's reflections in the 1950s on American science fiction – as heralding a new metaphysics and a new planetary going on interstellar civilization – a mainstay of its cultural anthropology with B-genres.

Critique of Fantasy, Vol. 2: The Contest between B-Genres

by Laurence A. Rickels

In The Contest between B-Genres, the “Space Trilogy” by J.R.R. Tolkien’s friend and colleague C.S. Lewis and the roster of American science fictions that Gotthard Günther selected and glossed for the German readership in 1952 demarcate the ring in which the contestants face off. In carrying out in fiction the joust that Tolkien proclaimed in his manifesto essay “On Fairy-Stories,” Lewis challenged the visions of travel through time and space that were the mainstays of modern science fiction. In the facing corner, Günther recognized in American science fiction the first stirrings of a new mythic storytelling that would supplant the staple of an expiring metaphysics, the fairy-story basic to Tolkien and Lewis’s fantasy genre. The B-genres science fiction and fantasy were contemporaries of cinema’s emergence out of the scientific and experimental study and recording of motion made visible. In an early work like H.G. Wells’s The Time Machine, which Tolkien credited as work of fantasy, the transport through time – the ununderstood crux of this literary experiment – is conveyed through a cinematic–fantastic component in the narrative, reflecting optical innovations and forecasting the movies to come. Although the historical onset of the rivalry between the B-genres is packed with literary examples, adaptation (acknowledged or not) followed out the rebound of wish fantasy between literary descriptions of the ununderstood and their cinematic counterparts, visual and special effects. The arrival of the digital relation out of the crucible of the unknown and the special effect seemed at last to award the fantasy genre the trophy in its contest with science fiction. And yet, although science fiction indeed failed to predict the digital future, fantasy did not so much succeed as draw benefit from the mere resemblance of fantasying to the new relation. While it follows that digitization is the fantasy that is true (and not, as Tolkien had hoped, the Christian Gospel), the newly renewed B-genre without borders found support in another revaluation that was underway in the other B-genre. Once its future orientation was “history,” science fiction began indwelling the ruins of its faulty forecasts. By its new allegorical momentum, science fiction supplied captions of legibility and history to the reconfigured borderlands it cohabited with fantasy. The second volume also attends, then, to the hybrids that owed their formation to these changes, both anticipated and realized. Extending through the topography of the borderlands, works by J.G. Ballard, Ursula Le Guin, and John Boorman, among others, occupy and cathect a context of speculative fiction that suspended and blended the strict contest requirements constitutive of the separate B-genres.

Critique of Fantasy, Vol. 3: The Block of Fame

by Laurence A. Rickels

In The Block of Fame, Edmund Bergler, like the thirteenth fairy in the “Sleeping Beauty,“ uninvited because there wasn’t an extra place setting, crashes the psychoanalytic poetics of daydreaming with a curse. He charges that the overview, according to which art making rarefies daydreaming and delivers omnipotence, overlooks the underlying defense contract. We are hooked to creativity, because it offers the best defense against acknowledging the ultimate and untenable masochistic wish to be refused. Bergler’s bleak view, which Gilles Deleuze alone acknowledged in his study of Sacher-Masoch, doesn’t make any overall contribution to the aesthetics of fantasying that this critique addresses. However, it is a good fit with the centerpiece of the final volume: the wish for fame or, rather, the recoil of the wish in the wreckage that success brings. Following the opening season of mourning and the experience of phantoms, there is the second death, which is murder. In addition to the deadening end that can only be postponed – the killing off of the dead until dead dead – there is another second death that concludes the wish for fame with a ritual stripping of badges and insignia. Not only are the medals thrown to the ground and the sword broken, but a life’s work passes review. At the close of his career, Freud returned to the environs of the wish, the cornerstone of his science. While his disciples Otto Rank and Hanns Sachs carried out his 1907 insights regarding the poetics of daydreaming to illuminate, respectively, the mythic origin of the hero and the evolution of art out of the mutual daydream, Freud battened down for the end of his world by revisiting the so-called primal fantasy, the myth of the primal father, in Moses and Monotheism. The animal setting that was a given of its premier articulation in Totem and Taboo was a wrap this time around with Freud’s translation of Marie Bonaparte’s transference gift, a memoir recounting her premature mourning for her sick chow and the dog’s recovery from cancer of the jaw. In Bergler’s unconscious system, plagiarism is the conscious variation on the block basic to authorship. Theodor Adorno interpreted the ascendancy of the culture industry leading to and through the Third Reich in terms of the theft of modernism’s critical strategies for promoting the transformation of wish fantasy into the social relation of art. In the course of writing his essay “Notes on Kafka” between 1942 and 1952, Adorno was able to reclaim for aesthetic theory after Auschwitz the “constellation” that he and Benjamin had originally developed to outlast the culture industry’s depravation of the hopefulness of wishing. Adorno gives the sense or direction of the constellation’s recovery when he argues that Kafka’s work stages the final round of the contest between fantasy and science fiction by extrapolating doubling and déjà vu as the portals to a collective future. The wish for fame or to be refused it and the wish to steal this book or undo the delinquency demarcate the final movement of the third volume, which follows out, beginning with Susan Sontag and Gidget, a veritable Bildungsroman of the post-war era’s star, the teenager. Fantasying to make it big time means to be in training for big ideas and big feelings. The romance of fantasying was also reconfigured out of a station break. The Nazi elevation of youth to superego in the Heimat of the Teen Age neutralized adolescent innovation by forgoing the Hamletian stage of metabolization of the death wish. Switching to the other patient, the other teenager at heart, no longer the German but now the American or Californian, this study enters the termination phase of the analysis in the environs of a reach for the stars that is legend. It is the legend to the final volume’s mapping of our second nature as daydreamer believers.

The Crock of Gold: Large Print

by James Stephens

The Crock of Gold is a unique mixture of philosophy, Irish folklore and the battle of the sexes all with charm, humour and good grace, rotating around the astonishing story of what happens when Pan shows up in Ireland, what Angus Og does about it, and what becomes of the Daughter of Murrachu who gets caught in between them.

Crocodile Fever (Oberon Modern Plays)

by Meghan Tyler

Northern Ireland, 1989. A farmhouse window smashes, and rebellious Fianna Devlin crashes back into the life of her pious sister Alannah. Together for the first time in years, when they're forced to confront their tyrannical father’s hideous legacy, all hell breaks loose. Fuelled by Taytos, gin, 80s tunes and a chainsaw, Meghan Tyler’s surreal Crocodile Fever is a grotesque black comedy celebrating sisterhood whilst reminding us that the pressure cooker of The Troubles is closer than we imagine.

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