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The Classical Hollywood Reader
by Steve NealeThe Classical Hollywood Reader brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. Following on from a Prologue that discusses the aesthetic characteristics of Classical Hollywood films, Part 1 covers the period between the 1910s and the mid-to-late 1920s. It deals with the advent of feature-length films in the US and the growing national and international dominance of the companies responsible for their production, distribution and exhibition. In doing so, it also deals with film making practices, aspects of style, the changing roles played by women in an increasingly business-oriented environment, and the different audiences in the US for which Hollywood sought to cater. Part 2 covers the period between the coming of sound in the mid 1920s and the beginnings of the demise of the `studio system` in late 1940s. In doing so it deals with the impact of sound on films and film production in the US and Europe, the subsequent impact of the Depression and World War II on the industry and its audiences, the growth of unions, and the roles played by production managers and film stars at the height of the studio era. Part 3 deals with aspects of style, censorship, technology, and film production. It includes articles on the Production Code, music and sound, cinematography, and the often neglected topic of animation. Part 4 covers the period between 1946 and 1966. It deals with the demise of the studio system and the advent of independent production. In an era of demographic and social change, it looks at the growth of drive-in theatres, the impact of television, the advent of new technologies, the increasing importance of international markets, the Hollywood blacklist, the rise in art house imports and in overseas production, and the eventual demise of the Production Code. Designed especially for courses on Hollywood Cinema, the Reader includes a number of newly researched and written chapters and a series of introductions to each of its parts. It concludes with an epilogue, a list of resources for further research, and an extensive bibliography.
Classical Hollywood und kontinentale Philosophie (Neue Perspektiven der Medienästhetik)
by Ivo RitzerDie Autorinnen und Autoren nehmen paradigmatische Analysen von spezifischen Produktionen des Classical Hollywood aus genuin philosophischer Perspektive vor. Leitfragen weisen sie je kulturellen, generischen und/oder autorspezifischen Kontexten zu, wobei sowohl anthropologische, psychoanalytische, phänomenologische als auch poststrukturalistische Theorien der kontinentalen Philosophie den methodischen Horizont bilden. In dieser Hinsicht wird eine multiperspektivische Situierung der Untersuchungsgegenstände geleistet, um eine differenzierte Betrachtung des Systems von Classical Hollywood sicher zu stellen. Ziel ist, eine komparatistische Sicht auf unterschiedliche Genres, Filmemacher und Bildpraktiken zu ermöglichen, so dass die differenten Facetten des Classical Hollywood sichtbar werden.
Classical Islam: A History, 600 A.D. to 1258 A.D.
by G. E. von GrunebaumIn a book written with the poignancy and beauty appropriate to its subject matter, the author opens by reminding us that the essence of a society is in a sense identical with its history. Classical Islam also serves as a reminder that in the case of Islam, despite its triumphs on the fields of battle, telling its history is the only way open to us to render that essence accessible and show it from all sides. The work offers a grand narrative of a faith that offers an interpretation of the world, a way of life, and a style of thinking, that goes far beyond institutional or political supports. The relevance of this historical perspective is beyond dispute. The period from 610 A.D. when Muhammad received his call until the conquest of Baghdad by the Mongols in 1258 is known as the classical period of Islam. This was the period of the great expansion of Islam both as a political structure and as a religious and intellectual community. It established the base for the development of the high Islamic civilization of North Africa, the Near East, Persia, and India, as well as further expansion of the Islamic religious and intellectual community throughout the world. This book presents an authoritative history of the period written by one of the world's leading experts on the subject.Classical Islam examines the relationships, both cultural and political, between the Islamic world and the Mediterranean countries and India and elaborates on the economic, social, and intellectual factors and forces that shaped the Muslim world and molded its interactions with infidels. The work is written in a clear and direct narrative form, emphasizing simultaneously the major intellectual trends and the political events and tendencies of the formative period in Islamic history that still resonates today.
Classical Islam: A History, 600 A.D. to 1258 A.D.
by G. E. von GrunebaumIn a book written with the poignancy and beauty appropriate to its subject matter, the author opens by reminding us that the essence of a society is in a sense identical with its history. Classical Islam also serves as a reminder that in the case of Islam, despite its triumphs on the fields of battle, telling its history is the only way open to us to render that essence accessible and show it from all sides. The work offers a grand narrative of a faith that offers an interpretation of the world, a way of life, and a style of thinking, that goes far beyond institutional or political supports. The relevance of this historical perspective is beyond dispute. The period from 610 A.D. when Muhammad received his call until the conquest of Baghdad by the Mongols in 1258 is known as the classical period of Islam. This was the period of the great expansion of Islam both as a political structure and as a religious and intellectual community. It established the base for the development of the high Islamic civilization of North Africa, the Near East, Persia, and India, as well as further expansion of the Islamic religious and intellectual community throughout the world. This book presents an authoritative history of the period written by one of the world's leading experts on the subject.Classical Islam examines the relationships, both cultural and political, between the Islamic world and the Mediterranean countries and India and elaborates on the economic, social, and intellectual factors and forces that shaped the Muslim world and molded its interactions with infidels. The work is written in a clear and direct narrative form, emphasizing simultaneously the major intellectual trends and the political events and tendencies of the formative period in Islamic history that still resonates today.
Classical Learning in Britain, France, and the Dutch Republic, 1690-1750: Beyond the Ancients and the Moderns (Oxford Historical Monographs)
by Floris VerhaartFor much of western history, the achievements of classical antiquity were seen as unsurpassable, and works by Latin and Greek authors were viewed as treasure troves of information still useful for contemporary society. By the late seventeenth century, however, the progress of scientific discoveries and the new paradigms of rationalism and empiricism meant the authority of the ancients was called into question. Those working on the classical past and its literature debated new ways of defending their relevance for society. The different approaches to classical literature defended in these debates explain how the writings of ancient Greece and Rome could become a vital part of eighteenth-century culture and political thinking. Floris Verhaart analyses these eighteenth-century debates about the value of classics, arguing that the Enlightenment, though often seen as an age of reason and modernity, in fact continuously sought inspiration from preceding traditions and ages such as Renaissance humanism and classical antiquity. The volume offers an interesting parallel with the modern day, in which the relationship between 'experts' and the general public has become the topic of debate and many academics, especially in the humanities, face pressure to explain how their work benefits society at large.
Classical Learning in Britain, France, and the Dutch Republic, 1690-1750: Beyond the Ancients and the Moderns (Oxford Historical Monographs)
by Floris VerhaartFor much of western history, the achievements of classical antiquity were seen as unsurpassable, and works by Latin and Greek authors were viewed as treasure troves of information still useful for contemporary society. By the late seventeenth century, however, the progress of scientific discoveries and the new paradigms of rationalism and empiricism meant the authority of the ancients was called into question. Those working on the classical past and its literature debated new ways of defending their relevance for society. The different approaches to classical literature defended in these debates explain how the writings of ancient Greece and Rome could become a vital part of eighteenth-century culture and political thinking. Floris Verhaart analyses these eighteenth-century debates about the value of classics, arguing that the Enlightenment, though often seen as an age of reason and modernity, in fact continuously sought inspiration from preceding traditions and ages such as Renaissance humanism and classical antiquity. The volume offers an interesting parallel with the modern day, in which the relationship between 'experts' and the general public has become the topic of debate and many academics, especially in the humanities, face pressure to explain how their work benefits society at large.
Classical Liberalism: The Unvanquished Ideal
by D. ConwayThis text defends the ideal of minimum government against the charges put forward by egalitarian welfare liberals, communitarians and conservatives, arguing it best advances human well being.
Classical Liberalism: The Unvanquished Ideal
by D. Conway`The author's concise and erudite exposition makes the book highly relevant to the study of liberalism and ideologies. Recommended for political scientists, economists, philosophers, and for all levels of students and faculty.' - R.J. Vichot, Florida International University This book restates and defends the classical liberal case for minimal government, arguing that such government would best advance human well-being in all societies. The classical liberal ideal is defended against its main contemporary opponents, taken to be modern welfare liberals, communitarians, and conservatives. These variously oppose minimum government in the names of equality, community, and the need for states to retain the patriotic allegiance of their citizens which conservatives maintain minimal government is unable to do.
Classical Liberalism and International Relations Theory: Hume, Smith, Mises, and Hayek (The Palgrave Macmillan History of International Thought)
by Edwin van de HaarThis book calls for a reappraisal of liberalism in IR theory. Based on the first comprehensive analysis of the ideas by David Hume, Ludwig von Mises and Friedrich Hayek and a new perspective on Adam Smith and international relations, the analysis shows that classical liberalism differs substantially from other forms of liberalism.
Classical Marble: Geochemistry, Technology, Trade (NATO Science Series E: #153)
by N. Herz Marc WaelkensMarble in Ancient Greece and Rome: Geology, Quarries, Commerce, Artifacts Marble remains the sine qua non raw material of the an cient Greeks and Romans. Beginning in the Bronze Age sculptu re began in marble and throughout classical times the most im portant statues, reliefs, monuments and inscriptions were made of it. Yet, quarry sources changed in time as preferences for different marbles were influenced by local traditions, the pos sibilities of transport, esthetic tastes, and economics. Marble studies and the identification of the provenance of marble can thus reveal much about Greek and Roman history, trade, esthe tics and technology. Persons in many disciplines are studying various aspects of Greek and Roman marble usage. Geologists and geochemists are working on methods to determine the provenance of marble; ar chaeologists are noting changing patterns of import and use in excavation~ and discovering how improving quarrying techniques and prelimihary dressing of the extracted material influenced the final shape of artifacts; ancient historians are now under standing quarry organization and bureaucracies that controlled marble production and trade; art historians are seeing how phy sical characteristics of the stone affected the techniques and style of sculpture; architects and engineers are interested in quarry technologies and usage in building construction. These specialists drawn from many disciplines rarely have an opportu nity to compare notes and see how each can contribute to the research effort of others.
Classical Marxism in an Age of Capitalist Crisis: The Past is Prologue
by William BriggsWill capitalism survive forever? Capitalism has always lived in and with crisis. Wars, revolutions, economic depression and repeated recessions, the threat of nuclear annihilation and ecological disaster have all failed to break the dominance of this economic and political system. Challenging the predominance of capitalism in a world fraught with inequalities, this book returns to classical Marxism to reaffirm its relevance. It explores the contradictions within capitalism as well as explains why Marxism has been unable to mount a sustained challenge to capitalism. In order to explore concrete alternatives in a period of increasing capitalist globalisation and crisis, it goes on to present perspectives by which theory and practice might be reunited to building independent political and organisational structures. A search for “something better”, this volume will be an engaging read for scholars and researchers of politics, especially political theory and political economy, economics, and sociology.
Classical Marxism in an Age of Capitalist Crisis: The Past is Prologue
by William BriggsWill capitalism survive forever? Capitalism has always lived in and with crisis. Wars, revolutions, economic depression and repeated recessions, the threat of nuclear annihilation and ecological disaster have all failed to break the dominance of this economic and political system. Challenging the predominance of capitalism in a world fraught with inequalities, this book returns to classical Marxism to reaffirm its relevance. It explores the contradictions within capitalism as well as explains why Marxism has been unable to mount a sustained challenge to capitalism. In order to explore concrete alternatives in a period of increasing capitalist globalisation and crisis, it goes on to present perspectives by which theory and practice might be reunited to building independent political and organisational structures. A search for “something better”, this volume will be an engaging read for scholars and researchers of politics, especially political theory and political economy, economics, and sociology.
Classical Masculinity and the Spectacular Body on Film: The Mighty Sons of Hercules
by D. O'BrienThe muscle-bound male body is a perennial feature of classically-inflected action cinema. This book reassesses these films as a cinematic form, focusing on the depiction of heroic masculinity. In particular, Hercules in his many incarnations has greatly influenced popular cultural interpretations of manliness and the exaggerated male form.
Classical Mathematics from Al-Khwarizmi to Descartes (Culture and Civilization in the Middle East)
by Roshdi RashedThis book follows the development of classical mathematics and the relation between work done in the Arab and Islamic worlds and that undertaken by the likes of Descartes and Fermat. ‘Early modern,’ mathematics is a term widely used to refer to the mathematics which developed in the West during the sixteenth and seventeenth century. For many historians and philosophers this is the watershed which marks a radical departure from ‘classical mathematics,’ to more modern mathematics; heralding the arrival of algebra, geometrical algebra, and the mathematics of the continuous. In this book, Roshdi Rashed demonstrates that ‘early modern,’ mathematics is actually far more composite than previously assumed, with each branch having different traceable origins which span the millennium. Going back to the beginning of these parts, the aim of this book is to identify the concepts and practices of key figures in their development, thereby presenting a fuller reality of these mathematics. This book will be of interest to students and scholars specialising in Islamic science and mathematics, as well as to those with an interest in the more general history of science and mathematics and the transmission of ideas and culture.
Classical Mathematics from Al-Khwarizmi to Descartes (Culture and Civilization in the Middle East)
by Roshdi RashedThis book follows the development of classical mathematics and the relation between work done in the Arab and Islamic worlds and that undertaken by the likes of Descartes and Fermat. ‘Early modern,’ mathematics is a term widely used to refer to the mathematics which developed in the West during the sixteenth and seventeenth century. For many historians and philosophers this is the watershed which marks a radical departure from ‘classical mathematics,’ to more modern mathematics; heralding the arrival of algebra, geometrical algebra, and the mathematics of the continuous. In this book, Roshdi Rashed demonstrates that ‘early modern,’ mathematics is actually far more composite than previously assumed, with each branch having different traceable origins which span the millennium. Going back to the beginning of these parts, the aim of this book is to identify the concepts and practices of key figures in their development, thereby presenting a fuller reality of these mathematics. This book will be of interest to students and scholars specialising in Islamic science and mathematics, as well as to those with an interest in the more general history of science and mathematics and the transmission of ideas and culture.
Classical Music and Opera During and After the COVID-19 Pandemic: Empirical Research on the Digital Transformation of Socio-cultural Institutions and Aesthetic Forms (Music Business Research)
by Steffen Lepa Ruth Müller-Lindenberg Hauke EgermannThe global COVID-19 pandemic, the resulting lockdown imposed in many countries, as well as related safety measures taken by governments and authorities, have posed significant challenges to classical music culture. However, they may also have had a stimulating effect on music festivals and opera houses’ streaming offerings. This book brings together experts from the fields of musicology and music management to share their current empirical research findings on the pandemic-evoked digital transformation of the classical music scene, addressing either the institutional or the reception perspective. Furthermore, it documents discussions with opera dramaturgs and artistic directors, as well as music managers and event producers in the classical field, to share their practical lockdown experiences and current strategies in dealing with the digital transformation of opera. In this way, the volume combines the perspective of academic researchers with that of practitioners in the field. This book is particularly useful for students and researchers in music and media management, as well as musicology. It is also intended to help practitioners from concert houses and opera management, such as dramaturges, artistic directors, marketing and communication directors.
Classical Music in Weimar Germany: Culture and Politics before the Third Reich
by Brendan FayFrom Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany-a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in 20th-century Germany.
Classical Music in Weimar Germany: Culture and Politics before the Third Reich
by Brendan FayFrom Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany-a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in 20th-century Germany.
Classical Music Radio in the United Kingdom, 1945–1995
by Tony StollerThis book is the first comprehensive account of classical music on all British radio stations, BBC and commercial, between 1945 and 1995. It narrates the shifting development of those services, from before the launch of the Third Programme until after the start of Classic FM, examining the output from both qualitative and quantitative perspectives, as well as recounting some of the stories and anecdotes which enliven the tale. During these fifty years, British classical music radio featured spells of broad, multi-channel classical music radio, with aspirational and mainstream culture enjoying positive interactions, followed by periods of more restricted and exclusive output, in a paradigm of the place of high culture in UK society as a whole. The history was characterised by the recurring tensions between elite and popular provision, and the interplay of demands for highbrow and middlebrow output, and also sheds new light on the continuing relevance of class in Britain. It is an important and unique resource for those studying British history in the second half of the twentieth century, as well as being a compelling and diverting account for enthusiasts for classical music radio.
Classical Music Radio in the United Kingdom, 1945–1995
by Tony StollerThis book is the first comprehensive account of classical music on all British radio stations, BBC and commercial, between 1945 and 1995. It narrates the shifting development of those services, from before the launch of the Third Programme until after the start of Classic FM, examining the output from both qualitative and quantitative perspectives, as well as recounting some of the stories and anecdotes which enliven the tale. During these fifty years, British classical music radio featured spells of broad, multi-channel classical music radio, with aspirational and mainstream culture enjoying positive interactions, followed by periods of more restricted and exclusive output, in a paradigm of the place of high culture in UK society as a whole. The history was characterised by the recurring tensions between elite and popular provision, and the interplay of demands for highbrow and middlebrow output, and also sheds new light on the continuing relevance of class in Britain. It is an important and unique resource for those studying British history in the second half of the twentieth century, as well as being a compelling and diverting account for enthusiasts for classical music radio.
Classical Myth: (pdf)
by Barry B. PowellFor decades, Classical Myth has been one of the most popular and best-selling texts for the study of classical myth. Oxford University Press is proud to publish this essential book in a vibrant new ninth edition, complemented by digital learning resources that further enhance the reader's engagement with the classical past. Visit www.oup.com/us/he/powell9e for a wealth of new digital teaching and learning resources. Package this text at a discount with one or more of the author's translations of the Iliad, the Odyssey, and the Aeneid--all pubished by Oxford University Press--or with any title in the Oxford World's Classics series. Please contact your OUP sales representative to set up a package.
Classical Myth and Culture in the Cinema
Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in ancient Greece and Rome and to films that reflect archetypal features of classical literature. The diversity of content and theoretical stances found in this volume will make it required reading for scholars and students interested in interdisciplinary approaches to text and image, and for anyone interested in the presence of Greece and Rome in modern popular culture.
Classical Myth And Psychoanalysis: Ancient And Modern Stories Of The Self (Classical Presences)
by Vanda Zajko Ellen O'GormanSince Freud published the Interpretation of Dreams in 1900 and utilized Sophocles' Oedipus Rex to work through his developing ideas about the psycho-sexual development of children, it has been virtually impossible to think about psychoanalysis without reference to classical myth. Myth has the capacity to transcend the context of any particular retelling, continuing to transform our understanding of the present. Throughout the twentieth century, experts on the ancient world have turned to the insights of psychoanalytic criticism to supplement and inform their readings of classical myth and literature. This volume examines the inter-relationship of classical myth and psychoanalysis from the generation before Freud to the present day, engaging with debates about the role of classical myth in modernity, the importance of psychoanalytic ideas for cultural critique, and its ongoing relevance to ways of conceiving the self. The chapters trace the historical roots of terms in everyday usage, such as narcissism and the phallic symbol, in the reception of Classical Greece, and cover a variety of both classical and psychoanalytic texts.
Classical Myth on Screen
by Monica S. Cyrino Meredith E. SafranAn examination of how screen texts embrace, refute, and reinvent the cultural heritage of antiquity, this volume looks at specific story-patterns and archetypes from Greco-Roman culture. The contributors offer a variety of perspectives, highlighting key cultural relay points at which a myth is received and reformulated for a particular audience.
Classical Mythology: Myths and Legends of the Ancient World
by Nathaniel Hawthorne F. Storr V.C. Turnbull H.P. Maskell Guy E. Lloyd M. M. Bird Hope Moncrieff Thomas BulfinchTravel back to a time when divine beings mixed with mortals, when heroes battled sorcerers, and nature was a mysterious realm ruled by beautiful and dangerous deities.From the legends of Hercules and the Titans, to tales of the underworld and the destruction of Troy, these enduring myths have formed a major part of Western culture for millennia and continue to capture our imaginations today.Beautifully illustrated with dramatic scenes from master artists of the 16th through to the 19th century, this elegant collection contains more than 40 fascinating tales retold by a variety of expert storytellers.